Whom do you lead on Rapture’s roadway, far,
Before you agonize them in farewell?
That’s what it comes to. But look who has just arrived.’
Three people were sitting down at a table near the door of the restaurant. They were Mark Members, J. G. Quiggin and Anne Umfraville.
‘I feel better after getting all that off my chest,’ said Moreland.
‘Shall we go back?’
‘Do you think Lady Molly will have forgotten who I am?’ said Moreland. ‘It’s terribly kind of her to put me up like this, but you know what bad memories warm hearted people have.’
I saw from that Moreland had perfectly grasped Molly Jeavons’s character. Nothing was more probable than that she would have to be reminded of the whole incident of inviting him to the house when she saw him at breakfast the following morning. Like so many persons who live disordered lives, Moreland had peculiar powers of falling on his feet, an instinctive awareness of where to look for help. That was perhaps the legacy of early poverty. He and Molly Jeavons – although she made no claims whatever to know about the arts – would understand each other. If he overstayed his welcome – with Moreland not inconceivable – she would throw him out without the smallest ill-feeling on either side.
‘We might have a word with the literary critics on the way out,’ said Moreland.
‘What happened to Anne Umfraville in the light of recent developments?’
‘I don’t know,’ said Moreland. ‘I thought she was interested in your friend Templer. I understand she was passing out of Donners’s life in any case. She must have made some new friends.’
We paid the bill, pausing on the way out at the table by the door.
‘Who told you of this restaurant?’ said Quiggin. ‘I thought it was only known to Anne and myself – you have met, of course?’
His air was somewhat proprietorial.
‘Anne has a flat not far from here,’ he said. ‘Mark and I have been working late there.’
‘What at?’
‘Proofs,’ said Quiggin.
He did not explain what kind of proofs. Neither Moreland nor I inquired.
‘How is Matty, Hugh?’ asked Members.
‘On tour.’
‘I do adore Matilda,’ said Anne Umfraville. ‘Have you been to Stourwater lately? I have rather quarrelled with Magnus. He can be so tiresome. So pompous, you know.’
‘I don’t live near there any longer,’ said Moreland, ‘so we haven’t met for a month or two. Sir Magnus himself is no longer occupying the castle, of course. It has been taken over by the government, but I can’t remember for what purpose. Just as a castle, I suppose.’
‘What a ludicrous way this war is being run,’ said Quiggin. ‘I was talking to Howard Craggs about its inanities last night. Have you got a decent shelter where you live?’
‘I’m just going back there,’ said Moreland, ‘never to emerge.’
‘Give my love to Matty when you next see her,’ said Members.
‘And mine,’ said Anne Umfraville.
We said good night.
‘I think people know about Matilda,’ said Moreland.
We passed through streets lit only by a cold autumnal moon.
‘Have you the key?’
Moreland found it at last. We went upstairs to the drawing-room. Jeavons was wandering about restlessly. He had abandoned his beret, now wore a mackintosh over pyjamas. His brother was in an armchair, smoking his pipe and going through a pile of papers beside him on the floor. He would check each document, then place it on a stack the other side of his chair.
‘We got rid of them at last,’ said Jeavons. ‘Molly’s gone to bed. They struck a pretty hard bargain with Stanley. Still, the place seems to suit. That’s what matters. I’d rather it was Lil than me. What was dinner like?’
‘Not bad.’
‘How was our blackout as you came up the street?’
‘Not a chink of light.’
‘Have some beer?’
‘I think I’ll go straight to bed, if you don’t mind,’ said Moreland. ‘I feel a bit done in.’
I had never heard Moreland refuse a drink before. He must have been utterly exhausted. He had cheered up during dinner. Now he looked like death again.
‘I’ll come up with you to make sure the blackout won’t fall down,’ said Jeavons. ‘Never do to be fined as a warden.’
‘Good night, Nick.’
‘Good night.’
They went upstairs. Stanley Jeavons threw down what was apparently the last of his papers. He took the pipe from his mouth and began to knock it out against his heel. He sighed deeply.
‘I think I’ll have a glass of beer too,’ he said.
He helped himself and sat down again.
‘It’s extraordinary,’ he said, ‘how you get a hunch from a chap’s handwriting if he’s done three years for fraudulent conversion.’
‘In business?’
‘In business, too. I meant in what I’m doing now.’
‘What are you doing?’
‘Reservists.’
‘For the army?’
‘Sorting them out. Got a pile of their personal details here. Stacks more at the office. Brought a batch home to work on.’
‘Then what happens?’
‘Some of them get called up.’
‘I’m on some form of the Reserve myself.’
‘Which one?’
I told him.
‘You’ll probably come my way in due course – or one of my colleagues’.’
‘Could it be speeded up?’
‘What?’
‘Finding my name.’
‘Would you like that?’
‘Yes.’
‘Don’t see why not.’
‘You could?’
‘M’m.’
‘Fairly soon?’
‘How old are you?’
I told him that too.
‘Health A.I?’
‘I think so.’
‘School OTC?’
‘Yes.’
‘Get a Certificate A there?’
‘Yes.’
‘What arm is your choice?’
‘Infantry.’
‘Any particular regiment?’
I made a suggestion.
‘You don’t want one of the London regiments?’
‘Not specially. Why?’
‘Everyone seems to want a London regiment,’ he said. ‘Probably be able to fix you up with an out-of-the-way regiment like that.’
‘It would be kind.’
‘And you’d like to get cracking?’
‘Yes.’
‘I’ll see what we can do.’
‘That’s very good of you.’
‘Might take a week or two.’
‘That’s all right.’
‘Just let me write your name in my little book.’
Jeavons returned to the room.
‘That friend of yours is absolutely cooked,’ he said. ‘He’d have been happy to sleep on the floor. His blackout is all correct now, if he doesn’t interfere with it. Well, Stan, I don’t know how much Lil is going to enjoy living in a cottage with Mrs W.’
‘Lil will be all right,’ said Stanley Jeavons. ‘She can get on with all sorts.’
‘More than I can,’ said Jeavons.
Stanley Jeavons shook his head without smiling. He evidently found his brother’s life inexplicable, had no desire whatever to share its extravagances. Jeavons moved towards the table where the beer bottles stood. Suddenly he began to sing in that full, deep, unexpectedly attractive voice, so different from the croaking tones in which he ordinarily conversed:
‘There’s a long, long trail a-winding
Into the land of . . . my dreams,
Where the night . . . ingale is singing
And the white moon beams.
There’s a long, long night of waiting,
Until my dreams all . . . come true . . .’
He broke o
ff as suddenly as he had begun. Stanley Jeavons began tapping out his pipe again, perhaps to put a stop to this refrain.
‘Used to sing that while we were blanco-ing,’ said Jeavons. ‘God, how fed up I got cleaning that bloody equipment.’
‘I shall have to go home, Ted.’
‘Don’t hurry away.’
‘I must.’
‘Have some more beer.’
‘No.’
‘Come and see us soon,’ said Jeavons, ‘before we all get blown up. I’m still not satisfied with the fold of that curtain. Got the blackout on the brain. You haven’t a safety-pin about you, have you, Stan?’
Outside the moon had gone behind a bank of cloud. I went home through the gloom, exhilarated, at the same time rather afraid. Ahead lay the region beyond the white-currant bushes, where the wild country began, where armies for ever campaigned, where the Rules and Discipline of War prevailed. Another stage of life was passed, just as finally, just as irrevocably, as on that day when childhood had come so abruptly to an end at Stonehurst.
ALSO AVAILABLE IN ARROW
Invitation to the Dance
Hilary Spurling
A Dance to the Music of Time is a literary landmark of twentieth-century writing. As the reader cavorts through the 12-volume novel alongside the narrator Nicholas Jenkins, it soon becomes apparent that he inevitably confuses dates and events, but Hilary Spurling tidies up the most minute detail into its proper place.
More than a simple glossary, Invitation to the Dance contains extensive Character, Book, Painting and Place indices, creating a magnificent database of Powell’s imagination and England’s cultural landscape. This is a masterpiece of ‘extreme ingenuity’ detailing over four hundred characters and one million words of Powell’s lively fifty-year dance of fiction and fact.
‘Hilary Spurling’s handbook triumphantly succeeds in its twofold aim of being reference-guide and bedside companion; funny and observant too, as befits the subject.’
Kingsley Amis, Observer
‘Hilary Spurling’s exhaustive analysis of the novel’s characters supplies a master-key for the reader to make a decision on these and many other points.’
Anthony Powell
This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.
Version 1.0
Epub ISBN 9781448185993
www.randomhouse.co.uk
Reprinted in Arrow Books 2000
10
At Lady Molly’s first published in Great Britain 1957
by William Heinemann Ltd
Copyright © 1957 by Anthony Powell
Casanova’s Chinese Restaurant first published in Great Britain 1960
by William Heinemann Ltd
Copyright © 1960 by Anthony Powell
The Kindly Ones first published in Great Britain 1962
by William Heinemann Ltd
Copyright © 1962 by Anthony Powell
The right of Anthony Powell to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act, 1988
This edition first published in the United Kingdom in 1997 by Mandarin and reprinted 4 times
Arrow Books
The Random House Group Limited
20 Vauxhall Bridge Road, London SW1V 2SA
Addresses for companies within The Random House Group Limited can be found at: www.randomhouse.co.uk/offices.htm
The Random House Group Limited Reg. No. 954009
A CIP catalogue record for this book is available from the British Library
ISBN 9780099416876
Dance to the Music of Time, Volume 2 Page 69