by Paul Cronin
dreaming, 1, 2, 3, 4
drugs, 1
ecstasy/ecstatic: Bacchic, 1;
concept, 1;
Herzog’s position, 1, 2;
filmmaking, 1;
landscapes, 1, 2, 3;
ski flyers, 1, 2;
truth, 1, 2;
Wodaabe tribesmen, 1, 2
editing, 1, 2, 3, 4, 5, 6, 7, 8
environmental destruction, 1, 2
ethnography, 1
exploration, 1, 2, 3, 4
facial hair, 1, 2
family of characters, 1, 2, 3
fear, 1, 2, 3, 4, 5
film crews, 1, 2, 3, 4, 5, 6, 7, 8, 9
film festivals, 1
film-going, 1, 2, 3
film preservation, 1
film schools, 1, 2, 3, 4, 5
films (as director), see under individual titles
finance and money: Aguirre budget, 1;
attitudes to film finance, 1, 2, 3, 4, 5;
awards, 1, 2, 3;
editing, 1;
expenses, 1, 2, 3;
film preservation, 1;
film production company, 1, 2;
financial crisis (2008), 1;
Fitzcarraldo, 1;
lifestyle, 1;
My Best Fiend funding, 1;
My Son, My Son financing, 1;
paying extras, 1;
projects, 1;
publishing screenplays, 1;
raising money, 1, 2;
Rescue Dawn financing, 1;
subsidy system, 1;
trade unions, 1;
Twentieth Century Fox, 1
foolishness of filmmakers, 1
football: assessing players, 1;
childhood interest, 1, 2;
favourite players, 1;
film director as football coach, 1;
goalkeeping, 1;
imaginary match, 1;
injuries, 1, 2;
playing for Munich team, 1, 2, 3;
playing in Peru, 1;
thinking about, 1;
understanding of, 1;
watching matches on television, 1
forgery, 1, 2, 3, 4
God, 1, 2, 3n, 4
gravity, 1, 2, 3, 4, 5, 6
gun-runner story, 1
happiness, 1, 2, 3, 4
health: altitude sickness, 1;
antibiotics, 1, 2;
broken leg, 1;
cacti spines, 1;
childhood illness, 1;
football injuries, 1, 2;
illness on the Nile, 1;
malaria and bilharzia, 1;
pain relief, 1, 2;
rodeo injuries, 1;
snowmobile injury, 1;
whiplash, 1
hobbies, 1
hotels, 1, 2, 3
house-breaking, 1
humour, 1, 2
hypnotism, 1, 2, 3, 4
ideology, 1, 2, 3, 4, 5
improvisation, 1
independent film, 1, 2
influences, 1, 2, 3, 4
interviewing, 1, 2, 3, 4, 5
irony, 1, 2
isolation, 1
jungles: Aguirre filming, 1, 2, 3;
bird noises, 1;
Fitzcarraldo filming, 1, 2, 3, 4, 5, 6;
landscapes, 1;
Little Dieter filming, 1;
My Best Fiend filming, 1;
preparations for filming, 1, 2;
Rescue Dawn filming, 1;
view of, 1n;
The White Diamond filming, 1, 2;
Wings of Hope, 1
landscapes: Aborigine songs, 1;
African, 1;
Aguirre, 1, 2;
Alaska, 1, 2;
Antarctic, 1, 2;
Chauvet, 1;
desert, 1, 2, 3;
directing, 1;
ecstatic, 1, 2, 3;
embarrassed, 1, 2;
“Fantastic Landscapes” discussion, 1;
Fata Morgana, 1, 2, 3;
grandfather’s influence, 1;
Heart of Glass, 1, 2;
inner, 1, 2, 3, 4, 5, 6, 7;
jungle, 1;
Lessons of Darkness, 1, 2;
Nosferatu, 1;
Segers’s work, 1;
starting point of films, 1, 2;
travelling through, 1, 2
languages: Bavarian dialect, 1, 2, 3, 4;
English, 1, 2, 3, 4, 5, 6, 7;
French, 1;
Greek, 1, 2, 3, 4;
Latin, 1, 2;
Nahuatl, 1, 2;
Spanish, 1, 2, 3
legitimacy, 1, 2
livestock auctioneers, 1
locations, 1, 2, 3, 4, 5, 6, 7, 8, 9
lock picking, 1, 2, 3
Middle Ages, 1, 2
Minnesota Declaration, 1, 2, 3
money, 1, 2, 3, 4, 5
museums, 1
music, 1, 2, 3, 4, 5, 6
New German Cinema, 1
nomadism, 1, 2, 3
opera: Bayreuth Wagner Festival, 1, 2;
La Bohème, 1;
Doktor Faust, 1;
Fitzcarraldo, 1, 2, 3, 4, 5;
The Flying Dutchman, 1;
individual performances, 1;
Lohengrin, 1, 2, 3;
other people’s productions, 1;
productions, 1, 2, 3, 4, 5, 6;
reading music, 1;
response to Wagner, 1;
silence in, 1;
Tannhäuser, 1;
working with opera singers, 1
overcrowding of the planet, 1
pain, 1
photography, 1
Photoshop, 1, 2
poetry, 1, 2
producing, 1, 2, 3
production company, 1, 2, 3, 4
propaganda, 1, 2
pseudo-reality, 1
psychology, 1
publishing company, 1
reading reviews, 1
rehearsing, 1, 2
religion, 1, 2, 3, 4
restaurants, 1
revenge, 1
risk-taking, 1, 2, 3, 4
Rogue Film School, see Rogue Film School
Romanticism, 1
school, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11
screenwriting, 1, 2
self-promotion, 1
self-reliance, 1, 2, 3, 4
shoe eating, 1
singing, 1
ski flying, 1
slateboard, 1
solitude, 1, 2, 3
sound in film, 1, 2, 3, 4, 5, 6, 7, 8
spatial awareness, 1, 2, 3
story, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12
storyboarding, 1
strongmen, 1, 2, 3
sublime, 1
tattoo, 1
telephones, 1, 2, 3, 4
television, 1, 2, 3
theatre, 1, 2
themes in films, 1, 2
Third Reich, 1, 2, 3, 4, 5
trade unions, 1
travel, 1, 2;
Africa, 1, 2, 3, 4, 5;
Amazon, 1, 2, 3, 4;
Antarctica, 1, 2, 3, 4, 5, 6, 7;
Congo, 1, 2;
Crete, 1, 2, 3, 4, 5;
Egypt, 1;
England, 1, 2, 3;
Greece, 1, 2;
Mexico, 1, 2, 3, 4, 5, 6;
Peru, 1, 2, 3, 4, 5, 6, 7, 8, 9;
Sudan, 1, 2;
Thailand, 1, 2, 3, 4;
United States, 1, 2, 3, 4, 5, 6, 7, 8
university, 1, 2, 3, 4
Vienna, 1, 2, 3, 4, 5, 6, 7, 8
voyeurism, 1
walking, 1, 2, 3, 4
West Germany, 1, 2, 3, 4, 5, 6, 7
Wrestlemania, 1, 2
writings (as author or translator):
Collected Works of Billy the Kid,
The (Ondaatje), 1;
Conquest of the Useless, 1, 2, 3, 4;
novel (unfinished), 1;
Of Walking in Ice, 1, 2, 3;
“On the Absolute, the Sublime and Ecstatic Truth,” 1;
poet
ry, 1
yoga, 1, 2, 3
zoos, 1, 2, 3
Hessischer Rundfunk, 1
Higgins, Dick, 1n
Hilton, Conrad, 1
Hitchcock, Alfred, 1, 2, 3
Hitchens, Christopher, 1
Hitler, Adolf: attitudes to, 1, 2, 3, 4;
death, 1n;
Eisner’s career, 1;
film culture after, 1, 2;
invasion of Russia, 1;
legacy, 1;
rise to power, 1, 2, 3, 4, 5;
Wagner connection, 1
Hölderlin, Friedrich, 1, 2, 3, 4, 5, 6, 7, 8
Hombrecito, 1, 2
Houphouët-Boigny, Félix, 1
How Much Wood Would a Woodchuck Chuck, 1
Huguenard, Amie, 1, 2, 3, 4
Huie’s Sermon, 1
Hunting Scenes in Bavaria (Fleischmann), 1, 2
Hurricane Gustav, 1
Hurricane Katrina, 1
Hussein, Saddam, 1
Huston, John, 1
Iceland, 1, 2, 3, 4
In Patagonia (Chatwin), 1
Incident at Loch Ness (Penn), 1, 2, 3
Institut für Filmgestaltung, 1
Into the Abyss, 1, 2, 3, 4, 5
Invincible: casting, 1, 2;
character of Hanussen, 1;
character of Zishe, 1, 2;
crabs in, 1, 2;
editing, 1;
filming, 1;
Golder’s role, 1n;
green-screen shot, 1;
hypnosis in, 1, 2;
influences on, 1;
music, 1;
return scene, 1;
story, 1, 2
Iphigenia (Goethe), 1
Ireland, 1, 2, 3, 4
Ivan the Terrible (Eisenstein), 1
Jack Reacher (McQuarrie), 1, 2
Jacob, Ken, 1
Jagger, Mick, 1, 2, 3, 4, 5, 6
Jesus Christ, 1, 2, 3, 4, 5, 6
Johnson Space Center, 1, 2
Josse, Claude, 1
Joyce, James, 1
julien donkey-boy (Korine), 1, 2
Kael, Pauline, 1
Kafka, Franz, 1, 2, 3
Kagel, Mauricio, 1
Kailash, Mount, 1
Kaiser, Henry, 1, 2, 3, 4
Kammerlander, Hans, 1, 2, 3
Kapuściński, Ryszard, 1
Katzelmacher (Fassbinder), 1
Käutner, Helmut, 1
Kazan, Elia, 1
Keaton, Buster, 1, 2
Keller, Helen, 1
Kempis, Thomas à, 1
Khayyám, Omar, 1
Khmer Rouge, 1
Khun Sa, 1
Kiarostami, Abbas, 1, 2
Kinder, Mütter und ein General (Benedek), 1
Kinski, Klaus: Aguirre casting, 1, 2;
Aguirre filming, 1, 2;
Aguirre performance, 1, 2, 3;
attitude to money, 1, 2, 3;
autobiography, 1;
behaviour while filming Aguirre, 1, 2;
behaviour while filming Cobra Verde, 1, 2, 3, 4;
behaviour while filming Fitzcarraldo, 1, 2, 3;
behaviour while filming Nosferatu, 1;
Burden of Dreams, 1;
character, 1, 2, 3, 4;
childhood, 1;
Cobra Verde casting, 1;
death, 1, 2;
film direction, 1;
Fitzcarraldo casting, 1, 2;
Fitzcarraldo filming, 1, 2, 3;
Jesus Christus Erlöser tour, 1;
Kuhlman project, 1;
My Best Fiend, 1, 2, 3, 4;
Nosferatu filming, 1;
Nosferatu role, 1, 2;
posters, 1, 2;
qualities as an actor, 1, 2;
relationship with daughter Pola, 1;
relationship with Herzog, 1, 2, 3, 4, 5, 6, 7;
relationship with Indians, 1;
reputation, 1, 2;
staying in hotels, 1, 2;
vampire performance, 1, 2;
voice dubbed, 1;
wives, 1, 2;
work with Herzog, 1, 2, 3;
Woyzeck casting, 1;
Woyzeck performance, 1, 2, 3
Kinski, Pola, 1
Kinski/Paganini (Kinski), 1
Kitezh, Lost City of, 1, 2
Klausmann, Rainer, 1
Kleist, Heinrich von, 1, 2, 3, 4, 5
Kluge, Alexander, 1, 2, 3, 4, 5
Kodak company, 1
Koechlin, José, 1
Koepcke, Juliane, 1, 2
Kokol, Vladimir, 1, 2
Kolingba, André-Dieudonné, 1
Konzelmann, Manfred, 1
Korea, 1
Korine, Harmony, 1, 2, 3, 4
Kos, 1, 2, 3, 4, 5
Krauss, Lawrence, 1
Kruk, Reiko, 1
Kubrick, Stanley, 1
Kuhlmann, Quirinus, 1, 2, 3
Kuratorium junger deutscher Film, 1
Kurosawa, Akira, 1, 2, 3
Kuwait, 1, 2, 3, 4
La Tour, Georges de, 1
Lachman, Ed, 1, 2, 3, 4
Lalai Dreamtime (Edols), 1
Land of Silence and Darkness: budget, 1;
cameraman, 1, 2, 3, 4;
character of Fini, 1, 2, 3;
character of Kokol, 1;
editing, 1, 2;
fiction and documentary, 1;
filming, 1;
final sequence, 1, 2;
Fini’s death, 1;
importance to Herzog, 1, 2;
origins of project, 1;
responses to, 1;
size of team, 1
Landini, Francesco, 1
Lane, Anthony, 1
Lang, Fritz, 1
Langlois, Henri, 1, 2
Lanzarote, 1, 2, 3
Las Vegas, 1
Lasso, Orlando di, 1, 2
Last Words, 1
Laurentian Library (Florence), 1
Lean, David, 1
Leçons de ténèbres (Couperin), 1
Lenz (Büchner), 1, 2, 3
Leonardo da Vinci, 1
Leone, Sergio, 1
Lessons of Darkness, 1, 2, 3, 4, 5, 6
Levine, James, 1
Little Dieter Needs to Fly: cameraman, 1;
character of Dieter, 1;
concept of documentary, 1;
Dieter’s autobiography, 1;
Dieter’s death, 1, 2;
filming, 1, 2, 3;
final sequence, 1;
Golder’s role, 1n;
importance to Herzog, 1;
length, 1;
music, 1;
Rescue Dawn, 1;
responses to, 1, 2;
story, 1, 2, 3;
stylisation, 1;
versions, 1
Livy, 1
Lohengrin (Wagner), 1, 2, 3, 4, 5
Lopez, Richard, 1
Lord and the Laden, The, 1
Lost Western, A, 1, 2, 3
Lotito, Michael (Monsieur Mangetout), 1
Löwen, Die, 1, 2
Lucia (Solás), 1
Luddy, Tom, 1, 2, 3, 4
Lumière Brothers, 1, 2, 3
Luther, Martin, 1, 2, 3, 4, 5
Lynch, David, 1, 2
MacAyeal, Doug, 1
McCarthy, Cormac, 1
McCulley, Michael, 1
Machu Picchu, 1, 2, 3, 4, 5, 6
McMurdo Station (Antarctica), 1, 2, 3, 4, 5
Macunaíma (Andrade), 1
Mad Max (Miller), 1
Madonna, 1
Maestri, Cesare, 1, 2
Maimonides, Moses, 1, 2
Mainka-Jellinghaus, Beate, 1, 2
Maîtres fous, Les (Rouch), 1, 2
Mallick, Bablu, 1
Mamet, David, 1, 2
Mangetout, Monsieur, 1
Mannheim Film Festival, 1
Marshall Plan, 1
Martel, Charles, 1
Martin, John, 1
Master and Margarita, The (Bulgakov), 1
Mattes, Eva, 1, 2, 3, 4
; Mauch, Thomas: Aguirre filming, 1, 2, 3, 4, 5;
Even Dwarfs Started Small, 1;
Fata Morgana filming, 1;
Fitzcarraldo filming, 1, 2, 3, 4;
Heart of Glass filming, 1;
meeting Herzog, 1;
qualities as cameraman, 1;
replaced on Cobra Verde, 1;
Signs of Life, 1, 2;
Stroszek filming, 1, 2
Maximón, 1
Maysles, Al, 1
Mekas, Jonas, 1n
Méliès, Georges, 1, 2, 3, 4
Melville, Jean-Pierre, 1, 2
Mendes, Eva, 1, 2
Messner, Reinhold, 1, 2, 3, 4, 5, 6
Meyer, Russ, 1
Mezzogiorno, Vittorio, 1, 2
Michael Kohlhaas (Kleist), 1
Michelangelo, 1, 2, 3
Milam, Blaine, 1, 2, 3
Milva, 1
Minnesota Declaration, 1, 2, 3, 4, 5
Miskito Indians, 1, 2, 3
Mister Lonely (Korine), 1
Mizoguchi, Kenji, 1
Mönch am Meer, Der (Friedrich), 1
Monney, Julien, 1
Montaigne, Michel de, 1
Monteverdi, Claudio, 1
Monument Valley, 1
Monumentum pro Gesualdo (Stravinsky), 1
Morris, Errol, 1, 2, 3, 4, 5
Mosemeier, Sepp, 1
Moses und Aron (Schoenberg), 1
‘mountain films’, 1
Mozart, Wolfgang Amadeus, 1, 2, 3
Müller, Heiner, 1
Munich: airport, 1;
community facility for handicapped people, 1;
cultural centre, 1;
film laboratories, 1;
football, 1, 2, 3, 4;
Herzog’s childhood, 1, 2, 3, 4, 5, 6;
Kammerspiele theatre, 1;
present-day, 1;
production office, 1, 2, 3;
racetrack, 1;
school for problem children, 1;
University, 1, 2
Munich Film School, 1
Murnau, F. W., 1, 2, 3, 4
Music Room, The (Ray), 1, 2
My Best Fiend: filming, 1, 2, 3;
Fitzcarraldo material, 1, 2;
Golder’s role, 1, 2, 3n;
material and stories, 1, 2, 3;
opening, 1;
relationship between Herzog and Kinski, 1;
responses to, 1
My Son, My Son, What Have Ye Done, 1, 2, 3, 4, 5n
Nain et géant (Méliès), 1
Nana Agyefi Kwame II, 1
Nanga Parbat, 1, 2
NASA, 1, 2, 3, 4, 5, 6
National Enquirer, 1
Nazarin (Buñuel), 1
Nazism: Aguirre question, 1;
attitudes to, 1, 2, 3, 4, 5;
capital punishment, 1;
Eisner’s career, 1, 2;
German cinema, 1, 2, 3, 4, 5;
Jewish survivors, 1;
Nosferatu rats, 1;
occupation of Greece, 1;
origins, 1;
rise, 1, 2;
threat, 1, 2
New German Cinema, 1, 2
New York Film Festival, 1, 2, 3
Newton, Isaac, 1, 2
Nicaragua, 1, 2, 3, 4
Nicholson, Jack, 1
Nietzsche, Friedrich, 1, 2
Nigger of the Narcissus, The (Conrad), 1
No One Will Play with Me, 1
Nosferatu: cameraman, 1;
casting, 1;