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by Giorgio Agamben


  1.3. The correspondence is all the more significant since we know that in Aris-

  totle’s thought there is a strict and complex relation between the two terms energeia

  and chresis. In an important study, Strycker (pp. 159–160) has shown that the classical Aristotelian opposition of potential ( dynamis) and act ( energeia, literally “being-at-work”) originally had the form of an opposition between dynamis and chresis (being in potential and being in use). The paradigm of the opposition is found

  in Plato’s Euthydemus (280d), which distinguishes between possession ( ktesis) of a technique and the appropriate instruments without making use of them and their

  active employment ( chresis). According to Strycker, Aristotle had begun, based

  on his master’s example, by distinguishing (for example, in Topics, 130a 19–24)

  between possessing a science ( epistemen echein) and using it ( epistemei chresthai) and had later technicalized the opposition by substituting for the common chresis

  a word of his own invention, unknown to Plato: energeia, being-at-work.

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  In effect, in his early works, Aristotle made use of chresis and chresthai in a sense similar to that of the later energeia. Thus, in the Protrepticus, where philosophy is defined as ktesis kai chresis sophias, “possession and use of wisdom”

  (Düring, fragment B8), Aristotle carefully distinguishes between those who pos-

  sess vision while keeping their eyes closed and those who effectively use it and,

  in the same way, between those who make use of science and whose who simply

  possess it (ibid., fragment B79). That use here has an ethical connotation and

  not only an ontological one in a technical sense is obvious in the passage in

  which the philosopher seeks to specify the meaning of the verb chresthai:

  To use [ chresthai] anything, then, is this: if the capacity [ dynamis] is for a single thing, then it is doing just that thing; if it is for several things, then it is doing

  whichever is best of these, as happens in the use of flutes, when someone uses

  the flute in the only and best way. . . . One must say, therefore, that the one who

  uses uses correctly, since for the one who uses correctly uses for the natural end

  and in the natural way. (fragment B84)

  In the later works, Aristotle continues to make use of the term chresis in a sense similar to that of energeia, and yet the two terms are not simply synonymous but

  are often placed side by side as if to include and complete one another. Thus, in

  the Magna Moralia, after having affirmed that “use is more desirable than habit”

  ( hexis, which indicates the possession of a dynamis or of a techne) and that “no one would care to have sight, if he were destined never to see but always to have

  his eyes shut,” Aristotle writes that “happiness consists in a certain use and in

  energeia” ( en chresei tini kai energeiai; 1184b 13–32). The formula, which is also found in the Politics ( estin eudaimonia aretes energeia kai chresis tis teleios, “happiness is a being-at-work and a certain perfect use of virtue”; 1328a 38), shows that

  for Aristotle, the two terms are at once similar and distinct. In the definition of

  happiness, being-at-work and being-in-use, an ontological perspective and an

  ethical perspective, include and condition one another.

  Since Aristotle does not define the term energeia except in a negative way

  with respect to potential ( esti d’ he energeia to hyparchein to pragma me outos

  hosper legomen dynamei, “energeia is the existing of a thing, but not in the sense in which we say that it is in potential”; Metaphysics, 1048a 31), it is all the more urgent to try to understand the meaning of the term chresis (and of the corresponding verb chresthai) in this context. It is certain, in any case, that Aristotle’s abandonment of the term chresis in favor of energeia as key term of ontology has determined to some extent the way in which Western philosophy has thought

  being as actuality.

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  א Like keeping one’s eyes closed, so also is sleep the paradigm par excellence of po-

  tential and hexis for Aristotle, and in this sense, it is counterposed and subordinated to use, which by contrast is assimilated to wakefulness: “for both sleeping and waking presuppose the existence of the soul, but waking corresponds to knowing in act, sleeping to

  a having without exercising” ( echein kai me energein; On the Soul, 412a 25). The inferiority of sleep, as figure of potential, with respect to energeia is affirmed even more decisively in the ethical works: “That happiness is an energeia can be seen also from the following consideration. For supposing someone to be asleep all his life, we should hardly consent

  to call such a person happy. Life indeed he has, but life according to virtue he has not”

  ( Magna Moralia, 1185a 9–14).

  1.4. In modern studies of slavery in the ancient world, the problem—with

  a striking anachronism, seeing that the ancients lacked even the corresponding

  term—is considered solely from the point of view of “labor” and production.

  That the Greeks and Romans saw in it a phenomenon of another order, which

  called for a conceptualization completely different from ours, seems irrelevant.

  It thus appears all the more scandalous to moderns that ancient philosophers

  not only did not problematize slavery but seemed to accept it as obvious and

  natural. Hence it is unsurprising to read, in the preamble of a recent exposition

  of Aristotle’s theory of slavery, that this presents frankly “despicable” aspects,

  while the most elementary methodological caution would have suggested, in

  place of outrage, a preliminary analysis of the problematic context in which the

  philosopher inscribes the question and the conceptuality through which he seeks

  to define its nature.

  There fortunately exists an exemplary reading of Aristotle’s theory of slav-

  ery, which focuses on the entirely special character of the treatment that the

  philosopher makes of the problem. In a 1973 study, Victor Goldschmidt shows

  that Aristotle here reverses his habitual methodology, according to which, when

  confronted with a phenomenon, it is first necessary to ask oneself if it exists and

  only subsequently to attempt to define its essence. With respect to slavery, he

  does exactly the opposite: first he defines—in truth, much too hastily—its es-

  sence (the slave is a human being who is not of himself but of another) in order

  to then pass over into interrogating its existence, but also does this latter in a

  completely peculiar way. The question does not in fact concern the existence

  and legitimacy of slavery as such but the “physical problem” of slavery (Gold-

  schmidt, p. 75): that is to say, it is a matter of establishing whether there exists in nature a body corresponding to the definition of the slave. Thus, the inquiry is not dialectical but physical, in the sense in which Aristotle distinguishes in On the

  Soul (403a 29) the method of the dialectic, which defines, for example, anger as

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  a desire for vengeance, from that of physics, which will see in it only a boiling

  of blood in the heart.

  Taking up and developing Goldschmidt’s suggestion, we can thus affirm

  that the novelty and specificity of Aristotle’s thesis is that the foundation of

  slavery is of a strictly “physical” and non-dialectical order, that is to say, that

  it can consist only in a bodily difference with respect to the body of the free

  person. The q
uestion becomes at this point: “does there exist something like

  a body (of the) slave?” The response is affirmative, but with such restriction

  that it has legitimately been asked whether the doctrine of Aristotle, which the

  moderns have always understood as a justification of slavery, would not have

  had to appear to his contemporaries as an attack (Barker, p. 369). “Nature,”

  writes Aristotle,

  would like [ bouletai] to distinguish between the bodies of freemen and slaves,

  making the one strong for the necessary use [ pros ten anankaian chresin], the other upright, and though useless for such services, useful for political life. . . . But

  the opposite often happens—that some have the souls and others the bodies of

  freemen. And doubtless if human beings differed from one another in the mere

  forms of their bodies as much as the statues of the gods do from human beings,

  all would acknowledge that the inferior class should be slaves of the superior.

  And if this is true of the body, how much more just that a similar distinction

  should exist in the soul? But the beauty of the soul is not as easy to see as that of

  the body. ( Politics, 1254b 28ff.)

  The conclusion that Aristotle immediately draws from it is therefore uncertain

  and partial: “It is clear, then [ phaneron, which here in no way indicates a logical conclusion, but means rather: ‘it is a fact’], that there are some [ tines] who are free by nature and others who are slaves, and for these latter to serve is both

  expedient and just [ sympherei to douleuein kai dikaion estin]” (1255a 1–2). As he

  repeats a few lines later: “nature wants [ bouletai] to do this [ scil. that from a noble and good father comes a son similar to him], but it often cannot [ dynatai]” (1255b 4).

  Far from securing a certain foundation for it, the “physical” treatment of

  slavery leaves unanswered the only question that could have founded it: “does a

  bodily difference between the slave and the master exist or not?” This question

  implies at least in principle the idea that another body is possible for the human

  being, that the human body is constitutively divided. Seeking to understand

  what “use of the body” means will also mean thinking this other possible body

  of the human being.

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  א The idea of a “physical” foundation of slavery is taken up unreservedly many cen-

  turies later by Sade, who puts in the mouth of the libertine Saint-Fond this peremptory

  argumentation:

  Glance at the works of nature and judge for yourself whether she has not, in

  forming the two classes of men [masters and slaves], made them vastly unalike;

  I ask you to put aside partiality, and to decide: have they the same voice, the

  same skin, the same limbs, the same gait, the same tastes, have they—I venture

  to inquire—the same needs? It will be to no purpose if someone attempts to

  persuade me that circumstances or education have made for these differences and

  that the slave and the master, in a state of nature, as infants, will be indistinguish-

  able. I deny the fact; and it is after having pondered the matter and sifted much

  personal observation, after having examined the findings of clever anatomists,

  that I affirm there is no similarity between the conformations of these several

  infants. . . . Therefore, Juliette, cease to doubt these inequalities; and admitting

  their existence, let’s not hesitate to take full advantage of them, and to persuade

  ourselves that if it so suited nature to have us born into the upper of these two

  classes, we have but to extract profit and pleasure from our situation by worsening

  that or our inferiors, and despotically to press them into the service of all our

  passions and our every need. (Sade, pp. 322–323)

  Aristotle’s reserve has disappeared here, and nature unfailingly accomplishes what it

  wants: the bodily difference between masters and slaves.

  1.5. It is thus all the more surprising that Goldschmidt, after having noted

  with such precision the “physical” character of Aristotle’s argumentation, does

  not in any way put it in relation with the definition of the slave in terms of the

  “use of the body” that immediately precedes it, nor does he draw from this latter

  any consequence as to the very conception of slavery. It is possible, rather, that

  comprehension of the strategy that drives Aristotle to conceive the slave in a

  purely “physical” way will be revealed only if one seeks in a preliminary way to

  understand the meaning of the formula “the human being whose work is the

  use of the body.” If Aristotle reduces the problem of the existence of the slave to

  that of the existence of his body, this is perhaps because slavery defines a quite

  singular dimension of the human being (that the slave is a human being is, for

  him, beyond any doubt), which the syntagma “use of the body” seeks to name.

  To understand what Aristotle means by this expression, it will be necessary

  to read the passage, a little earlier, in which the definition of slavery intersects

  with the question of its being just or violent, according to nature ( physei) or

  convention ( nomoi) and with the problem of the administration of the house-

  hold (1253b 20–1254a 1). After having recalled that according to some, the power

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  HOMO SACER IV, 2

  of the head of the family over slaves ( to despozein) is contrary to nature and thus unjust and violent ( biaion), Aristotle introduces a comparison between the slave

  and ktemata, household equipment (tools, in the broad sense that this term

  originally had) and the instruments ( organa) that are parts of the administration

  of a household:

  Household equipment [ ktesis] is part of the household, and the art of using

  household equipment [ ktetikè] is part of the economy (for no one can live well, or indeed live at all, without necessary things). And as in the arts that have a definite

  sphere the workers must have their own proper instruments [ oikeiai organa], so

  it is for those who manage the household [ oikonomikoi]. Now instruments are

  of various sorts; some are living, others lifeless (for the one who commands a

  ship, the rudder is inanimate, the lookout person, a living instrument; for in

  the arts the servant [ hyperetes] exists in the form of an instrument). Thus, too,

  equipment [ ktema] is an instrument for life [ pros zoen], and the ensemble of household equipment [ ktesis] is a multitude of instruments, and the slave is in a

  certain sense animate equipment [ ktema ti empsychon]; and the servant is like an

  instrument for instruments [ organon pro organon, or an instrument that comes

  before the other instruments]. For if every instrument could accomplish its

  own work, obeying or anticipating the will of others, like the statues of Daeda-

  lus or the tripods of Hephaestus, which, says the poet, “of their own accord

  [ automatous] entered the assembly of the gods,” if, in like manner, the shuttle

  would weave and the plectrum touch the lyre, then architects would not want

  servants, nor masters slaves.

  The slave is here compared to equipment or to an animate instrument, which,

  like the legendary automatons constructed by Daedalus and Hephaestus, can

  move itself on command. We will be returning to this definition of the slave as


  “automaton” or animate instrument; for now, let us note that for a Greek, the

  slave plays, in modern terms, more the part of the machinery or fixed capital

  than of the worker. But as we will see, it is a matter of a special machine, which

  is not directed to production but only to use.

  א The term ktema, which we have rendered as “equipment,” is often translated as

  “object of property.” This translation is misleading, because it suggests a characterization in juridical terms that is lacking in the Greek term. Perhaps the most exact definition of the term is that of Xenophon, who explains ktema as “what is advantageous for the life of all,” specifying that what is advantageous is “everything of which one can make use”

  ( Oeconomicus, 6.4). The word, as is in any case obvious in the subsequent passages of Aristotle’s text, refers to the sphere of use and not to that of ownership. In his treatment of the problem of slavery, that is to say, Aristotle seems to intentionally avoid the definition of slavery in the juridical terms that we would expect as the most obvious in order

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  to displace his argumentation onto the level of the “use of the body.” The fact that even

  in the definition of the slave as “the human being who is not of himself but of another,”

  the opposition autou/allou is not necessarily understood in terms of ownership is also proven—beyond the fact that “being owner of oneself” would be meaningless—by the

  analogous formula that Aristotle uses in the Metaphysics, where it refers to the sphere of autonomy and not to that of ownership: “Just as we call free the person who exists for

  himself and not another [ ho autou heneka kai me allou on], in the same way we say that wisdom is the only free science” (982b 25).

  1.6. Immediately after, Aristotle, in a decisive development, links the theme

  of the instrument to that of use:

  The instruments just mentioned [shuttles and plectra] are productive organs

  [ poietika organa], while equipment is by contrast a practical [ praktikon] instrument. From a shuttle, we get something else besides the use of it [ heteron ti

  genetai para ten chresin autes], whereas of a garment or of a bed there is only

  the use [ he chresis monon]. Further, as production [ poiesis] and praxis [ praxis]

  are different in kind, and both require instruments, the instruments that they

 

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