by Guy Thorne
* * *
For three days the Press and public were kept in entire ignorance of what had happened during the storm.
On the fourth, just as I was beginning to think that all my measures were in vain and that the Pirate Ship had vanished utterly, the Head Office in Whitehall received two long telegrams from the Prefect of Finistère in France and the Chief of Police of Quimper, the old cathedral city in Brittany.
On one of the wild and lonely Breton moors a goatherd had discovered the wreckage of a large airship. By it was the body of a young man, but only one body. The telegrams urgently asked me to come over at once.
I did so, in my fastest patrol boat. Lying in a wild wilderness of gorse and heather were the remains of the Pirate Ship. It had been destroyed beyond possibility of reconstruction, and destroyed methodically and deliberately while at rest on the ground. There was no doubt about that. The body I afterwards saw in the Morgue at Quimper was that of Gascoigne. He had not met his death by any accidental means, but had been stabbed in the back.
He must have been dead for at least two days before the goatherd made his discovery, and of Vargus, living or dead, there was no trace.
I was back in London again that night, and just as I was going to bed in Half Moon Street the bell of the flat rang. Thumbwood went to the door and announced that Mr. Danjuro wished to see me.
He was in evening dress, and quite his old self again to outward appearances, except that his black hair had turned an iron grey.
For a moment or two we discussed details of the inquest that had been held in camera on poor Van Adams, arrangements made for the trial of the three surviving pirates, and so on. Then I told him what I had seen at Quimper.
"Mr. Muir Lockhart told me of the telegrams from France," he said. "I called at Whitehall, but you had already started for Quimper, Sir John. I must apologize for such a late call, but I was anxious to hear your news. Now I see my way clear."
"I suppose, after your great loss, you will go back to America, or perhaps Japan, and settle down?"
He shook his head.
"You know," I continued, "if you cared for it, there's a highly paid and important position open to you with the Air Police. Nothing would give me greater pleasure, as you know, than to have you as a colleague."
"I thank you, Sir John, but I have other work to do. I am a rich man, but that only interests me, inasmuch as it is a means to an end. When that end is reached...."
He made a curious gesture with his arm, which I did not understand.
"May I ask what your work is?"
He looked at me with surprise. "Vargus is still alive," he said simply.
"He will be caught soon. The police of the world are looking for him, if he is alive."
"I think it will be a long pursuit, Sir John. He has got off with the treasure, and I know one or two things about him which are not generally known. I do not think Mr. Vargus will fall into the hands of the police."
"Then you...?"
"It is my work. I owe the spirit of my patron this man's blood, and I shall pay the debt. Were he to hide in the depths of the sea, sooner or later I shall find him. There is no power strong enough in life to keep us two apart."
He had dropped his voice. The words hissed like a knife on a strop.
"I wish you good luck," I said at length, and was about to say more, to express my gratitude again, when he cut me short.
"I am leaving for Paris in half an hour," he said, "and must bid you farewell, Sir John. Convey my humble compliments to Miss Shepherd," and with a low bow and a frigid handshake he was gone.
Six weeks afterwards, on the day before my wedding, I received a magnificent Japanese vase of the old Satsuma enamel, but the card enclosed bore no address.
I did not see this extraordinary being again for nearly two years. Of that meeting I shall write in the following short epilogue.
Epilogue
In the winter two years later, I was at Monte Carlo for three weeks, taking a short holiday alone, and also looking out for a villa at Roquebrune or Menton for my wife, who was to come out with the baby as soon as a house had been secured.
Now and again I went into the "Rooms" and staked a louis or two on an even chance or a transversale at roulette; but speaking generally the Casino bored me. The cosmopolitan crowd of smart people -- like champagne corks floating on a cesspool -- the professional gamblers, with their veil of decorous indifference concealing a fierce greed for money which they have not earned -- a sprinkling of wood-ash over a glowing fire -- presented little interest, and I much preferred long walks and drives in the earthly paradise of Les Alpes Maritimes.
I stayed at the Métropole Hotel, making it the base of my excursions, and one evening after dinner, I paid one of my rare visits to the Casino. I wandered about the gilded, stuffy saloons, with their illuminations of oil lamps -- so that no enterprising gentleman may cut the electric wires and make off with the money on the tables! -- the low voices and almost sanctimonious manner of the players, the over-dressed demi-mondaines who glide about with their hard, evil eyes. The place was full.
All the chairs round the roulette tables were occupied, and people were standing behind the chairs as well. As I am tall, I was able to reach over and place my stakes, and I did so several times. When I had lost four louis with monotonous regularity, I decided that it was not worthwhile, and thought I would go and smoke, for contrary to the usual pictures in the magazines, smoking is not allowed in the roulette or trente-et-quarante rooms.
So I went out into the Atrium, the great pillared entrance hall which looks like an important provincial corn exchange, and lit a cigarette. The place was fairly full of people, walking up and down, or reading the latest telegrams which are fixed on a green baize screen. I was watching them idly when, coming round the corner from the cloakroom, I saw -- Danjuro!
My heart gave a sudden leap. The sight of him was so utterly unexpected and recalled so much. To tell the truth, he seemed to belong to a long past and forgotten dream, for Connie and I, by mutual consent, hardly ever spoke of the days of the pirates.
Danjuro was about fifteen yards away. I saw his face distinctly, and was certain I was not mistaken. Then he looked up, and I could swear he saw and recognized me.
Be that as it may, he turned and slipped round the corner, and when I got there he had vanished. I made a search, of course, though I knew how futile it would be if he wished to avoid me. The result was as I expected. There wasn't a trace of him, and none of the attendants or doorkeepers had seen a Japanese gentleman anywhere.
I went for a walk on the terrace in the moonlight, then returned to the hotel and sought my bed. For a long time I was unable to sleep. The sight of Danjuro had made me restless. What was that enigmatic and mysterious man doing here? Was he still on his ruthless quest, moving through the panorama of European life for vengeance? Nothing had ever been heard of Vargus again. For my part, I shared the opinion of the police bureaux of the Continent, that the soft-voiced and malignant scoundrel was dead.
It was pathetic to think of Danjuro prowling through life to avenge his patron, wasting his magnificent powers on a hopeless quest. Pathetic, yes -- so ran my thoughts -- but one cannot think of Danjuro as an ordinary human being. He was simply a single idea, clothed in flesh, a marvellous machine designed for one operation only: a specialist so perfect that he became a monomaniac.
Poor Van Adams, to protect and serve him had been Danjuro's whole life. Every faculty of mind and body had been devoted to that one end. And yet he must have loved the American to have served him so? And if he could love, he was human!
I wrestled with the problem till dawn, and got no nearer a solution. I knew that despite our companionship in peril and the extraordinary adventures we had gone through together, if Van Adams had lived and for any reason he had told Danjuro to put me out of the way, the little man would have executed the job with neatness, dispatch, and an entire absence of compunction.
I decided that Danjuro
, as a subject of psychological analysis, was quite beyond me, and did my best to forget the incident. With an effort I managed to do so, and got a few hours' sleep before Thumbwood called me. I said nothing to him of having seen Danjuro, for he also is unwilling to talk much of the days of terror -- perhaps because his wife, the former Florence Wilson, who is still Connie's handmaid -- so strenuously objects to it.
About half-past eleven I left the hotel and strolled to the foot of the funicular railway which hauls one up from the narrow ledge of land on which Monte Carlo stands to the heights of La Turbie. I designed to lunch at the excellent hotel at the top in the clear mountain air, and then to walk along the Upper Corniche towards Roquebrune, Eze, and the mountains above Menton. There is much to explore in these high regions -- ruins of Roman and medieval forts built as a defence against the raiding Moors of the Mediterranean, and here and there delightful villas among pine woods and olive groves, far from the haunts of men.
It was a house of this description, a mountain hermitage, that I wished to find and take for six months. I knew they were occasionally to be let, but somewhat difficult to come across on the books of the agents. In Monte Carlo I had been assured that personal exploration was the best and quickest way.
I lunched at La Turbie on a magnificent bouillabaisse and riz-de-veau, and after an interval set out on my walk. It was a magnificent afternoon, the air golden clear. Far away out to sea, Corsica lay like a dim cloud. The mountainside fell in terrace after terrace of olives to groups of painted houses looking like toys. Away to the right were the red roofs and gleaming white buildings of the Monte Carlo palaces, and the promontory of the Tête du Chien was perfectly outlined in the azure of the sea.
"Yes," I thought, "on this great height is the place to live when one comes to the Côte d'Azur, and I won't go home tonight until I've found something." And I began to climb by a small path.
The afternoon was hot. After a mile or two I rested in the shade of a great rock and fell asleep. When I awoke the sun, which sets early in winter, even on the Riviera, was declining. I was not quite sure of my direction, but thought I could make Roquebrune by an oblique path over the spur of the mountain, and from there easily descend to Cap Martin and take the tram which crawls along the cliff to Monte Carlo. So I set out.
The path, however, did not prove to be the right one, and it was twilight, or that extremely short interval which does duty for it in the south, before I came to three or four stone huts fronting a plateau with an enclosure full of goats. I explained my predicament to a swarthy woman who sat knitting at a door, and she gave me directions. She also said, in mingled French and Italian, for the frontier was not five miles away, that there would be a small empty villa to be let a mile onwards -- at least, she believed so.
"Can you tell me the name of the owner, madame?" I asked.
"But, no, m'sieu. It is a new gentleman. He has bought the villa and the larger one, which is close to it but higher up the hill. He is a scholar of some sort, and lives alone, so he cannot want the smaller house on the road. It was, moreover, always let in the time of the last owner, M. Visguis, of Nice."
I thanked the good dame, refused a cup of goats' milk, gave her a five franc piece and started on my way again rejoicing. My luck was in. This mountain villa would be just the thing, and I made up my mind to interview the recluse on my way home.
The sun sank, and night came up with a rush out of the Mediterranean. Everything was dead still. There are no birds in these solitudes, and the hum of day insects was over. Although the moon rose almost at once and gave sufficient light to steer by, the place was eerie. Immense rocks threw ashen shadows. The stone pines stood like silent sentinels, and the huge coronet of jewels -- topaz against black velvet -- that was Monte Carlo, seemed a hundred miles away.
Following my directions, I came at length to the garden wall of a fairly large villa, painted all along the sides, with gigantic and melancholy trees, and the moonlight shed a ghostly radiance on it. This, I knew, was the house in occupation. The one that might be let was lower down the slope and on the other side of the road, to my right. I could just see the roof of it as I peered over the parapet.
Pushing open a wooden gate, I went up the garden path towards the Villa Turquoise -- which I had discovered was its name. Tree frogs were croaking round the house, but as it was winter there were no friendly fireflies. Once or twice the fans of a palm clicked with a dry, rustling noise.
It was difficult to find the door as I came up to the villa, but after a moment I saw a broad band of yellow light coming from the side, and turned towards it. I walked on the turf of a little lawn, and threaded my way between orange and pepper trees, with here and there a bush of Cape gooseberries.
Up to that moment I never had a suspicion or a qualm. Indeed, I felt at peace with myself and all the world, washed and purified by the sweet Alpine air and all the loveliness my eyes had looked on that day. Then I heard, clear, strong and sudden, a chord of music on a piano.
I stopped dead still.
Again that crash of sound, and then a smooth and mellow arpeggio, as masterly fingers ran up and down the keys of a magnificent instrument.
I grew cold, suddenly and horribly cold.
I could see nothing but a long French window glowing orange with light in the dark side of the house. I had heard nothing but some chords on a grand piano.
But in that moment, though subconsciously, I knew.
I moved forward in little automatic jerks, listening with a dreadful fear, a sick certainty. The second before I came to the window and looked inside, it began.
Played by a master hand, I heard the opening notes of the Third Ballade of Chopin....
Another step, and, in the darkness myself, I could see into the room.
The musician was Mr. Vargus.
He had grown a little moustache, which was waxed at the ends, and a small black beard on his chin. He was also much fatter than when I had seen him last, and he wore a smoking jacket of purple velvet. On one finger a diamond ring flashed in the lamplight as the firm, powerful hands rose and fell.
There was a soft smile in the sly eyes as he interpreted the beautiful, fantastic music.
The melody progressed to that marvellous passage which Beardsley saw in line as a white horse ambling through a dark wood of pines, ridden by a lady in a dress of black velvet.
At the opening chords of the theme a door behind the player opened quietly. He heard nothing.
An awful and august figure entered.
It was Danjuro, but not the Danjuro I had ever known.
He wore a robe of yellow silk with wide kimono sleeves, and a sash of purple round his waist. Into the sash was thrust the long scabbard of an ancient Japanese sword -- a scabbard of tortoiseshell and silver. His hair was differently arranged, his lips compressed into a single line. The eyes, which seemed curiously elongated, glittered like black lacquer.
He crept forward and touched Vargus on the shoulder.
The man in the velvet coat leapt up with a short, sharp cry. Then he whipped round and came face to face with Danjuro.
They remained, staring into each other's eyes for several seconds.
I saw a ghostly change beginning in the pirate's face. Inch by inch something crept over it like a veil, as life ebbed away. Then he fell in a crumpled heap on the carpet.
Danjuro looked down at him without a change in his stony glare. Then he bent down and pulled the limp form out straight, turning it with its face downwards. He drew the sword and lifted it high above his head.
As it gleamed I shut my eyes....
When I looked again, ill with the sickness of death itself, the figure in the yellow robe had raised both arms above its head. The sleeves had slipped away and the coils of muscle stood out on the brown flesh.
Danjuro's lips were parted. He seemed to be speaking rapidly to something above him. His whole face was irradiated with joy, and the sword in his right hand shone like a tall flame.
He
remained there for some little time. Then he lowered his arms, and taking a square of purple silk from his breast, he cleansed the sword, and I knew what he was going to do.
He placed the jewelled hilt on the carpet and adjusted the point at his waist, steadying the blade with his left hand. Then, with a loud cry, as if of exaltation, he fell heavily forward....
He had gone to his own place in the way appointed to the Heroes of Old Japan.
THE END
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