John the builder had added a simple but elegant A-frame lounge of cedar and glass to the fishing cabin, with a big fireplace at one end and views through the trees out over the lake, had improved the septic system, installed an oil-fueled generator, and put in showers and sauna and extra bedrooms, but the furnishings were plain and functional, the decorations few, the general aroma of the place that of pine, mud, and men. Once the airstrip was down, John had blocked off the main entry road with trees and boulders, though he’d left a lesser-known back route open for the man with snowplow and mower he’d hired to keep the airstrip cleared. The first time Dutch saw the place, flown up there by John in a late-summer fishing party (no women on these hometown group occasions, often as not no Bruce either), he was reminded immediately of the clubhouse they’d built as high school seniors on his old man’s property at the edge of Settler’s Woods. He divined at once therefore the full range of activities the cabin had been designed—or redesigned—for, and was not surprised to find a bidet in one of the bathrooms, which John shrugged off as a fancy of the previous owner. Even the cabin’s lone piece of art, a splotched and ripped-up canvas, hanging in shreds like something spilling from an open fly (people were crazy, what they paid money for these days), was not unlike their clubhouse’s tattered pinups clipped or torn from old magazines. For most of the men in the fishing party, if not for Dutch, it was a time up here for escaping their women and the prescripted town-bound lives those women had made for them, a time for virile reflection in the wild to which they all felt they’d been born, but from which somehow mysteriously expelled, a time to shoot and hook and kill and to eat the killed and, unnagged, drink their fill, a time to tell stories not elsewhere tellable and to test one another in all the half-forgotten ways of old. Thus, pissing, shooting, angling, and drinking contests, all-night high-stakes poker, manhood-challenging wisecracks and shower baiting. Again, Dutch thought, so like the days of the “getaway,” as they’d called their old clubhouse (and as Dutch now called his motel bar, located on the clubhouse site), except that women, still a novelty, were more important to them then, a female body, most often human, frequently the arena for their manly competitions. John, unrivaled cherry-picker with his own vast resources, was a rare participant in those gangshags of old—or “club sandwiches,” as they were called back then—though when caught up in one, as at the climax of his own stag party, an event arranged by Dutch as a wedding gift to his former Little League battery mate, he never shied from joining in, firm and upright clubman that he always was.
Bruce, best man when John, constructing story, married the builder’s daughter, was also at the stag party the night before, a reassuring event for Bruce, faced with the disturbing prospect of John’s seemingly straight-faced plunge into the wedded condition and the consequent loss of his one true companion in this ludicrous shithole of a world. Bruce, a city boy, albeit less of urb than sub, approached this remote hog wallow that day with trepidation, a stranger to its hobnail country ways, except so far as John had acridly portrayed them on their college drinking bouts, visions dancing in his booze-bruised head of desensitized TV zombies dangerously adrift on potholed junker-lined streets, of blue laws, Bible Belters, and bottle flies, and of ersatz icecream parlors crawling with pimply beauty queens and noisome brats. When asked what was the principal activity of his hometown, John had once replied: “Ass scratching. Two-handed.” John had given the real world up for this? Well, John had added: “Like every other place I know,” it’s true. It was Bruce’s world still strewn with antique values. A “diseased romantic,” John had called him once, or someone had and John had laughed, Bruce, too, admitting it was so, and adding that it was a glory ‘ole that had corrupted him—cuntamination, he called it—the first he ever knew: “Birth robbed me, buddy, of my fetal hopes and innocence, it’s been downhill ever since I slid that fucking tube.” Arrival was by rented car, John’s airport not yet built back then of course, a numbing passage through vast treeless fields and desolate commercial strips as alien to human life as anything Bruce’s grim misgivings might have led him to imagine. Yes, the worst he’d feared was true. But then, a small creek once crossed over, the humpback bridge nearly pitching him through the roof when he hit it, a little wooded patch rose up on the far shore as if conjured from the weedy soil, and on the other side of that the town appeared and showed a bit of grace: smooth tree-shaded streets with wide-porched houses sitting landscaped lawns, brightly bordered with the seasonal flower show, this followed by a cool green park leading to the town center where young women smiled at him as he passed by, the streets here lined with Lincolns, Caddies, and a Mercedes-Benz or two that put his scrap of rented tin to happy shame. The Pioneer Hotel was a musty relic with frayed linens and prewar plumbing, but all the gang were there, the antediluvian bar and lobby dust astir with their sudden booming talk and laughter. A few bolts of aged sour-mash poured by brother Waldo and an afternoon round of golf on what turned out to be inventive sunswept fairways and well-kept greens revived Bruce wholly, and after the obligatory rehearsal dinner, enlivened by brother Beans rising to toast the bride’s family with his fly vividly agape, the stag party that followed restored his faith in the human comedy and in his old boonfellow John, wired though he may have been.
That park Bruce passed, no longer there, once hosted Sunday Sousa bands, political campaigners, homemade carnivals, and horseshoes tournaments, as well as the famous Pioneers Day pageants, at one of which, a child still, princesslike in white organdy and lace, John’s wife had starred as The Spirit of Enterprise. This pageant, third and last to be penned by school bard Ellsworth, graduating senior about to flee these rustic precincts for what he called the center stage, was a centennial paean to creation, prairie-style, and so eulogized the century’s builders, not least old Barnaby, wee Enterprise’s very father, whose beloved city park now served as his encomium’s mise-en-scène and shaded him where he proudly sat. In time, his son-in-law’s civic center, newest proof of initiative’s power to transform, would concretely rise in Barnaby’s name where John’s wife once performed, its all-weather Olympic pool become her bikini’d daughter’s rock-scripted stage for performances of a more speculative sort, but on that long-ago day the old park seemed ageless, eternal, some sort of sacred site, mother to them all, even the oldtimers forgetting for the moment that it had not always been there, but Barnaby had built it. How sweet his daughter was that day as she recited, in Ellsworth’s accents, Ellsworth’s lines about the builder’s Olympian power to sow his seed upon e’en the thornéd and rocky waysides of the world and see whole cities rise defiantly like living parables of imagination’s potency, untrammeled reason’s finest crops!
Here in Reason’s beauteous grove we stand,
Its glory being: ‘Twas made by human hand!
Though most that leafy sunswept day applauded, enchanted by the pretty child, angelically aglow in the dappled light, and moved by the tears in her father’s eyes (a rich man, yes, a pillar and a patron, but old-shoe common, one of us), some grumbled that that oddball boy who wrote the thing had courted blasphemy with his foolishness, messing with the Good Book like that, then had compounded his sin by the use of an innocent child for his impieties’ transmission. They were not far from wrong, though only Gordon, privy to the throes of composition, knew to what extent his irreverent friend had with his Olympish wordplays mocked the town: the seed of the city fathers, whom Ellsworth slyly, in a rhyme with “creators,” compared to “master painters,” not so much sown as spilled, this town, he said to Gordon, a hand-job made by, of all trades, the jack-ofs. Not for me, twiddle-dee! Kiss my bum, twiddle-dum! This grinningly declaimed while sprawled in the nude, wearing a top hat and smoking a long cigar, Gordon at the easel, frustrated with the impossible translation of light on flesh into oily smears on canvas-board, saddened by his boyhood friend’s announced departure, and musing the while on the aesthetic ugliness of the dark lumpy dangle between men’s legs, as though something that should be inside had g
rotesquely fallen out, Gordon’s an abstract ideal of pure unblemished form, wartless, headless, hairless, truth expressed best when least expressed (the poet’s line, though it was Gordon who, in other words, first said it). Because he was leaving town forever, Ellsworth allowed his friend to photograph his poses that the paintings might someday (they both believed in art) get done, these taken with a borrowed camera, Gordon’s first essays on film, including one of a laughing Ellsworth dressed only in his high school drum major’s hat, looking back over his bony white shoulder, baton raised on high, other hand hidden, but somewhere between his hairy legs: See ya later, master painter!
Of course, he returned, the silly man, though not with tail between his legs, where it belonged, as most had hoped, but cocky still and weird as ever, only a monkish bald spot on his crown marking his seven years away, no other signs of the misfortunes which all felt must befall so unrepentant a wiseass in the world. Well, concealed perhaps, the bruises, for return at least he did, and after nose-thumbing farewells that had seemed irrevocable, all ties severed, bridges burnt. So what brought him back? Filial duty, Ellsworth would explain with a flick of a wrist as though brushing away a fly, that and the need, he would add with a weary condescending smile from beneath his jaunty black beret, for a quiet out-of-the-way place to finish his novel-in-progress. As for the alleged novel, who could say, but it was true that his enfeebled father, though he’d bitterly disowned his eccentric son, could no longer run the old family printshop alone, it was Ellsworth saved it, perhaps not beyond redemption after all. This certainly was Barnaby’s view, had been all along. Barnaby was close to that family, Ellsworth’s parents his parents’ friends and his in turn, he’d known the strange boy since his awkward birth twenty years too late and had half-adopted him when the gawky child’s aged mother died, and so it was Barnaby who, remembering the little hand-drawn and -lettered newspapers the boy would entertain his infant daughter with, had located him and, with offers to back a weekly newspaper if Ellsworth would print and edit it, brought him home again. And thus began The Town Crier, successor to The Daily Patriot, which had died in Ellsworth’s absence, nothing but an oral record left of all the time between, the which and more Ellsworth now collected—grist, it was suspected, for his novel-if-a-novel’s mill—in his guest column “I Remember.”
“Quiet! This place? Is old Elsie kidding?” Daphne had hooted when her best friend told her what that longhaired geek, a relative of sorts and once upon a time her friend’s babysitter, had said that summer he first came back. She’d blown a bubble with her gum, sucked it in, and snapped it with her bright white teeth: Oh, what a smile she had back then! Everybody said so! “Honey, this town is jumping!” This was out at the country club pool, it was the summer before their sophomore year in high school, and Daphne was ready for anything and everything, though she had only the dimmest notion, got mostly from the movies and the hit parade, what everything might be. That is to say, as she put it years later on the telephone to her best friend (still wed to John, though Daphne by then was, as she liked to put it, under her fourth), she knew everything in those days about sexual intercourse, but nothing at all about fucking. She had a crush that summer on the lifeguard at the pool, an older guy named Dean, Lean Dean, already in college, a boy with beautiful bronzed muscles and a blonde crewcut and cute blue shorts that showed his bulge, which moved, she knew, when she walked by, she’d seen this and he’d winked at her. In those days swimsuits showed less skin, at least in this town, but midriffs were anyway never Daphne’s strong suit, what she had most abundantly looked good in what she wore, good enough that the guys all stopped to stare or joke, the simps, as she climbed up wet out of the pool, popping her knockers in place, or strode out on the diving board, tugging at the leg-seams where they’d crept up her bouncing cheeks, feeling their eyes pasted on her behind like little sequins with electric charges, her nipples so hard with the rub of their gaze sometimes they felt like rayguns about to fire and blow them all away. Oh boy. She hung around the pool whenever her folks would let her, and one evening near the end of the season Dean drove her home in his pickup truck, stopping off near the humpback bridge at the edge of Settler’s Woods to feel her up, and then apologize, and that was that. “I don’t care,” she’d whispered, but probably not loud enough. She came to care but that was a few months later, Settler’s Woods by then in autumn colors and creepy with musty shadows and the smell of rot, the guy she was with a senior footballer they all called Colt, a guy she was going steady with, so to speak, who’d kissed her uncupped tits and had had his hand between her legs, excitements she was still getting used to and not too sure about. Now he said he had something to show her and he took her out to a one-room tarpaper house at the back of Settler’s Woods she’d never seen before, some kind of clubhouse, she learned later, that the senior boys had built. She hung back, but Colt grabbed hold of her wrist and pulled her in. “C’mon, Daph, don’t be a party pooper,” he laughed. “What party?” she asked, but too late, they were already inside and the bolt was thrown. A mosquito whined. I Remember.
That clubhouse, built by John and his friends, all seniors that year, on a stubbly piece of land owned by Dutch’s old man at the back edge of the woods outside of town, was the first thing John put up that stayed a while. It was still there five years later at the time of his wedding and did not come down, though by then abandoned and the floor rotted out, until Dutch’s new motel got built out there some five or six years further on. As with all John’s constructions, function, not craft or style or beauty, determined its design: one comfortably sized room with bare wooden floors and walls, low pitched roof, a door made from a tabletop and three framed windows, unpaned but screened and wooden-shuttered (chair seats did the job) to let the breezes through, no plumbing or electrics but a junkyard coal stove for the winter, and furnished with a kitchen table under a hanging Coleman lantern for playing cards, half a dozen folding chairs, an old leatherette sofa with the springs poking out, a single bed and cotton mattress, car blankets and ashtrays tossed around to make it feel like home, a flyswatter, a spike with toilet paper beside the door, and saucy calendar pinups, baseball pennants, girls’ panties, an American flag, and photos clipped from sun-worshiper magazines tacked up on the walls. Though John, having more options, used it less than most, its principle appealed to him: people were multifaceted creatures needing a variety of discrete spaces to fulfill themselves. In short, one house was not enough. Not for the living. Or, as he put it to Waldo and Bruce and the others out at the Country Tavern the night before his marriage, accepting Harvie’s newest round of iced gin, Dutch’s of cold beer, and describing the place they were headed next: “We just wanted a getaway somewhere, a place we could be ourselves. Of course, we were ourselves wherever we went, but this was different, the getaway was a kind of sanctuary, you know, like a chapel or a basketball court or a whorehouse, a place where—” “Where anything can happen,” proposed Harvie, clinking gin jiggers with him, while around him his friends slowly bobbed and rotated, as though on a carousel. “No, not… not anything.” He felt utterly lucid and totally bombed out of his mind at the same time, not used to gin clearly, if gin was clearly what it was. “It’s more like a kind of theater set where the script is different, but what you do there is fucking scripted, just the same. Like a, you know, a church service.” What was he saying? Where was he? “All right then, Father Dutch,” grinned his best man Bruce, tossing back his gin and rising unsteadily, “goddamn it, let us pray!”
Prayer for Pauline had always been associated with a zealous assault on all her orifices, that being Daddy Duwayne’s zinger-wielding mode of sermonizing, and so what transpired that night before John was wived was not without for Pauline its spiritual overtones, its aura of a sacred service, or else a diabolical one, made more so by the strange magical things happening to her mind or in it, the vivid things she saw, not seen since, and almost, her grown-up imagination failing her, beyond recall. Even the funky old-mattress smell of that
shape-shifting cabin (she went looking after, could never find it, came to believe it never was) brought back to her her mad daddy’s religious exercises on the trailer floor, though thankfully free on this occasion of the whippings her daddy always laid on, even as he mounted her, to, as he put it, beat the devil out. No beatings, nothing worse than the ritual baptism (though this was much later, another age really, after the magic had faded, and it happened in a ditch), just a surrender so total she seemed not to have a self any longer, all that she was, absorbed into a transcendent otherness that penetrated her utterly and lifted her out of herself into something as vast as the night sky and as intimate as pain and sweat. She was fourteen years old then and her breasts were full and firm and, though she could be sure of little else after, she knew that her yearning heart, which lay nestled between them like a baby bird, was passionately stroked that night by that cosmic otherness and that, as its personification reared majestically above her, his hair was on fire with eerie curling flames, strange-colored, like luminous serpents from another world.
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