When from his second-floor office window in the bank building Trevor saw the rubber-kneed photographer being taken into custody down at the police station, he who had never known delight (this thought had remained with him, steady as pulse) suddenly experienced, like a brief foretaste of that which eluded him, a strange mixture of anguish and exhilaration, both emotions arising from the same realization: He had done this! He who had changed so little had, irreversibly, changed a man’s life, and maybe the lives of everyone in this town! Of course, Gordon had helped, but this scene transpiring in the street below was, in a real sense, Trevor’s own doing, his own, as it were, personal work of art. And his burden: Gordon seemed all but lifeless, as though his spirit had fled, and Trevor’s own heart sank when he saw the state the man was in. Trevor had, on returning yesterday from the spectacle at the mall, determined to end his mad clandestine pursuit of the photographer, but at the same time he had tried to understand what it was he had really been doing. He had been, in some sense, seeking after truth, yes, but of what kind? And to what end? He recalled an economics theory professor he had back at university who held that the central principle of all human interaction was simple raw power, he laced all his lectures with reminders that economics, history, life itself could not be understood without remembering that. He said it was the basis not merely of community order, but also of religious faith, science, and the search for truth, and of course of love, friendship, marriage, and family. There were jokes about the man’s home life and some pointed out he didn’t have tenure yet so no wonder his brain was a bit maggoty on the topic and it was popular to dismiss his lectures by saying that what little power those had was got by jacking directly into Machiavelli (an obscene image was often used to express this), but Trevor found the argument compelling and wondered often at his own powerlessness, which the accretion of knowledge by itself did not seem to overcome. His fascination with the professor came to an end when someone posed the question of the disinterested artist: his answer was along the same lines, but far less convincing, dismissing disinterest as though it were a silly myth, suddenly broadening his definition of power to include things other than the manipulation of other people, and refusing arbitrarily (“Let me teach you something about power,” he joked) to take any more questions on the subject. And now Gordon had, in effect, posed the question again. That question, or its answer, seemed to touch on this matter of delight, as had Gordon himself in an interview published a few years ago in The Town Crier (Trevor had clipped this interview, kept it in his office desk drawer, second down on the right, he was looking at it now): When asked why it was he had taken up the photographic profession, he’d replied, the profession to make a living, the vocation to devote himself to art. But then why not one of the fine arts, painting or sculpture? He was a poor man, his options were few; but his goal remained the same: the pursuit of beauty. But of what use, the interviewer had pressed on, playing the devil’s advocate, is beauty? None at all, the photographer had responded. Nor is there any use for the ecstasy that accompanies its contemplation … Had Gordon known such ecstasy? Trevor did not know, but he did believe that Gordon had chosen a life that made access to that sensation possible, even if it might mean you sometimes ended up running around in pink nightshirts and arousing the displeasure of the police. You could see intimations of it when Gordon worked: it was as though he were unaware of his own being in the world, transforming himself into a mere prism through which the beauty of the world might pass. This intensity: it was something Trevor felt he could never achieve, except perhaps through someone like Gordon, though he had not, when he’d begun this pursuit, foreseen his own active role in shaping its direction. At the time, he was simply fascinated with Gordon’s own covert pursuit of John’s wife—and that was another thing, John’s wife. Had anyone besides himself noticed that she seemed to be vanishing, not as when someone leaves town, but as an image might fade from a photographic print? If so, they were not mentioning it, and Trevor himself was reluctant to bring it up and risk looking the fool, but his old problem of being unable to register her features after seeing them had worsened: he could no longer register them while seeing them. He’d tried to come to some understanding of this by locating and replotting her point on his actuarial graphs, but her point had vanished, too, and he began to wonder if perhaps her disappearance might not have something to do with Gordon’s photographs of her, as though he might, so to speak, be stealing her image. Or was he, aware as Trevor was of her vanishing, trying to preserve it? His pursuit of Gordon had therefore acquired the additional motive—essentially altruistic, but not without its own links to power, beauty, delight—of watching over John’s wife, or at least of trying to understand what was happening to her, and it now occurred to him that the key to that understanding, and perhaps to his entire quest, might well lie in the photographs Gordon had taken of her. Was this the moment, with Gordon under arrest, to have a look at them? He put the interview away, checked his tie, blew on his hat and donned it. He might have accomplished more than he thought with those phone calls! Hastily, he dropped down to the police station to inquire about his friend whom he had seen in some distress, did he need any help, and was told he was only being held until the chief got back, it was no big deal, he’d be home by suppertime. He thanked them, exchanging pleasantries, and left, trying to move without undue haste, but heading straight for the studio; just as he drew near, however, the chief of police came backing out of it, his gray shirt dark with sweat, some books or albums under one arm, keys out to lock the door, so Trevor made an abrupt right turn and took a hopefully casual-seeming stroll around the block, cutting through an alley to shorten the circuit, getting lost briefly (it was as though they’d turned the block around on him—he was overexcited), his own back perspiring by the time he had finally returned. He peered into a display window (toys: perhaps he had a nephew) that reflected the street, having observed the way they did it on TV, and when he’d caught his breath and it seemed safe, he straightened his hat, dropped over (if anyone asked, he was ordering up a photo for Marge’s surprise mayoral campaign, to be announced today), and rang the bell. What would he tell Gordon’s wife? That he’d been taken on as her husband’s legal aide perhaps, she was pretty simple, probably didn’t know an accountant from an attorney, and under the circumstances she would no doubt appreciate any help at all. Just investigating the allegations, ma’am, and I thought it might be a good idea to look at a few photos. No answer. He rang again. Maybe she was down at the station, another break, he tried the door though he knew it was locked, he’d have the place to himself if he could just get in, but he’d have to hurry. There must be other doors. He’d try at the back. But whoa, inspector, walk, don’t run. And stop giggling.
The announcement of Marge’s candidacy for mayor did not, after all, appear as scheduled, inasmuch as its vehicle, The Town Crier, for the first time in its long history, did not itself appear on its scheduled day, and though most people in town did not even notice this until it was pointed out to them, Marge certainly did. She went immediately to the Crier offices to complain, but found them closed and dark, nor could she rouse anyone when she banged on the door, though she was sure Ellsworth was in there somewhere. She called Trevor from a payphone in the Sixth Street Cafe across the street (Oxford, sitting in there with two of his grandchildren, said he hadn’t seen him today, but then he couldn’t see her either, so what did that prove?) to ask him what she should do, but got only his answering machine. Everywhere she looked, there were giant posters pasted up with her would-be opponent’s goonish mug on them, and she felt ganged up on. What she needed was a friend, but Lorraine had been so evasive of late, Marge decided just to go over to her house and confront her directly: was she on her side or not? When Lorraine came to the door, she looked startled and confused, but she invited Marge in, in her clumsy way (Marge was thinking: even if she’s with me, is this sloppy awkward woman a useful ally or a liability?), and Marge, in spite of her momentary doubts (already
she was thinking: if she’s with me, she’s beautiful, but she wondered still why she seemed so standoffish), was so grateful to see a friend in this moment of crisis that she wanted to give her a hug and only held back because so many contrary emotions were flickering across Lorraine’s face (the trouble with this woman is that she’s never grown up, Marge was thinking, somewhat contemptuously, she’s a silly cow who just lets the world run over her) and she was afraid of doing something (but she’s nevertheless the smartest woman in this town of dummies, Marge herself excepted, and she has to struggle against so much more than Marge does, starting with the lout she’s married to, she deserves nothing less than the unconditional love and admiration which she is now feeling for her) that might confuse her all the more. The poor woman seemed about to cry. Was she ill, Marge wondered? “Well, yes and no,” Lorraine said, her voice quavering. “Yes and no what?” “It’s sort of like an illness.” “What is?” It’s odd, Marge was thinking, it’s almost like she was reading my mind. “It’s not really like reading, it’s more like, well, just listening.” “What? You hear everything I’m thinking?” “A lot anyway. It comes and goes. And not just you. Everybody.” Though Lorraine was starting to cry, Marge suddenly felt like the vulnerable one: how do you turn this thing in the head off so you don’t give everything away? “You can’t. I can’t either. It’s very tiring. You were wondering why I’ve been avoiding you lately.” “Because you didn’t want to know what I was thinking?” “Are you reading my mind now?” “No, just guessing.” “I was afraid to find out what you really—well, you know, that you might—and now you’re wondering if I’ve always been doing this or if it just started up.” “Something like that.” “It began one night out at the club. That night John’s wife got the drink spilled down her front—” “I remember. I was there.” She recalled how silly Trevor had got that night, staring at those wet breasts. “He wasn’t the only one.” No. But this was terrible! “You don’t know the half of it, Marge, it’s a living nightmare!” gasped Lorraine, dabbing at her eyes with her blouse tails. “I’m sorry,” she added, responding to something unflattering that Marge was thinking, and tucking in her blouse, went into the kitchen, returning with a box of tissues. She blew her nose and said: “Oh, Marge, I’ve so needed someone to talk to!” Marge, who was not one to express her feelings aloud, was therefore relieved that the genuine warmth she was feeling toward her friend Lorraine at this moment did not need further expression, and instead she said, having just thought of it again: “Lorraine, I came to tell you, I’m running for mayor.” “Really?!” exclaimed Lorraine, her face lighting up with the surprise of it, with the surprise of being surprised. “That’s wonderful! I had no idea!”
Marge had been right. Ellsworth had been in the Crier offices when she knocked, still was. Or, rather, he was on the floor above them in what he liked to call, as a struggling artist, his garret, but which was today just his old dusty workroom above the shop. He’d been dozing fitfully on the cot, exhausted but too disturbed to sleep. He had not, for the first time since he undertook the task, kept today the record, he knew that, but the record he had kept all these years, or thought he’d kept, was now, he’d found, dissolving on him, as though to teach him what he had always known—that words were not, as he liked to pretend, the stubborn monitors of time, adamant and fixed as number, but were time’s recombinatory toys and about as hard as water—and so to taunt him with the futility of his record-keeping mission. Or so it seemed last night: he allowed he was not well, his tired mind too lost to imaginary realms to keep its grip on real ones as firmly as a good reporter’s must. Specimen: the caption he had written for the famous cake-in-the-face wedding photo so many years ago, which, when in his most panicky moment last night he’d looked, had seemed to read: “MAID OF HONOR NOURISHES WEDDING GHOST”—but which had resolved itself to “GUEST” once more when, merely, he had rubbed his eyes and taken a deep breath. In short: the word had not lost its stability, his perception of it had. Was this a consolation? That, in effect, this book—the Stalker!—was driving him mad? Not much of one, nor was the less hazardous notion, which he could not quite believe, that what the word had faithfully kept he had simply remembered wrongly: the bride’s dress, for example, or the year the Pioneer Hotel came down. Dates were dates, places places, and that special wedding section was too well thumbed for him to find himself reading, for the first time, a paragraph deep in the story that began: “On the night before the exchange of vows, the groom bade farewell to the solitary life at a well-rounded entertainment provided by his many staunch friends …” Ellsworthian, no doubt, he could not deny it, but he knew he had not written it, or if he had he had not printed it, and if he had he no longer knew what he had done his whole life long. A possibility, of course; another: that he’d somehow nightmared himself into such an hallucinatory state last night that in his fevered eyes, no boundaries were secure. He’d half-reasoned so, half of reason being all he’d left to work with, and so, as history melted and mutated before him, he’d shaken his head, slapped his cheeks, stomped about the room, and looked again, often to good effect. What finally defeated him, however, and deprived this day the town of its weekly self-portrait was what he found in the celebrated photo of John and his bride dashing for the limousine under a shower of rice. This photo was one of his favorites, for it seemed to capture in its communal seed-burst gaiety the great promise of that historic occasion—only now the unanimity of that good cheer was marred by a single solemn face, staring ominously out through the cloud of falling rice, straight at the camera, and when Ellsworth saw that face he knew in an instant who it was: the Stalker! He was sure of it, even though he didn’t really know what the Stalker looked like. And as Ellsworth in dismay stared back, the Stalker’s eyes seemed to widen and his cheeks to tremble (though perhaps it was only Ellsworth’s hands trembling) as if suppressing laughter: Ellsworth fled. And up here remained in full retreat, thinking, somewhat foggily: the book must go. The burning of the forest was not a nightmare, it was a kind of prescription. He rose from the cot, feeling shaky, stared gloomily at the heaps of manuscript pages scattered about the room: on chairs, the table, in shelves, on the floor. A great devastation loomed; probably he should eat something before he commenced it. He picked up a sheet off a nearby chair, read: Art emerges, not from what is seen, but from the longing for what is not seen. Did he write this? He didn’t remember. Who said it? The Artist, consoling himself now for his loss? No, he was inconsolable. But not really the sardonic Stalker’s style. Then—? Good grief! The Model!
Hunger was making Pauline shaky, too, and though devastation was not on her mind (it never was, not even back when Daddy Duwayne tried to implant it there), something approximating it was already taking place in the studio as she blundered about desperately, looking for something to eat, knowing, even as she squeezed painfully through doorways and knocked things over in her clumsiness, that there was nothing to be found. When Otis left with the albums, he had promised to order up a dozen pizzas for her, but they hadn’t arrived and she really couldn’t wait much longer. She tried to call him again, but found it hard to work the little dials on Gordon’s old-fashioned rotary phones (had to turn them like bottle caps) and kept getting wrong numbers and busy signals. Putting two and two together was not what Pauline did best, but as she pressed her bulk through the doorway to check the downstairs refrigerator one more time (empty of course; on her last fruitful pass, she had found a withered lemon stuck to the back of the vegetable drawer by its own rot: she’d brushed it off on her thigh and eaten it whole like a piece of candy), it suddenly came to her with the force of a blow to the head, the sort of blow she was constantly giving herself now whenever she moved, that she was still growing and if she didn’t get out of here soon, she’d be trapped inside this building—already she couldn’t get up and down the stairs—and that would mean (two plus two) she’d probably starve to death. Even if they let her husband out of jail, Pauline knew she couldn’t count on him, he was so caug
ht up in his work these days. But if she went outside, what would she wear? The one bedsheet she had wrapped around her was flimsier than underwear, and the other bedsheets and blankets were upstairs out of reach. She remembered the dusty old burgundy backdrop curtains in the portrait studio, and she squeezed back in there to (woops!—crash!—sorry about that) take them down, hoping Gordon wouldn’t be too mad about her borrowing them. She couldn’t get her big fingers around a safety pin, much less a needle, so, her stomach rumbling volcanically all the while she worked, she fashioned a kind of loose simple cloak (good old high school home ec!) and stapled it together with the stapler from the front-shop counter. Reaching through the bead curtains for it, she decided to take them along, too: “for dressing up,” as she thought of it, though mostly it was to belt the loose flaps in place. Leaving by the front door with bells jingling did not seem like a good idea, and anyway Otis had locked it when he left and the little catch would be too fidgety for her fingers to work from the inside. But the back door was too small, even sideways she kept getting snagged on something. Of course, it would help if the screen door weren’t there. How do these little hinge gizmos work? Never mind, it was off. Still couldn’t get through, though. She took off her new cloak and beads, lay down on her side and pushed her legs out into the alley and then (ouch!) her bottom, got up on her hands and knees and, jiggling back and forth, worked her top part out, dragging her new clothes with her. As she was still wiggling her shoulders through, she peeked through her flopping breasts and legs and saw a man watching her from across the alleyway, one hand clapped over an eye as though he were taking an eye test. She recognized him: Gordon’s insurance salesman. He couldn’t seem to stop staring, though the look on his face was different from most she’d suffered all her life. More like he was having a heart attack or had eaten something he shouldn’t have. Well, who could blame him, she probably was a sight. Pauline, being an incurious sort, did not stop to wonder what the man was doing there, nor why he didn’t at least come over and give her a helping hand, she figured most people would be put off, seeing her like this, and they would anyway suppose she was big enough to take care of herself. She pulled the cloak on over her head again and tied it with the beads, then went over to apologize to him and ask him where she might find something to eat—quickly!—but he just fell back into the rubbish there, still holding his eye and stammering something about his wife and the mayor. Well, too bad, but she had problems of her own, so, her growling stomach replying for her, she left him sitting there and made her way, knees bent and head ducked so as to cause as little alarm as possible, down the alley toward the Sixth Street Cafe.
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