The Zombie Game

Home > Other > The Zombie Game > Page 22
The Zombie Game Page 22

by Glenn Shepard


  The best part was that Keyes was authorized to return to the US. Although she would be in witness protection, I could see her on a regular basis.

  Jakjak was relocated to Jackson City, North Carolina. He and Lars Paulissen survived in the free-fall lifeboat and were picked up by the US Coast Guard. Jakjak would soon start work in the hospital where I’m the administrator, temporarily, at least, until my medical license is restored. Then, I plan to find a place for him in my medical office.

  Tomas Duran called and offered me a permanent job at his hospital in Léogâne. He told me that both he and his father were released with no repercussions and Julien was back to work as Haiti’s Minister of Finance. Tomas was also happy to report that his stepmother, Ingrid Duran, and Police Chief Conrad were together—in the same jail, anyway.

  Lars Paulissen was a patient in Tomas’ hospital, treated for a fractured hip, broken arm, and ruptured spleen.

  Unfortunately, Sanfia has continued as leader of her Vodoun society.

  The yacht title that Farok created so his boat would clear U.S. Customs for entry into the United States was valid. The papers showed it was transferred from Jacob Abrams to me the same day the Ana Brigette was hijacked. As Keyes and I’d deduced, Farok had made a lot of preparations. None of it was by happenstance. He’d programmed it all, except the ending.

  To all the people who questioned me after our little episode on the Royal Princess, I told them one thing: In order for Farok to have made his plans before the sudden illness of the Pope, he had to have spies in the Vatican. And one of those spies was no doubt a physician or pharmacist, someone so capable with drugs that he or she could make the Pope seriously, but temporarily, ill—just as Sanfia does with her zombie potions.

  The Royal Princess will be legally mine once the feds finish with it, probably in a few months. My plans for it? To put a “For Sale” sign on it. Immediately. As I said, I couldn’t afford to pay for a day of dock fees, let alone for the fuel it would take to go even a mile.

  I’m also happy to say that I’m free of my bad habits, Jack Daniels and Sobranie Blacks. With Keyes’ help, I’ve even eliminated profanities from my vocabulary. Well, most of them, anyway. So I’ll pass my mother-in-law’s tests and become a father to my kids again. God, I’ve missed them.

  But the idea of a spy in the Pope’s inner circle still bothers me, and I have a feeling I haven’t heard the last of that little issue.

  Author’s Postscript

  I’VE LONG BEEN INTRIGUED by zombies. They are such a common subject of books, movies, and TV shows. I’ve often wondered if these monsters exist in reality. Are they just figments of the writers’ imaginations, like Dracula and Frankenstein? Or is there a scientific explanation for the zombie phenomenon?

  Certainly, the fact that people have been unintentionally buried prematurely has been well recorded in history. A number of physiological occurrences—like the absence of a palpable pulse, heartbeat, and perceptible breathing—can lead, and have led, to the misdiagnosis of death. Just last week, a “dead man” in Mississippi awakened in a body bag, waiting his embalming. But can another individual control the circumstances altering the usual parameters of life in a selected person so that the victim is judged by standard medical observations to be dead? Could the “corpse” then be administered drugs that would restore consciousness and in so doing create the “living dead”?

  I have been a basic scientific researcher since 1967, working in labs at Vanderbilt, Duke, and the University of Louisville before entering private practice and continuing, in off-hours, to do research on perplexing surgical problems until 1990. Strict protocols must be used to ensure that the results are accurately proven by the condition of the experiment—hence, the scientific method.

  With my interest in zombies, I’ve been an avid reader of books on the subject and was delightfully surprised, in 1985, to read The Serpent and the Rainbow. The book was written by ethnobotanist/anthropologist Wade Davis, who’d done exhaustive research on the “zombie phenomenon.” I read many times his story of discovering two individuals in Haiti who’d both been pronounced dead and buried and then exhumed and found to be alive and functional. Davis employed the scientific method in his investigations. He explored the nature of the deaths, the drugs used by bokors and houngans to first make their victims die and then recover them, and the social background of the societies that subjected people to “zombification.”

  My son, Glenn Jr., is also an ethnobotanist/anthropologist, and he well knows the integrity of Davis. The researcher was credible, his method of investigation was thorough, and his conclusions logically followed the findings of his study.

  Some readers of Davis’s work have questioned that only two subjects were evaluated. To this I quote a professor of mine in medical school, who once paraphrased one of the greats of medical history, Sir William Osler. “If you thoroughly know one patient, you know medicine.” This quote has stuck with me over the years, and I feel it rings true with research. A hundred subjects are not necessary if you have proven your hypothesis in but one individual.

  A good reason for the limited number of subjects in Davis’s book is the veil of secrecy that surrounds the “zombie phenomenon.” The society that produces a zombie is pledged to absolute confidentiality. That Davis was able to enter the social cover of the “zombie culture” is a tribute to his skills in gaining the confidence of its leaders. This enabled his successful interviews with people within the Vodoun society as well as his recovery of drugs attributed to the creation of zombies in Haiti.

  Wade Davis’s second book, Passage of Darkness: The Ethnobiology of the Haitian Zombie, published in 1988, further explores the Bizango societies that create zombies. He penetrated the secret societies that control zombies, and catalogued the misdeeds of subjects whose punishment was zombification. Wade Davis’s story is not of evil men inflicting harm on good village citizens but of social leaders who judge the wrongdoing of their people and render punishment, sometimes by making them zombies.

  My approach to zombies stays away from the typical Hollywood prototype as presented in films such as The Night of the Living Dead. My fictional depiction of zombies follows the Wade Davis concept of zombies, one I see as scientifically acceptable. Zombies are real. And I hope that Benoit and Shaza are as real in your mind as they are in mine.

  Acknowledgments

  Thanks to Richard Krevolin, my editor and friend who worked with me from the inception of this book.

  My heartfelt gratitude to John Haslett, who gave up his valuable time from writing his own best selling books to edit The Zombie Game and the book that preceded this, The Missile Game. I’ve learned a lot from him that will help me in my future writing.

  And, to John Haslett’s lovely wife, Annie Biggs for the cover, interior, and brand design.

  Hats off to Lt. Col. Mary M. Klote, MD who at a writing seminar saw a future for Jakjak and saved him from death in an early version of Chapter 5. Jakjak lives! For books to come!

  Colleen Sell made valuable contributions in the editing and Ana Mango’s artistic genius greatly benefited the current cover.

  Jim Williams, my friend for 40 years and medical illustrator for all my many scientific articles, came to my assistance in the cover design whenever I called (many times in the middle of the night).

  Sons Glenn Jr. and Barclay resurrected this book from half a dozen computer crashes. They recommended I take computer classes (which I really don’t need with them to back me up).

  And special thanks to Phillip Greasley, Retired Lieutenant Col. USAF, for his technical advice on the air combat scenes. His introduction of Tech Sergeant Cimarron gave a face and personality to mundane military transmissions. I see a future for him in writing his own novels.

 

 

  <
center> Thank you for reading books on Archive.


‹ Prev