by Ben Crystal
Henslowe, Philip (i), (ii)
Heywood, Thomas (i)
hip-hop poetry (i)
hierarchy of speech (i)
iambic foot/feet (i)
iambic pentameter (i)
explanation of (i)
in Macbeth (i)
in the Sonnets (i)
like everyday speech (i)
maintaining the rhythm of (i)
popularity of (i)
variations in (i)
idioms from Shakespeare (i), (ii)
imagination
for places (i)
in Elizabethan England (i)
insults (i)
JFK (i)
James
as I (i), (ii), (iii), (iv)
as VI (i), (ii), (iii), (iv)
interest in witches (i)
jazz
improvising (i)
understanding (i)
jigs (i)
Johnson, Robert (i)
Jonson, Ben (i), (ii)
Kate (in The Taming of the Shrew) (i)
Kemp, William (i)
Kent (in King Lear) (i), (ii), (iii), (iv), (v)
Kepler, Johannes (i)
killing a king (i), (ii), (iii)
King Lear
1899 film (i)
acting in (i)
never in (i)
spear-carriers in (i)
King’s Men, The (i), (ii)
Klingon (i)
Knight, Edward (i)
Kyd, Thomas (i)
language
change (i)
choices (i)
difficulty (i), (ii), (iii), (iv)
Latin, Shakespeare’s knowledge of (i)
literary approach (i), (ii)
loaves of bread (i)
Lord Chamberlain’s Men, The (i), (ii)
Luhrmann, Baz (i), (ii)
Lynch, David (i)
Macbeth
curse (i)
editions (i)
metre (i)
scene analysis (i)
social background (i), (ii)
thou and you (i)
witches (i), (ii)
Manga novels (i)
Marlowe, Christopher (i), (ii), (iii)
Master of the Revels (i), (ii), (iii), (iv)
metre (i)
affecting words (i)
as a character-note (i), (ii), (iii), (iv), (v)
breaking the rules of (i), (ii), (iii), (iv)
changing over time (i)
directing an actor (i), (ii), (iii), (iv), (v)
in the Sonnets (i)
Middle Temple (i)
Miller, Arthur (i)
modern editions (i), (ii)
compared to the First Folio (i), (ii)
monarch as God (i)
money, Shakespeare’s need for (i)
More, Thomas (i)
Mos Def (i)
Neighbours (i), (ii)
Nelson, Tim Blake (i)
O (2001 film) (i)
O (letter used to express character) (i)
OC, The (i)
Olivier, Laurence (i), (ii)
original pronunciation (i)
Othello
film adaptation (i)
murder of a cast member (i)
Oxford, Earl of (i)
Pacino, Al (i), (ii)
pentameter (i)
Pinter, Harold (i)
plague (i), (ii)
platt (i)
plays
as books (i)
as manuals (i)
as performance (i)
chronology (i)
in verse or prose (i)
plots in the (i), (ii)
poetical terms and concepts (i)
poetry
and jazz (i)
and prose (i)
and verse (i)
popularity (i)
putting people off (i), (ii)
translations (i)
Presley, Elvis (i), (ii)
Princess Diana (i)
printing the plays (i)
productions of the plays (i)
prose vs. poetry (i)
Pullman, Philip (i)
punctuation in the plays (i), (ii)
Puritans (i), (ii)
quarto vs. folio (i)
quatrains (i)
quotations, famous (i)
Rape of Lucrece, The (i)
rapping (i)
sonnets (i)
Ravenhill, Mark (i)
rehearsals (i), (ii)
revenge tragedies (i)
rewriting stories (i)
rhyme-schemes (i)
rhymes not working (i)
rhythm (i)
Rialto, The (i)
Richard III
character of (i)
Society (i)
Romeo and Juliet, versions of (i)
Romeo + Juliet (1996) (i), (ii)
Scarface (1983) (i), (ii)
scenes and acts (i)
Schwarzenegger, Arnold (i)
scroll (i)
Second Goth (in Titus Andronicus) (i)
seeing (vs. hearing) a play (i)
sentences and thoughts (i)
sets at the Globe (i)
Shakespeare
the director (i), (ii), (iii), (iv), (v)
the genius (i), (ii)
the man (i), (ii)
Shakespeare in Love (i)
shared lines (i), (ii)
Sir Thomas More (i), (ii)
soaps/soap operas (i), (ii), (iii), (iv), (v)
songs (i)
sonnets (i), (ii)
sources of the plays (i)
speech hierarchy (i)
stanzas (i)
Star Trek (i)
Star Wars (1977) (i)
story-telling (i), (ii)
suspension of disbelief (i)
Sutton, William (i)
Sylvian Fissure (i)
Tate Britain exhibition (i)
Thai king (i)
theatre (Elizabethan) (i), (ii)
acting practices (i), (ii)
companies (i), (ii)
cost of visiting (i)
darkness in (i), (ii)
etiquette (i)
writing for (i)
thou and you (i)
thoughts
and metre (i)
and sentences (i)
Titanic (1997) (i)
Titus Andronicus
capital letters in (i)
character journey in (i)
editions of (i)
translations (i)
treason, punishment for (i)
trochaic pentameter (i)
trochee (i), (ii)
Tucker, Patrick (i), (ii)
universal themes (i)
verse
vs. poetry (i)
vs. prose (i)
Wallace & Gromit (i)
Webster, John (i)
Weider, Joe (i)
Welles, Orson (i), (ii)
West Wing, The (i)
Winner, Michael (i)
witches in Elizabethan times (i), (ii)
Wizard of Oz, The (1939) (i)
words
invented (i), (ii)
old (i), (ii)
you and thou (i)