by Marcel Proust; D. J. Enright; Joanna Kilmartin; Andreas Mayor; Terence Kilmartin
All day long, in that slightly too countrified house which seemed no more than a place for a rest between walks or during a sudden downpour, one of those houses in which all the sitting-rooms look like arbours and, on the wall-paper in the bedrooms, here the roses from the garden, there the birds from the trees outside join you and keep you company, isolated from the world—for it was old wall-paper on which every rose was so distinct that, had it been alive, you could have picked it, every bird you could have put in a cage and tamed, quite different from those grandiose bedroom decorations of today where, on a silver background, all the apple-trees of Normandy display their outlines in the Japanese style to hallucinate the hours you spend in bed—all day long I remained in my room which looked over the fine greenery of the park and the lilacs at the entrance, over the green leaves of the tall trees by the edge of the lake, sparkling in the sun, and the forest of Méséglise. Yet I looked at all this with pleasure only because I said to myself: “How nice to be able to see so much greenery from my bedroom window,” until the moment when, in the vast verdant picture, I recognised, painted in a contrasting dark blue simply because it was further away, the steeple of Combray church. Not a representation of the steeple, but the steeple itself, which, putting in visible form a distance of miles and of years, had come, intruding its discordant tone into the midst of the luminous verdure—a tone so colourless that it seemed little more than a preliminary sketch—and engraved itself upon my window-pane. And if I left my room for a moment, I saw at the end of the corridor, in a little sitting-room which faced in another direction, what seemed to be a band of scarlet—for this room was hung with a plain silk, but a red one, ready to burst into flames if a ray of sun fell upon it.
The love of Albertine had disappeared from my memory. But it seems that there exists too an involuntary memory of the limbs, a pale and sterile imitation of the other but longer-lived, just as there are animals or vegetables without intelligence which are longer-lived than man. Our legs and our arms are full of torpid memories. And once, when I had said good-night to Gilberte rather early, I woke up in the middle of the night in my room at Tansonville and, still half-asleep, called out: “Albertine!” It was not that I had thought of her or dreamt of her, nor that I was confusing her with Gilberte, but a memory in my arm, opening like a flower, had made me fumble behind my back for the bell, as though I had been in my bedroom in Paris. And not finding it, I had called out: “Albertine!,” thinking that my dead mistress was lying by my side, as she had often done in the evening, and that we were both dropping off to sleep, and reckoning, as I woke up, that, because of the time it would take Françoise to reach my room, Albertine might without imprudence pull the bell which I could not find.
During our walks Gilberte intimated to me that Robert was turning away from her, but only in order to run after other women. And it is true that many women encumbered his life, yet always these associations, like certain masculine friendships in the lives of men who love women, had that quality of ineffectual resistance, of purposelessly filling an empty space that often in a house may be seen in objects which are not there to be used.
He came several times to Tansonville while I was there and I found him very different from the man I had known. His life had not coarsened him or slowed him down, as had happened with M. de Charlus; on the contrary, working in him an inverse change, it had given him, in a degree in which he had never had it before—and this although he had resigned his commission on his marriage—the grace and ease of a cavalry officer. Gradually, just as M. de Charlus had grown heavier, Robert (it is true that he was very much younger, but one felt that with age he would only get nearer and nearer to this ideal), had, like those women who resolutely sacrifice their faces to their figures and after a certain moment never stir from Marienbad (they realise that they cannot preserve more than one kind of youth and think that a youthful figure will serve best to represent youth in general), become slimmer and taken to moving more rapidly, a contrary effect of an identical vice. This swiftness of movement had, moreover, various psychological causes, the fear of being seen, the wish to conceal that fear, the feverishness which is generated by self-dissatisfaction and boredom. He was in the habit of visiting certain low haunts into which, as he did not wish to be seen going in or coming out, he would hurl himself in such a way as to present the smallest possible target to the unfriendly glances of possible passers-by, like a soldier going into an attack.2 And this manner of moving like a gust of wind had become a habit. Perhaps also it symbolised the superficial intrepidity of a man who wants to show that he is not afraid and does not want to give himself time to think. We must mention too, if our account is to be complete, a desire, the older he grew, to appear young, and also the impatience characteristic of those perpetually bored and perpetually cynical men that people inevitably turn into when they are too intelligent for the relatively idle lives they lead, in which their faculties do not have full play. No doubt idleness, in these men as in others, may express itself in inertia. But in these days especially, when physical exercise is so much in favour, there exists also, even outside the actual hours of sport, an athletic form of idleness which finds expression not in inertia but in a feverish vivacity that hopes to leave boredom neither time nor space to develop in.
Becoming—at any rate during this tiresome phase—much harder in his manner, towards his friends, towards for example myself, he now exhibited scarcely any trace of sensibility. Towards Gilberte on the other hand he behaved with an affectation of sentiment carried to the point of theatricality, which was most disagreeable. Not that he was in fact indifferent to her. No, he loved her. But he lied to her all the time and his untruthfulness, if not the actual purpose of his lies, was invariably detected; and then he thought that the only way to extricate himself was to exaggerate to a ridiculous degree the genuine distress which he felt at having hurt her. He would arrive at Tansonville, obliged, he said, to leave again the next morning because of some business with a certain neighbouring landowner who was supposed to be waiting for him in Paris; but the neighbour, when they happened to meet him near Combray the same evening, would unintentionally expose the lie, of which Robert had neglected to inform him, by saying that he had come to the country for a month’s rest and would not be going back to Paris during his stay. Robert would blush, would observe Gilberte’s melancholy and knowing smile, get rid of the blundering friend with a few sharp words, go home before his wife, send her a desperate note saying that he had told this lie in order not to hurt her, so that she should not think, when she saw him go off for a reason which he could not avow to her, that he did not love her (and all this, though Robert thought that he was lying when he wrote it, was in substance true), and then would ask permission to come to her room and there—part genuine distress, part the nervous strain of the life he led, part a pretence which became every day more brazen—would sob, plunge his head into cold water, talk about his imminent death, sometimes throw himself on the floor as though he had been taken ill. Gilberte did not know how far she should believe him, supposed that in each particular case he was lying but that in a general way he loved her, and was worried by this presentiment of an imminent death, thinking that he perhaps had some illness she did not know of, so that for that reason she did not dare to thwart him or ask him to give up his travels. All this, however, did not help me to understand why Robert insisted on Morel’s being accepted as the son of the house—as much a part of it as Bergotte,3 wherever the Saint-Loups were, in Paris or at Tansonville. Morel imitated Bergotte marvellously. It was even unnecessary, after a while, to ask him for an impersonation. Like those hysterics whom one doesn’t have to hypnotise to make them become such or such a person, he entered spontaneously and immediately into the character.
Françoise, who had seen all that M. de Charlus had done for Jupien and saw now all that Robert de Saint-Loup was doing for Morel, did not conclude that this was a characteristic which reappeared from generation to generation in the Guermantes family.
She, who was so moral and so full of prejudices, had come rather to believe—as Legrandin too was so kind to Théodore—that this was a custom rendered respectable by its universality. She would say of a young man, whether Morel or Théodore: “He has found a gentleman who takes an interest in him and has done a great deal to help him.” And as in such cases it is the protectors who love and suffer and forgive, Françoise, faced with a choice between the “gentlemen” and the youths whom they seduced, did not hesitate to award her sympathy to the seducers, to decide that it was they who “really had hearts.” She blamed Théodore for all the tricks he played on Legrandin—and yet it seemed scarcely possible that she could have any doubt about the nature of their relations, for she would add: “Then the boy realised that it was his turn to make a move and said: ‘Take me with you, I will love you, I will do my best to please you,’ and upon my word the gentleman has such a heart that I’m sure Théodore is sure to do well with him. Perhaps much better than he deserves, for he’s a proper madcap, but the gentleman is so good that I’ve often said to Jeannette (Théodore’s fiancée): ‘My girl, if ever you’re in trouble, go to the gentleman. He’d give you his bed rather than let you sleep on the floor. He’s been too fond of that lad (Théodore) to turn him out. You can be sure he’ll never desert him.’” Out of politeness I inquired what was the surname of Théodore, who was now living somewhere in the south of France, and she told me that it was Sanilon. “Then that’s who it was,” I exclaimed, “who wrote to me about my article in Le Figaro.”
In the same way Françoise had a higher esteem for Saint-Loup than for Morel and gave it as her opinion that, in spite of all the tricks the lad (Morel) had played, the Marquis would always come to his rescue if he were in trouble, for he was a man with a real heart—or if he didn’t, it would only be because he himself had suffered some great disaster.
Saint-Loup insisted that I should stay on at Tansonville and once, although he never now visibly sought to give me pleasure, let slip the remark that my coming had been so great a joy to his wife that it had caused her, as she had told him, a transport of happiness which lasted a whole evening, an evening when she had been feeling so miserable that my unexpected arrival had miraculously saved her from despair, “Perhaps from something worse,” he added. He asked me to try to persuade her that he loved her and told me that, though he loved another woman, he loved her less than his wife and would soon break with her. “And yet,” he continued, with such self-satisfaction and such an evident need to confide that there were moments when I thought the name of Charlie would, for all Robert’s efforts, “come up” like a number in a lottery, “I had something to be proud of. This woman who has given me so many proofs of her affection and whom I am about to sacrifice to Gilberte, had never looked at a man before, she even thought herself incapable of falling in love. I am the first man in her life. I knew that she had refused offers right and left, so that when I received the marvellous letter in which she told me that there would be no happiness for her except with me, I just could not get over it. Obviously, there would be something here for me to lose my head about, were it not that the thought of seeing poor Gilberte in tears is intolerable to me. Don’t you see something of Rachel in her?” he went on. And indeed I had been struck by a vague resemblance which one could, if one tried, now find between them. Perhaps it was due to a real similarity of certain features (owing possibly to the Jewish origin of both, though of this there was little evidence in Gilberte) which had caused Robert, when his family had insisted that he should marry, to feel himself more attracted to Gilberte than to any other girl who was equally rich. But it was due also to the fact that Gilberte, having come across some hidden photographs of Rachel, whose name even had been unknown to her, tried to please Robert by imitating certain habits dear to the actress, such as always wearing a red ribbon in her hair and a black velvet ribbon on her arm, and by dyeing her hair in order to look dark. Then, feeling that her unhappiness was spoiling her looks, she tried to do something about it. Sometimes she went a great deal too far. One day, when Robert was coming to Tansonville for a single night, I was astounded to see her take her place at table looking so strangely different, not merely from what she had been in the past, but from her present self of every day, that I sat dumbfounded as if I had before my eyes an actress, a sort of Empress Theodora. I felt that in spite of myself I was staring at her, so curious was I to know what it was that was changed. My curiosity was soon satisfied when she blew her nose—in spite of all the precautions with which she did this. For from the many colours which were left on her handkerchief, turning it into a sumptuous palette, I saw that she was heavily made up. This it was that gave her that blood-red mouth which she tried hard to control into laughter in the belief that it was becoming to her, while the thought that the time of her husband’s train was approaching and still she did not know whether he would really come or whether he would send one of those telegrams of which M. de Guermantes had wittily fixed the formula: Cannot come, lie follows, turned her cheeks pale beneath the violet sweat of her grease-paint and drew dark rings round her eyes.
“Ah! don’t you see?” he would say to me—in an artificially affectionate manner which contrasted painfully with his spontaneous affection of the old days, with the voice of an alcoholic and an actor’s intonations—“Gilberte happy, there is nothing I would not give to see that. She has done so much for me. You can’t possibly know.” And the most disagreeable part of all this was once again his vanity, for he was flattered at being loved by Gilberte and, without daring to say that it was Charlie whom he loved, gave, nevertheless, of the love which the violinist was supposed to feel for him, details which he, the Saint-Loup from whom Charlie every day demanded more and more money, knew to be wildly exaggerated if not invented from start to finish. And so, entrusting Gilberte to my care, he would go off to Paris again. In Paris (to anticipate a little, for I am still at Tansonville) I once had an opportunity of observing him at a party and from a distance and on this occasion, though the way in which he spoke was still alive and charming and enabled me to rediscover the past, I was struck by the great changes taking place in him. More and more he resembled his mother: the haughtily elegant manner which he had inherited from her and which she, by means of the most elaborate training, had perfected in him was now freezing into exaggeration; the penetrating glance proper to him as a Guermantes gave him the air of inspecting every place in which he happened to be, but of doing this in an almost unconscious fashion, as though from habit, in obedience to a sort of animal characteristic. Even when he was at rest, the colouring which he possessed in a greater degree than any other Guermantes—that air of being merely the solidified sunniness of a golden day—gave him as it seemed a plumage so strange, made of him a species so rare and so precious, that one would have liked to acquire him for an ornithological collection; but when, in addition, this ray of light, metamorphosed into a bird, set itself in motion, when for instance I saw Robert de Saint-Loup enter this evening party at which I was present, the way in which he tossed back his head, so silkily and proudly crested with the golden tuft of his slightly moulting hair, and moved his neck from side to side, was so much more supple, so much more aloof and yet more delicate than anything to be expected of a human being that, fired by the sight with curiosity and wonder, half social and half zoological, one asked oneself whether one was really in the Faubourg Saint-Germain and not rather in the Zoological Gardens, whether one was watching the passage of a great nobleman through a drawing-room or a bird pacing its cage. And if one was prepared to exercise a little imagination, the twittering lent itself just as well to this second interpretation as the plumage. For he was beginning to use phrases which he thought redolent of the age of Louis XIV, and though in this he was simply imitating the manners of the Guermantes, in him some indefinable nuance was turning them into the manners of M. de Charlus. “I must leave you for a moment,” he said to me for instance, at this party, at which Mme de Marsantes was standing a little way aw
ay from us. “I have to pay my respects to my mother.”
To return to this “love,” of which he could not stop talking to me, it was not only love for Charlie, although this was the only one that counted for him. Whatever the nature of a man’s loves, one always makes mistakes as to the number of people with whom he has affairs, partly from wrongly interpreting friendships as love affairs, an error which exaggerates the total, but also through believing that one proved love affair excludes another, which is an error of a contrary kind. Two people may say: “X’s mistress, yes, I know her,” they may pronounce two different names and neither of them may be mistaken. A woman whom we love seldom satisfies all our needs and we deceive her with a woman whom we do not love. As to the species of loves that Saint-Loup had inherited from M. de Charlus, a husband who is that way inclined usually makes his wife happy. This is a general rule to which the Guermantes contrived to be an exception, because those of them who had this taste wanted it to be believed that on the contrary they were fond of women. So they made themselves conspicuous with one woman or another and drove their own wives to despair. The Courvoisiers were more sensible. The young Vicomte de Courvoisier thought he was the only man alive, perhaps the only man since the beginning of the world, to be tempted by someone of his own sex. Supposing this inclination to come to him from the devil, he struggled against it, married an extremely pretty wife and had children by her. Then one of his cousins taught him that the tendency is fairly widespread and was even so kind as to take him to places where he could indulge it. M. de Courvoisier became fonder than ever of his wife and redoubled his philoprogenitive zeal, and he and she were quoted as the happiest couple in Paris. That could not possibly be said of the Saint-Loups, because Robert, instead of being content with inversion, made his wife ill with jealousy by keeping mistresses without pleasure to himself.