by Marcel Proust; D. J. Enright; Joanna Kilmartin; Andreas Mayor; Terence Kilmartin
Then again, M. de Charlus was merciful, the idea of a vanquished opponent caused him pain, he was always on the side of the underdog, he refrained from reading the law reports in the newspapers in order not to have to suffer in his own flesh from the anguish of the condemned man and from the impossibility of assassinating the judge, the executioner and the crowd that stood gloating to see “justice done.” He was certain in any case that France could not be defeated now, and he knew on the other hand that the Germans were suffering from famine and would be obliged sooner or later to surrender unconditionally. And this idea too he more particularly disliked owing to the fact that he was living in France. His memories of Germany, after all, were distant, while the French who spoke of the crushing defeat of Germany with a joy which disgusted him, were people whose defects were known to him, their personalities unsympathetic. In such circumstances we pity more readily those whom we do not know, whom we merely imagine, than those who are near us in the vulgarity of daily life, unless—once again—we ourselves altogether are the latter and form but one flesh with them, since patriotism accomplishes the miracle that we are “for” our country as in a quarrel between lovers we are “for” ourself.
So the war for M. de Charlus was an extraordinarily fertile breeding-ground of those hatreds he was prone to which sprang up in him in a moment and had only a very brief existence, during which, however, he would have abandoned himself to any violent impulse. When he read the newspapers, the air of triumph with which day after day the journalists portrayed Germany as beaten—“the Beast at bay, reduced to impotence”—while the contrary was only too true, their cheerful and savage stupidity, intoxicated him with rage. The newspapers at this moment were written partly by well-known men who found this a means of “serving their country again,” men such as Brichot, Norpois, Morel even, and Legrandin. M. de Charlus longed to meet them, to heap the most bitter sarcasms on their heads. Always particularly well-informed about sexual irregularities, he knew of some in individuals who, believing their own to be unknown, complacently denounced such things in the sovereigns of the “Empires of Prey,” in Wagner, etc. He had a furious desire to find himself face to face with these men, to rub their noses in their own vice before the eyes of the world and leave them, these insulters of a vanquished opponent, dishonoured and gasping for breath.
Finally, M. de Charlus had also more particular reasons for being the pro-German that he was. One was that, himself a man of the world, he had lived much among men of the world, honourable men and men of honour, men who will not shake hands with a scoundrel; he was acquainted with their scruples and also with their hardness, he knew them to be insensible to the tears of a man whom they expel from a club or with whom they refuse to fight a duel, even if this act of “moral hygiene” should bring about the death of the black sheep’s mother. And so in spite of himself, whatever admiration he might feel for England and for the admirable fashion in which she entered the war, nevertheless this impeccable England—incapable of falsehood but forbidding the entry of wheat and milk into Germany—was in his eyes a little too much the man of honour among nations, the professional second in duels, the arbiter of affairs of honour, whereas his experience told him that men of a different type, men with a blot upon their reputation, scoundrels like some of Dostoievsky’s characters, may in fact be better—though I have never been able to understand why he identified the Germans with such men, since falsehood and deceit are in themselves no evidence of a kind heart, which is something the Germans do not seem to have displayed.
One last trait must be mentioned to complete this account of the pro-Germanism of M. de Charlus: he owed it, and through a most bizarre reaction, to his “Charlusism.” He found the Germans very ugly, perhaps because they were rather too near to his own blood—it was the Moroccans he was mad about and even more the Anglo-Saxons, in whom he saw living statues by Phidias. Now in him pleasure was not unaccompanied by a certain idea of cruelty of which I had not at that time learned the full force: the man whom he loved appeared to him in the guise of a delightful torturer. In taking sides against the Germans he would have seemed to himself to be acting as he did only in his hours of physical pleasure, to be acting, that is, in a manner contrary to his merciful nature, fired with passion for seductive evil and helping to crush virtuous ugliness. This too was his reaction at the time of the murder of Rasputin, an event which, happening as it did at a supper-party à la Dostoievsky, caused a general surprise because people found in it so strong a Russian flavour (this impression would have been stronger still had the public not been unaware of aspects of the case that were perfectly well known to M. de Charlus), because life disappoints us so often that in the end we come to believe that literature bears no relation to it and we are therefore astounded when we see the precious ideas that literature has revealed to us display themselves, without fear of getting spoiled, gratuitously, naturally, in the midst of daily life, when we see, for instance, that a supper-party and a murder taking place in Russia actually have something Russian about them.
The war dragged on indefinitely and those who, already several years earlier, had reported on good authority that negotiations for peace had been begun, even specifying the clauses of the treaty, were at no pains now, when they talked to you, to make excuses for their previous false rumours. They had forgotten them and were ready in all sincerity to propagate others which they would forget just as quickly. It was the period when there were constant Gotha raids; the air was perpetually buzzing with the vibration, vigilant and sonorous, of French aeroplanes. But at intervals the siren rang out like the heart-rending scream of a Valkyrie—the only German music to have been heard since the war—until the moment when the fire-engines announced that the alert was over, while beside them, like an invisible street-urchin, the all-clear at regular intervals commented on the good news and hurled its cry of joy into the air.
M. de Charlus was astonished to see that even men like Brichot who before the war had been militarists and had never ceased to reproach France for her lack of military preparedness, were not content now with reproaching Germany for the excesses of her militarism, but criticised even her admiration of the army. No doubt they expressed quite different opinions the moment there was any danger of slowing down the war against Germany and continued, for the best reasons, to denounce the pacifists of their own country. But Brichot, for example, having consented, in spite of his bad eyesight, to discuss in some lectures certain works which had appeared in neutral countries, gave high praise to a novel by a Swiss author which has a satirical passage about two children—militarists in embryo—who are struck dumb with symbolic admiration at the sight of a dragoon. There were other reasons why this satire was likely to displease M. de Charlus, who deemed that a dragoon may be a very beautiful thing. But above all he did not understand Brichot’s admiration, if not for the book, which the Baron had not read, at least for its spirit, so different from that which had animated Brichot himself before the war. At that time everything that a military man did was right, even the irregularities of General de Boisdeffre, the disguises and strategies of Colonel du Paty de Clam, the forgery of Colonel Henry. By what extraordinary volte-face (it was in reality merely another aspect of the same very noble passion, the passion of patriotism, which, from being militarist when it was struggling against Dreyfusism, a phenomenon of anti-militarist tendencies, had been obliged itself to become almost anti-militarist now that the struggle was against the hyper-militaristic Germany) had Brichot come to exclaim: “O marvellous and mighty spectacle, fit lure for the youth of an age that is all brutality and knows only the cult of force: a dragoon! Well may one judge what the base soldiery will be of a generation reared in the cult of these manifestations of brutal force.” He approved too of another Swiss novelist, Spitteler, who “wanting something to oppose to the hideous conception of the sword supreme, symbolically exiled to the depths of the forests the dreamy figure, mocked, calumniated and solitary, whom he calls the Mad Student, his delightful i
ncarnation of the sweetness—unfashionable, alas, and perhaps soon to be forgotten if the grim rule of the ancient god of the militarists is not destroyed—the adorable sweetness of the times of peace.”
“Now tell me,” M. de Charlus said to me, “you know Cottard and you know Cambremer. Every time I see them, they talk to me about Germany’s extraordinary lack of psychology. But between ourselves, do you think that hitherto they have cared much about psychology, or that even now they are capable of giving proof of any skill in it? You may be sure that I am not exaggerating. Even if he is talking about the very greatest of Germans, about Nietzsche or Goethe himself, you will hear Cottard say: ‘with the habitual lack of psychology which characterises the Teutonic race.’ Naturally there are things in the war which cause me greater distress, but you must admit that this is exasperating. Norpois is more intelligent, I grant you, although since the beginning of the war he has on every occasion been wrong. But what can one say of these articles of Brichot’s which are arousing universal enthusiasm? You know as well as I do, my dear sir, the merit of the man, whom I like very much, even after the schism which has cut me off from his little church, which causes me to see much less of him than I used to. But still I have a certain regard for this usher with the gift of the gab and a vast amount of learning, and I confess that it is very touching that at his age—and with his strength failing as it clearly has been failing for some years past—he should, as he says, have taken it upon himself to ‘serve again.’ But after all, good intentions are one thing, talent is another, and talent Brichot has never had. I admit that I share his admiration for certain elements of greatness in the present war. I do, however, find it strange that a blind partisan of antiquity like Brichot, who could not be sarcastic enough about Zola for discovering more poetry in a working-class home or a coal-mine than in the famous palaces of history, or about Goncourt for elevating Diderot above Homer and Watteau above Raphael, should incessantly drum into our ears that Thermopylae and even Austerlitz were nothing compared with Vauquois. And this time, to make things worse, the public, after resisting the modernists of literature and art, is falling into line with the modernists of war, because it is an accepted fashion to think like this and also because little minds are crushed, not by the beauty, but by the hugeness of the action. It is true that kolossal is now spelt only with a fe, but fundamentally, what people are bowing the knee to is simply the colossal. By the way, talking of Brichot, have you seen Morel? I am told that he wants to see me again. He has only to take the first step. I am the older man, it is not for me to make a move.”
Unfortunately only the next day, to anticipate a little, M. de Charlus found himself face to face with Morel in the street; Morel, to inflame his jealousy, took him by the arm and told him various tales which were more or less true and which agitated M. de Charlus and made him feel that he needed Morel’s presence beside him that evening, that he must not be allowed to go anywhere else. But the young man, catching sight of a friend of his own age, quickly said good-bye to M. de Charlus, whereupon the Baron, hoping that this threat—which naturally he would never carry out—would make Morel stay, said to him: “Take care, I shall have my revenge.” Morel, however, went off with a laugh, giving his astonished young friend a pat on the neck and putting his arm round his waist.
No doubt the remark which M. de Charlus had just made to me about Morel’s wishing to see him was proof of the extent to which love—and that of the Baron must have been extremely persistent—while it makes a man more imaginative and quicker to take offence, at the same time makes him more credulous and less proud. But when M. de Charlus went on: “He is a boy who is mad about women and thinks of nothing else,” his words were truer than he thought. He said this out of vanity and out of love, so that people might suppose that Morel’s attachment to him had not been followed by others of the same nature. I certainly did not believe a word of it, I who had seen, what M. de Charlus still did not know, that for fifty francs Morel had once given himself to the Prince de Guermantes for a night. And if, when he saw M. de Charlus pass in the street, Morel (except on the days when, from a need to confess, he would bump into him so as to have the opportunity to say gloomily: “Oh! I am so sorry, I quite see that I have behaved disgustingly towards you”), seated at a café on the pavement with his friends, would join them in noisily pointing at the Baron and making those little clucking noises with which people make fun of an old invert, I was persuaded that this was in order to conceal his own activities; and that likewise, taken aside by the Baron, each one of these public accusers would have done everything that the latter asked of him. I was wrong. If a strange development had brought to inversion—and in every social class—men like Saint-Loup who were furthest removed from it, a movement in the contrary direction had detached from these practices those in whom they were most habitual. In some the change had been wrought by tardy religious scruples, by the emotion they had felt when certain scandals had blazed into publicity, or by the fear of non-existent diseases in which they had been made to believe either, in all sincerity, by a relative who was often a concierge or a valet, or, disingenuously, by a jealous lover who had thought that in this way he would keep for himself alone a young man whom he had, on the contrary, succeeded in detaching from himself as well as from others. Thus it was that the former lift-boy at Balbec would now not have accepted for silver or gold propositions which he had come to regard as no less criminal than treasonable proposals from the enemy. In the case of Morel, however, his refusal of all offers without exception, as to which M. de Charlus had unwittingly spoken a truth which at one and the same time justified his illusions and destroyed his hopes, came from the fact that, two years after having left M. de Charlus, he had fallen in love with a woman whom he now lived with and that she, having the stronger will of the two, had managed to impose upon him an absolute fidelity. So that Morel, who at the time when M. de Charlus was showering so much money upon him had given a night to the Prince de Guermantes for fifty francs, would not now have accepted from the latter or from any other man whatever an offer even of fifty thousand. In default of honour and disinterestedness, his mistress had inculcated in him some concern for people’s opinion of him, which made him not averse even to demonstrating, with a show of bravado, that all the money in the world meant nothing to him when it was offered on certain conditions. Thus, in the flowering of the human species, the interplay of different psychological laws operates always in such a way as to compensate for any process that might otherwise, in one direction or the other, through plethora or through rarefaction, bring about the annihilation of the race. And thus, too, among flowers, a similar wisdom, which Darwin was the first to bring to light, governs their different modes of fertilisation, opposing them successively one to another.