"And that's my type?"
"Isn't it?"
I let that one ride. The meal continues pleasantly and the conversation moves along to safer subjects. At one point during dessert--we share the Irish coffee chocolate brownie mousse--I feel her bare foot brushing against my calf. She's removed her shoe and has begun to rub my leg, inching higher and higher until her foot is in my lap. She presses her toes into my crotch, all the while looking at me with a glint in her eye that means business. I'm suddenly immensely aroused, a reaction I know has to do with coming back from a life-or-death assignment. The NSA psych doctors who examine me every year always express surprise when they learn of my years of celibacy. Most guys who perform dangerous missions for the government have a libido that won't quit. Maybe that's now finally coming to the fore.
"What say you we pay the bill and get the hell out of here?" I ask.
"I was wondering when you were gonna suggest that," she says, a mischievous grin playing on her wet lips.
WE spend the rest of the afternoon and evening in my room at the hotel. The sex is as intense as it was on my birthday back home in Towson. Katia is insatiable, it seems, and I no longer feel the fatigue that was plaguing me when I arrived in California. Maybe it's the pheromones surging through my body or something like that, if you believe in that kind of stuff. Whatever it is, the chemical reactions in my loins don't fail to do the job.
By nine o'clock that night we're hungry again. I order room service and we have a couple of sandwiches and sodas. We sit on the bed, naked, eat our dinner, and laugh at the absurdity of how we must look. After the meal Katia offers to give me a massage and I readily accept. As she works me over with her strong hands I begin to feel tired again. I'm wonderfully relaxed and seem to be floating on water. The next thing I know, the room is pitch-dark and Katia is in bed next to me. I must have fallen asleep during the rubdown. The digital clock on the nightstand reads 2:35. I slept for a good six hours.
I quietly slip out from under the sheets and sit for a moment just watching Katia. She's sleeping soundly. In the dim light her dark curly hair, spread over the pillow, looks like splashed paint.
Yes, I think. This could be it. The years of celibacy are over. My daughter, Sarah, just might have to get used to me being with a new partner. I'm not thinking about marriage or anything that drastic. I'm not even sure I'd want to live with Katia. But I do know I want to continue seeing her. If what she said about both of us remaining independent is true, then the relationship might be ideal. I suppose I'll just have to cross each bridge as I come to it. For now, though, I feel . . . happy.
As if on cue, though, my OPSAT beeps quietly. I grab it, shut off the noise, and see the text message from Coen. All the details I need to find GyroTechnics have been beamed to me. Agent Kehoe has reported that the building was mysteriously evacuated and as of midnight no one is there. Lambert suspects that Mike Wu's arrest has prompted the firm's management to take some drastic measures. Lambert wants me to get over there as soon as possible.
Katia stirs and opens her eyes. "What time is it?" she mumbles.
"It's the middle of the night," I say. "Go back to sleep. I'll be back in the morning."
She sits up and asks, "Where are you going?"
"I have a job to do. I'll be back. I promise."
"Are you in danger?"
"No. Katia, go back to sleep. I'll be back when it's time to get up."
Her brow wrinkles and there's a moment when I fear there might be a conflict of interests. But instead she smiles, reaches out, pulls my head toward hers, and kisses me.
"Just be careful," she whispers. She then lays her head back onto the pillow and closes her eyes. She adjusts her body beneath the sheets and snuggles over onto the warm spot I left on my side of the bed.
I get dressed in my uniform and leave the hotel in the Murano.
25
I find GyroTechnics easily enough. It's an odd place to stick a technology development company--isolated in the hills, surrounded by trees, standing at the end of an unmarked gravel road--but then again it's a firm doing illegal shit. If what the FBI discovered is true, and I don't doubt it for a minute, the place is financed and run by a Triad. It just goes to show that these criminal organizations like Triads, Yakuzas, and Mafias are branching out beyond their normal expected enterprises like drugs, arms, prostitution, and gambling. Now they're in the global crime market and that means sponsoring and developing technology to use in committing offenses.
I park the Murano on Norman Place and walk to the gravel road. I stay off of it, though, electing to make my way through the dense growth of trees. With my night vision activated, it's not a problem. I come to the wire fence and can now see the futuristically designed building that is GyroTechnics. A couple of floodlights illuminate the empty parking lot but otherwise the place appears deserted. I draw my Five-seveN, attach the noise and flash suppressor, and aim at the floodlights.
Bing, bing.
Now the grounds are pitch-black, dimly lit only by the hazy night sky. I climb the fence, dart to the employee entrance, and find a code access keypad next to the door.
Pressing my implant, I say, "Hey, Anna, are you there? I need an access code for GyroTechnics."
"Hold on, Sam," she answers. "I thought I'd have it for you by morning and didn't know you'd be ordered to infiltrate the place at this hour."
"Well, I'm standing out here in the dark. Hurry."
I suppose I could blast the damned thing but it would probably set off all sorts of alarms and the police would show up before I could say "Oops." Instead I circle the building and look for another entrance. The really odd thing about this place is that there's no front door for Joe Public. The only people that go in and out of GyroTechnics are employees. UPS must bring deliveries to the back door and the postman shoots the mail through a slot. I guess the management doesn't do much in the way of entertaining clients.
Before Grimsdottir comes back with the access code, a pair of headlights swings toward the building. Uh-oh. I make a run for the fence but have no time to climb it. I hit the dirt and lie facedown as the car pulls into the parking lot and stops. It's a Corvette. The driver extinguishes the lights and gets out. He's alone. It's too dark to discern who it is, even with my night vision. He's Asian, I can tell that much.
The guy goes to the employee entrance and punches in the code. The door opens and he's inside. I quickly get up and run to the door, switch my goggles to thermal vision, and note the keys that are still warm from his touch--9, 7, 2, 0, and *. I have no idea in what order they're supposed to be. I snap a shot of the keypad with my OPSAT camera and adjust the controls so the thermal readings are indicated on the screen. Usually I can make an educated guess as to which keys were pressed first and last--the first one will be the dimmest and the last one will be the brightest. The difficulty is if a key is pressed more than once.
I take the chance and press the combination I think might be the one. It's like playing roulette in Vegas--the odds are outrageously against me. Of course, nothing happens. I try a slightly different combination and again come up with zilch. Sometimes these keypads are rigged to set off an alarm if someone tries incorrect codes more than three times. Should I risk it? As far I know, there's only one guy in the joint. I imagine I can take him, but it's possible the alarm could bring others.
Before I take the risk, another pair of headlights swings toward the building from the gravel road. Damn! Once again I move around the corner of the structure, where I figure it's safe to wait. The new car, a Porsche, parks next to the Corvette. Again, the driver is alone. He extinguishes the lights, gets out, and goes to the door. I watch as he punches in the access code but the door doesn't open. He knocks. After a moment, a voice on the intercom answers.
The new guy can't remember the code. I quickly draw the Five-seveN and activate the T.A.K. Aiming it at the door, I hear the following conversation in Chinese:
INSIDE GUY: What do you mean, you don't remember the c
ode?
OUTSIDE GUY: So sue me. What is it?
INSIDE GUY: Nine-nine-seven-two-two-zero and star.
OUTSIDE GUY: Thanks.
He punches the correct numbers and the door opens. Once he's inside, I hear Grimsdottir in my ear. "Sam? We have that code for you now."
"Never mind. I have it," I say.
"It's 9-9-7-2-2-0 star."
"I said I have it. Thanks."
"Oh. You're welcome."
Brother.
I wait a minute and then go to the door. I punch in the code and hear the lock disengage. I peer inside and see an empty corridor illuminated by overhead fluorescent lighting. Slipping inside, I'm aware of voices at the end of the hall. The two men are speaking in Chinese and it's difficult for me to understand them at this distance. I move farther down the corridor and slide into what appears to be a break room. There are vending machines, a couple of tables and chairs, a microwave and kitchen fixtures, and an employee bulletin board. Tacked onto the board are a couple of dozen color snapshots depicting a company picnic. A hand-printed banner reads, in English, HOLIDAY PICNIC, MARINA DEL REY HARBOR. I take a moment to scan the photos. They're the usual silly poses you see at company-sponsored events--people making goofy faces with beers in hand, a guy grilling burgers and hot dogs, a group playing volleyball. Someone has labeled each photo with a small piece of paper written in Chinese: Ken making dinner , Joe and Tom getting drunk, Kim and Chang score a point. All the subjects in the photos are Chinese and are of varying ages, mostly men. I'm about to turn my attention back to the two guys in the building when I notice a shot of Eddie Wu staring at me. I'm sure it's him. He's standing on the deck of a motor yacht docked at one of the marinas. The boat is named Lady Lotus and from the proud expression on Eddie's face it appears as if he's the skipper. Sure enough, the label proclaims, Captain Eddie and his boat. I take the snapshot off the board and stuff it in one of my pockets, then turn back to the hallway.
The two men move deeper into the building. I creep along the corridor, moving from corner to corner, until the duo go inside a couple of swinging doors marked, in Chinese and English, DEVELOPMENT. Each door has a square window and through one I can see one of the men, his back to me, fiddling with something on a worktable. It's not a leap in logic to assume that the room they're in is the lab--the place where the GyroTechnics employees build all their crap.
I remove the optic cable from my backpack, switch it on, and slowly feed it along the floor and underneath the swinging doors. The headpiece just fits so I slide it through about an inch. I then open up the lens to a fish-eye and adjust the focus on my OPSAT. I now have a fairly clear picture of what's going on in there. A flick of a switch turns on the audio, which is transmitted to my implants.
The two men are busy creating explosives. One of them has a block of nitro from which he squeezes a little at a time, like toothpaste. The stuff goes into a metal cylinder that the other guy places in hockey-puck-shaped containers wired with detonators and timers. They're very similar to my own wall mines.
The conversation, being in Chinese, goes by fast but I'm able to pick up words here and there. I'll be able to have the team in Washington translate the whole thing later.
FIRST GUY: . . . Eddie . . . in big trouble . . .
SECOND GUY: I wouldn't want to be in his shoes.
FIRST GUY: And he has the . . .
SECOND GUY: Ming will find him.
FIRST GUY: . . . can't hide forever.
SECOND GUY: I still don't understand why . . . to destroy . . . the place.
FIRST GUY: Orders from Hong Kong.
SECOND GUY: . . . get rid of the trail?
FIRST GUY: Exactly.
SECOND GUY: Where did everyone . . . ?
FIRST GUY: They've been moved out. Some will go back to Hong Kong. The scientists that defected will be placed in new positions somewhere else.
SECOND GUY: . . . some dumb town in Arkansas . . . (laughs)
FIRST GUY: (laughs)
SECOND GUY: Are you almost done?
FIRST GUY: Yeah. Here. You need to set the timers.
SECOND GUY: What do you think? Ten minutes?
FIRST GUY: Five. No, make it eight. Just in case our cars don't start. (laughs)
SECOND GUY: (laughs)
FIRST GUY: So do you know where Eddie . . . hiding?
SECOND GUY: No. At least I think I know where he'll be . . . LAX tomorrow.
FIRST GUY: How do you know that?
SECOND GUY: I helped arrange it before Ming told me to shut down the firm.
FIRST GUY: You talked to . . . ?
SECOND GUY: No, Eddie did. I arranged the flight. It's not easy dealing with Russians.
FIRST GUY: He's coming from Russia?
SECOND GUY: No, he's coming from Hong Kong. Eddie will . . . meet . . . at LAX . . . American Airlines . . . or send someone . . .
FIRST GUY: . . . reward, you know? Ming said so.
SECOND GUY: I know, I know. Let's finish this job first. Then maybe we can meet the plane tomorrow, too. We follow the Russian, we'll find Eddie.
The two men begin to gather their materials. They've made, I think, eight explosives. I retrieve the optic cable, coil it, and place it in my backpack. One of the men leaves the room and takes a nearby staircase to the second floor while the other one places two or three of the devices within the lab.
Damn, they're about to blow up the place. Jon Ming must have heard of Eddie and Mike Wu's betrayal and ordered GyroTechnics to be closed down. The hard way.
Maybe I better get the hell out now. While the two arsonists are busy planting their devices of destruction around the building, I leave the way I came in. It takes me three minutes to jump the fence, run through the trees, and find the Murano.
In exactly six minutes and twenty seconds, I see the Corvette and the Porsche emerge from the gravel road, turn onto Norman Place, and drive past me down the hill. I start the engine, make a U, and follow them.
Right on time, I hear a tremendous sonic boom behind me. The ground shakes as if an earthquake has struck. In the rearview mirror I see that the night sky is orange and yellow. The blast sets off dozens of car alarms in the area and now the hills are alive with the sound of honking.
When I get to the bottom of the hill, the two arsonists are gone. I'm not concerned about them. They're just soldiers. What interests me is what they said about meeting a plane at LAX tomorrow. I'll have to get the complete translation but from what I could gather, Eddie Wu is meeting someone from the Shop at the airport tomorrow. The Russian is flying in to close the guidance system deal. Could he possibly be Oskar Herzog or Andrei Zdrok? Zdrok surely wouldn't dare set foot in the United States. I'll let Lambert deal with the logistics of what we can do to meet that plane.
Sirens fill the air now. As I turn onto Sunset Boulevard, two police cars zip around me, lights flashing. A fire truck, its horn blasting, is not far behind.
I press my implant. "Frances? Are you there?"
"I'm here, Sam."
"Is Lambert around?"
"No, he's asleep."
"Do you ever sleep?"
"Never. Field Runners load up on coffee twenty-four hours a day."
I pull out the photo I took off the bulletin board and look at it as I drive. "Listen, do we have any information about Eddie Wu owning a boat? A yacht, maybe?"
"Hold on."
While she's looking, I get on the 405 and head south toward Marina Del Rey. If my hunch is right, I think I might know where Eddie is hiding.
"Sam?"
"Yeah?"
"There's nothing in the files. But FBI agent Kehoe's last report stated that he was investigating a lead at Marina Del Rey Harbor. He's been on Eddie Wu's trail."
"The FBI is sharing that with us?"
"Yeah, apparently we really are cooperating on this one."
"Where's Kehoe now? Can we get in touch with him?"
"I don't know. Why?"
"I think I have a lead in Marina Del
Rey, too. I'm going there now."
"Hold on, I'll check with my counterpart at the Bureau."
I exit onto 90 and am heading for the coastline when she comes back on the line. "Sam, Kehoe's last report was transmitted two hours ago. He was observing a boat at Pier 44 at Marina Del Rey Harbor. He's supposed to check in soon."
"Doesn't he have a partner with him?"
"No."
That isn't right. Don't FBI agents always take backup with them when going into a situation like this?
"Mr. Nudelman tells me Kehoe went off on his own because the L.A. Bureau couldn't spare another man tonight," Coen adds, answering my unasked question.
"Kehoe sounds like some kind of cowboy. He could get himself killed," I say.
"Can you tell me what you're thinking?" she asks.
"It's just a hunch I have. Let me check out something and I'll get back to you."
It's four-thirty in the morning. I can find the Lucky Lotus , see if anyone is there, and still might make it back to the hotel before Katia wakes up.
26
Operation Barracuda (2005) Page 18