Demon's Bride th-2

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Demon's Bride th-2 Page 19

by Zoë Archer


  He positioned himself between her legs, hooking one over his arm. Her breathing came in fast, shallow gulps, her hips angling up.

  Leo rubbed the length of his cock along her opening, coating himself with slickness. Then surged into her.

  He lost himself in pleasure. Everywhere was her, tight and hot and wet, gripping him. He pulled back, then slid forward, sheathing himself. She moaned his name.

  His will and his body wanted the same thing: her. He thrust, his hips moving, and sweat filmed him as he gave his entire self to this, to her. Anne made luscious, lascivious sounds, as lost to pleasure as he. He wanted to keep her here, where nothing existed but them and the communion they shared. Minds, bodies. All.

  Fierce demand wanted everything. Abruptly, he withdrew, and she mewled a protest. Yet when he turned her over so she was on her stomach, her protest dissolved. He urged her hips up, gripping her, but kept one hand on the middle of her back.

  They had experimented over the past week with different postures, even this one, but not until this moment had the position been imbued with such animal need, such raw hunger. He had usually gone into her gently, tenderly. Yet now, his control slipped. He was desire and want.

  He surged inside her. And again. His thrusts were rough, and she met him stroke for stroke, pushing her hips back into his, gripping him tightly from within. Desperation marked their movements, as if they could demolish fear and uncertainty through the pleasure they created, as if the heat of their bodies could raze the twisting spirals of doubt, of mistrust. A foolish hope, but one they both chased as they gave themselves to each other.

  But even this could not last. He felt his climax near, could not stave it off. So his hand left her back and glided down, over her stomach, until he found her bud and stroked it. Tight little circles that drew gasps and moans from her, straining eagerly. And then she cried out once more in release—a sound that drove him directly into the teeth of his own climax.

  It tore from him, hot and unforgiving, excruciating pleasure. He poured into her, her name on his lips, on his heart.

  Only when the very last of his release faded, only when she was lax and supple, only then did he withdraw. He pulled back the blankets and covered them both, his arms around her waist. They lay together, bodies slick, hearts pounding. He brushed his mouth back and forth across her damp nape, delicate hairs soft against his lips.

  Neither spoke. Silence lay as thick as the darkness. He’d never made love to a woman the way he had just loved Anne. He’d never felt such a storm of emotion, frantic and furious. He’d never needed anyone as he needed her. If the Devil’s magic was ripped from him, he could suffer any financial loss, knowing he could regain what was taken. He could never regain her. And that filled him with a panicked savagery, the likes of which were unknown to him.

  Yet he could speak none of this. Instead, he held her close, as close as two people could be, damp flesh clinging, limbs intertwined, and still he felt the chasm between them widen.

  “This way.” One hand on the small of her back, Leo guided Anne up the stairs of the Theatre Royal, Drury Lane. They passed women in wide, sparkling gowns, men in jewel-hued satin coats. Powder, sweat, and perfume scented the air. Everywhere was talk, talk. So many voices. All of them bright and sharp as shattered crystal.

  “One more flight,” Leo said.

  She moved up the stairs, threading through the crowds. They passed the lobby for the pit, and then the first gallery. There were clothes of every variety, all mingling together as everyone searched out their seats. From stained frieze, worn every day, to gleaming moiré silk, perhaps donned for the very first time this night.

  As she and Leo climbed the stairs, they passed men who knew him. No one stopped to speak with him, only nodded with chary respect and moved on. She wondered: was it respect or fear she saw in the other men’s eyes? Fear of him. Her husband.

  They reached a landing, and Leo directed her down a corridor lined with doors. He pushed one open and waved her in.

  “We have arrived.”

  Anne stepped into the box. Curtains hung on the walls, and a bench was pushed up to the railing. She swayed forward to stand at the rail. Chandeliers glittered from the high, ornate roof, and gilded sconces threw more smoky light into the echoing theater. People filled every available space: boxes, pit, galleries, orchestra. A seething mass that laughed and shouted and jostled with a hard recklessness.

  Leo stood beside her. She did not need to gaze at him to know how cuttingly handsome he looked this night. In his dark gray velvet coat and breeches, his red lustring waistcoat embroidered with twisting vines, his tawny hair pulled back with a tie of black silk—no man compared with him. From her high vantage, Anne could see the many admiring glances he received from women in other boxes, even from the women in the upper gallery.

  “That is where I usually sat.” She pointed to the rows of benches in the first gallery. Up there were the tradesmen, the professionals.

  “Not there?” He nodded at the amphitheater, situated beneath the first gallery, where the fine ladies of quality fanned themselves and gossiped.

  “Only if we came after the third act.” Later entry meant paying half price. When she wanted to see the earlier acts, she had to elbow her way into the first gallery instead, beside the ranks of the mercers and Grub Street scribblers.

  The whole of the theater echoed the tight regulations of class, for no one ventured where they were not welcome. Young noblemen and officers kept to the benches of the pit, where they could strut, paw prostitutes and orange sellers, and enjoy all the privileges of sex and birth. Less rowdy nobility gathered in the amphitheater. Then came the galleries—the first for tradesmen, the second for servants and ordinary people. The varying price of the seats enforced hierarchy, but tacit understanding did far more to keep everyone apart.

  “We didn’t go to the theater,” Leo said, watching the crowds assemble. “Even after my father had made his fortune. He thought it frivolous, a waste of time and money.”

  “Then this is your first time in a box, too.” Only the very wealthy took boxes, visible to the entire theater, as much part of the spectacle as what transpired on stage.

  He shook his head. “Bram always found us one.” He nodded toward a box across the theater, empty at the moment. “We all came together, after supper. They’re probably all at the Snake and Sextant now. John and Bram anyway.”

  At the mention of the other Hellraisers, Anne felt the strings of her nerves tighten further. She attempted a smile, yet it was brittle and could not be long sustained.

  Leo pushed back the bench in their box, and seated Anne before settling beside her. She noted the neat movement of his wrists as he flicked the long tails of his coat out of the way. In all things, he was eff icient, tolerating no excess or unnecessary showmanship.

  “We are the subject of scrutiny.” Anne tipped her folded, ebony-handled fan toward the many faces turned in their direction. “You are notorious.”

  “Perhaps, but you are the one who draws attention, not me.”

  She glanced down at her ruby brocade gown, gold lace frothing at the sleeves and low neckline. Still, she had not acclimated herself to wearing such fine clothing. “Is something amiss with my dress?”

  He smiled. “Only that you look stunning in it. That is what has everyone intrigued. They are all wondering about the identity of the beautiful woman, and how a knave like me could be so fortunate.”

  “Your skill with compliments grows daily.” She flicked open her fan and waved it, stirring hot air against her face.

  “Only because I’ve reason to give them.”

  Who were these people? These shimmering, shallow people she and Leo had become tonight? Words came from their mouths, but the words were empty, facile. Their emptiness echoed in direct opposition to what was not being said. For it lay between them, the river of doubt, that would drown them if they ventured even a toe into its waters. Fast and deadly, its currents, and so she and her husban
d stared at each other across the rapids, mouthing pleasantries over its roar.

  After the performance at the Theatre Royal, they would proceed on to Ranelagh and its famed rotunda. She had never been, nor to Vauxhall with its Chinese temple and clockwork wonders, and felt no desire to go now, but Leo was determined to fill their hours with as many pleasures as possible—as if to distract her from the black abyss at the heart of their marriage.

  The discordant orchestra silenced as a man strode onto the stage, shouting about the evening’s program.

  “The performance is about to begin,” Leo murmured.

  His breath upon her neck traveled warmly through her body, drawing forth memories of the night before, its furious passion. Only in absolute darkness had he finally stripped bare, so she knew him by touch alone. And in that heightened sensitivity, she discovered something upon the hard, solid muscles of his shoulder.

  A scar. Thin, as if made by a rapier’s point.

  Just as Lord Whitney had described.

  Having a scar upon one’s shoulder did not constitute evidence that one was in league with the Devil. It meant only that, at some past moment, Leo had been wounded by a sword. And Lord Whitney knew about the wound.

  And yet ... And yet ...

  Anne gazed at Leo as he sat back to watch a flock of dancers in gauzy skirts take the stage. A chorus of hoots rose up from the pit. Long and sleek on the bench, Leo observed the dancers with a cool remove, as if indeed witnessing the behavior of a species of pretty, giddy birds. He watched the theatergoers with the same detachment. But when he looked at her, his wintry gaze warmed, and her heart responded with a painful, sweet throb.

  I have fallen in love with my husband. But, God help me, I do not trust him.

  People came and went across the stage. The dancers flung themselves around with more flamboyance than grace. A man came out and belted comic songs, earning him roars of approval. Then painted backdrops of Italian gardens were propped against the back wall of the stage, and a clot of actors pranced out, mouthing words of intrigue.

  Many times in the past, Anne had sat in the gallery and wondered about the experience of sitting in a box. The unobstructed view of the stage. The even better view of the theatergoers. How marvelous, she had thought. What a rarified place, untouched by deprivation, rich with delight.

  Now she sat in one of those boxes. She could see everything, everyone. And she felt herself utterly removed, as if she were encased in glass. She could not smile or laugh. There were only the thorned vines knotted around her heart, piercing her with every breath.

  Yet she was not alone in her disquiet. Throughout the theater, the crowds stirred, restless, ill at ease. The theater was never a calm place, but this night, it felt volatile. Voices from the crowd came too loud, people shoved one another. Tears from women, angry words from men, as if everyone tapped into a font of bitterness beneath the floorboards.

  “There’s Bram and John,” Leo murmured.

  She glanced across the theater and saw the two men come into a box. Heads turned at their entrance, and no wonder. They were striking men, both tall, commanding attention by their presence alone. John escorted a lady in a low-cut yellow gown, and Bram ushered in two women. Courtesans, clearly, by their gaudy laughter.

  As Anne watched, the Hellraisers took their seats, the courtesans fluttering around them. Bram whispered something to one of the women and she giggled, nestling closer, while the other toyed with the buttons of his waistcoat. John seemed less engaged in the actions of his companion, spending his time surveying the crowds with an icy, critical eye. When his gaze fell on her and Leo, Anne suppressed a shiver.

  Can he hear my thoughts? Does he know what I think, even across the expanse of the theater?

  Leo raised a hand in greeting, but kept his seat.

  She was glad he did not want to join his friends in their box. For at the Hellraisers’ entrance, the crowd grew yet more restless. The actors could barely be heard, bawling their lines above the growing din.

  “An ill feeling tonight.” Leo frowned and leaned forward, scanning the theater. He looked down into the pit. Perhaps he recognized some faces there, for his expression tightened. He stood and placed his hand on her elbow. “Time to leave.”

  Anne rose, grateful. She needed out of this place. Yet as she got to her feet, a girl down in the pit shouted.

  Two orange sellers struggled. One of the girls had her hands wrapped around the throat of the other, whilst her opponent gripped her hair. Men close by tried to separate the orange sellers, but the girls could not be pulled away. They struggled with each other, knocking into the people around them. Like a pebble dropped in a lake, their violence rippled outward, as men in the pit began to fight one another. Elbows and fists were thrown. Someone drew a sword.

  Several men threw a bench onto the stage. The actors scurried back, and shielded themselves as more benches came flying up. The actors fled into the wings as men clambered onto the stage.

  Women in the amphitheater screamed. The galleries erupted. People strained to reach the exits, their progress impeded by brawls. What had been, moments earlier, simply a theater now became a scene of chaos. Even the boxes exploded into violence.

  “Goddamn it.” Leo wrapped an arm around Anne’s shoulders and urged her back.

  A man’s hands appeared at the railing of the box. He began to haul himself up, his eyes glassy and wild.

  Leo released Anne, stepped forward, and slammed his fist into the intruder’s face. The man toppled backward, falling into the surging crowd below.

  In an instant, Leo was with her again. Grim-faced, he guided her to the back of the box. He paused next to the door.

  “Do not leave my side.” He drew a pistol from inside his coat.

  Anne stared at the weapon. Her husband looked very comfortable holding it. Her gaze never leaving the gun, she managed a nod.

  Leo checked to make sure the gun was primed, then returned it to his coat. Lips compressed into a tight line, he eased the door open. The narrow corridor was full of people, some running, some fighting. An impassable morass.

  “We cannot make it,” she said.

  “I am getting you out of here.” Resolution hardened his voice.

  Intuitively, Anne knew the safest place was beside him. She pressed close and, at his signal, moved with him as he pushed his way through the corridor.

  He cleared a path, shoving aside those who got in his way. Around her churned insanity, the thin veneer of civilization shattered like the wood and broken glass beneath her feet. She could scarce believe that these people, many in damask and lace, brawled like beasts. But there was Lady Corsley raking her nails down Mrs. Seaham’s face. And there was Sir Fredrick Tilford, trading punches with a top government minister. These were only the people Anne knew. Merchants, physicians, costermongers. Rank and profession made no difference—everyone had succumbed to madness.

  And there were other faces, too. In the hectic blur, she thought she saw twisted, inhuman visages, the flash of talons, the gleam of fangs. Yet she could never gain a better look, for the crowd would surge, and she saw only more rioters.

  God, would she and Leo survive the night?

  He cut steady progress down the stairs. When a man stepped into his path, fists swinging, Leo rammed his own fist into the man’s chest, then knocked him back with a blow to the jaw. As Leo shepherded her from one level to the next, he continuously beat away attacks. He moved with lethal grace, swift and clean. No extraneous movement, no attempts at showmanship. His was a violence of intent, of purpose, and it was brutally beautiful to see him fight.

  Anne felt a sharp tug on the train of her gown. She staggered backward, and found herself suddenly facing a wall and pinned against it, a man’s hulking form pressed into her back.

  “Pretty bird,” he said, his breath rank and hot in her ear. Coarse hands fumbled with her clothing.

  She did not have thought to scream. Instead, ferocious instinct gripped her. She took her f
olded fan and rammed it hard into what she hoped was her attacker’s eye. She must have succeeded, for he howled in agony and released her. Anne pushed back from the wall in time to see her assailant fall to the floor. He disappeared from her sight as panicked audience members scrambled around and on him.

  A hand closed around her wrist. She spun, swinging out with her fan. But it was Leo, his face an icy mask. He neatly ducked, avoiding her blow. Before she could apologize, he was pulling her behind him.

  “When we get out of here,” he threw over his shoulder, “I’m teaching you how to throw a punch. A fan does no bloody good.”

  She might have mentioned that her fan had caused a grown man a good deal of pain. Might have, but she could find no words to speak, no thoughts to think other than they must get out of this place before it was torn to the ground, before the candles were knocked over and the building went up in a curtain of smoke and flame.

  At last, they made it down to the ground-floor lobby. Chaos was thick here. Anne had never seen so many people brawling before. She caught glimpses of blood on the floor. Men’s shouts and women’s screams thickened the air. There, on the other side of the lobby, were Bram and John. While John ducked and wove through the crowd, Bram had his rapier out, and he slashed at a group of advancing men. As skilled as Leo was with his fists, so Bram was with his sword, and she understood now how he had survived the long-ago attack in the Colonies. Even to her untrained eyes, she saw few could best him with steel.

  There again—strange faces swirled within the crowd. Unearthly faces that came straight from the depths of a nightmare. Yet they vanished before she could verify whether they were real or products of wild imagination.

  Leo tugged her forward, carving a route for them both to the doors. Closer and closer they crept, their progress impeded by the hundreds of others all fighting to also get free. There were too many people trying to get through too small a space. Someone cried out as he was trampled in the doorway.

 

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