"What's he like, the parish priest?"
"Old-school." La Nina frowned in concentration. "Ancient, bad-tempered . . . He once threw out some tourists, young girls, who came in during Mass. He got down from the altar, in his chasuble and everything, and gave them a real scolding for wearing shorts. This isn't the beach, he said to them, off you go. And he chucked them out."
Don Ibrahim nodded, pleased. "A holy man, I see. A man of God." "To his fingernails."
After a thoughtful pause, Don Ibrahim blew a smoke ring and watched it float away. He appeared preoccupied. "So what we have here," he said, "is a clergyman of character."
"I don't know about character," said La Nina. "He certainly has a temper."
"I see." Don Ibrahim blew another smoke ring, but this time it didn't come out right. "So this honourable priest may cause problems. I mean, he may hinder us."
"He could ruin the whole thing." "And the young priest, his assistant?"
"I've seen him helping during Mass. Nice and quiet he looks. Not so tough."
Don Ibrahim glanced across the street, at the knee-high leather boots from Valverde del Camino hanging outside the La Valcnciana Shoe Shop. Then, with a melancholy shudder, he turned back to El Potro and La Nina. At any other time he would have told Peregil where to put his little job. Or, more likely, he would have asked for more money. But as things were, he had no choice. He stared sadly at La Nina with her fake beauty spot, her chipped nail varnish, her bony fingers clasping the empty glass. He looked to his left and met the faithful gaze of El Potro. Then he regarded his own hand resting on the table. The ring he wore was a fake. Every so often he managed to sell one - he had several like it - for five thousand pesetas to some sucker in a bar in Triana. El Potro and La Nina were his people, his responsibility. El Potro, for his loyalty in adversity. La Nina, because Don Ibrahim had never heard anyone sing "Cape of Red and Gold" the way she sang it, in a tablao, on his arrival in Seville. He didn't meet her until much later. She was playing a really seedy club and was already wrecked by alcohol and by the years, the embodiment of the songs she sang in a cracked, sublime voice that made the hairs stand on the back of your neck. "The She-Wolf", "Ballad of Bravery", "False Coin", "Tattoo". The night they met, Don Ibrahim swore to himself that he would save her from oblivion, to do justice to her art. For despite the calumny heaped upon him by the Lawyers' Association and the articles in the local papers when he was thrown in jail over an absurd diploma that nobody else gave a damn about, and despite the scams he'd had to set up to earn his living ever since, Don Ibrahim was not a scoundrel. He held his head high as he adjusted his watch chain. He was simply an honourable man who'd had no luck.
"This is merely a matter of strategy," he said thoughtfully, to convince himself more than anything else. He felt his companions' hopes pinned on him. Peregil had promised three million, but Don Ibrahim had heard that he worked for a banker who was really loaded, so there might be more money where that came from. And he and his companions needed funds to make a long-cherished dream come true.
Don Ibrahim had read extensively - how else could he have practised law for so long in Seville without being exposed? - if superficially, and he hoarded quotations as if they were gold dust. The best quotation about dreams came from that Thomas D. H. Lawrence, the one from Arabia who wrote Madam Butterfly, men who dream with their eyes open, will always succeed, or something like that. He doubted whether El Potro and La Nina had their eyes open, but it didn't matter, he'd keep his open for them.
He looked affectionately at El Potro, who was slowly chewing a slice of sausage. "What do you think, champ?"
El Potro went on chewing in silence for half a minute. "I think we can do it," he said at last, when the other two had almost forgotten the question. "If God gives us luck."
Don Ibrahim sighed. "That's the problem. With all these priests involved, I don't know whose side God will be on."
El Potro smiled for the first time that morning. His smile always seemed be a great effort for his face, battered by bulls and other boxers. "Everything for the Cause," he said.
La Nina Punales let out a low, tender ole:
A man without fear of death
swore his love to me . . .
She sang quietly, laying her hand on the hand of El Potro. Since his divorce he had lived alone. Don Ibrahim suspected that he silently loved La Nina but had never declared himself, out of respect. She, for her part, remained faithful to the memory of the man with green eyes still waiting for her at the bottom of every bottle. As for Don Ibrahim, nobody had definite evidence of his love affairs. On evenings of Manzanilla and guitar, he liked to talk vaguely of the romantic adventures of his youth in Cuba, when he was a friend of Beny Moré, the Brute of Rhythm, and of "Carafoca" Perez Prado, and of Jorge Negrete, the Mexican actor - until they had words, that is. He liked to talk of the time when Maria Felix, the divine Maria, the lady Maria, gave him an ebony walking stick with a silver handle, on the night she was unfaithful to Agustin Lara with him and a litre bottle of tequila. And slim and elegant Lara, devastated, wrote an immortal song to case the pain of being deceived. Don Ibrahim's smile became young again at the supposed memory of Acapulco, the nights, the beaches, Maria my love, pretty Maria. Between glasses of Manzanilla, La Nina softly hummed the song in which he was the guilty seducer. And El Potro sat there with his hard, silent profile.
After destiny had brought them together in Seville, a quaint friendship had sustained the three companions through the endless hangover of their lives. One peaceful, drunken dawn, they found a noble purpose, as they sat watching the wide, tranquil Guadalquivir: the Cause. Some day they would have the money to set up a sensational tablao. They would call it The Temple of Song, and there, at last, justice would be done to La Nina Punales's art, and traditional Spanish song would be kept alive.
Darling, he would say,
burning with passion . . .
La Nina sang quietly. Don Ibrahim called the waiter so that he could sort out the bill, and with a grandiose air asked for Pretty Maria's walking stick and his pale straw panama. He rose with difficulty while El Potro del Mantelete, who stood up as if the bell had just been rung, withdrew La Nina's chair, and they both escorted her to the door. They left the banknote with the picture of Hernan Cortes on the table, as a tip. It was, after all, a special day. And, as El Potro put it, humbly justifying the expense, Don Ibrahim was a gentleman.
The dark figure entered the church. The light behind him blinded Quart. By the time his eyes had readjusted to the darkness inside the church, Father Priamo Ferro had reached his side. And Quart saw that things were worse than he'd feared.
"I'm Father Quart," he said, holding out his hand. "I've just arrived in Seville."
His hand remained in midair while two piercing black eyes stared at him suspiciously.
"What are you doing in my church?"
Not a good start, Quart thought as he slowly lowered his hand and observed the man standing before him. Ferro's appearance was as rough as his voice. He was small and thin, and his white hair was poorly cut and untidy. He wore a threadbare cassock covered with stains and a pair of clumpy old shoes that looked as if they hadn't been polished in a long time.
"I thought it would be a good idea if I took a look round," Quart answered calmly.
The most disturbing thing about the old priest was his face. It was covered in marks, lines and small scars, which gave him a harsh, tormented look, like an aerial photograph of a desert. And then there were his eyes - black, defiant, deep-set, peering out at the world with little sympathy. He scrutinised Quart, taking in his cufflinks, the cut of his suit, and finally his face. He didn't look pleased by what he saw.
"You have no right to be here."
Quart thought of appealing to Gris Marsala, who had been listening to their exchange without a word. He realised immediately that she would be no help.
"Father Quart was asking for you," she said reluctantly.
Father Ferro's gaze remained fixed on the visit
or. "What for?"
The envoy from Rome raised his left hand slightly in a placatory gesture. He noticed that Father Ferro was looking disapprovingly at his expensive Hamilton watch. "I'm here to compile a report on the church," he said. He was now almost certain that this first meeting was a disaster, but he decided to try a little longer. It was his job, after all. "We need to have a chat, Father."
"I have nothing to say to you."
Quart breathed in and out slowly. His worst fears had been realised, and old, unwelcome memories were returning. In his worn cassock Father Ferro embodied everything Quart hated: the poverty and stubborn wariness of the rough village priest, who was capable only of threatening with the torments of hell, or hearing confession from pious old women from whom he differed only in that he had spent a few years in a seminary and had a smattering of Latin. If Father Ferro was Vespers, he was doing a brilliant job of hiding it. This would not be an easy mission.
"I'm sorry, but I think we have much to discuss," Quart insisted, taking an envelope showing the tiara and keys of St. Peter from his jacket pocket. "I'm the special envoy from the Institute of External Affairs. You'll find my credentials in this letter from the Secretary of State."
Father Ferro took the letter and tore it up without even looking at it. The pieces fluttered to the floor.
"I don't give a damn about your credentials."
Small and defiant, he glared up at Quart. Sixty-four years old, said the report lying on Quart's desk back at the hotel. Twenty years as a country priest, ten years as a parish priest in Seville. He and the Mastiff would have made a good pair at the Colosseum in Rome. Quart could picture Father Ferro with a trident in one hand and a net over his shoulder, circling his opponent while the spectators cried out for blood. In his work, Quart had learned to tell instantly whom to be wary of. Father Ferro was the character at the end of the bar who drinks quietly while everyone else is shouting, then suddenly shatters a bottle to slit your throat. Or the soldier wading across the lake of Tenochtitlan .holding a cross above his head. Or the Crusader massacring infidels and heretics.
"And I don't know what all that business about external affairs is," the priest added, not taking his eyes off Quart. "My superior is the archbishop of Seville."
Who, very obviously, had carefully prepared the reception for this tiresome envoy from Rome. Quart remained calm. He again put his hand inside his jacket and half-pulled out another envelope, identical to the one lying in pieces at his feet.
"That's precisely the person I see next," he said.
Father Ferro nodded contemptuously. "Then go and see him," he said. "I obey the archbishop, and if he orders me to speak to you, I will. Until then, forget about me."
"I was sent specially from Rome. Somebody requested that we intervene. I assume you know about it."
"I haven't requested anything. Rome's far away, and this is my church."
"Your church."
"Yes."
Quart counted silently to five. He could feel Gris Marsala watching them expectantly.
"This is not your church, Father Ferro. It's our church," he said.
For a moment, the old priest stared in silence at the shreds of envelope on the floor. Then he turned his scarred face without looking at any precise point, and Quart saw a strange expression, between a smile and a frown.
"You're wrong there too," Father Ferro said at last, as if that settled it. Then he walked off down the nave towards the vestry.
Quart forced himself to make one last attempt at conciliation. "I'm here to help you, Father," he said to Father Ferro!s receding back. He'd made the effort, now he could let things take their course. He'd done his bit for humility and priestly solidarity. Father Ferro didn't have the monopoly on anger.
Father Ferro had paused to genuflect before the high altar, and Quart heard him laugh briefly and unpleasantly. "Help me? How could somebody like you help me?" He turned to face Quart, and his voice echoed around the nave. "I know your type . . . What this church needs is a different kind of help, and you haven't brought any of it in those elegant pockets of yours. So leave now. I have a baptism in twenty minutes."
Gris Marsala walked with Quart to the door. He had to summon all his self-control to conceal his dislike of the old priest. He only half-listened to her attempts to make excuses for Father Ferro. He was under a lot of pressure, she said. Politicians, bankers, the archbishop, they were all circling like vultures. If it hadn't been for Father Ferro, the church would have been demolished long ago.
"Thanks to him, they may end up pulling it down anyway. With him inside," said Quart, venting his ill-feeling.
"Please don't say that."
She was right. Once more in control, Quart reproached himself. He inhaled the scent of orange blossom as they came outside. A builder was busying himself next to the cement mixer. Quart glanced absently in his direction as they walked through the orange trees in the square.
"I don't understand his attitude," he said. "I'm on his side. The Church is on his side."
Gris Marsala looked sceptical. "And which Church might that be? The Church of Rome? Or the archbishop of Seville? Or you yourself?"
She shook her head. "No. He's right. Nobody's on his side, and he knows it."
"He seems to be trying to make things more difficult for himself."
"They're difficult enough already. He's in open opposition to the archbishop. And the mayor is threatening libel action - he thinks Father Priamo insulted him a couple of weeks ago during the homily in the Sunday service."
Quart stopped, interested. Monsignor Spada's report hadn't mentioned anything about this.
"What did he call him?"
She smiled wryly. "He said he was an unscrupulous and corrupt politician and a vile speculator." She looked at Quart to see his reaction. "If I remember correctly."
"Is that the kind of thing he usually says in his sermons?"
"Only when he gets really mad." Gris Marsala became thoughtful. "I suppose lately it's happened rather often. He talks about the merchants in the temple, that sort of thing."
"The merchants," repeated Quart.
"Yes. Among others."
"Not bad," said Quart. "It would seem our Father Ferro is an expert at making friends."
"He does have friends," she protested. She kicked a bottle top and watched it spin away. "And he has parishioners. Good people who come here to pray and who need him. You shouldn't judge him by what you've just seen."
This sudden warmth made her seem younger. Quart shook his head, embarrassed. "I'm not here to pass judgement." He turned to look at the belfry, not wanting to meet her eye. "It must be others who are doing that."
"Of course." She stopped in front of him, her hands in her pockets. He didn't like the way she was watching him. "You're the type who writes his report and then washes his hands of the whole business, aren't you? You just take people to the praetorium and all that. It's up to others to say ibi ad crucem."
"I would never have imagined you so well versed in the Gospels."
"I think there are rather too many things you can't imagine."
Embarrassed, the priest shifted from one foot to another. Then he passed a hand over his grey hair. The builder next to the cement mixer had stopped and was leaning on his shovel, watching them. He was young and wore old army-surplus clothes covered with plaster.
"All I'm trying to do," said Quart, "is make sure there's a thorough investigation."
Still facing him, Gris Marsala shook her head. "No, you're not," she said, her blue eyes piercing into his. "Father Priamo was right: you've come to make sure there's a swift execution."
"Is that what he said?"
"Yes. When the archbishop announced you were coming."
Quart looked away, over the woman's shoulder. He could see a window with a grille hung with pots of geraniums and a canary in a cage. "I just want to help," he said in a flat voice that suddenly sounded alien to him. At that moment the church bell began to ring and the canary
sang, glad of the accompaniment.
This was not going to be an easy mission.
III
Eleven Bars in Triana
You have to cut and cut and cut again. You have to fell the trees without mercy, until their rows have been cleared and the forest can be considered healthy.
Jean Anouilh, The Lark
There are dogs that define their masters and cars that announce their owners. Pencho Gavira's Mercedes was enormous, dark and shiny, with its menacing three-pointed star on the front like the sight of a machine gun. Celestino Peregil jumped out before the car had quite come to a halt and held the door open for his boss. The traffic on La Campana was heavy and the henchman's salmon-pink shirt collar was grimy. His red, yellow and green flower-print tie blazed like some monstrous set of traffic lights. The exhaust fumes made his lank, thinning hair flutter, ruining the shape he carefully constructed each morning with much patience and hair gel to hide his bald patch.
"You've lost more hair," said Gavira cruelly. He knew that nothing tormented his assistant more than mention of his baldness. But the financier believed that periodic use of the spur kept the animals in his stables alert. Besides, Gavira was a hard man and given to such exercises of Christian virtue.
It looked as if it was going to be a beautiful day despite the pollution. Standing very straight on the kerb, Gavira adjusted his shirt-cuffs so that his twenty-four-carat gold cufflinks glinted in the May sunshine. He looked like a male model. He touched the knot of his tie and then ran his hand over his thick, black hair, slightly wavy behind the ears and slicked back. Pencho Gavira was dark, handsome, ambitious, elegant. He had money and was about to have a lot more. He was proud of the fact that most of his success was due entirely to his own efforts. Confident and pleased, he looked round before heading for the corner of the calle Sierpes with Peregil trailing behind him.
In the La Campana Cafe, Don Octavio Machuca sat at his usual table, looking through the papers that his secretary, Canovas, passed to him. For several years now the chairman of the Cartujano Bank had spent his mornings at a table on this cafe terrace in the very heart of the city rather than in his office, full of paintings and fine furniture, on the Arenal. He spent the morning reading the ABC newspaper, watching the world go by and attending to business matters until it was time for lunch at his favourite restaurant, Casa Robles. Nowadays he almost never got to the bank before four o'clock, so if there were any urgent matters to be dealt with, his employees and clients had no choice but to go and see him at La Campana. This included Gavira; as vice-chairman and general manager, he had to make the rather inconvenient journey almost every day.
The Seville Communion Page 6