What Christian Authors are Saying about Grace Livingston Hill:
Grace Livingston Hill, often referred to as the “Queen of Christian Romance,” has given millions of readers timeless Christian novels, offering inspiration, romance, and adventure. The simple message in each of her books reminds us that God has the answer to all our questions.
—Wanda E. Brunstetter, New York Times bestselling author
I’ve long been a fan of Grace Livingston Hill. Her romance and attention to detail has always captivated me—even as a young girl. I’m excited to see these books will continue to be available to new generations and highly recommend them to readers who haven’t yet tried them. And for those of you like me who have read the books, I hope you’ll revisit the stories and fall in love with them all over again.
—Tracie Peterson, award-winning, bestselling author of the Song of Alaska and Striking a Match series
Grace Livingston Hill’s books are a treasured part of my young adult years. There was such bedrock faith to them along with the fun. Her heroines were intrepid yet vulnerable. Her heroes were pure of heart and noble (unless they needed to be reformed of course). And the books were often adventures. Just writing this makes me want to hunt down and read again a few of my favorites.
—Mary Connealy, Carol Award-winning author of Cowboy Christmas and the Lassoed in Texas series
Grace Livingston Hill books were a big part of my life, from the time I was a teenager and onward. My mother loved her books and shared them with me and my sisters. We always knew we could find an engaging, uplifting story between the covers. And her stories are still enjoyable and encouraging. It’s hard to pick a favorite, but The Girl from Montana and Marcia Schuyler are two of my favorites. Terrific stories!
—Susan Page Davis, author of The Ladies’ Shooting Club and Prairie Dreams series
The hero, in Grace Livingston Hill’s timeless romantic novels, is always a hero. The heroine is always a strong woman who stands up for her beliefs. He is always handsome; she is always beautiful. And an inviting message of faith is woven throughout each story without preaching. These enduring stories will continue to delight a new generation of readers—just as they did for our great-grandmothers.
—Suzanne Woods Fisher, bestselling author of the Lancaster County Secret series
As a young reader just beginning to know what romance was all about, I was introduced to Grace Livingston Hill’s books. She created great characters with interesting backgrounds and then plopped them down into fascinating settings where they managed to get into romantic pickles that kept me reading until the love-conquers-all endings. Her romance-filled stories showed this young aspiring writer that yes, love can make the fictional world go round.
—Ann H. Gabhart, award-winning author
My grandmother was an avid reader, and Grace Livingston Hill’s books lined her shelves for the years of my childhood and adolescence. Once I dipped into one of them, I was hooked. Years of reading Hill’s stories without a doubt influenced my own desire to become a storyteller, and it’s with great fondness that I remember many of her titles.
—Tracy L. Higley, author of Garden of Madness
If you’ve enjoyed the classic works of writers like Jane Austen and Georgette Heyer, it is way past time for you to discover the inspirational stories of Grace Livingston Hill!
—Anna Schmidt, award-winning author of the Women of Pinecraft series
Ah, Grace Livingstone Hill! Can any other writer compare? Her lyrical, majestic tone, her vivid descriptions…they melt the heart of readers from every generation. Some of my fondest memories from years gone by involve curling up in my mother’s chair and reading her Grace Livington Hill romances. They swept me away to places unknown and reminded me that writers—especially writers of faith—could truly impact their world.
—Janice Hanna Thompson, author of the Weddings by Bella series
Grace Livingston Hill’s stories are like taking a stroll through a garden in the spring: refreshing, fragrant, and delightful—a place you’ll never want to leave.
—MaryLu Tyndall, Christy nominee and author of the Surrender to Destiny series
Enduring stories of hope, triumph over adversity, and true sacrificial love await every time you pick up a Grace Livingston Hill romance.
—Erica Vetsch, author of A Bride’s Portrait of Dodge City, Kansas
© 2012 by Grace Livingston Hill Print
ISBN 978-1-61626-653-0 eBook
Editions:
Adobe Digital Edition (.epub) 978-1-60742-798-8
Kindle and MobiPocket Edition (.prc) 978-1-60742-799-5
All rights reserved. No part of this publication may be reproduced or transmitted for commercial purposes, except for brief quotations in printed reviews, without written permission of the publisher.
All scripture quotations are taken from the King James Version of the Bible.
This book is a work of fiction. Names, characters, places, and incidents are either products of the author’s imagination or used fictitiously. Any similarity to actual people, organizations, and/or events is purely coincidental.
Cover design: Faceout Studio, www.faceoutstudio.com
Published by Barbour Publishing, Inc., P.O. Box 719, Uhrichsville, Ohio 44683, www.barbourbooks.com
Our mission is to publish and distribute inspirational products offering exceptional value and biblical encouragement to the masses.
Printed in the United States of America.
Table of Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Author Biography
Chapter 1
1920s,
Eastern United States
Murray Van Rensselaer had been waiting for an hour and a quarter in the reception room of the Blakeley Hospital.
He was not good at waiting. Things usually came at his call, or sometimes even anticipated his desires. It was incredible that he should suddenly find himself in such a maddening set of circumstances!
He still wore the great fur-lined overcoat in which he had arrived after the accident, but he seemed to be unaware of it as he paced excitedly up and down the stark leather-upholstered room.
Across the marble corridor he could just see the tip of white, starched linen that was the cap of the uniformed person with bifocals who sat at the rolltop desk and presided over this fiendish place.
Three times he had pranced pompously across the tessellated floor and demanded to know what had become of the patient he had brought in. She had only looked him over coldly, impersonally, and reiterated that word would be sent to him as soon as the examination was completed. Even his name, which he had condescendingly mentioned, had failed to make the slightest impression upon her. She had merely filed his immaculate calling card and ordered him back to the reception room.
The tall clock in the corner, the only live thing in the room, seemed to tick in eons, not seconds. He regarded it belligerently. Why should a clock seem to have eyes that searched to your soul? What was a clock doing there anyway, in a place where they regarded not time, and were absorbed in their own terrible affa
irs? The clock seemed to be the only connecting link with the outside world.
He strode nearer and read the silver plate of the donor, inscribed in memory of “Elizabeth,” and turned sharply back to the door again with a haunting vision of the white-faced girl he had brought in awhile before. Bessie! Little Bessie Chapparelle! She was “Elizabeth” too.
What a cute kid she had been when he first knew her! Strange that on this day of all days he should have come upon her standing at that corner after all these years, suddenly grown up and stunningly beautiful!
And now she lay crumpled, somewhere up in those distant marble halls!
He shuddered in his heavy coat and mopped the cold perspiration from his brows. If anything should happen to Bessie! And his fault! Everybody would of course say it was his fault! He knew he was a reckless driver. He knew he took chances, but he had always gotten by before! If she hadn’t been so darned pretty, so surprisingly sweet and unusual, and like the child she used to be—and that truck coming around the corner at thirty-five miles an hour!
The air was full of antiseptics. It seemed to him that he had been breathing it in until his head was swimming, that cold, pungent, penetrating smell that dwelt within those white marble walls like a living spirit of the dead!
Gosh! What a place! Why did he stay? He could go home and telephone later. Nobody was compelling him to stay. Bessie was a poor girl with nobody to take her side. Nobody but her mother!
He halted in his excited walk. Her mother! If anything happened to Bessie, somebody would have to tell her mother!
A door opened far away in the upper marble regions, and the echo of a delirious cry shivered down through the corridors. Rubber wheels somewhere rolled a heavy object down a space and out of hearing; voices rose in a subdued murmur as if they passed a certain point and drifted away from the main speech, drifted down the stairs, vague, detached words. Then all was still again.
Something dragged at his heart. He had thought they werecoming, and now suddenly he was afraid to have them come. What a relief! Just a little longer respite till he could get ahold of himself. He wasn’t at all fit, or things wouldn’t get ahold of him this way. He had been going pretty hard since he left college. Too many highballs! Too late at night!—Too many cigarettes! The old man was right! If he hadn’t been so infernally offensive in the way he put it! But one couldn’t of course go that pace forever and not feel it.
What was it he had been thinking about when those voices passed that point above the stairs? Oh! Yes! Her mother! Someone would have to tell her mother! She was a woman with a kind twinkle in her eyes. One would find it terrible to quench that twinkle in her eyes! He remembered how she had bandaged his cut finger one day and given him a cookie. Those were happy days!—Ah! There! There was that sound of an opening door again!—Voices!—Footsteps! Listen! They were coming! Yes—they were coming! Rubber heels on marble treads! And now he was in a frenzy of fear.
Bessie, little blue-eyed Bessie with the gold hair all about her white face!—
The steps came on down the hall, and he held his breath in the shelter of a heavy tan-colored velvet curtain. He must get himself in hand before he faced anyone. If he only hadn’t left his flask in the car! Oh, but of course! The car was wrecked! What was he thinking about? But there would be other flasks! If only he could get out of this!
The nurse came on down the hall. He could see her reflection in the plate glass of the front door that was within his vision as he stood with his back toward the desk. She was going straight to the desk with a message!
The front doorknob rattled.
He glared impatiently at the blurred interruption to his vision of the nurse. A sallow man with a bandaged head was fumbling with the doorknob, and the white uniform of the nurse was no longer plain. He held his breath and listened:
“Well, is there any change?” asked the voice behind the rolltop desk, impassively.
“Yes, she’s dead!” answered the nurse.
“Well, you’d better go down to that man in the reception room. He’s been pestering the life out of me. He thinks he’s the only one—
“I can’t!” said the nurse sharply. “I’ve got to call up the police station first. The doctor said—” She lowered her voice inaudibly. The man with the bandaged head had managed the doorknob at last.
The door swung wide, noiselessly, on its well-oiled hinges, letting in the bandaged man; and as he limped heavily in, a shadow slipped from the folds of the heavy curtain and passed behind him into the night.
Chapter 2
In the big white marble house on the avenue that Murray Van Rensselaer called home, the servants were lighting costly lamps and drawing silken shades. A little Pekingese pet came tiptoeing out with one man to see what was the matter with the light over the front entrance, stood for a brief second glancing up and down haughtily, barked sharply at a passerby, and retreated plumily into the dark of the entrance hall with an air of ownership, clicking off to find his mistress. Sweet perfumes drifted out from shadowy rooms where masses of hothouse flowers glowed in costly jardinières, and a wood fire flickered softly over deep-toned rugs and fine old polished woods, reflected from illuminated covers of many rare books behind leaded panes of glass. It flickered and lighted the dreary face of the haughty master of the house as he sat in a deep chair and watched the flames, and seemed to be watching the burning out of his own life in bitter disappointment.
The great dining room glittered with crystal and silver, and abounded in exquisite table linen, hand-wrought, beautiful and fine as a spider’s web or a tracery of frost. The table was set for a large dinner, and a profusion of roses graced its center.
Ancestral portraits looked down from the walls.
At one end of the room, in a screened balcony behind great fronds of mammoth ferns, musicians were preparing to play, arranging music, speaking in low tones.
The footsteps of the servants were inaudible as they came and went over the deep pile of ancient rugs.
A deep-throated chime from a tall old clock in the hall called out the hour, and a bell somewhere in the distance rang sharply, imperatively.
A maid came noiselessly down the stairs and paused beside the library door, tapping gently.
“Mr. Van Rensselaer, Mrs. Van Rensselaer would like to see you at once if you’re not busy.”
The wistful look in the master’s eyes changed at the summons into his habitual belligerence, and he rose with a sigh of impatience. He mounted the stairs like one going to a familiar stake.
Mrs. Van Rensselaer sat at her dressing table fresh from the hands of her maid, a perfectly groomed woman in the prime of her life. Not a wrinkle marred the loveliness of her complexion, not a line of tenderness, or suffering, or self-abnegation gave character to her exquisite features. She had been considered the most beautiful woman of the day when Charles Van Rensselaermarried her, and she still retained her beauty. No one, not even her bitterest enemy, could say that she had aged or faded. Her face and her figure were her first concern. She never let anything come between her and her ambition to remain young and lovely.
If her meaningless beauty had long since palled upon the man who had worked hard in his younger days to win her hand, he nevertheless yielded her the pomp which she demanded; and if there was sometimes a note of mock ceremony in his voice, it was well guarded.
He stood in the violet shadow of her silken-shrouded lamp and watched her with a bitter sadness in his eyes. It was a moment when they might have met on common ground and drawn nearer to one another if she had but sensed it. But she was busy trying the effect of different earrings against her pearly tinted neck. Should it be the new rock crystals or the jade, or should she wear the Van Rensselaer emeralds after all?
She turned at last, as if just aware that he had come in, and spoke in an annoyed tone: “Charles, you really will have to speak to Murray again.”
She turned to get the effect of the jewel and tilted her chin haughtily.
“He is si
mply unspeakable!”
She held up her hand mirror and turned her head the other way to get a look at the other ear.
Her husband drew a deep, fortifying breath, wet his lips nervously with the tip of his tongue the way a dog does when he is expecting a whipping, and braced himself for action.
“What’s Murray been doing now?” he asked crisply, belligerently. There was fight in his eye and a set to his jaw, although the lean cheekbones just below the eyes seemed to wince as at a blow.
“Why, he’s making himself conspicuous again with that low-down De Flora woman. Marian Stewart has been telling me that he took her to the Assembly last night and danced every dance with her. And it’s got to stop! I’m not going to have our name dragged in the dust by my own son.”
“But I don’t understand,” said her husband dryly. “You didn’t object when he did the same thing with the Countess Lenowski, and she was twice divorced. I spoke of it then, for it seemed to me morals were more in your line than mine, but you thought it was all right. I’m sure I don’t see what you can expect of him now when you sanctioned that two years ago.”
“Now, Charles! Don’t be tiresome! The Countess Lenowski was a very different person. Rich as Croesus, and titled, and beautiful and young. You can’t blame the poor child for being divorced from men who were seeking her merely for her money!”
“The Countess Lenowski is neither so young nor so innocent as she would have everybody believe, and I told you at the time that her beauty wasn’t even skin deep. I don’t get your fine distinctions. What’s the matter with this De Flora woman? Isn’t she rich? Doesn’t your son think she’s beautiful? And she’s young enough. They say she’s never been married at all, let alone divorced. I made a point to look into that.”
“Now, Charles, you’re being difficult! That’s all there is to it. You’re just trying to be difficult! And there’s no use talking to you when you get difficult. You know as well as I do what that De Flora woman is. Some little insignificant movie actress, not even a star! With all Murray’s money and family, of course, every little upstart is simply flinging herself at him, and you must speak to him! You really must. Let him know his allowance will stop and he can’t have any more cars unless he behaves himself!”
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