He bows to the foreign ambassadors; but where is Chapuys? Word is passed forward, he is suffering from a quartan fever: word is passed back, I am sorry to hear that, let him send to my house for anything that might make him more comfortable. Say his fever is up today, day one: its tide ebbing tomorrow, by Wednesday he is on his feet but shaky, but by Thursday night he will be down again, as it shakes him in its grip.
The Attorney General reads the indictment, and it takes some time: crimes under statute, crimes under God. As he gets to his feet to prosecute he is thinking, the king expects a verdict by mid-afternoon; and glancing across the court he sees Francis Bryan, still in his outdoor coat, ready to get on the river with word to the Seymours. Steady, Francis, he thinks, this may take some time, it may get hot in here.
The substance of the case is the work of an hour or two, but when there are ninety-five names to be verified, of the justices and the peers, then the mere shuffling and the throat-clearing, the nose-blowing, the adjustment of robes and the settling of belt sashes – all those distracting rituals that some men need before they speak in public – with all that, it is clear the day will wear on; the queen herself is a still presence, listening intently from her chair as the list of her crimes is read out, the dizzying catalogue of times, dates, places, of men, their members, their tongues: into the mouth, out of the mouth, into divers crannies of the body, at Hampton Court and Richmond Palace, at Greenwich and Westminster, in Middlesex and in Kent; and then the loose words and taunts, the jealous quarrels and twisted intentions, the declaration, by the queen, that when her husband is dead, she will choose some one of them to be her husband, but she cannot yet say which. ‘Did you say that?’ She shakes her head. ‘You must answer aloud.’
Icy little voice: ‘No.’
It is all she will say, no, no and no: and once she answers ‘Yes,’ when she is asked if she has given money to Weston, and she hesitates and admits it; and there is a whoop from the crowd, and Norfolk stops proceedings and threatens he will have them all arrested if they do not keep silence. In any well-ordered country, Suffolk said yesterday, the trial of a noblewoman would be conducted in seemly privacy; he had rolled his eyes and said, but my lord, this is England.
Norfolk has obtained quiet, a rustling calm punctuated by coughs and whispers; he is ready for the prosecution to resume, and says, ‘Very well, go on, er – you.’ Not for the first time, he is baffled by having to speak to a common man, who is not an ostler or a carter, but a minister of the king: the Lord Chancellor leans forward and whispers, reminding him perhaps that the prosecutor is Master of the Rolls. ‘Carry on, Your Mastership,’ he says, more politely. ‘Please do proceed.’
She denies treason, there is the point: she never raises her voice, but she disdains to enlarge, to excuse, extenuate: to mitigate. And there is no one to do it for her. He remembers what Wyatt’s old father had once told him, how a dying lioness can maul you, flash out with her claw and scar you for life. But he feels no threat, no tension, nothing at all. He is a good speaker, known for eloquence, style and audibility, but today he has no interest in whether he is heard, not beyond the judges, the accused, as whatever the populace hear they will misconstrue: and so his voice seems to fade to a drowsy murmur in the room, the voice of a country priest droning through his prayers, no louder than a fly buzzing in a corner, knocking against glass; out of the corner of his eye he sees the Attorney General stifle a yawn, and he thinks, I have done what I thought I could never achieve, I have taken adultery, incest, conspiracy and treason, and I have made them routine. We do not need any false excitement. After all, it is a law court, not the Roman circus.
The verdicts drag in: it is a lengthy business; the court implores brevity, no speeches please, one word will suffice: ninety-five vote guilty, and not one nay-sayer. When Norfolk begins to read the sentence, the roar rises again, and one can feel the pressure of the people outside trying to get in, so it seems the hall gently rocks, like a boat at its mooring. ‘Her own uncle!’ someone wails, and the duke bangs his fist on his table and says he will do slaughter. That produces some quiet; the hush allows him to conclude, ‘…thy judgement is this: Thou shalt be burned here, within the Tower, or else to have thy head smitten off, as the king’s pleasure shall be further known –’
There is a yelp from one of the justices. The man is leaning forward, whispering furiously; Norfolk looks irate; the lawyers are going into a huddle, the peers crane forward to find out what is the delay. He strolls over. Norfolk says, ‘These fellows tell me I have not done it right, I cannot say burning or beheading, I have to say one, and they say it must be burning, that is how a woman suffers when she is a traitor.’
‘My lord Norfolk has his instructions from the king.’ He means to crush objection and he does. ‘The phrasing is the king’s pleasure and moreover, do not tell me what can be done and what cannot, we have never tried a queen before.’
‘We’re just making it up as we go,’ says the Lord Chancellor amiably.
‘Finish what you were saying,’ he tells Norfolk. He steps back.
‘I think I have done,’ Norfolk says, scratching his nose. ‘…head smitten off, as the king’s pleasure shall be further known of the same.’
The duke drops his voice and concludes at conversational pitch; so the queen never hears the end of her sentence. She has the gist, though. He watches her rise from her chair, still composed, and he thinks, she doesn’t believe it; why doesn’t she believe it? He looks across to where Francis Bryan was hovering, but the messenger has already gone.
Rochford’s trial has now to go forward; they must get Anne out, before her brother comes in. The solemnity of the occasion has dissipated. The more elderly members of the court have to totter out to piss, and the younger to stretch their legs and have a gossip, and collect the latest odds on an acquittal for George. The betting runs in his favour, though his face, as he is brought in, shows he is not deceived. To those who insist he will be acquitted, he, Cromwell has said, ‘If Lord Rochford can satisfy the court, he will be let go. Let us see what defence he will make.’
He has only one real fear: that Rochford is not vulnerable to the same pressure as the other men, because he is not leaving behind anyone he cares for. His wife has betrayed him, his father deserted him, and his uncle will preside over the court that tries him. He thinks George will speak with eloquence and spirit, and he is correct. When the charges are read to him, he asks that they be put one by one, clause by clause: ‘For what is your worldly time, gentlemen, against God’s assurance of eternity?’ There are smiles: admiration for his suavity. Boleyn addresses him, Cromwell, directly. ‘Put them to me one by one. The times, the places. I will confound you.’
But the contest is not even. He has his papers, and if it comes to it, he can lay them on the table and make his case without them; he has his trained memory, he has his accustomed self-possession, his courtroom voice that places no strain on his throat, his urbanity of manner that places no strain on his emotions; and if George thinks he will falter, reading out the details of caresses administered and received, then George does not know the place he comes from: the times, the manners, that have formed Master Secretary. Soon enough, Lord Rochford will begin to sound like a raw, tearful boy; he is fighting for his life, and thus unequal to a man who seems so indifferent to the outcome; let the court acquit if it will, there will be another court, or a process, more informal, that will end with George a broken corpse. He thinks, too, that soon young Boleyn will lose his temper, that he will show his contempt for Henry, and then it will all be up with him. He hands Rochford a paper: ‘Certain words are written here, which the queen is said to have spoken to you, and you in your turn passed them on. You need not read them aloud. Just tell the court, do you recognise those words?’
George smiles in disdain. Relishing the moment, he smirks: he takes a breath; he reads the words aloud. ‘The king cannot copulate with a woman, he has neither skill nor vigour.’
He has read it b
ecause he thinks the crowd will like it. And so they do, though the laughter is shocked, incredulous. But from his judges – and it is they who matter – there is an audible hiss of deprecation. George looks up. He throws out his hands. ‘These are not my words. I do not own them.’
But he owns them now. In one moment of bravado, to get the applause of the crowd, he has impugned the succession, derogated the king’s heirs: even though he was cautioned not to do it. He, Cromwell, nods. ‘We have heard that you spread rumours that the Princess Elizabeth is not the king’s child. It seems you do. You have spread them even in this court.’
George is silent.
He shrugs and turns away. It is hard on George that he cannot even mention the charges against him without becoming guilty of them. As prosecutor, he would rather it had gone unmentioned, the king’s difficulty; yet it is no more of a shame to Henry to have it declared in court than have it said in the street, and in taverns where they are singing the ballad of King Littleprick and his wife the witch. In such circumstances, the man blames the woman, as often as not. Something she has done, something she has said, the black look she gave him when he faltered, the derisive expression on her face. Henry is afraid of Anne, he thinks. But he will be potent with his new wife.
He gathers himself, gathers his papers; the judges wish to confer. The case against George is flimsy enough in all truth, but if the charges are thrown out, Henry will arraign him on some other matter, and it will go hard with his family, not just the Boleyns but the Howards too: for this reason, he thinks, Uncle Norfolk will not let him escape. And no one has denounced the charges as incredible, at this trial or the trials that preceded it. It has become a thing one can believe, that these men would plot against the king and copulate with the queen: Weston because he is reckless, Brereton because he is old in sin, Mark because he is ambitious, Henry Norris because he is familiar, he is close, he has confused his own person with the person of the king; and George Boleyn, not despite being her brother, but because he is her brother. Boleyns, it is known to all, will do what they need to do to rule; if Anne Boleyn put herself on the throne, walking on the bodies of the fallen, can she not put a Boleyn bastard there too?
He looks up at Norfolk, who gives him a nod. The verdict is in no doubt then, nor the sentence. The only surprise is Harry Percy. The earl rises from his place. He stands, his mouth open slightly, and a silence falls, not the rustling, whispering apology for a silence which the court has endured till now, but a still, expectant hush. He thinks of Gregory: do you want to hear me make a speech? Then the earl pitches forward, unleashes a groan, he crumples, and with a clatter and a thud he hits the floor. At once his prone body is swamped by guardsmen, and a great roar arises, ‘Harry Percy is dead.’
Unlikely, he thinks. They’ll bring him round. It is now mid-afternoon, warm and airless, and the evidence placed before the judges, the written statements alone, would fell a healthy man. There is a length of blue cloth laid over the new boards of the platform on which the judges sit, and he watches the guardsmen rip it up from the floor and improvise a blanket in which to carry the earl; and a memory stabs him, Italy, heat, blood, heaving and rolling and flopping a dying man on to knotted saddlecloths, cloths themselves scavenged from the dead, hauling him into the shade of the wall of – what, a church, a farmhouse? – only so that he could die, cursing, a few minutes later, trying to pack his guts back into the wound from which they were spilling, as if he wanted to leave the world tidy.
He feels sick, and he sits down by the Attorney General. The guardsmen carry the earl out, head lolling, eyes closed, feet dangling. His neighbour says, ‘There is another man the queen has ruined. I suppose we will not know them all for years.’
It is true. The trial is a provisional arrangement, a fix for getting Anne out, Jane in. The effects of it have not been tested yet, the resonances have not been felt; but he expects a quaking at the heart of the body politic, a heaving in the stomach of the commonwealth. He gets up and goes over to urge Norfolk to get the trial under way again. George Boleyn – suspended as he is between trial and conviction – looks as though he might collapse himself, and has begun to weep. ‘Help Lord Rochford to a chair,’ he says. ‘Give him something to drink.’ He is a traitor, but still an earl; he can hear his death sentence sitting down.
Next day, 16 May, he is at the Tower, with Kingston in the constable’s own lodgings. Kingston is fretting because he does not know what sort of scaffold to prepare for the queen: she lies under a dubious sentence, waiting for the king to speak. Cranmer is with her in her lodgings, come to hear her confession, and he will be able to hint to her, delicately, that her cooperation now will spare her pain. That the king still has mercy in him.
A guardsman at the door, addressing the constable: ‘There is a visitor. Not for yourself, sir. For Master Cromwell. It is a foreign gentleman.’
It is Jean de Dinteville, who was here on embassy round about the time Anne was crowned. Jean stands poised in the doorway: ‘They said I should find you here, and as time is short –’
‘My dear friend.’ They embrace. ‘I did not even know you were in London.’
‘I am straight off the boat.’
‘Yes, you look it.’
‘I am no sailor.’ The ambassador shrugs; or at least, his vast padding moves, and subsides again; on this balmy morning, he is wrapped up in bewildering layers, much as a man dresses to face November. ‘Anyway, it seemed best to come here and catch you before you are back playing bowls, which I believe you generally do when you should be receiving our representatives. I am sent to speak to you about young Weston.’
Good God, he thinks, has Sir Richard Weston managed to bribe the King of France?
‘Not a moment too soon. He is sentenced to die tomorrow. What about him?’
‘One is uneasy,’ the ambassador says, ‘if gallantry should be punished. Surely the young man is guilty of nothing more than a poem or two? Paying compliments and making jests? Perhaps the king might spare his life. One understands that for a year or two he would be advised to keep away from the court – travelling, perhaps?’
‘He has a wife and young son, Monsieur. Not that the thought of them has ever constrained his behaviour.’
‘So much the worse, if the king puts him to death. Does Henry not regard his reputation as a merciful prince?’
‘Oh yes. He talks about it a lot. Monsieur, my advice is to forget Weston. Much as my master reveres and respects yours, he will not take it kindly if King Francis were to interfere in something which is, after all, a family matter, something he feels very near his own person.’
Dinteville is amused. ‘One might well call it a family matter.’
‘I notice you do not ask mercy for Lord Rochford. He has been an ambassador, one thought the King of France would be more interested in him.’
‘Ah well,’ the ambassador says. ‘George Boleyn. One understands there is a change of regime, and what that entails. The whole French court hopes, of course, that Monseigneur will not be destroyed.’
‘Wiltshire? He has been a good servant to the French, I see you would miss him. He is in no danger at present. Of course, you cannot look for his influence to be what it was. A change of regime, as you say.’
‘May I say…’ the ambassador stops to sip wine, to nibble a wafer that Kingston’s servants have provided, ‘that we in France find this whole business incomprehensible? Surely if Henry wishes to be rid of his concubine he can do it quietly?’
The French do not understand law courts or parliaments. For them, the best actions are covert actions. ‘And if he must parade his shame to the world, surely one or two adulteries are enough? However, Cremuel,’ the ambassador runs his eye over him, ‘we can speak man to man, can we not? The great question is, can Henry do it? Because what we hear is, he prepares himself, and then his lady gives him a certain look. And his hopes collapse. That seems to us like witchcraft, as witches do commonly render men impotent. But,’ he adds, with a look of scep
tical contempt, ‘I cannot imagine that any Frenchman would be so afflicted.’
‘You must understand,’ he says, ‘though Henry is at all points a man, he is a gentleman, and not a cur grunting in the gutter with…well, I say nothing of your own king’s choice of women. These last months,’ he takes a breath, ‘these last weeks particularly, have been a time of great trial and grief for my master. He now seeks happiness. Have no doubt that his new marriage will secure his realm and promote the welfare of England.’
He is talking as if he is writing; already he is casting his version into dispatches.
‘Oh, yes,’ the ambassador says, ‘the little person. One hears no great praise either of her beauty or her wit. He will not really marry her, another woman of no importance? When the Emperor offers him such lucrative matches…or so we hear. We understand everything, Cremuel. As a man and a woman, the king and the concubine may have their disputes, but there are more than the two of them in the world, this is not the Garden of Eden. When all’s said, it is the new politics she doesn’t suit. The old queen was, in some sort, the concubine’s protector, and ever since she died Henry has been plotting how he may become a respectable man again. So he must wed the first honest woman he sees, and in all truth it really does not matter whether she is the Emperor’s relative or no, because with the Boleyns gone, Cremuel is riding high, and he will be sure to pack the council with good imperialists.’ His lip curls; it might be a smile. ‘Cremuel, I wish you would say how much the Emperor Charles pays you. I have no doubt we could match it.’
He laughs. ‘Your master is seated on thorns. He knows my king has money flowing in. He is afraid that he might pay France a visit, and in arms.’
Wolf Hall: Bring Up the Bodies Page 39