by Walter Pater
And just then, again amid the memory of certain touching actual words and images, came the thought of the great hope, that hope against hope, which, as he conceived, had arisen — Lux sedentibus in tenebris — upon the aged world; the hope Cornelius had seemed to bear away upon him in his strength, with a buoyancy which had caused Marius to feel, not so much that by a caprice of destiny, he had been left to die in his place, as that Cornelius was gone on a mission to deliver him also from death. There had been a permanent protest established in the world, a plea, a perpetual after-thought, which humanity henceforth would ever possess in reserve, against any wholly mechanical and disheartening theory of itself and its conditions. That was a thought which relieved for him the iron outline of the horizon about him, touching it as if with soft light from beyond; filling the shadowy, hollow places to which he was on his way with the warmth of definite affections; confirming also certain considerations by which he seemed to link himself to the generations to come in the world he was leaving. Yes! through the survival of their children, happy parents are able to think calmly, and with a very practical affection, of a world in which they are to have no direct share; planting with a cheerful good-humour, the acorns they carry about with them, that their grand-children may be shaded from the sun by the broad oak-trees of the future. That is nature’s way of easing death to us. It was thus too, surprised, delighted, that Marius, under the power of that new hope among men, could think of the generations to come after him. Without it, dim in truth as it was, he could hardly have dared to ponder the world which limited all he really knew, as it would be when he should have departed from it. A strange lonesomeness, like physical darkness, seemed to settle upon the thought of it; as if its business hereafter must be, as far as he was concerned, carried on in some inhabited, but distant and alien, star. Contrariwise, with the sense of that hope warm about him, he seemed to anticipate some kindly care for himself; never to fail even on earth, a care for his very body-that dear sister and companion of his soul, outworn, suffering, and in the very article of death, as it was now.
For the weariness came back tenfold; and he had finally to abstain from thoughts like these, as from what caused physical pain. And then, as before in the wretched, sleepless nights of those forced marches, he would try to fix his mind, as it were impassively, and like a child thinking over the toys it loves, one after another, that it may fall asleep thus, and forget all about them the sooner, on all the persons he had loved in life — on his love for them, dead or living, grateful for his love or not, rather than on theirs for him — letting their images pass away again, or rest with him, as they would. In the bare sense of having loved he seemed to find, even amid this foundering of the ship, that on which his soul might “assuredly rest and depend.” One after another, he suffered those faces and voices to come and go, as in some mechanical exercise, as he might have repeated all the verses he knew by heart, or like the telling of beads one by one, with many a sleepy nod between-whiles.
For there remained also, for the old earthy creature still within him, that great blessedness of physical slumber. To sleep, to lose one’s self in sleep — that, as he had always recognised, was a good thing. And it was after a space of deep sleep that he awoke amid the murmuring voices of the people who had kept and tended him so carefully through his sickness, now kneeling around his bed: and what he heard confirmed, in the then perfect clearness of his soul, the inevitable suggestion of his own bodily feelings. He had often dreamt he was condemned to die, that the hour, with wild thoughts of escape, was arrived; and waking, with the sun all around him, in complete liberty of life, had been full of gratitude for his place there, alive still, in the land of the living. He read surely, now, in the manner, the doings, of these people, some of whom were passing out through the doorway, where the heavy sunlight in very deed lay, that his last morning was come, and turned to think once more of the beloved. Often had he fancied of old that not to die on a dark or rainy day might itself have a little alleviating grace or favour about it. The people around his bed were praying fervently — Abi! Abi! Anima Christiana! In the moments of his extreme helplessness their mystic bread had been placed, had descended like a snow-flake from the sky, between his lips. Gentle fingers had applied to hands and feet, to all those old passage-ways of the senses, through which the world had come and gone for him, now so dim and obstructed, a medicinable oil. It was the same people who, in the gray, austere evening of that day, took up his remains, and buried them secretly, with their accustomed prayers; but with joy also, holding his death, according to their generous view in this matter, to have been of the nature of martyrdom; and martyrdom, as the church had always said, a kind of sacrament with plenary grace.
1881-1884.
THE END
GASTON DE LATOUR
AN UNFINISHED ROMANCE
In 1896 Charles Lancelot Shadwell, Pater’s friend and literary executor, edited and published seven chapters of an unfinished novel, titled Gaston de Latour. The narrative is set in turbulent late sixteenth century France, being a product of the author’s interest in French history, philosophy, literature and art. Pater had conceived Marius the Epicurean as the first novel in a trilogy of works of similar character dealing with the same problems, under altered historical conditions. Gaston de Latour was to have been the second volume in the trilogy, while the third was going to be set in England in the late eighteenth century.
The first edition’s title page
CONTENTS
I. A CLERK IN ORDERS
II. OUR LADY’S CHURCH
III. MODERNITY
IV. PEACH-BLOSSOM AND WINE
V. SUSPENDED JUDGMENT
VI. SHADOWS OF EVENTS
VII. THE LOWER PANTHEISM
I. A CLERK IN ORDERS
The white walls of the Château of Deux-manoirs, with its precincts, composed, before its dismantling at the Revolution, the one prominent object which towards the southwest broke the pleasant level of La Beauce, the great corn-land of central France. Abode in those days of the family of Latour, nesting there century after century, it recorded significantly the effectiveness of their brotherly union, less by way of invasion of the rights of others than by the improvement of all gentler sentiments within. From the sumptuous monuments of their last resting-place, backwards to every object which had encircled them in that warmer and more lightsome home it was visible they had cared for so much, even in some peculiarities of the very ground-plan of the house itself — everywhere was the token of their anxious estimate of all those incidents of man’s pathway through the world which knit the wayfarers thereon most closely together.
Why this irregularity of ground-plan? — the traveller would ask; recognising indeed a certain distinction in its actual effect on the eye, and suspecting perhaps some conscious aim at such effect on the part of the builders of the place in an age indulgent of architectural caprices. And the traditional answer to the question, true for once, still showed the race of Latour making much, making the most, of the sympathetic ties of human life. The work, in large measure, of Gaston de Latour, it was left unfinished at his death, some time about the year 1594. That it was never completed could hardly be attributed to any lack of means, or of interest; for it is plain that to the period of the Revolution, after which its scanty remnants passed into humble occupation (a few circular turrets, a crenellated curtain wall, giving a random touch of dignity to some ordinary farm-buildings) the place had been scrupulously maintained. It might seem to have been a kind of reverence rather that had allowed the work to remain untouched for future ages precisely at this point in its growth.
And the expert architectural mind, peeping acutely into recondite motives and half-accomplished purposes in such matters, could detect the circumstance which had determined that so noticeable peculiarity of ground-plan. Its kernel was not, as in most similar buildings of that date, a feudal fortress, but an unfortified manor-house — a double manoir — two houses, oddly associated at a right angle. Far bac
k in the Middle Age, said a not uncertain tradition, here had been the one point of contact between two estates, intricately interlocked with alien domain, as, in the course of generations, the family of Latour, and another, had added field to field. In the single lonely manor then existing two brothers had grown up; and the time came when the marriage of the younger to the heiress of those neighbouring lands would divide two perfect friends. Regretting over-night so dislocating a change it was the elder who, as the drowsy hours flowed away in manifold recollection beside the fire, now suggested to the younger, himself already wistfully recalling, as from the past, the kindly motion and noise of the place like a sort of audible sunlight, the building of a second manor-house — the Château d’Amour, as it came to be called — that the two families, in what should be as nearly as possible one abode, might take their fortunes together.
Of somewhat finer construction than the rough walls of the older manor, the Château d’Amour stood, amid the change of years, as a visible record of all the accumulated sense of human existence among its occupants. The old walls, the old apartments, of those two associated houses still existed, with some obvious additions, beneath the delicate, fantastic surfaces of the château of the sixteenth century. Its singularity of outline was the very symbol of the religion of the family in the race of Latour, still full of loyalty to the old home, as its numerous outgrowths took hold here and there around. A race with some prominent characteristics ineradicable in the grain, they went to raise the human level about them by a transfer of blood, far from involving any social decadence in themselves. A peculiar local variety of character, of manners, in that district of La Beauce, surprised the more observant visitor who might find his way into farmhouse or humble presbytery of its scattered townships. And as for those who kept up the central tradition of their house, they were true to the soil, coming back, under whatever obstacles, from court, from cloister, from distant crusade, to the visible spot where the memory of their kindred was liveliest and most exact — a memory, touched so solemnly with a conscience of the intimacies of life, its significant events, its contacts and partings, that to themselves it was like a second sacred history.
It was a great day, amid all their quiet days, for the people of Deux-manoirs — one of the later days of August. The event, which would mark it always in the life of one of them, called into play all that was most expressive in that well-defined family character: it was at once the recognition of what they valued most in past years, and an assertion of will, or hope, for the future, accordant thereto. Far away in Paris the young King Charles the Ninth, in his fourteenth year, had been just declared of age. Here, in the church of Saint Hubert, church of their parish, and of their immemorial patronage, though it lay at a considerable distance from their abode, the chiefs of the house of Latour, attended by many of its dependents and less important members, were standing ready, around the last hope of their old age — the grandparents, their aged brothers and sisters, certain aged ecclesiastics of their kindred, wont to be called to the family councils.
They had set out on foot, after a votive mass said early in the old chapel of the manor, to assist at the ceremony of the day. Distinguishable from afar by unusual height in proportion to its breadth within, the church of Saint Hubert had an atmosphere, a daylight, to itself. Its stained glass, work of the same hands that had wrought for the cathedral of Chartres, admitted only an almost angry ray of purple or crimson, here or there, across the dark, roomy spaces. The heart, the heart of youth at least, sank, as one entered, stepping warily out of the sunshine over the sepulchral stones which formed the entire pavement of the church, a great blazonry of family history from age to age for indefatigable eyes. An abundance of almost life-sized sculpture clung to the pillars, lurked in the angles, seemed, with those symbolical gestures, and mystic faces ready to speak their parts, to be almost in motion through the gloom. Many years after, Gaston de Latour, an enemy of all Gothic darkness or heaviness, returning to his home full of a later taste, changed all that. A thicket of airy spires rose above the sanctuary; the blind triforium broke into one continuous window; the heavy masses of stone were pared down with wonderful dexterity of hand, till not a hand’s-breadth remained uncovered by delicate tracery, as from the fair white roof, touched sparingly with gold, down to the subterranean chapel of Saint Taurin, where the peasants of La Beauce came to pray for rain, not a space was left unsearched by cheerful daylight, refined, but hardly dimmed at all, by painted glass mimicking the clearness of the open sky. In the sombre old church all was in stately order now: the dusky, jewelled reliquaries, the ancient devotional ornaments from the manor — much-prized family possessions, sufficient to furnish the whole array of a great ecclesiastical function like this — the lights burning, flowers everywhere, gathered amid the last handfuls of the harvest by the peasant-women, who came to present their children for the happy chance of an episcopal blessing.
And the almost exclusively aged people, in all their old personal adornments, which now so rarely saw the light, forming the central group, expectant around the young seigneur they had conducted hither, seemed of one piece with those mystic figures, the old, armour- clad monumental effigies, the carved and painted imageries which ran round the outer circuit of the choir — a version of the biblical history, for the reading of those who loitered on their way from chapel to chapel. There was Joseph’s dream, with the tall sheaves of the elder brethren bowing to Joseph’s sheaf, like these aged heads around the youthful aspirant of to-day. There was Jacob going on his mysterious way, met by, conversing with, wrestling with, the Angels of God — rescuing the promise of his race from the “profane” Esau. There was the mother of Samuel, and, in long white ephod, the much- desired, early-consecrated child, who had inherited her religious capacity; and David, with something of his extraordinary genius for divine things written on his countenance; onward, to the sacred persons of the Annunciation, with the golden lily in the silver cup, only lately set in its place. With dress, expression, nay! the very incidents themselves innocently adapted to the actual habits and associations of the age which had produced them, these figures of the old Jewish history seemed about to take their places, for the imparting of a divine sanction, among the living actors of the day. One and all spoke of ready concurrence with religious motions, a ready apprehension of, and concurrence with, the provisions of a certain divine scheme for the improvement of one’s opportunities in the world.
Would that dark-haired, fair-skinned lad concur, in his turn, and be always true to his present purpose — Gaston de Latour, standing thus, almost the only youthful thing, amid the witness of these imposing, meditative, masks and faces? Could his guardians have read below the white propriety of the youth, duly arrayed for dedication, with the lighted candle in his right hand and the surplice folded over his left shoulder, he might sorely have disturbed their placid but somewhat narrow ruminations, with the germs of what was strange to or beyond them. Certain of those shrewd old ecclesiastics had in fact detected that the devout lad, so visibly impressed, was not altogether after their kind; that, together with many characteristics obviously inherited, he possessed — had caught perhaps from some ancestor unrepresented here — some other potencies of nature, which might not always combine so accordantly as to-day with the mental requisites of an occasion such as this. One of them, indeed, touched notwithstanding by his manifest piety just then, shortly afterwards recommended him a little prayer “for peace” from the Vespers of the Roman Breviary — for the harmony of his heart with itself; advice which, except for a very short period, he ever afterwards followed, saying it every evening of his life.
Yet it was the lad’s own election which had led him to this first step in a career that might take him out of the world and end the race of Latour altogether. Approaching their fourscore years, and realising almost suddenly the situation of the young Gaston, left there alone, out of what had been a large, much-promising, resonant household, they wished otherwise, but did not try to change hi
s early-pronounced preference for the ecclesiastical calling. When he determined to seek the clericature, his proposal made a demand on all their old-fashioned religious sentiment. But the fund was a deep one, and their acquiescence in the result entire. He might indeed use his privilege of “orders” only as the stepping-stone to material advancement in a church which seemed to have gone over wholly to the world, and of which at that time one half the benefices were practically in the hands of laymen. But, actually, the event came to be a dedication on their part, not unlike those old biblical ones — an offering in old age of the single precious thing left them; the grandchild, whose hair would presently fall under the very shears which, a hundred years before, had turned an earlier, brilliant, Gaston de Latour into a monk.
Charles Guillard, Bishop of Chartres, a courtly, vivacious prelate, whose quick eyes seemed to note at a glance the whole assembly, one and all, while his lips moved silently, arrived at last, and the rite began with the singing of the Office for the Ninth Hour. It was like a stream of water crossing unexpectedly a dusty way — Mirabilia testimonia tua! In psalm and antiphon, inexhaustibly fresh, the soul seemed to be taking refuge, at that undevout hour, from the sordid languor and the mean business of men’s lives, in contemplation of the unfaltering vigour of the divine righteousness, which had still those who sought it, not only watchful in the night but alert in the drowsy afternoon. Yes! there was the sheep astray, sicut ovis quae periit — the physical world; with its lusty ministers, at work, or sleeping for a while amid the stubble, their faces upturned to the August sun — the world so importunately visible, intruding a little way, with its floating odours, in that semicircle of heat across the old over-written pavement at the great open door, upon the mysteries within. Seen from the incense-laden sanctuary, where the bishop was assuming one by one the pontifical ornaments, La Beauce, like a many- coloured carpet spread under the great dome, with the white double house-front quivering afar through the heat, though it looked as if you might touch with the hand its distant spaces, was for a moment the unreal thing. Gaston alone, with all his mystic preoccupations, by the privilege of youth, seemed to belong to both, and link the visionary company about him to the external scene.