Falter: Has the Human Game Begun to Play Itself Out?

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Falter: Has the Human Game Begun to Play Itself Out? Page 1

by Bill McKibben




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  For Koreti Tiumalu, 1975–2017—and for the thousands of other beloved colleagues who fight so hard for the planet’s future

  An Opening Note on Hope

  Thirty years ago, in 1989, I wrote the first book for a wide audience on climate change—or, as we called it then, the greenhouse effect. As the title indicates, The End of Nature was not a cheerful book, and sadly its gloom has been vindicated. My basic point was that humans had so altered the planet that not an inch was beyond our reach, an idea that scientists underlined a decade later when they began referring to our era as the Anthropocene.

  This volume is bleak as well—in some ways bleaker, because more time has passed and we are deeper in the hole. It offers an account of how the climate crisis has progressed and of the new technological developments in fields such as artificial intelligence that also seem to me to threaten a human future. Put simply, between ecological destruction and technological hubris, the human experiment is now in question. The stakes feel very high, and the odds very long, and the trends very ominous. So, I have no doubt that there are other books that would offer readers a merrier literary experience.

  I know, too, that this bleakness cuts against the current literary grain. Recent years have seen the publication of a dozen high-profile books and a hundred TED talks devoted to the idea that everything in the world is steadily improving. They share not only a format (endless series of graphs showing centuries of decreasing infant mortality or rising income) but also a tone of perplexed exasperation that any thinking person could perceive the present moment as dark. As Steven Pinker, the author of the sanguine Enlightenment Now, explained, “None of us are as happy as we ought to be, given how amazing our world has become.” People, he added, just “seem to bitch, moan, whine, carp and kvetch.”1

  I’m grateful for those books because, among other things, they remind us precisely how much we have to lose if our civilizations do indeed falter. But the fact that living conditions have improved in our world over the last few hundred years offers no proof that we face a benign future. That’s because threats of a new order can arise—indeed, have now arisen. Just as a man or woman can grow in strength and size and wealth and intelligence for many years and then be struck down by some larger force (cancer, a bus), so, too, with civilizations. And—to kvetch and whine a little further—because of the way power and wealth are currently distributed on our planet, I think we’re uniquely ill-prepared to cope with the emerging challenges. So far, we’re not coping with them.

  Still, there is one sense in which I am less grim than in my younger days. This book ends with the conviction that resistance to these dangers is at least possible. Some of that conviction stems from human ingenuity—watching the rapid spread of a technology as world-changing as the solar panel cheers me daily. And much of that conviction rests on events in my own life over the past few decades. I’ve immersed myself in movements working for change, and I helped found a group, 350.org, that grew into the first planetwide climate campaign. Though we haven’t beaten the fossil fuel industry, we’ve organized demonstrations in every country on the globe save North Korea, and with our many colleagues around the world, we’ve won some battles. At the moment, we’re helping as friends and colleagues push hard for a Green New Deal in the United States and similar steps around the world. (This book is dedicated to one of my dearest colleagues in that fight, Koreti Tiumalu, who died much too early, in 2017.) I’ve been to several jails, and to a thousand rallies, and along the way I’ve come to believe that we have the tools to stand up to entrenched power.

  Whether that entrenched power can actually be beaten in time I do not know. A writer doesn’t owe a reader hope—the only obligation is honesty—but I want those who pick up this volume to know that its author lives in a state of engagement, not despair. If I didn’t, I wouldn’t have bothered writing what follows.

  PART ONE

  The Size of the Board

  1

  If you viewed Earth from far above (and for better or worse, this book will often take a high, wide perspective), roofs would probably be the first feature of human civilization you’d notice. A descending alien would see many shapes, often corresponding to the local weather: A-frames for shedding snow, for instance. There are gambrel roofs, mansards, hipped and gabled roofs. Pagodas and other Asian temples often sport conical tops; Russian churches come with onion domes; Western churches sit beneath spires.

  Palm leaves probably topped the earliest houses, but as humans began to grow grain in the Neolithic era, the leftover straw became a reliable roofing material. Some homes in Southern England have thatch roofs five hundred years old; new layers have been added over centuries till, in some cases, the roofs are seven feet thick. Though it is harder to find good stuff to work with—the introduction of short-stemmed wheat varieties and the widespread use of nitrogen fertilizer have weakened straw—thatch is now growing more popular with rich Europeans looking for green roofs; in Germany, for instance, you can now get a degree as a “journeyman specialist thatcher.” But at least since the third century BC (perhaps beginning with Greek temples deemed valuable enough to protect from fire) humans have been tending toward hard roofs. Terra-cotta tiles spread rapidly around the Mediterranean and to Asia Minor; slate roofs became popular for their low maintenance; where trees are plentiful, wood shakes and slabs of bark work well. Given that the average human being currently resides in an urban slum, it is possible that corrugated iron shelters more sleepers than anything else.

  Do you find this a little dull? Good. What I want to talk about is the human game—the sum total of culture and commerce and politics; of religion and sport and social life; of dance and music; of dinner and art and cancer and sex and Instagram; of love and loss; of everything that comprises the experience of our species. But that’s beyond my powers, at least till I’m warmed up. So, I’ve looked for the most mundane aspect of our civilization I can imagine. Almost no one thinks about her roof from one year’s end to another, not unless it springs a leak. It’s a given. And so, it will illustrate my point—even the common and boring roof demonstrates the complexity, the stability, and the reach of this human game.

  Consider the asphalt shingle, which tops most homes in the West and is itself, doubtless, the dullest of all forms of roofing. The earliest examples date to 1901, and the first manufacturer was the H.M. Reynolds Company of Grand Rapids, Michigan, which sold its product under the slogan “The Roof That Stays Is the Roof That Pays.” Asphalt occurs naturally in a few places on Earth—the tar sands of Alberta, for instance, are mostly bitumen, which is the geologist’s word for asphalt. But the asphalt used in shingles comes from the oil-refining process: it’s the stuff that still hasn’t boiled at five hundred degrees Fahrenheit. Vacuum distillation separates it from more valuable products
such as gasoline, diesel, and naphtha; it then is stored and transported at high temperatures until it can be used, mostly for making roads. But some of it is diverted to the plants that make shingles, where manufacturers add granules of some mineral (slate, fly ash, mica) to improve durability. The CertainTeed Corporation, the world’s biggest shingle manufacturer, has produced a video showing what it rightly calls “this underappreciated process” at its plant in Oxford, North Carolina, one of sixty-one facilities it operates around the country. The video shows a ballet of pouring and dumping and conveying, as limestone arrives by rail car to be crushed and mixed with hot asphalt and then coated onto hundreds of thousands of miles of fiberglass mat. A thin mist of water is sprayed, and as it evaporates, the sheet cools, ready to be cut and then bundled onto pallets in a giant warehouse, to await distribution.1

  Marvel for a moment at the thousands of events that must synchronize for all this to work: the oil drilled (maybe deep undersea, or in the equatorial desert); the pipelines and rail lines laid; the refineries constructed (and at each step, the money raised). The limestone and the sand need mining, too, and the miles of fiberglass net must be fabricated on some other production line. The raw materials are all sucked into the North Carolina factory, and then the finished shingles must be spewed back out again, across rail lines and truck routes and into a network of building supply stores, where contractors can haul them to building sites, confident that they’ve been rated for resistance to wind, fire, and discoloration. Think, again, of the sheer amount of human organization required for the American Society for Testing and Materials to produce directive D3462-87 (“Asphalt Shingles Made from Glass Felt and Surfaced with Mineral Granules”) and then to enforce its mandates.

  We could, clearly, repeat this exercise for everything you see around you, and everything you hear, and everything you smell—all the infinitely more interesting activities always under way beneath all those roofs. As I write, for instance, I’m listening to Orchestra Baobab on Spotify. It was the house band at a Dakar nightclub in the 1970s, where its music reflected the Cuban beats that came with sailors to West Africa in the 1940s; eventually the group recorded its best album at a Paris studio, and now it somehow resides on a computer server where 196,847 people from across the planet listen to it each month. Try to parse the play of history and technology and commerce and spirituality and swing that make up the sound pouring into my headphones—the colonialisms layered on top of one another; the questions of race, identity, pop, purity. Or consider what I’m going to have for dinner, or what you’re wearing on your back—everything comes with strings attached, and you can follow those strings into every corner of our past and present.

  What I’m calling the human game is unimaginably deep, complex, and beautiful. It is also endangered. Indeed, it is beginning to falter even now.

  * * *

  I’ll spend this book explaining that danger and, at the end, pointing to some ways we might yet avert it. But I think it’s best to begin by stressing not the shakiness of the human game but, instead, its stability. For humans, all of us together, have built something remarkable, something we rarely stand back and simply acknowledge. The sum of the projects of our individual lives, the total of the institutions and enterprises we have created, the aggregate of our wishes and dreams and labors, the entirety of our ceaseless activity—it is a wonder. I call it a game because it has no obvious end. Like any game, it doesn’t really matter how it comes out, at least in the largest sense of Our Place in the Universe, and yet, like any game, it absorbs the whole concentration of those involved. And even if it has no ultimate aim that doesn’t mean it lacks rules, or at least an aesthetic: by my definition, the game is going well when it creates more dignity for its players, and badly when that dignity diminishes.

  Dignity, in the context of the human game, can be measured in many ways: enough calories, freedom from fear, clothes to wear, useful work. And by plenty of those measures, we’re on a roll. Extreme poverty (life on two dollars a day or less) is far rarer than it used to be. Many of the diseases that poverty helped spread have lessened, too: worms in your gut, say. Even compared to the twentieth century, violence is now far less likely to kill us—of the more than 55 million people who died around the world in 2012, war killed just 120,000 of them.2 Eighty-five percent of adults can read now, a staggering increase inside two generations.3 Women, with more education and at least a modicum of equality, have gone from having more than five kids apiece on average in 1970 to having fewer than two and a half today, probably the most rapid and remarkable demographic change the planet has ever witnessed. In the year 1500, humans managed to produce goods and services worth $250 billion in today’s dollars—five hundred years later, that number is $60 trillion, a 240-fold increase.4 The chorus of affirmation swells, from Steven Pinker insisting we’re in an age of unprecedented enlightenment to Donald Trump tweeting, “There is an incredible spirit of optimism sweeping the country right now—we’re bringing back the JOBS!”

  We’re quite accustomed to this idea of progress, so accustomed that some can’t imagine anything else: the former chief economist of the World Bank, Kaushik Basu, recently predicted that, in fifty years, global GDP will be growing 20 percent a year, meaning that income and consumption will be doubling every four years or so.5 There are, each day, more ideas hatched, more songs sung, more pictures taken, more goals scored, more schoolbooks read, more money invested.

  * * *

  And yet. There are other authorities almost as highly placed as the former chief economist of the World Bank. Pope Francis, in his landmark 2015 encyclical on the environment and poverty, said, “The earth, our home, is beginning to look more and more like an immense pile of filth.” Don’t consider popes sufficiently authoritative? Consider this: In November 2017, fifteen thousand scientists from 184 countries issued a stark “warning to humanity.” Just like Pinker, they had charts, but theirs depicted everything from the decline in freshwater per person to the spread of anaerobic “dead zones” in the world’s seas. As a result, the scientists predicted, we face “widespread misery and catastrophic biodiversity loss”; soon, they added, “it will be too late to shift course away from our failing trajectory.” (Within six months, that warning was already the sixth-most-discussed academic paper in history.)6 The worries have grown severe enough that a NASA-funded group recently created the Human and Nature DYnamics (HANDY) program to model the fall of the Roman, Han, Mauryan, and Gupta Empires, and when they pushed the button, it spit out a disquieting forecast: “Global industrial civilization could collapse in coming decades due to unsustainable resource exploitation and increasingly unequal wealth distribution.” (The fact that I’d never even heard of the Mauryan Empire gave me a quiet shiver.) In this model, by the way, one of the greatest dangers came from elites who argued against structural change on the grounds that “so far” things were working out.7

  That “so far” is always the problem, as the man who fell off the skyscraper found out. If you want to fret, you can find plenty of indications that the pavement is approaching with discouraging speed. A third of the planet’s land is now severely degraded, with “persistent declining trends in productivity,” according to a September 2017 report.8 We’ve displaced most everything else: if you weigh the earth’s terrestrial vertebrates, humans account for 30 percent of their total mass, and our farm animals for another 67 percent, meaning wild animals (all the moose and cheetahs and wombats combined) total just 3 percent.9 In fact, there are half as many wild animals on the planet as there were in 1970, an awesome and mostly unnoticed silencing. In 2018, scientists reported that the planet’s oldest and largest trees were dying fast, “as climate change attracts new pests and diseases to forests.” The baobab—Africa’s tree of life, in whose shade people first hunted and gathered—can live as long as 2,500 years, but five of the six oldest specimens on the planet have died in the last decade.10 Before century’s end, climate change may kill off the cedars of Lebanon—plundered by
Gilgamesh, name-checked in the Bible—as snow cover disappears and sawflies hatch earlier in the heat.11

  Even our arks are leaking: with a burst of foresight, the world’s agronomists designed a Global Seed Vault in an Arctic mountain, an impregnable bank where they could save a million varieties of seed covering all the Earth’s important food crops. Eight years after it opened, during the hottest year ever recorded on the planet, melting snow and heavy rain flooded the entrance tunnel and then froze. The seeds weren’t damaged, but the builders were no longer confident that they’d constructed a stronghold that would last into deep time. “It was not in our plans to think the permafrost would not be there and that it would experience extreme weather like that,” a Norwegian government spokesman said.12

  And yet nothing slows us down—just the opposite. By most accounts, we’ve used more energy and resources during the last thirty-five years than in all of human history that came before.13 Every economic assumption our governments make about the future requires doubling the size of the economy again, and then again, and then again during the lives of the youngest people on the planet. So, it’s hard to make the argument that past performance indicates much about the future—it looks like the same game, but it’s on new ground.

  In part, that’s because the past is so short. We are the first acutely self-conscious species, so wrapped up in our own story that we rarely stop to remember how short that story really is. Day to day, we forget that if the billions of years of life on Earth were scaled to a twenty-four-hour day, our settled civilizations began about a fifth of a second ago.14 That short burst covers the taming of fire, the development of language, the rise of agriculture. On the time scale of a human life, these changes seemed to take forever, but in geological reality, they occupied the blink of an eye. And now we see shifts (the development of nuclear weapons, the rise of the internet) that change many of our assumptions in real time. So, the fact that even over this short span we’ve seen the routine and often sudden collapse of one civilization after another might give us pause. And in some ways, it does—books such as Jared Diamond’s Collapse intrigue us with their stories of past calamities, from Greenland to Easter Island.

 

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