It was a bleak country that Joel Garvey, Esq., formerly of Chicago, had chosen for his residence and on this particular afternoon it presented a more than usually dismal appearance. An expanse of flat fields covered with dirty snow stretched away on all sides till the sky dropped down to meet them. Only occasional farm buildings broke the monotony, and the road wound along muddy lanes and beneath dripping trees swathed in the cold raw fog that swept in like a pall of the dead from the sea.
It was six miles from the station to Garvey's house, and the driver of the rickety buggy Shorthouse had found at the station was not communicative. Between the dreary landscape and the drearier driver he fell back upon his own thoughts, which, but for the spice of adventure that was promised, would themselves have been even drearier than either. He made up his mind that he would waste no time over the transaction. The moment the signature was cut out he would pack up and be off. The last train back to Brooklyn was 7.15; and he would have to walk the six miles of mud and snow, for the driver of the buggy had refused point-blank to wait for him.
For purposes of safety, Shorthouse had done what he flattered himself was rather a clever thing. He had made up a second packet of papers identical in outside appearance with the first. The inscription, the blue envelope, the red elastic band, and even a blot in the lower left-hand corner had been exactly reproduced. Inside, of course, were only sheets of blank paper. It was his intention to change the packets and to let Garvey see him put the sham one into the bag. In case of violence the bag would be the point of attack, and he intended to lock it and throw away the key. Before it could be forced open and the deception discovered there would be time to increase his chances of escape with the real packet.
It was five o'clock when the silent Jehu pulled up in front of a half-broken gate and pointed with his whip to a house that stood in its own grounds among trees and was just visible in the gathering gloom. Shorthouse told him to drive up to the front door but the man refused.
"I ain't runnin' no risks," he said; "I've got a family."
This cryptic remark was not encouraging, but Shorthouse did not pause to decipher it. He paid the man, and then pushed open the rickety old gate swinging on a single hinge, and proceeded to walk up the drive that lay dark between close-standing trees. The house soon came into full view. It was tall and square and had once evidently been white, but now the walls were covered with dirty patches and there were wide yellow streaks where the plaster had fallen away. The windows stared black and uncompromising into the night. The garden was overgrown with weeds and long grass, standing up in ugly patches beneath their burden of wet snow. Complete silence reigned over all. There was not a sign of life. Not even a dog barked. Only, in the distance, the wheels of the retreating carriage could be heard growing fainter and fainter.
As he stood in the porch, between pillars of rotting wood, listening to the rain dripping from the roof into the puddles of slushy snow, he was conscious of a sensation of utter desertion and loneliness such as he had never before experienced. The forbidding aspect of the house had the immediate effect of lowering his spirits. It might well have been the abode of monsters or demons in a child's wonder tale, creatures that only dared to come out under cover of darkness. He groped for the bell-handle, or knocker, and finding neither, he raised his stick and beat a loud tattoo on the door. The sound echoed away in an empty space on the other side and the wind moaned past him between the pillars as if startled at his audacity. But there was no sound of approaching footsteps and no one came to open the door. Again he beat a tattoo, louder and longer than the first one; and, having done so, waited with his back to the house and stared across the unkempt garden into the fast gathering shadows.
Then he turned suddenly, and saw that the door was standing ajar. It had been quietly opened and a pair of eyes were peering at him round the edge. There was no light in the hall beyond and he could only just make out the shape of a dim human face.
"Does Mr. Garvey live here?" he asked in a firm voice.
"Who are you?" came in a man's tones.
"I'm Mr. Sidebotham's private secretary. I wish to see Mr. Garvey on important business."
"Are you expected?"
"I suppose so," he said impatiently, thrusting a card through the opening. "Please take my name to him at once, and say I come from Mr. Sidebotham on the matter Mr. Garvey wrote about."
The man took the card, and the face vanished into the darkness, leaving Shorthouse standing in the cold porch with mingled feelings of impatience and dismay. The door, he now noticed for the first time, was on a chain and could not open more than a few inches. But it was the manner of his reception that caused uneasy reflections to stir within him—reflections that continued for some minutes before they were interrupted by the sound of approaching footsteps and the flicker of a light in the hall.
The next instant the chain fell with a rattle, and gripping his bag tightly, he walked into a large ill-smelling hall of which he could only just see the ceiling. There was no light but the nickering taper held by the man, and by its uncertain glimmer Shorthouse turned to examine him. He saw an undersized man of middle age with brilliant, shifting eyes, a curling black beard, and a nose that at once proclaimed him a Jew. His shoulders were bent, and, as he watched him replacing the chain, he saw that he wore a peculiar black gown like a priest's cassock reaching to the feet. It was altogether a lugubrious figure of a man, sinister and funereal, yet it seemed in perfect harmony with the general character of its surroundings. The hall was devoid of furniture of any kind, and against the dingy walls stood rows of old picture frames, empty and disordered, and odd-looking bits of wood-work that appeared doubly fantastic as their shadows danced queerly over the floor in the shifting light.
"If you'll come this way, Mr. Garvey will see you presently," said the Jew gruffly, crossing the floor and shielding the taper with a bony hand. He never once raised his eyes above the level of the visitor's waistcoat, and, to Shorthouse, he somehow suggested a figure from the dead rather than a man of flesh and blood. The hall smelt decidedly ill.
All the more surprising, then, was the scene that met his eyes when the Jew opened the door at the further end and he entered a room brilliantly lit with swinging lamps and furnished with a degree of taste and comfort that amounted to luxury. The walls were lined with handsomely bound books, and armchairs were arranged round a large mahogany desk in the middle of the room. A bright fire burned in the grate and neatly framed photographs of men and women stood on the mantelpiece on either side of an elaborately carved clock. French windows that opened like doors were partially concealed by warm red curtains, and on a sideboard against the wall stood decanters and glasses, with several boxes of cigars piled on top of one another. There was a pleasant odour of tobacco about the room. Indeed, it was in such glowing contrast to the chilly poverty of the hall that Shorthouse already was conscious of a distinct rise in the thermometer of his spirits.
Then he turned and saw the Jew standing in the doorway with his eyes fixed upon him, somewhere about the middle button of his waistcoat. He presented a strangely repulsive appearance that somehow could not be attributed to any particular detail, and the secretary associated him in his mind with a monstrous black bird of prey more than anything else.
"My time is short," he said abruptly; "I hope Mr. Garvey will not keep me waiting."
A strange flicker of a smile appeared on the Jew's ugly face and vanished as quickly as it came. He made a sort of deprecating bow by way of reply. Then he blew out the taper and went out, closing the door noiselessly behind him.
Shorthouse was alone. He felt relieved. There was an air of obsequious insolence about the old Jew that was very offensive. He began to take note of his surroundings. He was evidently in the library of the house, for the walls were covered with books almost up to the ceiling. There was no room for pictures. Nothing but the shining backs of well-bound volumes looked down upon him. Four brilliant lights hung from the ceiling and a reading lamp with a
polished reflector stood among the disordered masses of papers on the desk.
The lamp was not lit, but when Shorthouse put his hand upon it he found it was warm. The room had evidently only just been vacated.
Apart from the testimony of the lamp, however, he had already felt, without being able to give a reason for it, that the room had been occupied a few moments before he entered. The atmosphere over the desk seemed to retain the disturbing influence of a human being; an influence, moreover, so recent that he felt as if the cause of it were still in his immediate neighbourhood. It was difficult to realise that he was quite alone in the room and that somebody was not in hiding. The finer counterparts of his senses warned him to act as if he were being observed; he was dimly conscious of a desire to fidget and look round, to keep his eyes in every part of the room at once, and to conduct himself generally as if he were the object of careful human observation.
How far he recognised the cause of these sensations it is impossible to say; but they were sufficiently marked to prevent his carrying out a strong inclination to get up and make a search of the room. He sat quite still, staring alternately at the backs of the books, and at the red curtains; wondering all the time if he was really being watched, or if it was only the imagination playing tricks with him.
A full quarter of an hour passed, and then twenty rows of volumes suddenly shifted out towards him, and he saw that a door had opened in the wall opposite. The books were only sham backs after all, and when they moved back again with the sliding door, Shorthouse saw the figure of Joel Garvey standing before him.
Surprise almost took his breath away. He had expected to see an unpleasant, even a vicious apparition with the mark of the beast unmistakably upon its face; but he was wholly unprepared for the elderly, tall, fine-looking man who stood in front of him—well-groomed, refined, vigorous, with a lofty forehead, clear grey eyes, and a hooked nose dominating a clean shaven mouth and chin of considerable character—a distinguished looking man altogether.
"I'm afraid I've kept you waiting, Mr. Shorthouse," he said in a pleasant voice, but with no trace of a smile in the mouth or eyes. "But the fact is, you know, I've a mania for chemistry, and just when you were announced I was at the most critical moment of a problem and was really compelled to bring it to a conclusion."
Shorthouse had risen to meet him, but the other motioned him to resume his seat. It was borne in upon him irresistibly that Mr. Joel Garvey, for reasons best known to himself, was deliberately lying, and he could not help wondering at the necessity for such an elaborate misrepresentation. He took off his overcoat and sat down.
"I've no doubt, too, that the door startled you," Garvey went on, evidently reading something of his guest's feelings in his face. "You probably had not suspected it. It leads into my little laboratory. Chemistry is an absorbing study to me, and I spend most of my time there." Mr. Garvey moved up to the armchair on the opposite side of the fireplace and sat down.
Shorthouse made appropriate answers to these remarks, but his mind was really engaged in taking stock of Mr. Sidebotham's old-time partner. So far there was no sign of mental irregularity and there was certainly nothing about him to suggest violent wrong-doing or coarseness of living. On the whole, Mr. Sidebotham's secretary was most pleasantly surprised, and, wishing to conclude his business as speedily as possible, he made a motion towards the bag for the purpose of opening it, when his companion interrupted him quickly—
"You are Mr. Sidebotham's private secretary, are you not?" he asked.
Shorthouse replied that he was. "Mr. Sidebotham," he went on to explain, "has entrusted me with the papers in the case and I have the honour to return to you your letter of a week ago." He handed the letter to Garvey, who took it without a word and deliberately placed it in the fire. He was not aware that the secretary was ignorant of its contents, yet his face betrayed no signs of feeling. Shorthouse noticed, however, that his eyes never left the fire until the last morsel had been consumed. Then he looked up and said, "You are familiar then with the facts of this most peculiar case?"
Shorthouse saw no reason to confess his ignorance.
"I have all the papers, Mr. Garvey," he replied, taking them out of the bag, "and I should be very glad if we could transact our business as speedily as possible. If you will cut out your signature I—"
"One moment, please," interrupted the other. "I must, before we proceed further, consult some papers in my laboratory. If you will allow me to leave you alone a few minutes for this purpose we can conclude the whole matter in a very short time."
Shorthouse did not approve of this further delay, but he had no option than to acquiesce, and when Garvey had left the room by the private door he sat and waited with the papers in his hand. The minutes went by and the other did not return. To pass the time he thought of taking the false packet from his coat to see that the papers were in order, and the move was indeed almost completed, when something—he never knew what—warned him to desist. The feeling again came over him that he was being watched, and he leaned back in his chair with the bag on his knees and waited with considerable impatience for the other's return. For more than twenty minutes he waited, and when at length the door opened and Garvey appeared, with profuse apologies for the delay, he saw by the clock that only a few minutes still remained of the time he had allowed himself to catch the last train.
"Now I am completely at your service," he said pleasantly; "you must, of course, know, Mr. Shorthouse, that one cannot be too careful in matters of this kind—especially," he went on, speaking very slowly and impressively, "in dealing with a man like my former partner, whose mind, as you doubtless may have discovered, is at times very sadly affected."
Shorthouse made no reply to this. He felt that the other was watching him as a cat watches a mouse.
"It is almost a wonder to me," Garvey added, "that he is still at large. Unless he has greatly improved it can hardly be safe for those who are closely associated with him."
The other began to feel uncomfortable. Either this was the other side of the story, or it was the first signs of mental irresponsibility.
"All business matters of importance require the utmost care in my opinion, Mr. Garvey," he said at length, cautiously.
"Ah! then, as I thought, you have had a great deal to put up with from him," Garvey said, with his eyes fixed on his companion's face. "And, no doubt, he is still as bitter against me as he was years ago when the disease first showed itself?"
Although this last remark was a deliberate question and the questioner was waiting with fixed eyes for an answer, Shorthouse elected to take no notice of it. Without a word he pulled the elastic band from the blue envelope with a snap and plainly showed his desire to conclude the business as soon as possible. The tendency on the other's part to delay did not suit him at all.
"But never personal violence, I trust, Mr. Shorthouse," he added.
"Never."
"I'm glad to hear it," Garvey said in a sympathetic voice, "very glad to hear it. And now," he went on, "if you are ready we can transact this little matter of business before dinner. It will only take a moment."
He drew a chair up to the desk and sat down, taking a pair of scissors from a drawer. His companion approached with the papers in his hand, unfolding them as he came. Garvey at once took them from him, and after turning over a few pages he stopped and cut out a piece of writing at the bottom of the last sheet but one.
Holding it up to him Shorthouse read the words "Joel Garvey" in faded ink.
"There! That's my signature," he said, "and I've cut it out. It must be nearly twenty years since I wrote it, and now I'm going to burn it."
He went to the fire and stooped over to burn the little slip of paper, and while he watched it being consumed Shorthouse put the real papers in his pocket and slipped the imitation ones into the bag. Garvey turned just in time to see this latter movement.
"I'm putting the papers back," Shorthouse said quietly; "you've done with them, I think."
/> "Certainly," he replied as, completely deceived, he saw the blue envelope disappear into the black bag and watched Shorthouse turn the key. "They no longer have the slightest interest for me." As he spoke he moved over to the sideboard, and pouring himself out a small glass of whisky asked his visitor if he might do the same for him. But the visitor declined and was already putting on his overcoat when Garvey turned with genuine surprise on his face.
"You surely are not going back to New York to-night, Mr. Shorthouse?" he said, in a voice of astonishment.
"I've just time to catch the 7.15 if I'm quick."
"But I never heard of such a thing," Garvey said. "Of course I took it for granted that you would stay the night."
"It's kind of you," said Shorthouse, "but really I must return to-night. I never expected to stay."
The two men stood facing each other. Garvey pulled out his watch.
"I'm exceedingly sorry," he said; "but, upon my word, I took it for granted you would stay. I ought to have said so long ago. I'm such a lonely fellow and so little accustomed to visitors that I fear I forgot my manners altogether. But in any case, Mr. Shorthouse, you cannot catch the 7.15, for it's already after six o'clock, and that's the last train to-night." Garvey spoke very quickly, almost eagerly, but his voice sounded genuine.
"There's time if I walk quickly," said the young man with decision, moving towards the door. He glanced at his watch as he went. Hitherto he had gone by the clock on the mantelpiece. To his dismay he saw that it was, as his host had said, long after six. The clock was half an hour slow, and he realised at once that it was no longer possible to catch the train.
Had the hands of the clock been moved back intentionally? Had he been purposely detained? Unpleasant thoughts flashed into his brain and made him hesitate before taking the next step. His employer's warning rang in his ears. The alternative was six miles along a lonely road in the dark, or a night under Garvey's roof. The former seemed a direct invitation to catastrophe, if catastrophe there was planned to be. The latter—well, the choice was certainly small. One thing, however, he realised, was plain—he must show neither fear nor hesitancy.
13 Tales of Terror Page 16