H Rider Haggard - Yellow God

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by The Yellow God, an Idol of Africa [lit]


  "She there right enough," he said. "She walk over me as though I log and I smell stuff she put on hair, but I think she come and go by magic. Asika do that if she please."

  "Then I wish she would teach me the secret, Jeekie. I should soon be out of Asiki-land, I can tell you."

  All that day Alan had been in her company, answering her endless questions about his past, the lands that he had visited, and especially the women that he had known. He had the tact to tell her that none of these were half so beautiful as she was, which was true in a sense and pleased her very much, for in whatever respects she differed from them, in common with the rest of her sex she loved a compliment. Emboldened by her good humour, he had ventured to suggest that being rested and having restored Little Bonsa, he would be glad to return with her gifts to his own country. Next instant he was sorry, for as soon as she understood his meaning she grew almost white with rage.

  "What!" she said; "you desire to leave me? Know, Vernoon, that I will see you dead first and myself also, for then we shall be born again together and can never more be separated."

  Nor was this all, for she burst into weeping, threw her arms about him, drew him to her, kissed him on the forehead, and then thrust him away, saying:

  "Curses on the priests' law that makes us wait so long, and curses on that Mungana who will not die and may not be killed. Well, he shall pay for it and within two months, Vernoon, oh! within two months----" and she stretched out her arms with a gesture of infinite passion, then turned and left him.

  "My!" said Jeekie afterwards, for he had watched all this scene open- mouthed, "my! but she mean business. Mrs. Jeekie never kiss me like that, nor any other female either. She dead nuts on you, Major. Very great compliment! 'Spect when you Mungana, she keep you alive a long time, four or five years perhaps, if no other white man come this way. Pity you can't take it on a bit, Major," he added insidiously, "because then she grow careless and make you chief and we get chance scoop out that gold house and bolt with bally lot. Miss Barbara sensible woman, when she see all that cash she not mind, she say 'Bravo, old boy, quite right spoil Lady Potiphar in land of bondage, but Jeekie must have ten per cent. because he show you how do it.'"

  Alan was so depressed, and indeed terrified by this demonstration on the part of his fearful hostess, that he could neither laugh at Jeekie, nor swear at him. He only sat still and groaned, feeling that bad as things were they were bound to become worse.

  Above the perpetual booming of the death drums rose a sound of wild music. The door burst open, and through it came a number of priests, their nearly naked bodies hideously painted and on their heads the most devilish-looking masks. Some of them clashed cymbals, some blew horns and some beat little drums all to time which was given to them by a bandmaster with a golden rod. In front of them with painted face and decked in his gorgeous apparel, walked the Mungana himself.

  "They come to take us to Bonsa worship," explained Jeekie. "Cheer up, Major, very exciting business, no go to sleep there, as in English church. See the god all time and no sermon."

  Alan, who wore a linen robe over the remains of his European garments, and whose mask was already on his head, rose listlessly and bowed to the gorgeous Mungana who, poor man, answered him with a stare of hate, knowing that this wanderer was destined to fill his place. Then they started, Jeekie accompanying them, and walked a long way through various halls and passages, bearing first to the left and then to the right again, till suddenly through some side door they emerged upon a marvellous scene. The first impressions that reached Alan's mind were those of a long stretch of water, very black and still and not more than eighty feet in width. On the hither edge of this canal, seated upon a raised dais in the midst of a great open space of polished rock, was the Asika, or so he gathered from her gold breastplate and sparkling garments, for her fierce and beautiful features were hid beneath an object familiar enough to him, the yellow, crystal-eyed mask of Little Bonsa. Arranged in companies about and behind her were hundreds of people, male and female, clad in hideous costumes to resemble demons, with masks to match. Some of these masks were semi- human and some of them bore a likeness to the heads of animals and had horns on them, while their wearers were adorned with skins and tails. To describe them in their infinite variety would be impossible; indeed the recollection that Alan carried away was one of a mediæval hell as it is occasionally to be found portrayed upon "Doom pictures" in old churches.

  On the further side of the water the entire Asiki people seemed to be gathered, at least there were thousands of them seated upon a rising rocky slope as in an amphitheatre, clad only in the ordinary costume of the Western African native, and in some instances in linen cloaks. This great amphitheatre was surrounded by a high wall with gates, but in the moonlight he found it difficult to discern its exact limits.

  Jeekie nudged Alan and pointed to the centre of the canal or pool. He looked and saw floating there a huge and hideous golden head, twenty times as large as life perhaps, with great prominent eyes that glared up to the sky. Its appearance was quite unlike anything else in the world, more loathsome, more horrible, man, fish and animal, all seemed to have their part in it, human mouth and teeth, fish-like eyes and snout, bestial expression.

  "Big Bonsa," whispered Jeekie. "Just the same as when I sweet little boy.--He live here for thousand of years."

  Preceded by the Mungana and followed by Jeekie and the priests, the band bringing up the rear, Alan was marched down a lane left open for him till he came to some steps leading to the dais, upon which in addition to that occupied by the Asika, stood two empty chairs. These steps the Mungana motioned him to mount, but when Jeekie tried to follow him he turned and struck him contemptuously in the face. At once the Asika, who was watching Vernon's approach through the eye- holes in the Little Bonsa mask, said fiercely:

  "Who bade you strike the servant of my guest, O Mungana? Let him come also that he may stand behind us and interpret."

  Her wretched husband, who knew that this public slight was put upon him purposely, but did not dare to protest against it, bowed his head. Then all three of them climbed to the dais, the priests and the musicians remaining below.

  "Welcome, Vernoon," said the Asika through the lips of the mask, which to Alan, notwithstanding the dreadful cruelty of its expression, looked less hateful than the lovely, tigerish face it hid. "Welcome and be seated here on my left hand, since on my right you may not sit --as yet."

  He bowed and took the chair to which she pointed, while her husband placed himself in the other chair upon her right, and Jeekie stood behind, his great shape towering above them all.

  "This is a festival of my people, Vernoon," she went on, "such a festival as has not been seen for years, celebrated because Little Bonsa has come back to them."

  "What is to happen?" he asked uneasily. "I have told you, Lady, that blood is /orunda/ to me. I must not witness it."

  "I know, be not afraid," she answered. "Sacrifice there must be, since it is the custom and we may not defraud the gods, but you shall not see the deed. Judge from this, Vernoon, how greatly I desire to please you."

  Now Alan, looking about him, saw that immediately beneath the dais and between them and the edge of the water, were gathered his cannibal friends, the Ogula, and Fahni their chief who had rowed him to Asiki- land, and with them the messengers whom they had sent on ahead. Also he saw that their arms were tied behind them and that they were guarded by men dressed like devils and armed with spears.

  "Ask Fahni why he and his people are bound, Jeekie," said Alan, "and why have they not returned to their own country."

  Jeekie obeyed, putting the question in the Ogula language, whereon the poor men turned and began to implore Alan to save their lives, Fahni adding that he had been told they were to be killed that night.

  "Why are these men to be slain?" asked Alan of the Asika.

  "Because I have learned that they attacked you in their own country, Vernoon," she answered, "and would have killed you ha
d it not been for Little Bonsa. It is therefore right that they should die as an offering to you."

  "I refuse the offering since afterwards they dealt well with me. Set them free and let them return to their own land, Asika."

  "That cannot be," she replied coldly. "Here they are and here they remain. Still, their lives are yours to take or to spare, so keep them as your servants if you will," and bending down she issued a command which was instantly obeyed, for the men dressed like devils cut the bonds of the Ogula and brought them round to the back of the dais, where they stood blessing Alan loudly in their own tongue.

  Then the ceremonies began with a kind of infernal ballet. On the smooth space between them and the water's edge appeared male and female bands of dancers who emerged from the shadows. For the most part they were dressed up like animals and imitated the cries of the beasts that they represented, although some of them wore little or no clothing. To the sound of wild music of horns and drums these creatures danced a kind of insane quadrille which seemed to suggest everything that is cruel and vile upon the earth. They danced and danced in the moonlight till the madness spread from them to the thousands who were gathered upon the farther side of the water, for presently all of these began to dance also. Nor did it stop there, since at length the Asika rose from her chair upon the dais and joined in the performance with the Mungana her husband. Even Jeekie began to prance and shout behind, so that at last Alan and the Ogula alone remained still and silent in the midst of a scene and a noise which might have been that of hell let loose.

  Leaving go of her husband, the Asika bounded up to Alan and tried to drag him from his chair, thrusting her gold mask against his mask. He refused to move and after a while she left him and returned to Mungana. Louder and louder brayed the music and beat the drums, wilder and wilder grew the shrieks. Individuals fell exhausted and were thrown into the water where they sank or floated away on the slow moving stream, as part of some inexplicable play that was being enacted.

  Then suddenly the Asika stood still and threw up her arms and they fell upon their faces and lay as though they were dead. A third time she threw up her arms and they rose and remained so silent that the only sound to be heard was that of their thick breathing. Then she spoke, or rather screamed, saying:

  "Little Bonsa has come back again, bringing with her the white man whom she led away," and all the audience answered, "Little Bonsa has come back again. Once more we see her on the head of the Asika as our fathers did. Give her a sacrifice. Give her the white man."

  "Nay," she screamed back, "the white man is mine. I name him as the next Mungana."

  "Oho!" roared the audience, "Oho! she names him as the next Mungana. Good-bye, old Mungana! Greeting, new Mungana! When will be the marriage feast?"

  "Tell us, Mungana, tell us," cried the Asika, patting her wretched husband on the cheek. "Tell us when you mean to die, as you are bound to do."

  "On the night of the second full moon from now," he answered with a terrible groan that seemed to be wrung out of his heavy heart; "on that night my soul will be eaten up and my day done. But till then I am lord of the Asika, and if she forgets it, death shall be her portion, according to the ancient law."

  "Yes, yes," shouted the multitude, "death shall be her portion, and her lover we will sacrifice. Die in honour, Mungana, as all those died that went before you."

  "Thank Heaven!" muttered Alan to himself, "I am safe from that witch for the next two months," and through the eye-holes of his mask he contemplated her with loathing and alarm.

  At the moment, indeed, she was not a pleasing spectacle, for in the heat and excitement of her mad dance she had cast off her gold breast- plate or stomacher, leaving herself naked except for her kirtle and the thin, gold-spangled robe upon her shoulders over which streamed her black, disordered hair. Contrasting strangely in the silver moonlight with her glistening, copper-coloured body, the mask of Little Bonsa on her head glared round with its fixed crystal eyes and fiendish smile as she turned her long neck from side to side. Seen thus she scarcely looked human, and Alan's heart was filled with pity for the poor bedizened wretch she named her husband, who had just been forced to announce the date of his own suicide.

  Soon, however, he forgot it, for a new act in the drama had begun. Two priests clad in horns and tails leapt on to the dais and at a signal unlaced the mask of Little Bonsa. Now the Asika lifted it from her streaming face and held it on high, then she lowered it to the level of her breast, and holding it in both hands, walked to the edge of the dais, whereon priests, disguised as fiends, began to leap at it, striving to reach it with their fingers and snatch it from her grasp. One by one they leapt with the most desperate energy, each man being allowed to make three attempts, and Alan noted that this novel jumping competition was watched with the deepest interest by all the audience, at the time he knew not why.

  The first two were evidently elderly men who failed to come anywhere near the mark. Their failure was received with shouts of derision. They sank exhausted to the ground and from the motion of his body Alan could see that one of them was weeping, while the other remained sullenly silent. Then a younger man advanced and at the third try almost grasped the fetish. Indeed he would have grasped it had he not met with foul play, for the Asika, seeing that he was about to succeed, lifted it an inch or two, so that he also missed and with a groan joined the band of the defeated. Next appeared a fourth priest, even more horribly arrayed than those before him, but Alan noticed that his mask was of the lightest, and that his garments consisted chiefly of paint, the main idea of his make-up being that of a skeleton. He was a thin active fellow, and all the watching thousands greeted him with a shout. For a few seconds he stood back gazing at the mask as a wolf might at an unapproachable bone. Then suddenly he ran forward and sprang into the air. Such an amazing jump Alan had never seen before. So high was it indeed that his head came level with that of the fetish, which he snatched with both hands tearing it from Asika's grasp. Coming to the ground again with a thud, he began to caper to and fro, kissing the mask, while the audience shouted:

  "Little Bonsa has chosen. What fate for the fallen? Ask her, priest?"

  The man stopped his capering and held the mouth of Little Bonsa to his ear, nodding from time to time as though she were speaking to him and he heard what she said. Then he passed round the dais where Alan could not see him, and presently reappeared holding Little Bonsa in his right hand and in his left a great gold cup. A silence fell upon the place. He advanced to the first man who had jumped and offered him the cup. He turned his head away, but a thousand voices thundered "Drink!" Then he took it and drank, passing it to a companion in misfortune, who in turn drank also and gave it to the third priest, he who would have snatched the mask had not the Asika lifted it out of his reach.

  This man drained it to the dregs, and with an exclamation of rage dashed the empty vessel into the face of the chosen priest with such fury that the man rolled upon the ground and for a while lay there stunned. Now he who had drunk first began to spring about in a ludicrous fashion, and presently was joined in his dance by the other two. So absurd were their motions and tumblings and clownlike grimaces, for they had dragged off their masks, that roars of brutal laughter rose from the audience, in which the Asika joined.

  At first Alan thought that the thing was a joke, and that the men had merely been made mad drunk, till catching sight of their eyes in the moonlight, he perceived that they were in great pain and turned indignantly to remonstrate with the Asika.

  "Be silent, Vernoon," she said savagely, "blood is your /orunda/ and I respect it. Therefore by decree of the god these die of poison," and again she fell to laughing at the contortions of the victims.

  Alan shut his eyes, and when at length, drawn by some fearful fascination, he opened them once more, it was to see that the three poor creatures had thrown themselves into the water, where they rolled over and over like wounded porpoises, till presently they sank and vanished there.

  This fa
rce, for so they considered it, being ended and the stage, so to speak, cleared, the audience having laughed itself hoarse, set itself to watch the proceedings of the newly chosen high-priest of Little Bonsa, who by now had recovered from the blow dealt to him by one of the murdered men. With the help of some other priests he was engaged in binding the fetish on to a little raft of reeds. This done he laid himself flat upon a broad plank which had been made ready for him at the edge of the water, placing the mask in front of him and with a few strokes of his feet that hung over the sides of the plank, paddled himself out to the centre of the canal where the god called Big Bonsa floated, or was anchored. Having reached it he pushed the little raft off the plank into the water, and in some way that Alan could not see, made it fast to Big Bonsa, so that now the two of them floated one behind the other. Then while the people cheered, shouting out that husband and wife had come together again at last, he paddled his plank back to the water's edge, sat down and waited.

 

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