The Copyright Handbook

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The Copyright Handbook Page 74

by Stephen Fishman


  See also Commissioned works; Work-made-

  unrecorded/unfixed, 111–112, 372

  for-hire agreements

  State government works, 123

  Symbols

  State laws

  copyright symbol, 6, 15, 19, 97, 101

  California work for hire rules, 172

  Creative Commons license logo, 30

  common law copyright, 111–112, 372

  Syndicated articles

  marital property law and copyright

  permission to use, 370

  ownership, 162, 224–226

  See also Periodicals

  INDEX | 431

  T

  Thumbnail images, 137

  Takedown notices, sending to ISPs, 314,

  Titles

  316–319

  changes to, 104

  Tangible form. See Fixation

  on copyright registration applications, 56,

  Taxes, 343–359

  66, 68, 70, 71, 104

  basics, 344

  as domain names, 88

  current vs. capital expenses, 356–357

  not protectable under copyright law, 9, 118

  employment taxes and employee status, 165,

  other legal protections for, 2, 9, 93, 118–120,

  166

  373

  expenses which may be deducted, 354–356

  on supplemental registration applications,

  net operating loss deductibility, 345

  105

  paying estimated taxes, 359

  Total concept and feel, copying of, 286, 289

  self-employment taxes, 346, 358, 359

  Trademark law and protection

  taxation of copyright income, 357–359

  authorship rights under, 214

  the value of tax deductions, 344

  basics, 8–9

  writing as a for-profit business, 348–354

  deep linking and, 136

  writing as a hobby, 345–346, 352–353

  fictional characters, 125

  Teachers. See Educational purposes; Scholarly

  framing and, 136–137

  writings

  limiting infringement liability with

  Technical writings, 114. See also Factual works

  disclaimers, 135

  Telephone conversations, 121, 372. See also

  obtaining permission to use trademarks, 373

  Interviews

  titles, 2, 9, 119–120, 373

  Telephone directories, 113, 130, 155, 156

  Trade Related Aspects of Intellectual Property

  Television

  Rights (TRIPS), 326, 330–336

  interviews, 370–371

  Trade secret protection, 2, 9, 10, 79–80

  See also Broadcasts

  Transfer agreements, 221–224

  Temporary restraining orders (TROs), 303

  assignment agreements, 185–186, 205,

  Termination of copyright

  222–223

  statutory termination rights, 210–212

  basics, 221–222

  See also Copyright duration and expiration

  between freelance writers and periodicals,

  Termination rights, copyright transfers,

  216–217

  210–212, 215

  copyright registration applications and, 59

  Term of copyright. See Copyright duration and

  electronic rights and, 220–221, 311

  expiration

  between employers and employees, 168

  Tests and test answers, 78, 171

  legal requirements, 204, 205, 206, 222

  Textbooks. See Factual works

  license agreements with infringers, 292–293,

  Text files, as online works, 137

  295, 334

  Themes, 124, 126, 283–284, 286, 289

  oral agreements, 50, 206, 308

  recording with Copyright Office, 226–228

  432 | THE COPYRIGHT HANDBOOK

  sample license agreements, 206, 223–224

  by non–U.S. citizens, 329

  sublicensing rights in, 208–209

  obtaining permission to use, 374–375

  See also Assignments of copyright; Exclusive

  online works as, 42, 72, 74

  licenses; Nonexclusive licenses; Publishing

  preregistration of, 41, 85–88

  agreements

  proposals, outlines, and sample chapters, 43

  Transfers of copyright. See Copyright transfers

  proving infringer’s access to, 282

  Transformative uses, fair use and, 134, 253,

  regular registration of, 42–43, 51, 57, 72, 74,

  260, 261–262

  86–87

  Translations, 6, 52, 148, 171, 217. See also

  regular registration of, under old law, 237

  Derivative works; Foreign distribution and

  reregistration after publication, 52, 86–87

  foreign language rights

  See also Publication; specific types of works

  TRIPS (Trade Related Aspects of Intellectual

  U.S. Copyright Office

  Property Rights), 326, 330–336

  authors’ document filing rights after

  TROs (temporary restraining orders), 303

  transfers, 212–213

  U

  basics of deposit requirements for

  registration, 76–81

  UCC (Universal Copyright Convention), 327,

  checking copyright registration fees, 82

  328

  DMCA takedown designated agent directory,

  Uncompleted works

  317

  copyright duration of, 231

  exemptions from DMCA anticircumvention

  See also Drafts; Unpublished works

  provisions, 321–322

  Unfair business practices/unfair competition

  fair use guidelines (1976), 264–265

  laws, 116, 118–119, 125, 136

  filing a notice to libraries with (Form NLA),

  Unfixed expression, 111–112, 372

  271

  Universal Copyright Convention (UCC), 327,

  getting help with registration applications, 55

  328

  Notice of Intent to Enforce Copyright filings

  Unpublished works

  and, 334–335

  copyright duration, 231, 234–236, 237, 241

  notifying of author’s death date, 236

  copyright notice on, 18, 32–33

  notifying of copyright transfers (recordation),

  depositing, 61, 76

  104, 204, 226–228

  drafts and uncompleted works, 85, 231, 310

  notifying of identity of anonymous or

  fair use and, 257–259

  pseudonymous author, 232–234

  infringement concerns, 33, 41, 85–86, 87

  notifying of transfer termination, 211–212,

  letters, 113, 163, 257–259, 288–289, 371

  213

  library copies of, 268, 270

  online Fair Use Index, 252

  limited publication to prevent a work from

  online legal research resources, 392, 394

  entering the public domain, 235

  online registration process, 55–62

  manuscript submissions to publishers, 33,

  registration application review and

  42–43, 88, 173, 310

  processing, 62, 83, 88–90, 103

  INDEX | 433

  registration denials, 89, 90–91

  WCT (WIPO Copyright Treaty), 327, 328

  regulation regarding fact compilations, 157

  Websites, 114

  requesting full-term deposit retention, 91–92

  as demonstration of profit motive, 351–352

  searching records of, 239–240, 375, 378

  domain names based on unpub
lished works,

  See also Copyright registration entries;

  88

  Deposits

  extent of copyright protection, 139

  U.S. government contractors, works created by,

  linking, framing, and inlining, 135–137

  25, 123

  permission fees for use of text on, 381

  U.S. government works, 24–25, 123

  publication dates and copyright notice, 24, 30

  speeches and other oral expression, 120, 372

  updates and registration, 72–73

  Using the words of others. See Copies and

  See also Online infringement; Online works

  copying; Copyright licenses; Fair use;

  Willful copyright infringement

  Permissions; Public domain works/materials;

  conscious vs. unconscious copying, 280

  Quotations

  copyright notice and, 18, 32

  V

  criminal prosecutions and penalties, 299–300

  statutory damages awards and, 17, 47, 305

  Verbatim copying

  WIPO Copyright Treaty (WCT), 327, 328

  fair use standards and, 134, 260, 262

  Words

  as infringement, 117, 120, 122, 129, 260,

  individual, not protected by copyright, 118,

  262, 285–286

  127

  and the merger doctrine, 290

  See also Expression; Phrases

  See also Quotations

  Work-made-for-hire agreements, 173–178

  Video. See Audiovisual works; Broadcasts;

  assignment agreements as alternatives to, 171,

  Films and video; Multimedia works; Online

  172, 179, 184–186

  works; Television

  assignment provisions in, 177, 183, 185

  Visual works, 2, 114, 134

  basics, 173

  images online, 137, 138–139

  for commissioned works, 170, 171, 172, 220

  See also Artwork; Audiovisual works;

  for employee-created works, 165, 178

  Illustrations; Moral rights; Multimedia

  failed agreements as transfers, 184

  works; Photographs

  as legal requirement, 164, 165, 170, 172–173

  W

  letter agreements, 173–174, 175–176

  requiring creator attribution, 172

  Warning statements, 29–30, 42

  sample agreements, 175–176, 180–183

  Warranty and indemnity provisions

  standard contracts, 174, 177–178, 180–183

  collaboration agreements, 195, 196

  sublicensing rights and, 209

  permission agreements, 369, 371, 385, 386

  tips for creators, 172, 174

  publishing agreements, 196, 281

  work-made-for-hire language on payment

  WATCH (Writers, Artists, and Their

  checks, 174

  Copyright Holders) database, 368–369, 375

  434 | THE COPYRIGHT HANDBOOK

  Works made for hire, 163–186

  scholarly (faculty) writings, 169–170

  assignments of rights by creators, 171, 172,

  speeches as, 372–373

  179, 184–186

  transfer termination rights and, 210, 215

  basics, 7–8, 162, 163–164

  See also Work-made-for-hire agreements

  Canadian law, 339

  Works of fancy

  commissioned works, 162, 163, 164,

  fair use standards and, 272

  170–173, 179, 184

  non-infringing similarities between,

  copyright duration, 8, 186, 231, 232, 234,

  124–127, 283–284

  236, 241

  protectable aspects of, 117–118, 124–127,

  copyright owner’s name in notice, 20–21

  286, 289

  copyright registration, 44, 57, 59, 63–64

  See also Fiction; Poetry; other specific types

  electronic rights and, 219

  World rights. See All world rights

  employee-created works, 7–8, 20–21, 44,

  Writers Guild of America

  162, 164–170

  collective bargaining agreements and

  if a work does not satisfy work-made-for-hire

  copyright rights of made-for-hire works, 172

  requirements, 184

  registering/depositing screenplays with,

  if legal requirements are not met, 179, 184

  92–94

  jointly authored works, 184, 232

  Writing styles, 127, 283–284, 286, 289

  legal history, 163

  ownership of copyright, 163, 179, 184

  Y

  periodical contributions as, 170–171, 216,

  Year of publication. See Publication date

  219, 220

  YouTube videos, 133 l

  Document Outline

  Cover

  Title Page

  Table of Contents

  Your Legal Companion

  1: Copyright Basics Why Have a Copyright Law?

  What Is Copyright?

  How Is a Copyright Created and Protected?

  What Copyright Protects

  Limitations on Copyright Protection

  Copyright Ownership and Transfer of Ownership

  How Long a Copyright Lasts

  Copyright Infringement

  Other Protections for Intellectual Property

  2: Copyright Notice Introduction: The Little “c” in a Circle

  When Copyright Notice Is Required

  Why Provide a Copyright Notice on Published Works?

  When to Provide Notice

  Notices for Online Works

  Form of Notice

  Notice on Compilations and Adaptations

  Book Dust Jackets

  Multimedia Works

  Where to Place Copyright Notice

  Other Information Near the Notice

  Copyright Notice on Unpublished Manuscripts

  3: Copyright Registration What Is Copyright Registration?

  Why Register?

  What Can and Should Be Registered

  Who Can Register?

  Registration as a Single Unit

  Registering Derivative Works and Compilations

  How to Register

  Online Copyright Registration

  Registering Using Form TX and Other Paper Application Forms

  Registering Newspapers, Magazines, Newsletters, and Other Periodicals: Form SE, Form SE/Group, Form G/DN

  Registering a Group of Contributions to Periodicals: Form GR/CP

  Registering Online Works

  Registering Multimedia Works

  Registering Contents of Automated Databases

  Satisfying Copyright Office Deposit Requirements

  Sending Your Application to the Copyright Office

  Postal Mailing Your Paper Application, Fee, and Deposit

  Expedited Registration

  Preregistration of Unpublished Works

  Dealing With the Copyright Office

  Full-Term Retention of Deposits and Other Ways to Preserve Deposits

  Correcting Errors After Registration Is Completed

  4: Correcting or Changing Copyright Notice or Registration Part I: Dealing With Errors or Omissions in Copyright Notice

  Works Published After March 1, 1989

  Copies Published Between January 1, 1978 and February 28, 1989

  Works Published Before 1978

  Types of Errors or Omissions That Invalidate a Copyright Notice

  Part II: Dealing With Errors or Changes Affecting Copyright Registration: Supplemental Registration

  Why a Supplemental Registration Should Be Filed (When Appropriate)

  When Supplemental Registration Is Not Appropriate

  Supplemental Registration Procedure

  Effect
of Supplemental Registration

  5: What Copyright Protects What Copyright Protects: Tangible, Original Expression

  What Copyright Does Not Protect: The Boundaries of the Public Domain

  Distinguishing Between Protected Expression and Material in the Public Domain: Putting It All Together

  Copyright in the Online World

  How Copyright Protects Different Types of Online Works

  6: Adaptations and Compilations Derivative Works

  Compilations

  7: Initial Copyright Ownership Independent Authorship by an Individual

  Works Made for Hire

  Jointly Authored Works

  8: Transferring Copyright Ownership How Copyright Ownership Rights Are Transferred to Others

  Rights Retained by Author After Transfer

  Copyright Transfers Between Freelance Writers and Magazines and Other Periodicals

  Copyright Transfers Between Writers and Book Publishers

  Electronic Publishing and Ownership of Electronic Rights

  Transfer Documents

  Marriage, Divorce, and Copyright Ownership

  Recording Copyright Transfers With the Copyright Office

  9: Copyright Duration Works Created During or After 1978

  End of Calendar Year Rule

  Works Created but Not Published or Registered Before January 1, 1978

  Works Published or Registered Before January 1, 1978

  Special Rules for Works First Published Abroad Before 1978

  Duration of Copyright in Adaptations (Derivative Works)

  Termination of Transfers of Renewal Term Rights in Pre‑1978 Works

  10: Using Other Authors’ Words Introduction

  Introduction to the Fair Use Privilege

  When Is a Use a Fair Use?

  Fair Use Online

  Fair Use and the Photocopy Machine

  Copying by Libraries and Archives

  Other Fair Uses

  11: Copyright Infringement: What It Is, What to Do About It, How to Avoid It What Is Copyright Infringement?

  How to Know Whether You Have a Valid Infringement Claim

  When Copying Protected Expression Is Excused

  Self-Help Remedies for Copyright Infringement

  Overview of Copyright Infringement Lawsuits

  What You Can Get If You Win: Remedies for Copyright Infringement

  What to Do If You’re Accused of Infringement

  Copyright Infringement Online

  What to Do If Someone Infringes Your Work Online

  12: International Copyright Protection International Protection for U.S. Citizens and Nationals

  Protection in the United States for Non‑U.S. Citizens

  Copyright Protection in Canada

  Marketing Your Work in Foreign Countries

 

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