by Ruskin Bond
We decided to save a little money from his small earnings and my occasional payments. We would need money to go to Delhi, money to live there until we could earn a living. We put away twenty rupees one week, but lost it the next when we lent it to a friend who owned a cycle rickshaw. But this gave us the occasional use of his cycle, and early one morning, with Kamal sitting on the crossbar, I rode out of Shahganj.
After cycling for about two miles, we got down and pushed the cycle off the road, taking a path through a paddy field and then through a field of young maize, until in the distance we saw a tree, a crooked tree, growing beside an old well.
I do not know the name of that tree. I had never seen one like it before. It had a crooked trunk and crooked branches, and was clothed in thick, broad, crooked leaves, like the leaves on which food is served in the bazaar.
In the trunk of the tree there was a hole, and when we set the bicycle down with a crash, a pair of green parrots flew out, and went dipping and swerving across the fields. There was grass around the well, cropped short by grazing cattle.
We sat in the shade of the crooked tree, and Kamal untied the red cloth in which he had brought our food. When we had eaten, we stretched ourselves out on the grass. I closed my eyes and became aware of a score of different sensations. I heard a cricket singing in the tree, the cooing of pigeons from the walls of the old well, the quiet breathing of Kamal, the parrots returning to the tree, the distant hum of an airplane. I smelled the grass and the old bricks round the well and the promise of rain. I felt Kamal’s fingers against my arm, and the sun creeping over my cheek. And when I opened my eyes, there were clouds on the horizon, and Kamal was asleep, his arm thrown across his face to keep out the glare.
I went to the well, and putting my shoulders to the ancient handle, turned the wheel, moving around while cool, clean water gushed out over the stones and along the channel to the fields. The discovery that I could water a field, that I had the power to make things grow, gave me a thrill of satisfaction; it was like writing a story that had the ring of truth. I drank from one of the trays; the water was sweet with age.
Kamal was sitting up, looking at the sky.
‘It’s going to rain,’ he said.
We began cycling homeward; but we were still some way out of Shahganj when it began to rain. A lashing wind swept the rain across our faces, but we exulted in it, and sang at the top of our voices until we reached the Shahganj bus stop.
Across the railroad tracks and the dry riverbed, fields of maize stretched away, until there came a dry region of thorn bushes and lantana scrub, where the earth was cut into jagged cracks, like a jigsaw puzzle. Dotting the landscape were old, abandoned brick kilns. When it rained heavily, the hollows filled up with water.
Kamal and I came to one of these hollows to bathe and swim. There was an island in the middle of it, and on this small mound lay the ruins of a hut where a nightwatchman had once lived, looking after the brick kilns. We would swim out to the island, which was only a few yards from the banks of the hollow. There was a grassy patch in front of the hut, and early in the mornings, before it got too hot, we would wrestle on the grass.
Though I was heavier than Kamal, my chest as sound as a new drum, he had strong, wiry arms and legs, and would often pinion me around the waist with his bony knees. Now, while we wrestled on the new monsoon grass, I felt his body go tense. He stiffened, his legs jerked against my body, and a shudder passed through him. I knew that he had a fit coming on, but I was unable to extricate myself from his arms.
He gripped me more tightly as the fit took possession of him. Instead of struggling, I lay still, tried to absorb some of his anguish, tried to draw some of his agitation to myself. I had a strange fancy that by identifying myself with his convulsions, I might alleviate them.
I pressed against Kamal, and whispered soothingly into his ear; and then, when I noticed his mouth working, I thrust my fingers between his teeth to prevent him from biting his tongue. But so violent was the convulsion that his teeth bit into the flesh of my palm and ground against my knuckles. I shouted with the pain and tried to jerk my hand away, but it was impossible to loosen the grip of his jaws. So I closed my eyes and counted—counted till seven—until consciousness returned to him and his muscles relaxed.
My hand was shaking and covered with blood. I bound it in my handkerchief and kept it hidden from Kamal.
We walked back to the room without talking much. Kamal looked depressed and weak. I kept my hand beneath my shirt, and Kamal was too dejected to notice anything. It was only at night, when he returned from his classes, that he noticed the cuts, and I told him I had slipped in the road, cutting my hand on some broken glass.
Rain upon Shahganj. And, until the rain stops, Shahganj is fresh and clean and alive. The children run out of their houses, glorying in their nakedness. The gutters choke, and the narrow street becomes a torrent of water, coursing merrily down to the bus stop. It swirls over the trees and the roofs of the town, and the parched earth soaks it up, exuding a fragrance that comes only once in a year, the fragrance of quenched earth, that most exhilarating of smells.
The rain swept in through the door and soaked the cot. When I had succeeded in closing the door, I found the roof leaking, the water trickling down the walls and forming new pictures on the cracking plaster. The door flew open again, and there was Kamal standing on the threshold, shaking himself like a wet dog. Coming in, he stripped and dried himself, and then sat shivering on the bed while I made frantic efforts to close the door again.
‘You need some tea,’ I said.
He nodded, forgetting to smile for once, and I knew his mind was elsewhere, in one of a hundred possible places from his dreams.
‘One day I will write a book,’ I said, as we drank strong tea in the fast-fading twilight. ‘A real book, about real people. Perhaps it will be about you and me and Shahganj. And then we will run away from Shahganj, fly on the wings of Garuda, and all our troubles will be over and fresh troubles will begin. Why should we mind difficulties, as long as they are new difficulties?’
‘First I must pass my exams,’ said Kamal. ‘Otherwise, I can do nothing, go nowhere.’
‘Don’t take exams too seriously. I know that in India they are the passport to any kind of job, and that you cannot become a clerk unless you have a degree. But do not forget that you are studying for the sake of acquiring knowledge, and not for the sake of becoming a clerk. You don’t want to become a clerk or a bus conductor, do you? You must pass your exams and go to college, but do not feel that if you fail, you will be able to do nothing. Why, you can start making your own buttons instead of selling other people’s!’
‘You are right,’ said Kamal. ‘But why not be an educated button manufacturer?’
‘Why not, indeed? That’s just what I mean. And, while you are studying for your exams, I will be writing my book. I will start tonight! It is an auspicious night, the beginning of the monsoon.’
The light did not come on. A tree must have fallen across the wires. I lit a candle and placed it on the windowsill and, while the candle spluttered in the steamy air, Kamal opened his books and, with one hand on a book and the other hand playing with his toes—this attitude helped him to concentrate—he devoted his attention to algebra.
I took an ink bottle down from a shelf and, finding it empty, added a little rainwater to the crusted contents. Then I sat down beside Kamal and began to write; but the pen was useless and made blotches all over the paper, and I had no idea what I should write about, though I was full of writing just then. So I began to look at Kamal instead; at his eyes, hidden in shadow, and his hands, quiet in the candlelight; and I followed his breathing and the slight movement of his lips as he read softly to himself.
And, instead of starting my book, I sat and watched Kamal.
Sometimes Kamal played the flute at night, while I was lying awake; and, even when I was asleep, the flute would play in my dreams. Sometimes he brought it to the crooked tree, and pla
yed it for the benefit of the birds; but the parrots only made harsh noises and flew away.
Once, when Kamal was playing his flute to a group of children, he had a fit. The flute fell from his hands, and he began to roll about in the dust on the roadside. The children were frightened and ran away. But the next time they heard Kamal play his flute, they came to listen as usual.
That Kamal was gaining in strength I knew from the way he was able to pin me down whenever we wrestled on the grass near the old brick kilns. It was no longer necessary for me to yield deliberately to him. And, though his fits still recurred from time to time—as we knew they would continue to do—he was not so depressed afterwards. The anxiety and the death had gone from his eyes.
His examinations were nearing, and he was working hard. (I had yet to begin the first chapter of my book.) Because of the necessity of selling two or three rupees’ worth of articles every day, he did not get much time for studying; but he stuck to his books until past midnight, and it was seldom that I heard his flute.
He put aside his tray of odds and ends during the examinations, and walked to the examination centre instead. And after two weeks, when it was all over, he took up his tray and began his rounds again. In a burst of creativity, I wrote three pages of my novel.
On the morning the results of the examination were due, I rose early, before Kamal, and went down to the news agency. It was five o’clock and the newspapers had just arrived. I went through the columns relating to Shahganj, but I couldn’t find Kamal’s roll number on the list of successful candidates. I had the number written down on a slip of paper, and I looked at it again to make sure that I had compared it correctly with the others; then I went through the newspaper once more.
When I returned to the room, Kamal was sitting on the doorstep. I didn’t have to tell him he had failed. He knew by the look on my face. I sat down beside him, and we said nothing for some time.
‘Never mind,’ said Kamal, eventually. ‘I will pass next year.’
I realized that I was more depressed than he was, and that he was trying to console me.
‘If only you’d had more time,’ I said.
‘I have plenty of time now. Another year. And you will have time in which to finish your book; then we can both go away. Another year of Shahganj won’t be so bad. As long as I have your friendship, almost everything else can be tolerated, even my sickness.’
And then, turning to me with an expression of intense happiness, he said, ‘Yesterday I was sad, and tomorrow I may be sad again, but today I know that I am happy. I want to live on and on. I feel that life isn’t long enough to satisfy me.’
He stood up, the tray hanging from his shoulders.
‘What would you like to buy?’ he said. ‘I have everything you need.’
At the bottom of the steps he turned and smiled at me, and I knew then that I had written my story.
The Flute Player
own the main road passed big yellow buses, cars, pony-drawn tongas, motorcycles and bullock carts. This steady flow of traffic seemed, somehow, to form a barrier between the city on one side of the Trunk Road, and the distant sleepy villages on the other. It seemed to cut India in half—the India Kamla knew slightly, and the India she had never seen.
Kamla’s grandmother lived on the outskirts of the city of Jaipur, and just across the road from the house there were fields and villages stretching away for hundreds of miles. But Kamla had never been across the main road. This separated the busy city from the flat green plains stretching endlessly towards the horizon.
Kamla was used to city life. In England, it was London and Manchester. In India, it was Delhi and Jaipur. Rainy Manchester was, of course, different in many ways from sun-drenched Jaipur, and Indian cities had stronger smells and more vibrant colours than their English counterparts. Nevertheless, they had much in common: busy people always on the move, money constantly changing hands, buses to catch, schools to attend, parties to go to, TV to watch. Kamla had seen very little of the English countryside, even less of India outside the cities.
Her parents lived in Manchester where her father was a doctor in a large hospital. She went to school in England. But this year, during the summer holidays, she had come to India to stay with her grandmother. Apart from a maidservant and a grizzled old nightwatchman, Grandmother lived quite alone in a small house on the outskirts of Jaipur. During the winter months, Jaipur’s climate was cool and bracing but in the summer, a fierce sun poured down upon the city from a cloudless sky.
None of the other city children ventured across the main road into the fields of millet, wheat and cotton, but Kamla was determined to visit the fields before she returned to England. From the flat roof of the house she could see them stretching away for miles, the ripening wheat swaying in the hot wind. Finally, when there were only two days left before she went to Delhi to board a plane for London, she made up her mind and crossed the main road.
She did this in the afternoon, when Grandmother was asleep and the servants were in the bazaar. She slipped out of the back door and her slippers kicked up the dust as she ran down the path to the main road. A bus roared past and more dust rose from the road and swirled about her. Kamla ran through the dust, past the jacaranda trees that lined the road, and into the fields.
Suddenly, the world became an enormous place, bigger and more varied than it had seemed from the air, also mysterious and exciting—and just a little frightening.
The sea of wheat stretched away till it merged with the hot blinding blue of the sky. Far to her left were a few trees and the low white huts of a village. To her right lay hollow pits of red dust and a blackened chimney where bricks used to be made. In front, some distance away, Kamla could see a camel moving round a well, drawing up water for the fields. She set out in the direction of the camel.
Her grandmother had told her not to wander off on her own in the city; but this wasn’t the city, and as far as she knew, camels did not attack people.
It took her a long time to get to the camel. It was about half a mile away, though it seemed much nearer. And when Kamla reached it, she was surprised to find that there was no one else in sight. The camel was turning the wheel by itself, moving round and round the well, while the water kept gushing up in little trays to run down the channels into the fields. The camel took no notice of Kamla, did not look at her even once, just carried on about its business.
There must be someone here, thought Kamla, walking towards a mango tree that grew a few yards away. Ripe mangoes dangled like globules of gold from its branches. Under the tree, fast asleep, was a boy.
All he wore was a pair of dirty white shorts. His body had been burnt dark by the sun; his hair was tousled, his feet chalky with dust. In the palm of his outstretched hand was a flute. He was a thin boy, with long bony legs, but Kamla felt that he was strong too, for his body was hard and wiry.
Kamla came nearer to the sleeping boy, peering at him with some curiosity, for she had not seen a village boy before. Her shadow fell across his face. The coming of the shadow woke the boy. He opened his eyes and stared at Kamla. When she did not say anything, he sat up, his head a little to one side, his hands clasping his knees, and stared at her.
‘Who are you?’ he asked a little gruffly. He was not used to waking up and finding strange girls staring at him.
‘I’m Kamla. I’ve come from England, but I’m really from India. I mean I’ve come home to India, but I’m really from England.’ This was getting to be rather confusing, so she countered with an abrupt, ‘Who are you?’
‘I’m the strongest boy in the village,’ said the boy, deciding to assert himself without any more ado. ‘My name is Romi. I can wrestle and swim and climb any tree.’
‘And do you sleep a lot?’ asked Kamla innocently.
Romi scratched his head and grinned.
‘I must look after the camel,’ he said. ‘It is no use staying awake for the camel. It keeps going round the well until it is tired, and then it stops. When it ha
s rested, it starts going round again. It can carry on like that all day. But it eats a lot.’
Mention of the camel’s food reminded Romi that he was hungry. He was growing fast these days and was nearly always hungry. There were some mangoes lying beside him, and he offered one to Kamla. They were silent for a few minutes. You cannot suck mangoes and talk at the same time. After they had finished, they washed their hands in the water from one of the trays.
‘There are parrots in the tree,’ said Kamla, noticing three or four green parrots conducting a noisy meeting in the topmost branches. They reminded her a bit of a pop group she had seen and heard at home.
‘They spoil most of the mangoes,’ said Romi.
He flung a stone at them, missed, but they took off with squawks of protest, flashes of green and gold wheeling in the sunshine.
‘Where do you swim?’ asked Kamla. ‘Down in the well?’
‘Of course not. I’m not a frog. There is a canal not far from here. Come, I will show you!’
As they crossed the fields, a pair of blue jays flew out of a bush, rockets of bright blue that dipped and swerved, rising and falling as they chased each other.
Remembering a story that Grandmother had told her, Kamla said, ‘They are sacred birds, aren’t they? Because of their blue throats.’ She told him the story of the God Shiva having a blue throat because he had swallowed a poison that would have destroyed the world; he had kept the poison in his throat and would not let it go further. ‘And so his throat is blue, like the blue jay’s.’
Romi liked this story. His respect for Kamla greatly increased. But he was not to be outdone, and when a small grey squirrel dashed across the path he told her that squirrels, too, were sacred. Krishna, the god who had been born into a farmer’s family like Romi’s, had been fond of squirrels and would take them in his arms and stroke them. ‘That is why squirrels have four dark lines down their backs,’ said Romi. ‘Krishna was very dark, as dark as I am, and the stripes are the marks of his fingers.’