by Leo Tolstoy
She had done all she could--she had run up to him and given herself up entirely, shy and happy. He put his arms round her and pressed his lips to her mouth that sought his kiss.
She too had not slept all night, and had been expecting him all the morning.
Her mother and father had consented without demur, and were happy in her happiness. She had been waiting for him. She wanted to be the first to tell him her happiness and his. She had got ready to see him alone, and had been delighted at the idea, and had been shy and ashamed, and did not know herself what she was doing. She had heard his steps and voice, and had waited at the door for Mademoiselle Linon to go. Mademoiselle Linon had gone away. Without thinking, without asking herself how and what, she had gone up to him, and did as she was doing.
"Let us go to mamma!" she said, taking him by the hand. For a long while he could say nothing, not so much because he was afraid of desecrating the loftiness of his emotion by a word, as that every time he tried to say something, instead of words he felt that tears of happiness were welling up. He took her hand and kissed it.
"Can it be true?" he said at last in a choked voice. "I can't believe you love me, dear!"
She smiled at that "dear," and at the timidity with which he glanced at her.
"Yes!" she said significantly, deliberately. "I am so happy!"
Not letting go his hands, she went into the drawing room. The princess, seeing them, breathed quickly, and immediately began to cry and then immediately began to laugh and with a vigorous step Levin had not expected, ran up to him, and hugging his head, kissed him, wetting his cheeks with her tears.
"So it is all settled! I am glad. Love her. I am glad.... Kitty!"
"You've not been long settling things," said the old prince, trying to seem unmoved; but Levin noticed that his eyes were wet when he turned to him.
"I've long, always wished for this!" said the prince, taking Levin by the arm and drawing him towards himself. "Even when this little feather-head fancied..."
"Papa!" shrieked Kitty, and shut his mouth with her hands.
"Well, I won't!" he said. "I'm very, very ...plea ...Oh, what a fool I am..."
He embraced Kitty, kissed her face, her hand, her face again and made the sign of the cross over her.
And there came over Levin a new feeling of love for this man, till then so little known to him, when he saw how slowly and tenderly Kitty kissed his muscular hand.
Chapter 16
The princess sat in her armchair, silent and smiling; the prince sat down beside her. Kitty stood by her father's chair, still holding his hand. All were silent.
The princess was the first to put everything into words, and to translate all thoughts and feelings into practical questions. And all equally felt this strange and painful for the first minute.
"When is it to be? We must have the benediction and announcement. And when's the wedding to be? What do you think, Alexander?"
"Here he is," said the old prince, pointing to Levin--"he's the principal person in the matter."
"When?" said Levin blushing. "Tomorrow; If you ask me, I should say, the benediction today and the wedding tomorrow."
"Come, mon cher, that's nonsense!"
"Well, in a week."
"He's quite mad."
"No, why so?"
"Well, upon my word!" said the mother, smiling, delighted at this haste. "How about the trousseau?"
"Will there really be a trousseau and all that?" Levin thought with horror. "But can the trousseau and the benediction and all that--can it spoil my happiness? Nothing can spoil it!" He glanced at Kitty, and noticed that she was not in the least, not in the very least, disturbed by the idea of the trousseau. "Then it must be all right," he thought.
"Oh, I know nothing about it; I only said what I should like," he said apologetically.
"We'll talk it over, then. The benediction and announcement can take place now. That's very well."
The princess went up to her husband, kissed him, and would have gone away, but he kept her, embraced her, and tenderly as a young lover, kissed her several times, smiling. The old people were obviously muddled for a moment, and did not quite know whether it was they who were in love again or their daughter. When the prince and the princess had gone, Levin went up to his betrothed and took her hand. He was self-possessed now and could speak, and he had a great deal he wanted to tell her. But he said not at all what he had to say.
"How I knew it would be so! I never hoped for it; and yet in my heart I was always sure," he said. "I believe that it was ordained."
"And I!" she said. "Even when...." She stopped and went on again, looking at him resolutely with her truthful eyes, "Even when I thrust from me my happiness. I always loved you alone, but I was carried away. I ought to tell you.... Can you forgive that?"
"Perhaps it was for the best. You will have to forgive me so much. I ought to tell you..."
This was one of the things he had meant to speak about. He had resolved from the first to tell her two things--that he was not chaste as she was, and that he was not a believer. It was agonizing, but he considered he ought to tell her both these facts.
"No, not now, later!" he said.
"Very well, later, but you must certainly tell me. I'm not afraid of anything. I want to know everything. Now it is settled."
He added: "Settled that you'll take me whatever I may be--you won't give me up? Yes?"
"Yes, yes."
Their conversation was interrupted by Mademoiselle Linon, who with an affected but tender smile came to congratulate her favorite pupil. Before she had gone, the servants came in with their congratulations. Then relations arrived, and there began that state of blissful absurdity from which Levin did not emerge till the day after his wedding. Levin was in a continual state of awkwardness and discomfort, but the intensity of his happiness went on all the while increasing. He felt continually that a great deal was being expected of him--what, he did not know; and he did everything he was told, and it all gave him happiness. He had thought his engagement would have nothing about it like others, that the ordinary conditions of engaged couples would spoil his special happiness; but it ended in his doing exactly as other people did, and his happiness being only increased thereby and becoming more and more special, more and more unlike anything that had ever happened.
"Now we shall have sweetmeats to eat," said Mademoiselle Linon-- and Levin drove off to buy sweetmeats.
"Well, I'm very glad," said Sviazhsky. "I advise you to get the bouquets from Fomin's."
"Oh, are they wanted?" And he drove to Fomin's.
His brother offered to lend him money, as he would have so many expenses, presents to give....
"Oh, are presents wanted?" And he galloped to Foulde's.
And at the confectioner's, and at Fomin's, and at Foulde's he saw that he was expected; that they were pleased to see him, and prided themselves on his happiness, just as every one whom he had to do with during those days. What was extraordinary was that everyone not only liked him, but even people previously unsympathetic, cold, and callous, were enthusiastic over him, gave way to him in everything, treated his feeling with tenderness and delicacy, and shared his conviction that he was the happiest man in the world because his betrothed was beyond perfection. Kitty too felt the same thing. When Countess Nordston ventured to hint that she had hoped for something better, Kitty was so angry and proved so conclusively that nothing in the world could be better than Levin, that Countess Nordston had to admit it, and in Kitty's presence never met Levin without a smile of ecstatic admiration.
The confession he had promised was the one painful incident of this time. He consulted the old prince, and with his sanction gave Kitty his diary, in which there was written the confession that tortured him. He had written this diary at the time with a view to his future wife. Two things caused him anguish: his lack of purity and his lack of faith. His confession of unbelief passed unnoticed. She was religious, had never doubted the truths of religion, but h
is external unbelief did not affect her in the least. Through love she knew all his soul, and in his soul she saw what she wanted, and that such a state of soul should be called unbelieving was to her a matter of no account. The other confession set her weeping bitterly.
Levin, not without an inner struggle, handed her his diary. He knew that between him and her there could not be, and should not be, secrets, and so he had decided that so it must be. But he had not realized what an effect it would have on her, he had not put himself in her place. It was only when the same evening he came to their house before the theater, went into her room and saw her tear-stained, pitiful, sweet face, miserable with suffering he had caused and nothing could undo, he felt the abyss that separated his shameful past from her dovelike purity, and was appalled at what he had done.
"Take them, take these dreadful books!" she said, pushing away the notebooks lying before her on the table. "Why did you give them me? No, it was better anyway," she added, touched by his despairing face. "But it's awful, awful!"
His head sank, and he was silent. He could say nothing.
"You can't forgive me," he whispered.
"Yes, I forgive you; but it's terrible!"
But his happiness was so immense that this confession did not shatter it, it only added another shade to it. She forgave him; but from that time more than ever he considered himself unworthy of her, morally bowed down lower than ever before her, and prized more highly than ever his undeserved happiness.
Chapter 17
Unconsciously going over in his memory the conversations that had taken place during and after dinner, Alexey Alexandrovitch returned to his solitary room. Darya Alexandrovna's words about forgiveness had aroused in him nothing but annoyance. The applicability or non-applicability of the Christian precept to his own case was too difficult a question to be discussed lightly, and this question had long ago been answered by Alexey Alexandrovitch in the negative. Of all that had been said, what stuck most in his memory was the phrase of stupid, good-natured Turovtsin--"ACTED LIKE A MAN, HE DID! CALLED HIM OUT AND SHOT HIM!" Everyone had apparently shared this feeling, though from politeness they had not expressed it.
"But the matter is settled, it's useless thinking about it," Alexey Alexandrovitch told himself. And thinking of nothing but the journey before him, and the revision work he had to do, he went into his room and asked the porter who escorted him where his man was. The porter said that the man had only just gone out. Alexey Alexandrovitch ordered tea to be sent him, sat down to the table, and taking the guidebook, began considering the route of his journey.
"Two telegrams," said his manservant, coming into the room. "I beg your pardon, your excellency; I'd only just that minute gone out."
Alexey Alexandrovitch took the telegrams and opened them. The first telegram was the announcement of Stremov's appointment to the very post Karenin had coveted. Alexey Alexandrovitch flung the telegram down, and flushing a little, got up and began to pace up and down the room. "Quos vult perdere dementat," he said, meaning by quos the persons responsible for this appointment. He was not so much annoyed that he had not received the post, that he had been conspicuously passed over; but it was incomprehensible, amazing to him that they did not see that the wordy phrase-monger Stremov was the last man fit for it. How could they fail to see how they were ruining themselves, lowering their prestige by this appointment?
"Something else in the same line," he said to himself bitterly, opening the second telegram. The telegram was from his wife. Her name, written in blue pencil, "Anna," was the first thing that caught his eye. "I am dying; I beg, I implore you to come. I shall die easier with your forgiveness," he read. He smiled contemptuously, and flung down the telegram. That this was a trick and a fraud, of that, he thought for the first minute, there could be no doubt.
"There is no deceit she would stick at. She was near her confinement. Perhaps it is the confinement. But what can be their aim? To legitimize the child, to compromise me, and prevent a divorce," he thought. "But something was said in it: I am dying...." He read the telegram again, and suddenly the plain meaning of what was said in it struck him.
"And if it is true?" he said to himself. "If it is true that in the moment of agony and nearness to death she is genuinely penitent, and I, taking it for a trick, refuse to go? That would not only be cruel, and everyone would blame me, but it would be stupid on my part."
"Piotr, call a coach; I am going to Petersburg," he said to his servant.
Alexey Alexandrovitch decided that he would go to Petersburg and see his wife. If her illness was a trick, he would say nothing and go away again. If she was really in danger, and wished to see him before her death, he would forgive her if he found her alive, and pay her the last duties if he came too late.
All the way he thought no more of what he ought to do.
With a sense of weariness and uncleanness from the night spent in the train, in the early fog of Petersburg Alexey Alexandrovitch drove through the deserted Nevsky and stared straight before him, not thinking of what was awaiting him. He could not think about it, because in picturing what would happen, he could not drive away the reflection that her death would at once remove all the difficulty of his position. Bakers, closed shops, night-cabmen, porters sweeping the pavements flashed past his eyes, and he watched it all, trying to smother the thought of what was awaiting him, and what he dared not hope for, and yet was hoping for. He drove up to the steps. A sledge and a carriage with the coachman asleep stood at the entrance. As he went into the entry, Alexey Alexandrovitch, as it were, got out his resolution from the remotest corner of his brain, and mastered it thoroughly. Its meaning ran: "If it's a trick, then calm contempt and departure. If truth, do what is proper."
The porter opened the door before Alexey Alexandrovitch rang. The porter, Kapitonitch, looked queer in an old coat, without a tie, and in slippers.
"How is your mistress?"
"A successful confinement yesterday."
Alexey Alexandrovitch stopped short and turned white. He felt distinctly now how intensely he had longed for her death.
"And how is she?"
Korney in his morning apron ran downstairs.
"Very ill," he answered. "There was a consultation yesterday, and the doctor's here now."
"Take my things," said Alexey Alexandrovitch, and feeling some relief at the news that there was still hope of her death, he went into the hall
On the hatstand there was a military overcoat. Alexey Alexandrovitch noticed it and asked:
"Who is here?"
"The doctor, the midwife and Count Vronsky."
Alexey Alexandrovitch went into the inner rooms.
I the drawing room there was no one; at the sound of his steps there came out of her boudoir the midwife in a cap with lilac ribbons.
She went up to Alexey Alexandrovitch, and with the familiarity given by the approach of death took him by the arm and drew him towards the bedroom.
"Thank God you've come! She keeps on about you and nothing but you," she said.
"Make haste with the ice!" the doctor's peremptory voice said from the bedroom.
Alexey Alexandrovitch went into her boudoir.
At the table, sitting sideways in a low chair, was Vronsky, his face hidden in his hands, weeping. He jumped up at the doctor's voice, took his hands from his face, and saw Alexey Alexandrovitch. Seeing the husband, he was so overwhelmed that he sat down again, drawing his head down to his shoulders, as if he wanted to disappear; but he made an effort over himself, got up and said:
"She is dying. The doctors say there is no hope. I am entirely in your power, only let me be here...though I am at your disposal. I..."
Alexey Alexandrovitch, seeing Vronsky's tears, felt a rush of that nervous emotion always produced in him by the sight of other people's suffering, and turning away his face, he moved hurriedly to the door, without hearing the rest of his words. From the bedroom came the sound of Anna's voice saying something. Her voice was lively, eager, wit
h exceedingly distinct intonations. Alexey Alexandrovitch went into the bedroom, and went up to the bed. She was lying turned with her face towards him. Her cheeks were flushed crimson, her eyes glittered, her little white hands thrust out from the sleeves of her dressing gown were playing with the quilt, twisting it about. It seemed as though she were not only well and blooming, but in the happiest frame of mind. She was talking rapidly, musically, and with exceptionally correct articulation and expressive intonation.