The Complete Works of Leo Tolstoy (25+ Works with active table of contents)

by Leo Tolstoy

  "There is a great deal I wish for," answered Isidor; "but I cannot tell you what it is in the presence of anybody else. Let me talk to you privately."

  They looked at each other, and Missael saw he had nothing to be afraid of in remaining alone with Isidor. He ordered Isidor to be brought into his own room, and when they were alone, he said,--"Well, now you can speak."

  Isidor fell on his knees.

  "Brother," said Isidor. "What are you doing to yourself! Have mercy on your own soul. You are the worst villain in the world. You have offended against all that is sacred . . ."

  A month after Missael sent a report, asking that Isidor should be released as he had repented, and he also asked for the release of the rest of the prisoners. After which he resigned his post.

  XVIII

  TEN years passed. Mitia Smokovnikov had finished his studies in the Technical College; he was now an engineer in the gold mines in Siberia, and was very highly paid. One day he was about to make a round in the district. The governor offered him a convict, Stepan Pelageushkine, to accompany him on his journey.

  "A convict, you say? But is not that dangerous?"

  "Not if it is this one. He is a holy man. You may ask anybody, they will all tell you so."

  "Why has he been sent here?"

  The governor smiled. "He had committed six murders, and yet he is a holy man. I go bail for him."

  Mitia Smokovnikov took Stepan, now a bald-headed, lean, tanned man, with him on his journey. On their way Stepan took care of Smokovnikov, like his own child, and told him his story; told him why he had been sent here, and what now filled his life.

  And, strange to say, Mitia Smokovnikov, who up to that time used to spend his time drinking, eating, and gambling, began for the first time to meditate on life. These thoughts never left him now, and produced a complete change in his habits. After a time he was offered a very advantageous position. He refused it, and made up his mind to buy an estate with the money he had, to marry, and to devote himself to the peasantry, helping them as much as he could.

  XIX

  HE carried out his intentions. But before retiring to his estate he called on his father, with whom he had been on bad terms, and who had settled apart with his new family. Mitia Smokovnikov wanted to make it up. The old man wondered at first, and laughed at the change he noticed in his son; but after a while he ceased to find fault with him, and thought of the many times when it was he who was the guilty one.

  AFTER THE DANCE

  AFTER THE DANCE

  "--AND you say that a man cannot, of himself, understand what is good and evil; that it is all environment, that the environment swamps the man. But I believe it is all chance. Take my own case . . ."

  Thus spoke our excellent friend, Ivan Vasilievich, after a conversation between us on the impossibility of improving individual character without a change of the conditions under which men live. Nobody had actually said that one could not of oneself understand good and evil; but it was a habit of Ivan Vasilievich to answer in this way the thoughts aroused in his own mind by conversation, and to illustrate those thoughts by relating incidents in his own life. He often quite forgot the reason for his story in telling it; but he always told it with great sincerity and feeling.

  He did so now.

  "Take my own case. My whole life was moulded, not by environment, but by something quite different."

  "By what, then?" we asked.

  "Oh, that is a long story. I should have to tell you about a great many things to make you understand."

  "Well, tell us then."

  Ivan Vasilievich thought a little, and shook his head.

  "My whole life," he said, "was changed in one night, or, rather, morning."

  "Why, what happened?" one of us asked.

  "What happened was that I was very much in love. I have been in love many times, but this was the most serious of all. It is a thing of the past; she has married daughters now. It was Varinka B----." Ivan Vasilievich mentioned her surname. "Even at fifty she is remarkably handsome; but in her youth, at eighteen, she was exquisite--tall, slender, graceful, and stately. Yes, stately is the word; she held herself very erect, by instinct as it were; and carried her head high, and that together with her beauty and height gave her a queenly air in spite of being thin, even bony one might say. It might indeed have been deterring had it not been for her smile, which was always gay and cordial, and for the charming light in her eyes and for her youthful sweetness."

  "What an entrancing description you give, Ivan Vasilievich!"

  "Description, indeed! I could not possibly describe her so that you could appreciate her. But that does not matter; what I am going to tell you happened in the forties. I was at that time a student in a provincial university. I don't know whether it was a good thing or no, but we had no political clubs, no theories in our universities then. We were simply young and spent our time as young men do, studying and amusing ourselves. I was a very gay, lively, careless fellow, and had plenty of money too. I had a fine horse, and used to go tobogganing with the young ladies. Skating had not yet come into fashion. I went to drinking parties with my comrades--in those days we drank nothing but champagne--if we had no champagne we drank nothing at all. We never drank vodka, as they do now. Evening parties and balls were my favourite amusements. I danced well, and was not an ugly fellow."

  "Come, there is no need to be modest," interrupted a lady near him. "We have seen your photograph. Not ugly, indeed! You were a handsome fellow."

  "Handsome, if you like. That does not matter. When my love for her was at its strongest, on the last day of the carnival, I was at a ball at the provincial marshal's, a good-natured old man, rich and hospitable, and a court chamberlain. The guests were welcomed by his wife, who was as good-natured as himself. She was dressed in puce-coloured velvet, and had a diamond diadem on her forehead, and her plump, old white shoulders and bosom were bare like the portraits of Empress Elizabeth, the daughter of Peter the Great.

  "It was a delightful ball. It was a splendid room, with a gallery for the orchestra, which was famous at the time, and consisted of serfs belonging to a musical landowner. The refreshments were magnificent, and the champagne flowed in rivers. Though I was fond of champagne I did not drink that night, because without it I was drunk with love. But I made up for it by dancing waltzes and polkas till I was ready to drop--of course, whenever possible, with Varinka. She wore a white dress with a pink sash, white shoes, and white kid gloves, which did not quite reach to her thin pointed elbows. A disgusting engineer named Anisimov robbed me of the mazurka with her--to this day I cannot forgive him. He asked her for the dance the minute she arrived, while I had driven to the hair-dresser's to get a pair of gloves, and was late. So I did not dance the mazurka with her, but with a German girl to whom I had previously paid a little attention; but I am afraid I did not behave very politely to her that evening. I hardly spoke or looked at her, and saw nothing but the tall, slender figure in a white dress, with a pink sash, a flushed, beaming, dimpled face, and sweet, kind eyes. I was not alone; they were all looking at her with admiration, the men and women alike, although she outshone all of them. They could not help admiring her.

  "Although I was not nominally her partner for the mazurka, I did as a matter of fact dance nearly the whole time with her. She always came forward boldly the whole length of the room to pick me out. I flew to meet her without waiting to be chosen, and she thanked me with a smile for my intuition. When I was brought up to her with somebody else, and she guessed wrongly, she took the other man's hand with a shrug of her slim shoulders, and smiled at me regretfully.

  "Whenever there was a waltz figure in the mazurka, I waltzed with her for a long time, and breathing fast and smiling, she would say, 'Encore'; and I went on waltzing and waltzing, as though unconscious of any bodily existence."

  "Come now, how could you be unconscious of it with your arm round her waist? You must have been conscious, not only of your own existence, but of hers," said o
ne of the party.

  Ivan Vasilievich cried out, almost shouting in anger: "There you are, moderns all over! Nowadays you think of nothing but the body. It was different in our day. The more I was in love the less corporeal was she in my eyes. Nowadays you think of nothing but the body. It was different in our day. The more I was in love the less corporeal was she in my eyes. Nowadays you set legs, ankles, and I don't know what. You undress the women you are in love with. In my eyes, as Alphonse Karr said--and he was a good writer--' the one I loved was always draped in robes of bronze.' We never thought of doing so; we tried to veil her nakedness, like Noah's good-natured son. Oh, well, you can't understand."

  "Don't pay any attention to him. Go on," said one of them.

  "Well, I danced for the most part with her, and did not notice how time was passing. The musicians kept playing the same mazurka tunes over and over again in desperate exhaustion--you know what it is towards the end of a ball. Papas and mammas were already getting up from the card-tables in the drawing-room in expectation of supper, the men-servants were running to and fro bringing in things. It was nearly three o'clock. I had to make the most of the last minutes. I chose her again for the mazurka, and for the hundredth time we danced across the room.

  "'The quadrille after supper is mine,' I said, taking her to her place.

  "'Of course, if I am not carried off home,' she said, with a smile.

  "'I won't give you up,' I said.

  "'Give me my fan, anyhow,' she answered.

  "'I am so sorry to part with it,' I said, handing her a cheap white fan.

  "'Well, here's something to console you,' she said, plucking a feather out of the fan, and giving it to me.

  "I took the feather, and could only express my rapture and gratitude with my eyes. I was not only pleased and gay, I was happy, delighted; I was good, I was not myself but some being not of this earth, knowing nothing of evil. I hid the feather in my glove, and stood there unable to tear myself away from her.

  "'Look, they are urging father to dance,' she said to me, pointing to the tall, stately figure of her father, a colonel with silver epaulettes, who was standing in the doorway with some ladies.

  "'Varinka, come here!' exclaimed our hostess, the lady with the diamond ferronniere and with shoulders like Elizabeth, in a loud voice.

  "'Varinka went to the door, and I followed her.

  "'Persuade your father to dance the mazurka with you, ma chere.--Do, please, Peter Valdislavovich,' she said, turning to the colonel.

  "Varinka's father was a very handsome, well-preserved old man. He had a good colour, moustaches curled in the style of Nicolas I., and white whiskers which met the moustaches. His hair was combed on to his forehead, and a bright smile, like his daughter's, was on his lips and in his eyes. He was splendidly set up, with a broad military chest, on which he wore some decorations, and he had powerful shoulders and long slim legs. He was that ultra-military type produced by the discipline of Emperor Nicolas I.

  "When we approached the door the colonel was just refusing to dance, saying that he had quite forgotten how; but at that instant he smiled, swung his arm gracefully around to the left, drew his sword from its sheath, handed it to an obliging young man who stood near, and smoothed his suede glove on his right hand.

  "'Everything must be done according to rule,' he said with a smile. He took the hand of his daughter, and stood one-quarter turned, waiting for the music.

  "At the first sound of the mazurka, he stamped one foot smartly, threw the other forward, and, at first slowly and smoothly, then buoyantly and impetuously, with stamping of feet and clicking of boots, his tall, imposing figure moved the length of the room. Varinka swayed gracefully beside him, rhythmically and easily, making her steps short or long, with her little feet in their white satin slippers.

  "All the people in the room followed every movement of the couple. As for me I not only admired, I regarded them with enraptured sympathy. I was particularly impressed with the old gentleman's boots. They were not the modern pointed affairs, but were made of cheap leather, squared-toed, and evidently built by the regimental cobbler. In order that his daughter might dress and go out in society, he did not buy fashionable boots, but wore home-made ones, I thought, and his square toes seemed to me most touching. It was obvious that in his time he had been a good dancer; but now he was too heavy, and his legs had not spring enough for all the beautiful steps he tried to take. Still, he contrived to go twice round the room. When at the end, standing with legs apart, he suddenly clicked his feet together and fell on one knee, a bit heavily, and she danced gracefully around him, smiling and adjusting her skirt, the whole room applauded.

  "Rising with an effort, he tenderly took his daughter's face between his hands. He kissed her on the forehead, and brought her to me, under the impression that I was her partner for the mazurka. I said I was not. 'Well, never mind. just go around the room once with her,' he said, smiling kindly, as he replaced his sword in the sheath.

  "As the contents of a bottle flow readily when the first drop has been poured, so my love for Varinka seemed to set free the whole force of loving within me. In surrounding her it embraced the world. I loved the hostess with her diadem and her shoulders like Elizabeth, and her husband and her guests and her footmen, and even the engineer Anisimov who felt peevish towards me. As for Varinka's father, with his home-made boots and his kind smile, so like her own, I felt a sort of tenderness for him that was almost rapture.

  "After supper I danced the promised quadrille with her, and though I had been infinitely happy before, I grew still happier every moment.

  "We did not speak of love. I neither asked myself nor her whether she loved me. It was quite enough to know that I loved her. And I had only one fear--that something might come to interfere with my great joy.

  "When I went home, and began to undress for the night, I found it quite out of the question. held the little feather out of her fan in my hand, and one of her gloves which she gave me when I helped her into the carriage after her mother. Looking at these things, and without closing my eyes I could see her before me as she was for an instant when she had to choose between two partners. She tried to guess what kind of person was represented in me, and I could hear her sweet voice as she said, 'Pride--am I right?' and merrily gave me her hand. At supper she took the first sip from my glass of champagne, looking at me over the rim with her caressing glance. But, plainest of all, I could see her as she danced with her father, gliding along beside him, and looking at the admiring observers with pride and happiness.

  "He and she were united in my mind in one rush of pathetic tenderness.

  "I was living then with my brother, who has since died. He disliked going out, and never went to dances; and besides, he was busy preparing for his last university examinations, and was leading a very regular life. He was asleep. I looked at him, his head buried in the pillow and half covered with the quilt; and I affectionately pitied him, pitied him for his ignorance of the bliss I was experiencing. Our serf Petrusha had met me with a candle, ready to undress me, but I sent him away. His sleepy face and tousled hair seemed to me so touching. Trying not to make a noise, I went to my room on tiptoe and sat down on my bed. No, I was too happy; I could not sleep. Besides, it was too hot in the rooms. Without taking off my uniform, I went quietly into the hall, put on my overcoat, opened the front door and stepped out into the street.

  "It was after four when I had left the ball; going home and stopping there a while had occupied two hours, so by the time I went out it was dawn. It was regular carnival weather--foggy, and the road full of water-soaked snow just melting, and water dripping from the eaves. Varinka's family lived on the edge of town near a large field, one end of which was a parade ground: at the other end was a boarding-school for young ladies. I passed through our empty little street and came to the main thoroughfare, where I met pedestrians and sledges laden with wood, the runners grating the road. The horses swung with regular paces beneath their shining yokes, thei
r backs covered with straw mats and their heads wet with rain; while the drivers, in enormous boots, splashed through the mud beside the sledges. All this, the very horses themselves, seemed to me stimulating and fascinating, full of suggestion.

  "When I approached the field near their house, I saw at one end of it, in the direction of the parade ground, something very huge and black, and I heard sounds of fife and drum proceeding from it. My heart had been full of song, and I had heard in imagination the tune of the mazurka, but this was very harsh music. It was not pleasant.

  "'What can that be?' I thought, and went towards the sound by a slippery path through the centre of the field. Walking about a hundred paces, I began to distinguish many black objects through the mist. They were evidently soldiers. 'It is probably a drill,' I thought.

  "So I went along in that direction in company with a blacksmith, who wore a dirty coat and an apron, and was carrying something. He walked ahead of me as we approached the place. The soldiers in black uniforms stood in two rows, facing each other motionless, their guns at rest. Behind them stood the fifes and drums, incessantly repeating the same unpleasant tune.