by Leo Tolstoy
XXXI
"COMME IL FAUT"
SEVERAL times in the course of this narrative I have hinted at an idea corresponding to the above French heading, and now feel it incumbent upon me to devote a whole chapter to that idea, which was one of the most ruinous, lying notions which ever became engrafted upon my life by my upbringing and social milieu.
The human race may be divided into several categories--rich and poor, good and bad, military and civilian, clever and stupid, and so forth, and so forth. Yet each man has his own favourite, fundamental system of division which he unconsciously uses to class each new person with whom he meets. At the time of which I am speaking, my own favourite, fundamental system of division in this respect was into people "comme il faut" and people "comme il ne faut pas"--the latter subdivided, again, into people merely not "comme il faut" and the lower orders. People "comme il faut" I respected, and looked upon as worthy to consort with me as my equals; the second of the above categories I pretended merely to despise, but in reality hated, and nourished towards them a kind of feeling of offended personality; while the third category had no existence at all, so far as I was concerned, since my contempt for them was too complete. This "comme il faut"-ness of mine lay, first and foremost, in proficiency in French, especially conversational French. A person who spoke that language badly at once aroused in me a feeling of dislike. "Why do you try to talk as we do when you haven't a notion how to do it?" I would seem to ask him with my most venomous and quizzing smile. The second condition of "comme il faut"-ness was long nails that were well kept and clean; the third, ability to bow, dance, and converse; the fourth--and a very important one--indifference to everything, and a constant air of refined, supercilious ennui. Moreover, there were certain general signs which, I considered, enabled me to tell, without actually speaking to a man, the class to which he belonged. Chief among these signs (the others being the fittings of his rooms, his gloves, his handwriting, his turn-out, and so forth) were his feet. The relation of boots to trousers was sufficient to determine, in my eyes, the social status of a man. Heelless boots with angular toes, wedded to narrow, unstrapped trouser-ends--these denoted the vulgarian. Boots with narrow, round toes and heels, accompanied either by tight trousers strapped under the instep and fitting close to the leg or by wide trousers similarly strapped, but projecting in a peak over the toe--these meant the man of mauvais genre; and so on, and so on.
It was a curious thing that I who lacked all ability to become "comme il faut," should have assimilated the idea so completely as I did. Possibly it was the fact that it had cost me such enormous labour to acquire that brought about its strenuous development in my mind. I hardly like to think how much of the best and most valuable time of my first sixteen years of existence I wasted upon its acquisition. Yet every one whom I imitated--Woloda, Dubkoff, and the majority of my acquaintances-- seemed to acquire it easily. I watched them with envy, and silently toiled to become proficient in French, to bow gracefully and without looking at the person whom I was saluting, to gain dexterity in small-talk and dancing, to cultivate indifference and ennui, and to keep my fingernails well trimmed (though I frequently cut my finger-ends with the scissors in so doing). And all the time I felt that so much remained to be done if I was ever to attain my end! A room, a writing-table, an equipage I still found it impossible to arrange "comme il faut," however much I fought down my aversion to practical matters in my desire to become proficient. Yet everything seemed to arrange itself properly with other people, just as though things could never have been otherwise! Once I remember asking Dubkoff, after much zealous and careful labouring at my finger-nails (his own were extraordinarily good), whether his nails had always been as now, or whether he had done anything to make them so: to which he replied that never within his recollection had he done anything to them, and that he could not imagine a gentleman's nails possibly being different. This answer incensed me greatly, for I had not yet learnt that one of the chief conditions of "comme il faut"-ness was to hold one's tongue about the labour by which it had been acquired. "Comme il faut"-ness I looked upon as not only a great merit, a splendid accomplishment, an embodiment of all the perfection which must strive to attain, but as the one indispensable condition without which there could never be happiness, nor glory, nor any good whatsoever in this world. Even the greatest artist or savant or benefactor of the human race would at that time have won from me no respect if he had not also been "comme il faut." A man possessed of "comme il faut"-ness stood higher than, and beyond all possible equality with, such people, and might well leave it to them to paint pictures, to compose music, to write books, or to do good. Possibly he might commend them for so doing (since why should not merit be commended where-ever it be found?), but he could never stand ON A LEVEL with them, seeing that he was "comme il faut" and they were not--a quite final and sufficient reason. In fact, I actually believe that, had we possessed a brother or a father or a mother who had not been "comme il faut," I should have declared it to be a great misfortune for us, and announced that between myself and them there could never be anything in common. Yet neither waste of the golden hours which I consumed in constantly endeavouring to observe the many arduous, unattainable conditions of "comme il faut"-ness (to the exclusion of any more serious pursuit), nor dislike of and contempt for nine-tenths of the human race, nor disregard of all the beauty that lay outside the narrow circle of "comme il faut"-ness comprised the whole of the evil which the idea wrought in me. The chief evil of all lay in the notion acquired that a man need not strive to become a tchinovnik, [Official.] a coachbuilder, a soldier, a savant, or anything useful, so long only as he was "comme il faut "--that by attaining the latter quality he had done all that was demanded of him, and was even superior to most people.
Usually, at a given period in youth, and after many errors and excesses, every man recognises the necessity of his taking an active part in social life, and chooses some branch of labour to which to devote himself. Only with the "comme il faut" man does this rarely happen. I have known, and know, very, very many people--old, proud, self-satisfied, and opinionated--who to the question (if it should ever present itself to them in their world) "Who have you been, and what have you ever done?" would be unable to reply otherwise than by saying,
"Je fus un homme tres comme il faut,"
Such a fate was awaiting myself.
XXXII
YOUTH
Despite the confusion of ideas raging in my head, I was at least young, innocent, and free that summer--consequently almost happy.
Sometimes I would rise quite early in the morning, for I slept on the open verandah, and the bright, horizontal beams of the morning sun would wake me up. Dressing myself quickly, I would tuck a towel and a French novel under my arm, and go off to bathe in the river in the shade of a birch tree which stood half a verst from the house. Next, I would stretch myself on the grass and read--raising my eyes from time to time to look at the surface of the river where it showed blue in the shade of the trees, at the ripples caused by the first morning breeze, at the yellowing field of rye on the further bank, and at the bright-red sheen of the sunlight as it struck lower and lower down the white trunks of the birch-trees which, ranged in ranks one behind the other, gradually receded into the remote distance of the home park. At such moments I would feel joyously conscious of having within me the same young, fresh force of life as nature was everywhere exuding around me. When, however, the sky was overcast with grey clouds of morning and I felt chilly after bathing, I would often start to walk at random through the fields and woods, and joyously trail my wet boots in the fresh dew. All the while my head would be filled with vivid dreams concerning the heroes of my last-read novel, and I would keep picturing to myself some leader of an army or some statesman or marvellously strong man or devoted lover or another, and looking round me in, a nervous expectation that I should suddenly descry HER somewhere near me, in a meadow or behind a tree. Yet, whenever these rambles led me near peasants engaged at their
work, all my ignoring of the existence of the "common people" did not prevent me from experiencing an involuntary, overpowering sensation of awkwardness; so that I always tried to avoid their seeing me. When the heat of the day had increased, it was not infrequently my habit--if the ladies did not come out of doors for their morning tea--to go rambling through the orchard and kitchen-garden, and to pluck ripe fruit there. Indeed, this was an occupation which furnished me with one of my greatest pleasures. Let any one go into an orchard, and dive into the midst of a tall, thick, sprouting raspberry-bed. Above will be seen the clear, glowing sky, and, all around, the pale-green, prickly stems of raspberry- trees where they grow mingled together in a tangle of profusion. At one's feet springs the dark-green nettle, with its slender crown of flowers, while the broad-leaved burdock, with its bright-pink, prickly blossoms, overtops the raspberries (and even one's head) with its luxuriant masses, until, with the nettle, it almost meets the pendent, pale-green branches of the old apple- trees where apples, round and lustrous as bone, but as yet unripe, are mellowing in the heat of the sun. Below, again, are seen young raspberry-shoots, twining themselves around the partially withered, leafless parent plant, and stretching their tendrils towards the sunlight, with green, needle-shaped blades of grass and young, dew-coated pods peering through last year's leaves, and growing juicily green in the perennial shade, as though they care nothing for the bright sunshine which is playing on the leaves of the apple-trees above them. In this density there is always moisture--always a smell of confined, perpetual shade, of cobwebs, fallen apples (turning black where they roll on the mouldy sod), raspberries, and earwigs of the kind which impel one to reach hastily for more fruit when one has inadvertently swallowed a member of that insect tribe with the last berry. At every step one's movements keep flushing the sparrows which always make their home in these depths, and one hears their fussy chirping and the beating of their tiny, fluttering wings against the stalks, and catches the low buzzing of a bumble bee somewhere, and the sound of the gardener's footsteps (it is half-daft Akim) on the path as he hums his eternal sing-song to himself. Then one mutters under one's breath, "No! Neither he nor any one else shall find me here!" yet still one goes on stripping juicy berries from their conical white pilasters, and cramming them into one's mouth. At length, one's legs soaked to the knees as one repeats, over and over again, some rubbish which keeps running in one's head, and one's hands and nether limbs (despite the protection of one's wet trousers) thoroughly stung with the nettles, one comes to the conclusion that the sun's rays are beating too straight upon one's head for eating to be any longer desirable, and, sinking down into the tangle of greenery, one remains there--looking and listening, and continuing in mechanical fashion to strip off one or two of the finer berries and swallow them.
At eleven o'clock--that is to say, when the ladies had taken their morning tea and settled down to their occupations--I would repair to the drawing-room. Near the first window, with its unbleached linen blind lowered to exclude the sunshine, but through the chink of which the sun kept throwing brilliant circles of light which hurt the eye to look at them, there would be standing a screen, with flies quietly parading the whiteness of its covering. Behind it would be seated Mimi, shaking her head in an irritable manner, and constantly shifting from spot to spot to avoid the sunshine as at intervals it darted her from somewhere and laid a streak of flame upon her hand or face. Through the other three windows the sun would be throwing three squares of light, crossed with the shadows of the window-frames, and where one of these patches marked the unstained floor of the room there would be lying, in accordance with invariable custom, Milka, with her ears pricked as she watched the flies promenading the lighted space. Seated on a settee, Katenka would be knitting or reading aloud as from time to time she gave her white sleeves (looking almost transparent in the sunshine) an impatient shake, or tossed her head with a frown to drive away some fly which had settled upon her thick auburn hair and was now buzzing in its tangles. Lubotshka would either be walking up and down the room (her hands clasped behind her) until the moment should arrive when a movement would be made towards the garden, or playing some piece of which every note had long been familiar to me. For my own part, I would sit down somewhere, and listen to the music or the reading until such time as I myself should have an opportunity of performing on the piano. After luncheon I would condescend to take the girls out riding (since to go for a mere walk at that hour seemed to me unsuitable to my years and position in the world), and these excursions of ours--in which I often took my companions through unaccustomed spots and dells-- were very pleasant. Indeed, on some of these occasions I grew quite boyish, and the girls would praise my riding and daring, and pretend that I was their protector. In the evening, if we had no guests with us, tea (served in the dim verandah),would be followed by a walk round the homestead with Papa, and then I would stretch myself on my usual settee, and read and ponder as of old, as I listened to Katenka or Lubotshka playing. At other times, if I was alone in the drawing-room and Lubotshka was performing some old-time air, I would find myself laying my book down, and gazing through the open doorway on to the balcony at the pendent, sinuous branches of the tall birch-trees where they stood overshadowed by the coming night, and at the clear sky where, if one looked at it intently enough, misty, yellowish spots would appear suddenly, and then disappear again. Next, as I listened to the sounds of the music wafted from the salon, and to the creaking of gates and the voices of the peasant women when the cattle returned to the village, I would suddenly bethink me of Natalia Savishna and of Mamma and of Karl Ivanitch, and become momentarily sad. But in those days my spirit was so full of life and hope that such reminiscences only touched me in passing, and soon fled away again.
After supper and (sometimes) a night stroll with some one in the garden (for I was afraid to walk down the dark avenues by myself), I would repair to my solitary sleeping-place on the verandah--a proceeding which, despite the countless mosquitos which always devoured me, afforded me the greatest pleasure. If the moon was full, I frequently spent whole nights sitting up on my mattress, looking at the light and shade, listening to the sounds or stillness, dreaming of one matter and another (but more particularly of the poetic, voluptuous happiness which, in those days, I believed was to prove the acme of my felicity) and lamenting that until now it had only been given to me to IMAGINE things. No sooner had every one dispersed, and I had seen lights pass from the drawing-room to the upper chambers (whence female voices would presently be heard, and the noise of windows opening and shutting), than I would depart to the verandah, and walk up and down there as I listened attentively to the sounds from the slumbering mansion. To this day, whenever I feel any expectation (no matter how small and baseless) of realising a fraction of some happiness of which I may be dreaming, I somehow invariably fail to picture to myself what the imagined happiness is going to be like.
At the least sound of bare footsteps, or of a cough, or of a snore, or of the rattling of a window, or of the rustling of a dress, I would leap from my mattress, and stand furtively gazing and listening, thrown, without any visible cause, into extreme agitation. But the lights would disappear from the upper rooms, the sounds of footsteps and talking give place to snores, the watchman begin his nightly tapping with his stick, the garden grow brighter and more mysterious as the streaks of light vanished from the windows, the last candle pass from the pantry to the hall (throwing a glimmer into the dewy garden as it did so), and the stooping figure of Foka (decked in a nightcap, and carrying the candle) become visible to my eyes as he went to his bed. Often I would find a great and fearful pleasure in stealing over the grass, in the black shadow of the house, until I had reached the hall window, where I would stand listening with bated breath to the snoring of the boy, to Foka's gruntings (in the belief that no one heard him), and to the sound of his senile voice as he drawled out the evening prayers. At length even his candle would be extinguished, and the window slammed down, so that I would find myse
lf utterly alone; whereupon, glancing nervously from side to side, lest haply I should see the white woman standing near a flower-bed or by my couch, I would run at full speed back to the verandah. Then, and only then, I would lie down with my face to the garden, and, covering myself over, so far as possible, from the mosquitos and bats, fall to gazing in front of me as I listened to the sounds of the night and dreamed of love and happiness.