Chapter X Forget the Name of the Man's Voice
The day after Christine had vanished before his eyes in a sort ofdazzlement that still made him doubt the evidence of his senses, M. leVicomte de Chagny called to inquire at Mamma Valerius'. He came upon acharming picture. Christine herself was seated by the bedside of theold lady, who was sitting up against the pillows, knitting. The pinkand white had returned to the young girl's cheeks. The dark ringsround her eyes had disappeared. Raoul no longer recognized the tragicface of the day before. If the veil of melancholy over those adorablefeatures had not still appeared to the young man as the last trace ofthe weird drama in whose toils that mysterious child was struggling, hecould have believed that Christine was not its heroine at all.
She rose, without showing any emotion, and offered him her hand. ButRaoul's stupefaction was so great that he stood there dumfounded,without a gesture, without a word.
"Well, M. de Chagny," exclaimed Mamma Valerius, "don't you know ourChristine? Her good genius has sent her back to us!"
"Mamma!" the girl broke in promptly, while a deep blush mantled to hereyes. "I thought, mamma, that there was to be no more question ofthat! ... You know there is no such thing as the Angel of Music!"
"But, child, he gave you lessons for three months!"
"Mamma, I have promised to explain everything to you one of these days;and I hope to do so but you have promised me, until that day, to besilent and to ask me no more questions whatever!"
"Provided that you promised never to leave me again! But have youpromised that, Christine?"
"Mamma, all this can not interest M. de Chagny."
"On the contrary, mademoiselle," said the young man, in a voice whichhe tried to make firm and brave, but which still trembled, "anythingthat concerns you interests me to an extent which perhaps you will oneday understand. I do not deny that my surprise equals my pleasure atfinding you with your adopted mother and that, after what happenedbetween us yesterday, after what you said and what I was able to guess,I hardly expected to see you here so soon. I should be the first todelight at your return, if you were not so bent on preserving a secrecythat may be fatal to you ... and I have been your friend too long notto be alarmed, with Mme. Valerius, at a disastrous adventure which willremain dangerous so long as we have not unraveled its threads and ofwhich you will certainly end by being the victim, Christine."
At these words, Mamma Valerius tossed about in her bed.
"What does this mean?" she cried. "Is Christine in danger?"
"Yes, madame," said Raoul courageously, notwithstanding the signs whichChristine made to him.
"My God!" exclaimed the good, simple old woman, gasping for breath."You must tell me everything, Christine! Why did you try to reassureme? And what danger is it, M. de Chagny?"
"An impostor is abusing her good faith."
"Is the Angel of Music an impostor?"
"She told you herself that there is no Angel of Music."
"But then what is it, in Heaven's name? You will be the death of me!"
"There is a terrible mystery around us, madame, around you, aroundChristine, a mystery much more to be feared than any number of ghostsor genii!"
Mamma Valerius turned a terrified face to Christine, who had alreadyrun to her adopted mother and was holding her in her arms.
"Don't believe him, mummy, don't believe him," she repeated.
"Then tell me that you will never leave me again," implored the widow.
Christine was silent and Raoul resumed.
"That is what you must promise, Christine. It is the only thing thatcan reassure your mother and me. We will undertake not to ask you asingle question about the past, if you promise us to remain under ourprotection in future."
"That is an undertaking which I have not asked of you and a promisewhich I refuse to make you!" said the young girl haughtily. "I ammistress of my own actions, M. de Chagny: you have no right to controlthem, and I will beg you to desist henceforth. As to what I have doneduring the last fortnight, there is only one man in the world who hasthe right to demand an account of me: my husband! Well, I have nohusband and I never mean to marry!"
She threw out her hands to emphasize her words and Raoul turned pale,not only because of the words which he had heard, but because he hadcaught sight of a plain gold ring on Christine's finger.
"You have no husband and yet you wear a wedding-ring."
He tried to seize her hand, but she swiftly drew it back.
"That's a present!" she said, blushing once more and vainly striving tohide her embarrassment.
"Christine! As you have no husband, that ring can only have been givenby one who hopes to make you his wife! Why deceive us further? Whytorture me still more? That ring is a promise; and that promise hasbeen accepted!"
"That's what I said!" exclaimed the old lady.
"And what did she answer, madame?"
"What I chose," said Christine, driven to exasperation. "Don't youthink, monsieur, that this cross-examination has lasted long enough?As far as I am concerned ..."
Raoul was afraid to let her finish her speech. He interrupted her:
"I beg your pardon for speaking as I did, mademoiselle. You know thegood intentions that make me meddle, just now, in matters which, you nodoubt think, have nothing to do with me. But allow me to tell you whatI have seen--and I have seen more than you suspect, Christine--or whatI thought I saw, for, to tell you the truth, I have sometimes beeninclined to doubt the evidence of my eyes."
"Well, what did you see, sir, or think you saw?"
"I saw your ecstasy AT THE SOUND OF THE VOICE, Christine: the voicethat came from the wall or the next room to yours ... yes, YOURECSTASY! And that is what makes me alarmed on your behalf. You areunder a very dangerous spell. And yet it seems that you are aware ofthe imposture, because you say to-day THAT THERE IS NO ANGEL OF MUSIC!In that case, Christine, why did you follow him that time? Why did youstand up, with radiant features, as though you were really hearingangels? ... Ah, it is a very dangerous voice, Christine, for I myself,when I heard it, was so much fascinated by it that you vanished beforemy eyes without my seeing which way you passed! Christine, Christine,in the name of Heaven, in the name of your father who is in Heaven nowand who loved you so dearly and who loved me too, Christine, tell us,tell your benefactress and me, to whom does that voice belong? If youdo, we will save you in spite of yourself. Come, Christine, the nameof the man! The name of the man who had the audacity to put a ring onyour finger!"
"M. de Chagny," the girl declared coldly, "you shall never know!"
Thereupon, seeing the hostility with which her ward had addressed theviscount, Mamma Valerius suddenly took Christine's part.
"And, if she does love that man, Monsieur le Vicomte, even then it isno business of yours!"
"Alas, madame," Raoul humbly replied, unable to restrain his tears,"alas, I believe that Christine really does love him! ... But it is notonly that which drives me to despair; for what I am not certain of,madame, is that the man whom Christine loves is worthy of her love!"
"It is for me to be the judge of that, monsieur!" said Christine,looking Raoul angrily in the face.
"When a man," continued Raoul, "adopts such romantic methods to enticea young girl's affections. .."
"The man must be either a villain, or the girl a fool: is that it?"
"Christine!"
"Raoul, why do you condemn a man whom you have never seen, whom no oneknows and about whom you yourself know nothing?"
"Yes, Christine ... Yes ... I at least know the name that you thoughtto keep from me for ever ... The name of your Angel of Music,mademoiselle, is Erik!"
Christine at once betrayed herself. She turned as white as a sheet andstammered: "Who told you?"
"You yourself!"
"How do you mean?"
"By pitying him the other night, the night of the masked ball. Whenyou went to your dressing-room, did you not say, 'Poor Erik?' Well,Christine,
there was a poor Raoul who overheard you."
"This is the second time that you have listened behind the door, M. deChagny!"
"I was not behind the door ... I was in the dressing-room, in the innerroom, mademoiselle."
"Oh, unhappy man!" moaned the girl, showing every sign of unspeakableterror. "Unhappy man! Do you want to be killed?"
"Perhaps."
Raoul uttered this "perhaps" with so much love and despair in his voicethat Christine could not keep back a sob. She took his hands andlooked at him with all the pure affection of which she was capable:
"Raoul," she said, "forget THE MAN'S VOICE and do not even remember itsname... You must never try to fathom the mystery of THE MAN'S VOICE."
"Is the mystery so very terrible?"
"There is no more awful mystery on this earth. Swear to me that youwill make no attempt to find out," she insisted. "Swear to me that youwill never come to my dressing-room, unless I send for you."
"Then you promise to send for me sometimes, Christine?"
"I promise."
"When?"
"To-morrow."
"Then I swear to do as you ask."
He kissed her hands and went away, cursing Erik and resolving to bepatient.
Fantôme de l'Opéra. English Page 11