I was living near Columbia in ’68, in a seedy residence hotel on 114th Street, where I had one medium-big room plus kitchen and bathroom privileges, cockroaches at no extra charge. It was the very same place where I had lived as an undergraduate in my junior and senior years, 1955–56. The building had been going downhill even then and was an abominable hellhole when I came back to it twelve years later—the courtyard was littered with broken hypodermic needles the way another building’s courtyard might be littered with cigarette butts—but I have an odd way, maybe masochistic, of not letting go of bits of my past however ugly they may be, and when I needed a place to live I picked that one. Besides, it was cheap—$14.50 a week—and I had to be close to the University because of the work I was doing, researching that Israel book. Are you still following me? I was telling you about my first acid trip, which was really Toni’s trip.
We had shared our shabby room nearly seven weeks—a bit of May, all of June, some of July—through thick and thin, heat waves and rainstorms, misunderstandings and reconciliations, and it had been a happy time, perhaps the happiest of my life. I loved her and I think she loved me. I haven’t had much love in my life. That isn’t intended as a grab for your pity, just as a simple statement of fact, objective and cool. The nature of my condition diminishes my capacity to love and be loved. A man in my circumstances, wide open to everyone’s innermost thoughts, really isn’t going to experience a great deal of love. He is poor at giving love because he doesn’t much trust his fellow human beings: he knows too many of their dirty little secrets, and that kills his feelings for them. Unable to give, he cannot get. His soul, hardened by isolation and ungivingness, becomes inaccessible, and so it is not easy for others to love him. The loop closes upon itself and he is trapped within. Nevertheless I loved Toni, having taken special care not to see too deeply into her, and I didn’t doubt my love was returned. What defines love, anyway? We preferred each other’s company to the company of anyone else. We excited one another in every imaginable way. We never bored each other. Our bodies mirrored our souls’ closeness: I never failed of erection, she never lacked for lubrication, our couplings carried us both to ecstasy. I’d call these things the parameters of love.
On the Friday of our seventh week Toni came home from her office with two small squares of white blotting paper in her purse. In the center on each square was a faint blue-green stain. I studied them a moment or two, without comprehending.
“Acid,” she said finally.
“Acid?”
“You know. LSD. Teddy gave them to me.”
Teddy was her boss, the editor-in-chief. LSD, yes. I knew. I had read Huxley on mescaline in 1957. I was fascinated and tempted. For years I had flirted with the psychedelic experience, even once attempting to volunteer for an LSD research program at the Columbia Medical Center. I was too late signing up, though; and then, as the drug became a fad, came all the horror stories of suicides, psychoses, bad trips. Knowing my vulnerabilities, I decided it was the part of wisdom to leave acid to others. Though still I was curious about it. And now these squares of blotting paper sitting in the palm of Toni’s hand.
“It’s supposed to be dynamite stuff,” she said. “Absolutely pure, laboratory quality. Teddy’s already tripped on a tab from this batch and he says it’s very smooth, very clean, no speed in it or any crap like that. I thought we could spend tomorrow tripping, and sleep it off on Sunday.”
“Both of us?”
“Why not?”
“Do you think it’s safe for both of us to be out of our minds at the same time?”
She gave me a peculiar look. “Do you think acid drives you out of your mind?”
“I don’t know. I’ve heard a lot of scary stories.”
“You’ve never tripped?”
“No,” I said. “Have you?”
“Well, no. But I’ve watched friends of mine while they were tripping.” I felt a pang at this reminder of the life she had led before I met her. “They don’t go out of their minds, David. There’s a kind of wild high for an hour or so when things sometimes get jumbled up, but basically somebody who’s tripping sits there as lucid and as calm as—well, Aldous Huxley. Can you imagine Huxley out of his mind? Gibbering and drooling and smashing furniture?”
“What about the fellow who killed his mother-in-law while he was on acid, though? And the girl who jumped out of a window?”
Toni shrugged. “They were unstable,” she said loftily. “Perhaps murder or suicide was where they were really at, and the acid just gave them the push they needed to go and do it. But that doesn’t mean you would, or me. Or maybe the doses were too strong, or the stuff was cut with some other drug. Who knows? Those are one-in-a-million cases. I have friends who’ve tripped fifty, sixty times, and they’ve never had any trouble.” She sounded impatient with me. There was a patronizing, lecturing tone in her voice. Her esteem for me seemed clearly diminished by these old-maid hesitations of mine; we were on the threshold of a real rift. “What’s the matter, David? Are you afraid to trip?”
“I think it’s unwise for both of us to trip at once, that’s all. When we aren’t sure where the stuff is going to take us.”
“Tripping together is the most loving thing two people can do,” she said.
“But it’s a risky thing. We just don’t know. Look, you can get more acid if you want it, can’t you?”
“I suppose so.”
“Okay, then. Let’s do this thing in an orderly way, one step at a time. There’s no hurry. You trip tomorrow and I’ll watch. I’ll trip on Sunday and you’ll watch. If we both like what the acid does to our heads, we can trip together next time. All right, Toni? All right?”
It wasn’t all right. I saw her begin to speak, begin to frame some argument, some objection; but also I saw her catch herself, back up, rethink her position, and decide not to make an issue of it. Although I at no time went into her mind while this process was going on, her facial expressions made her sequence of thoughts wholly evident to me. “All right,” she said softly. “It isn’t worth a hassle.”
Saturday morning she skipped breakfast—she’d been told to trip on an empty stomach—and, after I had eaten, we sat for a time in the kitchen with one of the squares of blotting paper lying innocently on the table between us. We pretended it wasn’t there. Toni seemed a little clutched; I didn’t know whether she was bothered about my insisting that she trip without me or just troubled, here at the brink of it, by the whole idea of tripping. There wasn’t much conversation. She filled an ashtray with a great dismal mound of half-smoked cigarettes. From time to time she grinned nervously. From time to time I took her hand and smiled encouragingly. During this touching scene various of the tenants with whom we shared the kitchen on this floor of the hotel drifted in and out. First Eloise, the sleek black hooker. Then Miss Theotokis, the grim-faced nurse who worked at St. Luke’s. Mr. Wong, the mysterious little roly-poly Chinese who always walked around in his underwear. Aitken, the scholarly fag from Toledo, and his cadaverous mainlining roommate, Donaldson. A couple of them nodded to us but no one actually said anything, not even “Good morning.” In this place it was proper to behave as though your neighbors were invisible. The fine old New York tradition. About half past ten in the morning Toni said, “Get me some orange juice, will you?” I poured a glass from the container in the refrigerator that was labeled with my name. Giving me a wink and a broad toothy smile, all false bravado, she wadded up the blotting paper and pushed it into her mouth, bolting it and gulping the orange juice as a chaser.
“How long will it take to hit?” I asked.
“About an hour and a half,” she said.
In fact it was more like fifty minutes. We were back in our own room, the door locked, faint scratchy sounds of Bach coming from the portable phonograph. I was trying to read, and so was Toni; the pages weren’t turning very fast. She looked up suddenly and said, “I’m starting to feel a little funny.”
“Funny how?”
“D
izzy. A slight touch of nausea. There’s a prickling at the back of my neck.”
“Can I get you anything? Glass of water? Juice?”
“Nothing, thanks. I’m fine. Really I am.” A smile, timid but genuine. She seemed a little apprehensive but not at all frightened. Eager for the voyage. I put down my book and watched her vigilantly, feeling protective, almost wishing that I’d have some occasion to be of service to her. I didn’t want her to have a bad trip but I wanted her to need me.
She gave me bulletins on the progress of the acid through her nervous system. I took notes until she indicated that the scratching of pencil against paper was distracting her. Visual effects were beginning. The walls looked a trifle concave to her, and the flaws in the plaster were taking on extraordinary texture and complexity. The color of everything was unnaturally bright. The shafts of sunlight coming through the dirty window were prismatic, shattering and spewing pieces of the spectrum over the floor. The music—I had a stack of her favorite records on the changer—had acquired a curious new intensity; she was having difficulty following melodic lines, and it seemed to her that the turntable kept stopping and starting, but the sound itself, as sound, had some indescribable quality of density and tangibility that fascinated her. There was a whistling sound in her ears, too, as of air rushing past her cheeks. She spoke of a pervading sense of strangeness—“I’m on some other planet,” she said twice. She looked flushed, excited, happy. Remembering the terrible tales I had heard of acid-induced descents into hell, harrowing accounts of grueling bummers lovingly recounted for the delight of the millions by the diligent anonymous journalists of Time and Life, I nearly wept in relief at this evidence that my Toni would come through her journey unscathed. I had feared the worst. But she was making out all right. Her eyes were closed, her face was serene and exultant, her breathing was deep and relaxed. Lost in transcendental realms of mystery was my Toni. She was barely speaking to me now, breaking her silences only every few minutes to murmur something indistinct and oblique. Half an hour had passed since she first had reported strange sensations. As she drifted deeper into her trip, my love for her grew deeper also. Her ability to cope with acid was proof of the basic toughness of her personality, and that delighted me. I admire capable women. Already I was planning my own trip for the next day—selecting the musical accompaniment, trying to imagine the sort of interesting distortions of reality I’d experience, looking forward to comparing notes with Toni afterward. I was regretting the cowardice that had deprived me of the pleasure of tripping with Toni this day.
But what is this, now? What’s happening to my head? Why this sudden feeling of suffocation? The pounding in my chest? The dryness in my throat? The walls are flexing; the air seems close and heavy; my right arm is suddenly a foot longer than the left one. These are effects Toni had noticed and described a little while ago. Why do I feel them now? I tremble. Muscles leap about of their own accord in my thighs. Is this what they call a contact high? Merely being so close to Toni while she trips—did she breathe particles of LSD at me, have I inadvertently turned on through some contagion of the atmosphere?
“My dear Selig,” says my armchair smugly, “how can you be so foolish? Obviously you’re picking these phenomena right out of her mind!”
Obviously? Is it so obvious? I consider the possibility. Am I reading Toni without knowing it? Apparently I am. In the past some effort of concentration, however slight, has always been necessary in order for me to manage a fine-focus peep into another head. But it seems that the acid must intensify her outputs and bring them to me unsolicited. What other explanation can there be? She is broadcasting her trip; and somehow I have tuned to her wavelength, despite all my noble resolutions about respecting her privacy. And now the acid’s strangenesses, spreading across the gap between us, infect me as well.
Shall I get out of her mind?
The acid effects distract me. I look at Toni and she seems transformed. A small dark mole on her lower cheek, near the corner of her mouth, flashes a vortex of blazing color: red, blue, violet, green. Her lips are too full, her mouth too wide. All those teeth. Row upon row upon row, like a shark. Why have I never noticed that predatory mouth before? She frightens me. Her neck elongates; her body compresses; her breasts move about like restless cats beneath her familiar red sweater, which itself has taken on an ominous, threatening purplish tinge. To escape her I glance toward the window. A pattern of cracks that I have never been aware of before runs through the soiled panes. In a moment, surely, the shattered window will implode and shower us with fiery fragments of glass. The building across the street is unnaturally squat today. There is menace in its altered form. The ceiling is coming toward me, too. I hear muffled drumbeats overhead—the footsteps of my upstairs neighbor, I tell myself—and I imagine cannibals preparing their dinner. Is this what tripping is like? Is this what the young of our nation have been doing to themselves, voluntarily, even eagerly, for the sake of amusement?
I should turn this off, before it freaks me altogether. I want out.
Well, easily done. I have my ways of stopping down the inputs, of blocking the flow. Only they don’t work this time. I am helpless before the power of the acid. I try to shut myself away from these unfamiliar and unsettling sensations, and they march onward into me all the same. I am wide open to everything emanating from Toni. I am caught up in it. I go deeper and deeper. This is a trip. This is a bad trip. This is a very bad trip. How odd: Toni was having a good trip, wasn’t she? So it seemed to one outside observer. Then why do I, accidentally hitchhiking on her trip, find myself having a bad one?
Whatever is in Toni’s mind floods into mine. Receiving another’s soul is no new experience for me, but this is a transfer such as I have never had before, for the information, modulated by the drug, comes to me in ghastly distortions. I am an unwilling spectator in Toni’s soul, and what I see is a feast of demons. Can such darkness really live within her? I saw nothing like this those other two times: has the acid released some level of nightmare not accessible to me before? Her past is on parade. Gaudy images, bathed in a lurid light. Lovers. Copulations. Abominations. A torrent of menstrual blood, or is that scarlet river something more sinister? Here is a clot of pain: what is that, cruelty to others, cruelty to self? And look how she gives herself to that army of monstrous men! They advance mechanically, a thundering legion. Their rigid cocks blaze with a terrible red light. One by one they plunge into her, and I see the light streaming from her loins as they plow her. Their faces are masks. I know none of them. Why am I not on line too? Where am I? Where am I? Ah, there: off to one side, insignificant, irrelevant. Is that thing me? Is that how she really sees me? A hairy vampire bat, a crouching huddled bloodsucker? Or is that merely David Selig’s own image of David Selig, bouncing between us like the reflections in a barber shop’s parallel mirrors? God help me, am I laying my own bad trip on her, then reading it back from her and blaming her for harboring nightmares not of her own making?
Dying Inside Page 5