Painting Mona Lisa aka I, Mona Lisa

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Painting Mona Lisa aka I, Mona Lisa Page 49

by Jeanne Kalogridis


  There are, of course, fascinating men. I always adored Leonardo because he was passionately interested in everything and pursued knowledge without the encumbrance of a formal education. Vlad the Impaler is another favorite of mine, for much grislier reasons, as is Cesare Borgia.

  “While I adhered to my historical time line-to the very day, where the Medici and other historical figures were involved-I took advantage of the freedom offered by Lisa’s relative anonymity.”

  Are you currently working on another book? And if so, what-or who-is your subject?

  Yes, I’m working on The Bloodiest Queen, a novel about Catherine de’ Medici. When I was working on I, Mona Lisa, I became fascinated by the Medici family, and so did some extracurricular reading. Catherine was a brilliant, shrewd, strong woman who overcame a horrific childhood to become queen of France. I was immediately drawn to her for three reasons: first, she is arguably the most capable, intelligent person ever to rule France; second, she is blamed for the worst bloodshed in French history, the St. Bartholomew’s Day Massacre; and third, she was obsessed by the occult and an intimate of Nostradamus.

  ***

  Historical Perspective

  The Medici Family of Florence: A Time Line

  April 26, 1478

  Lorenzo’s brother, Giuliano de’ Medici, is murdered in the cathedral of Santa Maria della Fiore

  December 1479

  Leonardo da Vinci sketches the executed Bernardo Baroncelli

  March 15, 1479

  Recorded date of Lisa di Antonio Gherardini’s birth

  1482

  Leonardo leaves Florence for Milan

  April 8, 1492

  Lorenzo de’ Medici dies

  November 8, 1494

  Piero de’ Medici and his brothers are expelled from Florence

  Medici brothers eventually settle in Rome

  November 17, 1494

  Charles VIII of France and his army enter Florence

  March 5, 1495

  Lisa Gherardini marries Francesco del Giocondo

  February 7, 1497

  Savonarola’s “bonfire of the vanities”

  April 7, 1498

  The infamous “trial by fire”

  May 23, 1498

  Savonarola executed

  December 28, 1503

  Piero di Lorenzo de’ Medici drowns in the Garigliano River

  August 1512

  Giuliano di Lorenzo de’ Medici welcomed home as Florence’s ruler

  March 11, 1513

  Giovanni di Lorenzo de’ Medici elected Pope (Leo X)

  1516

  Leonardo travels to France. King Francis I purchases the Mona Lisa. The painting remains in France at the Louvre Museum to this day.

  Recommended Reading

  Brucker, Gene A.

  Renaissance Florence .

  Berkeley: University of California Press, 1983.

  Gatti, Claudio, in association with the

  International Herald Tribune.

  Florence in Detail: A Guide

  for the Expert Traveler.

  New York: Rizzoli, 2003.

  Kent, F. W.

  Lorenzo de’ Medici and the Art of Magnificence.

  Baltimore: The Johns Hopkins University Press,

  2004.

  Letze, Otto and Thomas Buchsteiner.

  Leonardo da Vinci: Scientist, Inventor, Artist.

  Ostfildern: Hatje Cantz Publishers, 1997.

  Martines, Lauro.

  April Blood: Florence and the Plot

  Against the Medici.

  New York: Oxford University Press, 2003.

  Vasari, Giorgio.

  The Lives of the Artists.

  New York: Oxford University Press, 1998.

  da Vinci, Leonardo.

  A Treatise on Painting.

  Amherst, N.Y.: Prometheus Books, 2002.

  Reading Group Questions

  1. Few works of art are as romanticized, celebrated, and reproduced as the Mona Lisa. How did reading this book teach you about-or change your impression of-the art world’s most famous face? Has anyone in the group ever seen it in person?

  2. Beautiful, enigmatic, sly, foreboding…many adjectives have been used to describe Lisa’s portrait. But what words would you use to describe Lisa’s character? Also, take a moment to talk about her role-as an only daughter, married woman, and member of the upper class-in Florentine society. How was Lisa different from other women of her era? Do you think she was a woman ahead of her time?

  3. Lisa is told by her astrologer that she is “caught in a cycle of violence, of blood, and deceit.” To what extent does Lisa let fate dictate her actions? Do you believe in fate? Discuss the themes of prophecy in I, Mona Lisa.

  4. In addition to being religious, many of those we meet in the book become fanatic-and commit acts of violence to justify their beliefs. What was it that led Antonio, Baroncelli, and Savonarola to behave the way they did? Do you condone any of their actions? Do you have any sympathy for them?

  5. Who do you think bears the true responsibility for the deaths of Giuliano the Elder and Anna Lucrezia? How do the various characters-from Lisa to Antonio to Lorenzo-deal with the guilt, trauma, and mystery surrounding the deaths of those they love?

  6. What is significant about the third man involved in Giuliano’s murder? How does this element of mystery drive the narrative?

  7. I, Mona Lisa is a novel about truth and beauty, art and artifice. It is also about family-in all its glory and bloodshed. How important is the notion of family to each of the main characters? Which relationships are the most “real” to you in this book?

  8. Do you believe that a picture is worth a thousand words? Can a work of art-a painting, a book-ever truly capture a person’s essence? Did Leonardo’s portrait of Lisa capture hers?

  9. When Lisa views her cartoon she remarks that Leonardo’s “recall of [her] features is astonishing…more sacred, more profound than any image rendered by [a] mirror.” Why do you think she feels this way? Does Leonardo see himself in Lisa? What personality traits do you think they both share?

  10. Leonardo is more than just an artist: He doesn’t just view society from a distance; he is a member of a powerful inner circle. What does I, Mona Lisa suggest about the role and function of art during the Florentine era? Was it more or less political than it is now?

  11. What, do you think, is the meaning of the last sentence of the book?

  Jeanne Kalogridis

  ***

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