by John Burdett
“I thought we were going to the secret rooms.”
She raises a finger to her lips. “Don’t worry, I have a key card.” She dips into the depths of her gown to show me a plastic card with a magnetic strip. “The doorman owes me some favors. I told him you are my very special boyfriend and I wanted to make love with you in one of the secret rooms. This card is the master key: it opens all the doors over there.” I smile. “Maybe you’ll change your mind about having sex with me when you see the room.”
She leads me down a fire escape to a utility area on the ground floor, then uses the key card to open a drab door that leads into a heavily carpeted area and a lift with a padded red-leather door. The lift also has a thick red carpet and zips up to the top floor in seconds.
The doors open out into a fascinating playground. TV monitors show alternating scenes of Paris, Venice, Rome, and fellatio. Nok shows how to change channels to get the erotic image of your choice: any position from the Kama Sutra and many more not contemplated by even that optimistic text. The ceilings are high, gilded but less ornate than the public area. All in all there has been an input of improved taste in the decor, with less emphasis on velvet and crimson. The centerpiece is an Olympic-size indoor swimming pool, from which steam rises in elusive wisps. It is amoeba shaped with plenty of Davids, Zeuses, and Poseidons slouching around the edges and a couple of live nymphs naked and splashing each other. I guess they got active when they heard the lift arrive. Nok waves to them through the magic mist, and they wave back.
“This is my boyfriend,” she explains.
“Want to share him?”
“No.”
She tosses her head with a defiant smile and leads me by the hand down a corridor off the pool area. Silence save for the bustling of her gown and dripping water from the pool. I count only three doors here, and Nok confirms that there are indeed only three private rooms. There isn’t enough space for more.
I see what she means when she opens one of the doors. The room must be more than a thousand square feet with a large kidney-shaped Jacuzzi in the middle. Towels, soaps, gels, and massage lotions with Parisian pedigrees are neatly set out around it, and there are mirrors everywhere. On high shelves what look like priceless antiques in porcelain and jade stand guard. My eyes rest for a moment on a jade reclining Buddha of exquisite workmanship about eighteen inches long, which amounts to a lot of jade. “Everything’s authentic,” Nok says, following my gaze. The bed, which is larger than king size, waits about ten yards away. What impresses, however, are the LCD monitors, some of them enormous, that populate the walls like paintings. I see there are plenty of closed-circuit cameras too. I guess that armed with a remote one could zoom in on genital activity, whether one’s own or someone else’s, from any point in the room. We exchange a glance, Nok and I.
“This is Tanakan’s room,” she confesses, finally bringing herself to pronounce her tormentor’s name.
I’d not heard her attribute any of the three private rooms to any particular member before; now that she has done so, many things clarify. I want to ask more, but she takes my hand to the edge of the giant Jacuzzi and starts to undress me. “We can at least bathe together,” she says. I want to refuse, but her tone has changed from erotic banter to sad and needy. When I am naked, she quickly strips herself, leaving her gown in a heap by the side of the Jacuzzi, and pulls me behind her into the warm water.
“He brought you here often, didn’t he?”
She looks away. “You’re so intuitive. That’s how you survive, isn’t it? Pure instinct. I believe you when you say you come from a poor background. Only the poor and people in jail develop such instincts.” She sighs. “Yes, a lot. At one time I was his favorite. He has a kind of clockwork lust. Each girl lasts almost exactly six months, before he dumps her and finds another.”
“But I thought—”
“I know what I told you. I have my pride. He was a sadistic bastard, but he was also”—she waves a hand—“incredible.”
“Damrong took him away from you?”
She gives me a sharp look. “It doesn’t work that way with the X members. The men call the shots.” A sigh. “I was coming to the end of my six months anyway. The mamasan told him about a new girl. I got the push the next day. But Damrong was very gracious about it, and she did give me half the money he gave her on her first night. A real pro and a good heart. It was a joke between us that she took my Saturday-night whipping for me.”
Suddenly, without warning, the water jets all around the circumference of the huge Jacuzzi switch on at full power. My heart rate doubles, and Nok is in my arms, naked, wet, scared, pressing her face into my shoulder. “It’s okay,” I say. “We must have triggered a switch or something.”
She clings to me for a full minute before I can disentangle her and set her down again. I have to let a few beats pass while she recovers. “You don’t know him,” she says by way of explanation.
I let a couple more beats pass. “Six months is quite a long time to be intimate with someone. You must have talked about more than the price of massage oil.” Her pain is haunting and far more attractive than her standard seduction routine. I hold one of her fingers under the water, which causes her to flash me a glance. “You were in love with him, despite his sadistic tastes?”
“He knows how to do that. How to make a woman have strong sexual feelings toward him. How to make her lust for him.”
“A lot of men would like to know how to do that.”
“With his money and power, it’s not so difficult. Little by little he takes over your whole life until there is nothing but him. You become obsessed with him, whether you want to or not. A lot of women like to be forced to focus. I suppose I’m one of them.” Looking away at the reclining Buddha: “I guess what makes it all bearable is feeling his pain, even while he’s hurting you. It’s a kind of twisted love, I suppose.”
“Is that what happened to Damrong?”
A wan smile. “No. She was different. She was stronger than him.” A quick glance at me, then away: “That’s why she had to die, isn’t it?” She suddenly decides to duck down, then rise up again with the water dripping from her body, as if she has been baptized.
“I don’t know,” I say. “That’s why I’m here. I think Tanakan’s psychology is the key. You must have learned something about him.”
“Wait,” she says. I watch while she gets out of the Jacuzzi. As with the exquisite vases and jade works, her body and limbs are in perfect proportion, just like Damrong’s. “Let’s have some music.” She goes to an electronic touchpad near the door, and a long, low note seems to emerge from everywhere. I recognize a Zen flute, with its long, dry, haunted yearning for infinity. She comes back to the Jacuzzi, smiling. She beckons for me to put my head under water, where the sound is still more haunting; a liquid pleading for a borderless eternity whose center is everywhere.
She nods with a grave expression and picks up where the conversation left off. “Oh, yes. He’s smart enough to realize that even a whore needs something to go on if the affair is going to last six months. He’s quite good at sharing his heart.” Her left hand emerges from the water for a moment, caresses my chest, before giving up and returning to the water. “That’s the other side to him, what makes you forgive his rage when he fucks you. You have to understand, he’s no charging bull. More like a python waiting to strike.”
“So, who screwed him up?”
“I think Thai society did. His father was a Chinese businessman who operated on the borders between Thailand, Burma, Laos, and China.”
“Opium?”
“I think so. Tanakan didn’t go into specifics, I think his father traded whatever he could sell. Jade was one of his principal plays.” She waves a hand at the high shelves. “Tanakan is a world authority on jade.”
“I see. And his mother?”
“A Thai whore, of course. She was third or fourth wife, I can’t remember which. All the wives lived together in a big house in Chiang Rai, and he
and his mother came last in the pecking order. He showed me a photograph of her. I thought that meant he was really serious about me, but when I checked with the other girls who had been with him, they told me he showed them the picture as well. She was incredibly beautiful. You can see it, even in the snapshot. One of those Isaan girls, you know?”
I nod. The rare Isaan beauty, product of hardship like a wild rose growing out of a crevice, is one of those phenomena people in the Game often talk about. It is as if nature takes revenge on a thousand years of feudal repression by occasionally producing fruit of a quality no upper-class girl ever comes near.
“According to him, she was hard as nails. She didn’t show a lot of affection, but she knew how to get enough dough out of his father to send her son to the best schools. Of course, everyone in his class knew what his mother was. He developed a need to win at any price.” She waves an elegant hand to take in the priceless vases on the shelves, the jade, the astonishing opulence. “He’s proud of that. He thinks his mother made a real man of him, a warrior. He doesn’t think she screwed him up at all, merely prepared him for reality as she saw it. Maybe she was right. How should a woman like that—like me, for example—bring up a boy, knowing what we know about the world? Should we pretend it’s all Disney?”
“My mother was on the Game too,” I confess.
She wrinkles her brow. “Somehow I knew that.”
“Statistically, it’s quite likely. Prostitution has been a major industry in Thailand for three hundred years. Most family trees are dominated by courtesans.” I want to stop her needy hand from sliding any farther down my body, so I say, “Excuse me, I have to pee,” and get out of the Jacuzzi.
The bathroom is at the far end of the room and crammed with shiny stainless-steel gadgetry. I examine the power shower for five minutes to kill time and control myself: that’s quite a stalk she was provoking. When I try to leave the bathroom, though, I find the door locked. Gently at first, then with greater ferocity, I pound on the door, kick it. Finally I ram it with my shoulder, and it bursts open. When I reach the Jacuzzi, she is floating facedown. Somehow the jets have turned themselves on again. At first I think she must be listening to the music.
I squat down by the edge of the water, waiting for her to raise her head. Little by little the color of the water turns to a delicate churning rose. I turn wildly and run naked around the huge room. I can find no entrance other than the one we used, but this is a smart bedroom, with clever devices everywhere. At the pad near the door I press a rectangle named “water jets,” and the turbulence stops. A long diaphanous pink stream emerges from her throat in harmony with the infinite yearning of the Zen flute. I slip into the water to turn her over and examine the fatal gash just under her Adam’s apple.
Fresh corpses are hard to maneuver. It takes me more than ten minutes of clumsy clutching and sliding before I can get her onto the side of the Jacuzzi. The best I can do is to lay her out respectfully with her arms crossed and to cover her with a silk sheet from the bed.
By the time I reach the door, depression has set in which quite eclipses fear. I am profoundly sorry to have been the cause of her death. When I emerge into the central area where the nymphs are still hanging out in the pool, they observe the expression on my face.
“What happened? Did you come too soon?”
Without answering I take the elevator down to the ground floor. The footman, I’m thinking—he must have told Tanakan what she was up to.
In the back of a cab I call the FBI. “At least we know where the crime took place,” I tell her. “Damrong’s death was filmed there—I recognized the reclining jade Buddha.”
“What are you going to do?”
“Nothing.”
“A woman’s murdered in front of your eyes, and you’re not going to do anything? Why don’t you arrest Tanakan?”
“Vikorn wouldn’t let me,” I explain. “He’s blackmailing him already.”
“He’s that corrupt?”
“You don’t understand. It’s a question of honor—that’s why Tanakan is playing along. So long as he does, Vikorn is bound to protect him. Even though it’s expensive, it’s actually to Tanakan’s advantage to accept the squeeze.”
“You’re right, I don’t understand.”
“Just think Wall Street,” I say, and close the phone.
Standing on the sidewalk outside my hovel, I think about making a second call. It’s two forty-five A.M., but the person I’m thinking of calling is notorious for her insomnia. She answers on the second ring, not a note of sleepiness in her voice. Because it’s so late and the street so silent, I whisper, “Sorry if I woke you.”
“Sonchai? It’s okay, you didn’t wake me. But why are you up so late?”
“Sometime today a corpse will be delivered to you. It will be of a young woman whose nickname is Nok. Her throat will be cut just below the Adam’s apple.”
A long pause. Something in her tone tells me this is not the first time she has received this kind of call. “What do you want me to do? Please don’t ask me to cover up.”
I’m overwhelmed by a flashback: Nok, naked, floating facedown, a pale pink stream from her neck like a gossamer scarf undulating in the water. “The opposite, Dr. Supatra,” I say. “I want to know who is in charge of the cover-up.”
I’m exhausted and wired both. The processing unit between my ears is buzzing like a hornet’s nest, but my limbs are so weary I can hardly move them. I know I’m not going to be able to sleep whatever happens; why put off until tomorrow the humiliation that could be mine tonight? The only precaution I take is to enter my hovel silently, careful not to disturb Chanya and the Lump, take my service revolver out from under the mattress where I left it, and go out again into the street. When a cab stops, I tell the driver to take me back to the Parthenon. I get out about a hundred yards before the club, though, pay off the driver, and wait. It is four twenty-three by the clock on my cell phone. The last of the girls are leaving, wearing jeans and T-shirts, saying goodnight to one another in tired tones. The men who work mostly behind the scenes are going home too. From a dark corner I wait until everyone has gone; almost everyone. A tall, closed van of the kind used for wholesale food deliveries draws up. In the blaze of the Parthenon’s entrance lights I recognize the doorman, who has changed out of his uniform and is now in shorts and singlet. The arrival of the body bag from out of the building and its delivery into the back of the van takes less than twenty seconds. Now the van is gone, and only the doorman is left, staring after it. He fishes a cell phone from his pocket, listens to it for a moment, then stares down the soi in my direction.
Suddenly the hunter is hunted. I wait like a scared rabbit while he unhurriedly walks down the soi until he has found me. I know that the distortion in the right pocket of his shorts is caused by the cell phone; a gun would be bigger. Nor does he look especially lethal in his physique: a couple of inches shorter than me, about forty-five with a potbelly.
Now he is peering curiously at me. “Are you going to assassinate me tonight?” he asks. He reaches out with both hands to pull me by the lapels of my jacket. It’s not an aggressive move, and I wonder what he has in mind until I realize he is dragging me toward a streetlamp. He positions us so that I can get a good look at his face. It is twisted in spiritual agony. He prods at the gun in my pocket.
“Why don’t you kill me? I would consider it a favor.” I stare into his anguish. He swallows hard. “My wife and daughter are both servants in his mansion. He treats them well. They’re not beautiful, so he never lays a hand on them. But I’m his slave. I hope you understand.”
20
“A body fitting the description you gave last night arrived at the morgue at six this morning,” Dr. Supatra says. She has called while I’m getting dressed. Chanya is at the wat begging the Buddha to overlook her former profession and provide a healthy, happy, and above all lucky baby.
“Who brought it?”
“Detective Inspector Kurakit.”
“At an apartment rented by the deceased.”
“You were not invited to investigate the scene?”
“No.”
“Thanks,” I say, and close the phone.
I call Manny, Vikorn’s secretary, to ask her to put me through to the boss. I can tell by her tone that she’s been primed already. “He’s out at a meeting.”
“No, he’s not.”
“He’s very busy, Detective. I’m not sure he’s got time for you today.”
“I want to know why I’m not on the new murder case that came in this morning.”
“Do you want me to ask him for you?”
“No. He’ll say it’s because I have my hands full already. I want to speak to him.”
“I’ll see what I can do.”
No call comes, of course. Our protocol is of such rigidity that he might as well have taken a trip to the moon—there is no way of getting to him if he doesn’t want to see me. I guess I’ll have to try to deal with Kurakit. It would have to be him, of course.
We don’t hate each other, for the simple reason that to hate another person you have to understand them on some level. Kurakit is as baffled by me as I am by him. From his point of view, I’m an idiot who should never have been recruited in the first place. A devout Buddhist and a former soldier, to Kurakit and millions like him, life is very simple: find a billet, identify the boss, do whatever he tells you to do, and accept the promotions that follow. To him, my complicated psychology is a sure sign of insanity. He has, of course, been warned that I might call.