“Was she going to live here?”
“I think Val wanted to make it a country retreat for her kids.”
“Kids?”
“The girls she took care of. I don’t know what to do with it now.”
“Where’s your father?”
“I don’t know that either. We’ve only been here a few days. We were waiting for him. I think all that happens in this country is you get sucked in like quicksand and you can never get out. I hate it. It killed Val, and maybe it killed my dad. Fuck Russia, you know?” Her tone was defiant but her eyes were full of tears.
“When did you talk to him, to Tolya?”
“Over a week? Sunday? Maybe Monday. He was in London. He promised to come. He said, I’ll meet you. Wait for me. I’m still waiting. I called somebody in New York. Val’s body is still there.”
“You knew about Val when?”
“From my mom.”
I thought of something, “Do you ride a red Vespa?” I asked.
“Yes, why?”
“Somebody saw you on it not long before Val was murdered.”
“I brought it to the city, to New York. I was intending to give it to Val for a present, because I needed a car in Boston. I didn’t go right over to her place, I just rode around and saw friends, and I went out that night. My God, she was still alive while I was riding that fucking scooter, and I was too late after that. Somebody thought I was Val, is that right?”
“Yes.”
“I could have saved her.”
“No. Grisha killed her.”
“I’m glad the bastard is dead. Over in Barvika, they’re all talking about it, boo hoo. I bet he fucked every one of those stupid girls. All they want is to marry an oligarch,” said Molly. “I’m glad he’s dead.” I’m really glad you’re here. My dad always talks about you, like all the time. Like you would know how to deal with this kind of shit. He said if I was ever in trouble, and he was away, I should call you.”
I took a cigarette from her and we lit up and smoked for a few seconds in silence.
“We need to go inside the house,” I said finally.
“You think he’s here?” She glanced at the house where the windows were dark. “Maybe he’s hiding from somebody,” she said. “I need him to be here now,” she said. “I’m scared to go in.”
“Why?”
“I think I’ll find him in there. You know, not alive.”
“Why would he be hiding, who from?”
“It’s the elephant in the room, isn’t it Artie?”
“Yeah.”
“If Daddy knew Grisha killed my sister, what would he do?” said Molly. “He’s not like other people’s dads, you know? This is what we’re not saying, that if he found Grisha, that would be it. And then they’d get my dad, too, they’d put him away for murder.”
The light was fading, Russia closing in on us. I moved towards the house.
“Molly, look, I should tell you, just in case, I have a gun. I just don’t want to freak you out. Okay?”
She smiled.
“Oh, Artie, honey, I grew up in Florida, I’m like from America, from real America, from Florida where they fuck with the elections and everybody has guns,” she said. “It’s the American religion, you know that. My mother has a gun, for Pete’s sake, honey.” Molly had a slight Southern accent, and the sweet look of somebody who had been happy most of her life. She was a nice girl.
One hand in Molly’s, we went through the high gates, which were unlocked, then we stumbled through the weeds to the house.
The front door was locked. It had glass panes in the top half, and one was broken. I pushed it, and it fell in. I managed to push another one of the panes in too, and I heard it shatter lightly on wide planks inside the house.
It was very quiet. I listened to the house through the broken window. I couldn’t hear anything except a faint creaking noise, maybe a breeze, or a rat. Mice. Nobody was here. Sverdloff wasn’t here. Was he? It was a big house, two storeys. I listened some more.
“Let’s go,” said Molly. “Come on.”
I reached through the broken glass and found the doorknob, and turned it. The door opened and together we went inside the house.
CHAPTER FIFTY-THREE
Like a dog uncertain of what it was hearing, I stood in the doorway. Molly tried to go ahead. I tried to stop her, I put my arm out, but she went in anyway. She had a little flashlight in her purse. She turned it on and it made a narrow cone of light in the dark house. The old wide oak planks creaked under her feet.
“Molly?”
“Just wait, Artie,” she said, and I lost sight of her as she moved through the square hallway into the living room. “Wait,” she said, her voice echoing back at me. “Wait.”
I could hear her walking away after that, into the house. Her cell phone went off. She talked to it in a whisper and I couldn’t hear the words. I stood still and smelled the dust.
In the distance I saw a fluttering light, then I saw two. There are no ghosts, I told myself, except in the minds of Russians. But not in the real world.
I was beginning to hallucinate. Things swayed with the unreality of this candlelit world. Voices talked into my ear. My hand was ice cold on the metal of my gun. I held it in front of me. I watched the lights.
“You look like you saw something,” said Molly, reappearing. “Like you saw a spook,” she added, holding a couple of candles she had lit. “You okay?” In this light I saw how young she looked, much younger than Valentina had ever seemed.
“Come on,” I said, and we went through the house, one room at a time, looking for something. Anything. I thought I could smell Sverdloff’s aftershave, his cologne, the special scent he had made up for him in Florence in a medieval building on the Arno, he always said. It smelled of grapefruit. It arrived in New York in elaborate packages which contained the cologne in crystal bottles with carved gold stoppers. He had given me a bottle of it for a birthday.
“You smell him, don’t you?” said Molly.
“Yeah.”
“Me too. He always wore that stuff his friend Lorenzo made for him. He tried to get me to wear it. He was here, wasn’t he, Artie? He was in this house.” She spoke calmly, like a young doctor discussing the possibilities of a fatal disease.
“Yes.”
We moved through the rooms together, Molly with her candles.
Most of the furniture had been covered with dustsheets. One of the windows in the main room with its old beamed ceilings was broken, and a bird had left its nest in a corner of the room, high up, under the sloping roof.
In the kitchen, Molly put the candles on the long trestle table, a film of summer dust covering it, a huge tureen in the middle, the old copper samovar on a side table.
Everything the way I remembered it, but suspended in another time, unused now, empty, dusty. Except for the Grape Nuts. At one end of the table was a box of Grape Nuts, and an espresso pot, and a little empty blue tin that had contained caviar.
Molly picked up the pot, and made a face.
“There’s still coffee in here.”
The table looked as if somebody had left in the middle of breakfast. A cup was overturned, a napkin dropped on the floor.
“Only my dad eats Grape Nuts. He’s crazy for them. He always takes them with him. And caviar.” She picked up the little blue tin. “He’s so weird, he buys wine for a grand a bottle and drinks it like Coke, but he won’t travel without a box of Grape Nuts for breakfast, then he’ll have eggs with caviar, you know? Crazy asshole,” said Molly, smiling and then bursting into tears. “Where is he?”
“You okay here for a minute? I want to look around,” I said, after a while, and she nodded.
I left her one of the candles, took the other, and she looked at me and giggled.
“What?”
“You look like some kind of weird phantom, the gun in one hand, the candle in the other. God, Artie, where is he?” She lit a cigarette, and tossed the match in the empty cereal bowl.
“Don’t,” I said.
“Evidence?” she asked, taking it out of the bowl.
“I guess.”
“I was thinking of doing forensics anyhow,” she said. “Med school. I’m not going to be any good with people that are alive, you know,” said Molly.
“Yell if you need me,” I said, and went towards the study and music room that had been Tolya’s father’s domain.
All the time I could smell Tolya. He had been here. He had been here, but he was gone, unless there was something upstairs. I was hallucinating. From the kitchen I heard Molly singing an old Beatles tune.
“Hey Jude”, she sang to herself off key.
In the study, the walls were still jammed with books, books to the ceiling, new and old, in four languages. Records, old LPs were on other shelves.
There was a broken leather sofa under the windows. A big old-fashioned desk was on the other side of the room and above it was a portrait of Tolya’s mother.
I sat at the desk. There must be a caretaker or the house would have been stripped clean. Theft in the countryside had turned into big business. And Russians, like the Brits, once they had the dough, wanted a country life where they could pretend they were gentry. Or intellectuals. Or aristocrats. Or something they had never been and never would be. They could get the trappings. Books and furniture like Sverdloff’s could be cleaned up and sold for a bundle.
The leather-topped desk was scarred but there was no dust. Somebody had been cleaning up for sure. Somebody had been watching the house.
I left the study and climbed the stairs to the bedrooms. I checked all four.
The last room I went into had been Tolya’s when he was a boy. I sat on the lumpy bed with the sagging springs. I looked at the pictures on the wall, pictures of rock bands Tolya had played with and bands he had loved.
I went to the window and pulled up the shade, then pulled it down again. I looked in the closet. I could smell him here. I knew he had been here recently, but where was he? What had happened?
I lay on the bed and stared at the ceiling.
I got on my hands and knees, and looked under the bed.
I lay flat on the floor now, and stretched myself so I could reach all the way under the bed where I saw something yellow on the floor. I reached out and grabbed it, and sat up and leaned against the wall.
It was a huge yellow silk sock, dust balls hanging off it. It was one of Tolya’s socks. It was dusty, but it looked new. It smelled of some fancy talc Tolya used. There were still grains of the powder on the sock.
I knew now Tolya had left the house in a hurry, leaving the cereal and the socks. Nothing to tell me where he had gone, no clues. All I had was the sock, and, in the closet, a shoebox that had contained sneakers. I looked inside.
My God, I thought. He left without this. He left in a hurry, or maybe he left it for me.
“Molly?”
“Yes?”
“I found this stuff in Tolya’s old room.”
On the table I placed a couple of boxes of Staticmaster brushes, the kind I’d seen in Valentina’s darkroom. “Read this,” I said, pushing over the instructions I found in the box of brushes.
“What is it?”
“I think Tolya left this. I think he left it as a message, I think he was trying to tell us something. I saw these brushes in Val’s darkroom in New York. There were always a lot of them. I know that Grisha bought some from a guy in Brooklyn, too,” I said.
From outside came the distant sound of a car.
“What’s that?” said Molly.
“Read this thing with the brushes,” I said.
“Give me a minute,” said Molly, picking up the piece of paper, looking at the instructions, hands shaking. “I used to see these at Val’s place,” she said. “She used them for cleaning her negatives. She wouldn’t use a regular camera, only that fucking antique Leica that supposedly Bertolt Brecht gave our grandfather if you can believe it. I’m such a philistine I wasn’t sure who this Brecht guy was. Literature wasn’t my thing. Val was very finicky about her photos, I’d say, Jesus, Val, why don’t you just use like a make-up brush, I’ll get you some, and she’d throw me out. I don’t get what you’re saying, Artie.”
“How did she die?”
“Somebody smothered her. Put a pillow over her face.”
“Go on.”
“I thought about that. She was strong as an ox, right? So it was somebody she knew. She wasn’t letting just any creep into her place, right? But there was something else. My dad was rambling one time, when I saw him in New York, something about her being killed twice, something I figured for crazy because he was out of his brain. He was right. He kept talking about this guy, Livitsky, or someone that died in London. I thought he was paranoid.”
“Litvinenko. What if he was right?”
“The autopsy didn’t show anything,” she said. “It would have shown. Shit.”
“What?”
“It would only show if you knew what you were looking for.”
“I think that’s what Tolya said, or maybe the poison hadn’t started working.”
“I think my dad was just out of his mind about Val,” she said. “Even if they knew to look for Polonium, it’s very febrile stuff.” She crushed out her cigarette in an ashtray and put the butt in her cut-off jeans pocket.
“Molly?”
“What?”
“There were wrappers from Antistatic brushes on the floor of her bedroom when I found her there,” I said.
“Christ, she once told me Grisha was so nice about her photographs, always offering to help. My God, he did it Artie. He would have known how, or could have found out. You think that could be it? He did that to her, and then felt bad?”
“Tolya said something like that.”
Molly re-read the instructions on the box of brushes. “You would really need to know how to get them bulk,” she said. “You would need to grind this shit up and make sure she ingested it. You’d have to know where the Polonium was coming from to be sure it was still potent.”
“Grisha had connections,” I said. “Is your Dad sick?”
“I don’t know. He keeps that stuff to himself, why?”
“I saw him in London, he looked bad.”
“You think?” She gestured to the box of brushes. “Is that a car? Outside?”
“We need to go. Now.”
CHAPTER FIFTY-FOUR
The car was coming closer. We were still sitting in the kitchen. I still had Tolya’s sock in my hand along with the box of lens brushes.
I got up and looked out the window. I could barely see the car, its lights out. Somebody was coming. Somebody who didn’t want to make a lot of noise, and I thought: it’s Tolya. It has to be. Who else could it be at this time of night, the weird purple sky heavy with rain, the humidity rising from the grass and coming down from the sky, so my skin was slick with sweat.
I blew out the candle.
“What’s happening, Artie?”
“Somebody just drove up to the gate.”
She rubbed her eyes. “You think it’s my dad?”
“I don’t know. Why don’t we go out of the back door, and through the back gate just in case it’s not him. How far is it to your mother’s place?”
“A mile, not far.”
“We can walk. I don’t want you riding your bike at night, there’s too many crazy drunk drivers out there. Stay on the side of the road.”
“Who do you think it is?” she said,taking the box of brushes from me and shoving them into the bag.
I thought about the man in the seersucker jacket. I thought about Grisha, or maybe it was just Ed, the Georgian taxi driver. Maybe Ed, the good Georgian, had come for me.
“It might be the taxi driver,” I said.
I had to take care of Molly. I had promised Tolya I’d look after Val, and I didn’t and he never blamed me. All that was left was her twin sister.
I pushed on the metal gate in back of the house, and i
t clattered with a rusty iron noise. We went through and stood together on the empty road that ran behind the Sverdloff dacha, and Molly pointed to the left. Her mother’s place was down the road. And then she stopped dead still.
“What?”
“I left my bike out front. They’ll see it.”
“Leave it,” I said. “We need to go.”
“What if it’s my dad?”
“We’ll walk a little, and then we’ll wait. Okay? You can go to your mother’s place, I’ll walk you most of the way and then and I’ll go back and see who it is.”
“I want to go, too.”
“No,” I said, “I can’t do that. I can’t let you. Just go back to New York, tell Bobo Leven. Take the brushes back to New York. First you go see my friend, Sonny Lippert. Right away, give him the brushes. Put them in something safe, wrap them up good, okay?”
She nodded.
“If you get stuck in Moscow, go see this guy, Viktor,” I said.
She held out her arm. “Write it here, so I don’t forget,” said Molly, and I scribbled the numbers with her red pen.
“Come on, we have to go,” I said, but she hesitated.
“Listen, I have to tell you something. In case I don’t get another chance, or whatever.”
“Of course.”
“Val told me she liked you for real. She told me that if you weren’t our dad’s best friend, she would have… never mind.”
“Thank you.”
“She called me the day before she died, said she had spent the night with you. She sounded really happy.
“I’m glad you told me.” I took her hand and we started down the road together, listening for the noise of a car, or footsteps.
I walked with Molly until we were within sight of her mother’s dacha, and she kissed me on the cheek, and I watched her run up the path until she got to the front gate.
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