Windsor had been thought of in the first place as a residence for the King; but the law courts had been transferred there, and the judges and their following had overrun the town, while there was a report of an infected house there. So it had been resolved that his Majesty should make a brief residence at Hampton Court, leaving the Queen, the Duchess, and their belongings at Oxford, whither he could return as soon as the business of providing for the setting out of the fleet had been arranged between him and the General, who could travel in a day backwards and forwards between the Cockpit and Wolsey’s palace.
When this news came they were snowed up at Chilton. Sport of all kinds had been stopped, and Fareham, who, in his wife’s parlance, lived in his boots all the winter, had to amuse himself without the aid of horse and hound; while even walking was made difficult by the snowdrifts that blocked the lanes, and reduced the face of Nature to one muffled and monotonous whiteness, while all the edges of the landscape were outlined vaguely against the misty greyness of the sky.
Hyacinth spent her days half in yawning and sighing, and half in idle laughter and childish games with Henriette and De Malfort. When she was gay she was as much a child as her daughter; when she was fretful and hipped, it was a childish discontent.
They played battledore and shuttlecock in the picture-gallery, and my lady laughed when her volant struck some reverend judge or venerable bishop a rap on the nose. They sat for hours twanging guitars, Hyacinth taking her music-lesson from De Malfort, whose exquisite taste and touch made a guitar seem a different instrument from that on which his pupil’s delicate fingers nipped a wiry melody, more suggestive of finger-nails than music.
He taught her, and took all possible pains in the teaching, and laughed at her, and told her plainly that she had no talent for music. He told her that in her hands the finest lute Laux Maler ever made, mellowed by three centuries, would be but wood and catgut.
“It is the prettiest head in the world, and a forehead as white as Queen Anne’s,” he said one day, with a light touch on the ringletted brow, “but there is nothing inside. I wonder if there is anything here?” and the same light touch fluttered for an instant against her brocade bodice, at the spot where fancy locates the faculty of loving and suffering.
She laughed at his rude speeches, just as she laughed at his flatteries — as if there were safety in that atmosphere of idle mirth. Angela heard and wondered, wondering most perhaps what occupied and interested Lord Fareham in those white winter days, when he lived for the greater part alone in his own rooms, or pacing the long walks from which the gardeners had cleared the snow. He spent some of his time indoors, deep in a book. She knew as much as that. He had allowed Angela to read some of his favourites, though he would not permit any of the new comedies, which everybody at Court was reading, to enter his house, much to Lady Fareham’s annoyance.
“I am half a century behind all my friends in intelligence,” she said, “because of your Puritanism. One tires of your everlasting gloomy tragedies — your Broken Hearts and Philasters. I am all for the genius of comedy.”
“Then satisfy your inclinations, and read Molière. He is second only to
Shakespeare.”
“I have him by heart already.”
The Broken Heart and Philaster delighted Angela; indeed, she had read the latter play so often, and with such deep interest, that many passages in it had engraved themselves on her memory, and recurred to her sometimes in the silence of wakeful nights.
That character of Bellario touched her as no heroine of the “Grand Cyrus” had power to move her. How elaborately artificial seemed the Scudèry’s polished tirades, her refinements and quintessences of the grand passion, as compared with the fervid simplicity of the woman-page — a love so humble, so intense, so unselfish!
Sir Denzil came to Chilton nearly every day, and was always graciously received by her ladyship. His Puritan gravity fell away from him like a pilgrim’s cloak, in the light air of Hyacinth’s amusements. He seemed to grow younger; and Henriette’s sharp eyes discovered an improvement in his dress.
“This is your second new suit since Christmas,” she said, “and I’ll swear it is made by the King’s tailor. Regardez done, madame! What exquisite embroidery, silver and gold thread intermixed with little sparks of garnets sewn in the pattern! It is better than anything of his lordship’s. I wish I had a father who dressed well. I’m sure mine must be the shabbiest lord at Whitehall. You have no right to be more modish than monsieur mon père, Sir Denzil.”
“Hold that insolent tongue, p’tit drôle!” cried the mother. “Sir Denzil is younger by a dozen years than his lordship, and has his reputation to make at Court, and with the ladies he will meet there. I hope you are coming to London, Denzil. You shall have a seat in one of our coaches as soon as the death-rate diminishes, and this odious weather breaks up.”
“Your ladyship is all goodness. I shall go where my lode-star leads,” answered Denzil, looking at Angela, and blushing at the audacity of his speech.
He was one of those modest lovers who rarely bring a blush to the cheek of the beloved object, but are so poor-spirited as to do most of the blushing themselves.
A week later Lady Fareham could do nothing but praise that severe weather which she had pronounced odious, for her husband, coming in from Oxford after a ride along the road, deep with melting snow, brought the news of a considerable diminution in the London death-rate; and the more startling news that his Majesty had removed to Whitehall for the quicker despatch of business with the Duke of Albemarle, albeit the bills of mortality recorded fifteen hundred deaths from the pestilence in the previous week, and although not a carriage appeared in the deserted streets of the metropolis except those in his Majesty’s train.
“How brave, how admirable!” cried Hyacinth, clapping her hands in the exuberance of her joy. “Then we can go to London to-morrow, if horses and coaches can be made ready. Give your orders at once, Fareham, I beseech you. The thaw has set in. There will be no snow to stop us.”
“There will be floods which may make fords impassable.”
“We can avoid every ford — there is always a détour by the lanes.”
“Have you any idea what the lanes will be like after two feet deep of snow? Be sure, my love, you are happier twanging your lute by this fireside than you would be stuck in a quagmire, perishing with cold in a windy coach.”
“I will risk the quagmires and the windy coach. Oh, my lord, if you ever loved me let us set out to-morrow. I languish for Fareham House — my basset-table, my friends, my watermen to waft me to and fro between Blackfriars and Westminster, the mercers in St. Paul’s Churchyard, the Middle Exchange. I have not bought myself anything pretty since Christmas. Let us go to-morrow.”
“And risk spoiling the prettiest thing you own — your face — by a plague-spot.”
“The King is there — the plague is ended.”
“Do you think he is a God, that the pestilence will flee at his coming?”
“I think his courage is godlike. To be the first to return to that abandoned city.”
“What of Monk and the Archbishop, who never left it?”
“A rough old soldier! A Churchman! Such lives were meant to face danger.
But his Majesty! A man for whom existence should be one long holiday?”
“He has done his best to make it so; but the pestilence has shown him that there are grim realities in life. Don’t fret, dearest. We will go to town as soon as it is prudent to make the move. Kings must brave great hazards; and there is no reason that little people like us should risk our lives because the necessities of State compel his Majesty to imperil his.”
“We shall be laughed at if we do not hasten after him.”
“Let them laugh who please. I have passed through the ordeal, Hyacinth. I don’t want a second attack of the sickness; nor would I for worlds that you or your sister should run into the mouth of danger. Besides, you can lose little pleasure by being absent; for the play-h
ouses are all closed, and the Court is in mourning for the French Queen-mother.”
“Poor Queen Anne!” sighed Hyacinth. “She was always kind to me. And to die of a cancer — after out-living those she most loved! King Louis would scarcely believe she was seriously ill, till she was at the point of death. But we know what mourning means at Whitehall — Lady Castlemaine in black velvet, with forty thousand pounds in diamonds to enliven it; a concert instead of a play, perhaps; and the King sitting in a corner whispering with Mrs. Stewart. But as for the contagion, you will see that everybody will rush back to London, and that you and I will be laughing-stocks.”
The next week justified Lady Fareham’s assertion. As soon as it was known that the King had established himself at Whitehall, the great people came back to their London houses, and the town began to fill. It was as if a God had smiled upon the smitten city, and that healing and happiness radiated from the golden halo round that anointed head. Was not this the monarch of whom the most eloquent preacher of the age had written, “In the arms of whose justice and wisdom we lie down in safety”?
London flung off her cerements — erased her plague-marks. The dead-cart’s dreadful bell no longer sounded in the silence of an afflicted city. Coffins no longer stood at every other door; the pits at Finsbury, in Tothill Fields, at Islington, were all filled up and trampled down; and the grass was beginning to grow over the forgotten dead. The Judges came back to Westminster. London was alive again — alive and healed; basking in the sunshine of Royalty.
Nowhere was London more alive in the month of March than at Fareham House on the Thames, where the Fareham liveries of green and gold showed conspicuous upon his lordship’s watermen, lounging about the stone steps that led down to the water, or waiting in the terraced garden, which was one of the finest on the river. Wherries of various weights and sizes filled one spacious boathouse, and in another handsome stone edifice with a vaulted roof Lord Fareham’s barge lay in state, glorious in cream colour and gold, with green velvet cushions and Oriental carpets, as splendid as that blue-and-gold barge which Charles had sent as a present to Madame, a vessel to out-glitter Cleopatra’s galley, when her ladyship and her friends and their singing-boys and musicians filled it for a voyage to Hampton Court.
The barge was used on festive occasions, or for country voyages, as to Hampton or Greenwich; the wherries were in constant requisition. Along that shining waterway rank and fashion, commerce and business, were moving backwards and forwards all day long. That more novel mode of transit, the hackney coach, was only resorted to in foul weather; for the Legislature had handicapped the coaching trade in the interests of the watermen, and coaches were few and dear.
If Angela had loved the country, she was not less charmed with London under its altered aspect. All this gaiety and splendour, this movement and brightness, astonished and dazzled her.
“I am afraid I am very shallow-minded,” she told Denzil when he asked her opinion of London. “It seems an enchanted place, and I can scarcely believe it is the same dreadful city I saw a few months ago, when the dead were lying in the streets. Oh, how clearly it comes back to me — those empty streets, the smoke of the fires, the wretched ragged creatures begging for bread! I looked down a narrow court, and saw a corpse lying there, and a child wailing over it; and a little way farther on a woman flung up a window, and screamed out, ‘Dead, dead! The last of my children is dead! Has God no relenting mercy?’”
“It is curious,” said Hyacinth, “how little the town seems changed after all those horrors. I miss nobody I know.”
“Nay, madam,” said Denzil, “there have only died one hundred and sixty thousand people, mostly of the lower classes; or at least that is the record of the bills; but I am told the mortality has been twice as much, for people have had a secret way of dying and burying their dead. If your ladyship could have heard the account that Mr. Milton gave me this morning of the sufferings he saw before he left London, you would not think the visitation a light one.”
“I wonder you consort with such a rebellious subject as Mr. Milton,” said Hyacinth. “A creature of Cromwell’s, who wrote with hideous malevolence and disrespect of the murdered King, who was in hiding for ever so long after his Majesty’s return, and who now escapes a prison only by the royal clemency.”
“The King lacks only that culminating distinction of having persecuted the greatest poet of the age in order to stand equal to the bigots who murdered Giordano Bruno,” said Denzil.
“The greatest poet! Sure you would not compare Milton with Waller?”
“Indeed I would not, Lady Fareham.”
“Nor with Cowley, nor Denham — dear cracked-brained Denham?”
“Nor with Denham. To my fancy he stands as high above them as the pole-star over your ladyship’s garden lamps.”
“A pamphleteer who has scribbled schoolboy Latin verses, and a few short poems; and, let me see, a masque — yes, a masque that he wrote for Lord Bridgewater’s children before the troubles. I have heard my father talk of it. I think he called the thing Comus.”
“A name that will live, Lady Fareham, when Waller and Denham are shadows, remembered only for an occasional couplet.”
“Oh, but who cares what people will think two or three hundred years hence? Waller’s verses please us now. The people who come after me can please themselves, and may read Comus to their hearts’ content. I know his lordship reads Milton, as he does Shakespeare, and all the cramped old play-wrights of Elizabeth’s time. Henri, sing us that song of Waller’s, ‘Go, lovely rose.’ I would give all Mr. Milton has written for that perfection.”
They were sitting on the terrace above the river in the golden light of an afternoon that was fair and warm as May, though by the calendar ’twas March. The capricious climate had changed from austere winter to smiling spring. Skylarks were singing over the fields at Hampstead, and over the plague-pits at Islington, and all London was rejoicing in blue skies and sunshine. Trade was awakening from a death-like sleep. The theatres were closed; but there were plays acted now and then at Court. The New and the Middle Exchange were alive with beribboned fops and painted belles.
It was Lady Fareham’s visiting-day. The tall windows of her saloon were open to the terrace, French windows that reached from ceiling to floor, like those at the Hôtel de Rambouillet, and which Hyacinth had substituted for the small Jacobean casements, when she took possession of her husband’s ancestral mansion. Saloon and terrace were one on a balmy afternoon like this; and her ladyship’s guests wandered in and out at their pleasure. Her lackeys, handing chocolate and cakes on silver or gold salvers, were so many as to seem ubiquitous; and in the saloon, presided over by Angela, there was a still choicer refreshment to be obtained at a tea-table, where tiny cups of the new China drink were dispensed to those who cared for exotic novelties.
“Prythee, take your guitar and sing to us, were it but to change the conversation,” cried Hyacinth; and De Malfort took up his guitar and began, in the sweetest of tenors, “Go, lovely rose.”
He had all her ladyship’s visitors, chiefly feminine, round him before he had finished the first verse. That gift of song, that exquisite touch upon the Spanish guitar, were irresistible.
Lord Fareham landed at the lower flight of steps as the song ended, and came slowly along the terrace, saluting his wife’s friends with a grave courtesy. He brought an atmosphere of silence and restraint with him, it seemed to some of his wife’s visitors, for the babble that usually follows the end of a song was wanting.
Most of Lady Fareham’s friends affected literature, and professed familiarity with two books which had caught the public taste on opposite sides of the Channel. In London people quoted Butler, and vowed there was no wit so racy as the wit in “Hudibras.” In Paris the cultured were all striving to talk like Rochefoucauld’s “Maxims,” which had lately delighted the Gallic mind by the frank cynicism that drew everybody’s attention to somebody else’s failings.
“Himself the vainest of men
, ’tis scarce wonderful that he takes vanity to be the mainspring that moves the human species,” said De Malfort, when some one had found fault with the Duke’s analysis.
“Oh, now we shall hear nothing but stale Rochefoucauldisms, sneers at love and friendship, disparagement of our ill-used sex! Where has my grave husband been, I wonder?” said Hyacinth. “Upon my honour, Fareham, your brow looks as sombre as if it were burdened with the care of the nation.”
“I have been with one who has to carry the greater part of that burden, my lady, and my spirits may have caught some touch of his uneasiness.”
“You have been prosing with that pragmatical personage at Dunkirk — nay, I beg the Lord Chancellor’s pardon, Clarendon House. Are not his marbles and tapestries much finer than ours? And yet he began life as a sneaking lawyer, the younger son of a small Wiltshire squire — —”
“Lady Fareham, you allow your tongue too much licence — —”
“Nay, I speak but the common feeling. Everybody is tired of a Minister who is a hundred years behind the age. He should have lived under Elizabeth.”
“A pretty woman should never talk politics, Hyacinth.”
“Of what else can I talk when the theatres are closed, and you deny me the privilege of seeing the last comedy performed at Whitehall? Is it not rank tyranny in his lordship, Lady Sarah?” turning to one of her intimates, a lady who had been a beauty at the court of Henrietta Maria in the beginning of the troubles, and who from old habit still thought herself lovely and beloved. “I appeal to your ladyship’s common sense. Is it not monstrous to deprive me of the only real diversion in the town? I was not allowed to enter a theatre at all last year, except when his favourite Shakespeare or Fletcher was acted, and that was but a dozen times, I believe.”
“Oh, hang Shakespeare!” cried a gentleman whose periwig occupied nearly as much space against the blue of a vernal sky as all the rest of his dapper little person. “Gud, my lord, it is vastly old-fashioned in your lordship to taste Shakespeare!” protested Sir Ralph Masaroon, shaking a cloud of pulvilio out of his cataract of curls. “There was a pretty enough play concocted t’other day out of two of his — a tragedy and comedy — Measure for Measure and Much Ado about Nothing, the interstices filled in with the utmost ingenuity. But Shakespeare unadulterated — faugh!”
Delphi Works of M. E. Braddon Page 954