'I wonder where it takes one,' said Tuppence. 'There must be a reason for it.'
Perhaps, she thought, as the path took a couple of sharp turns in opposite directions, making a zigzag and making Tuppence feel that she knew exactly what Alice in Wonderland had meant by saying that a path would suddenly shake itself and change direction. There were fewer bushes, there were laurels now, possibly fitting in with the name given to the property, and then a rather stony, difficult, narrow path wound up between them. It came very suddenly to four moss-covered steps leading up to a kind of niche made of what had once been metal and later seemed to have been replaced by bottles. A kind of shrine, and in it a pedestal and on this pedestal a stone figure, very much decayed. It was the figure of a boy with a basket on his head. A feeling of recognition came to Tuppence.
'This is the sort of thing you could date a place with,' she said. 'It's very like the one Aunt Sarah had in her garden. She had a lot of laurels too.'
Her mind went back to Aunt Sarah, whom she had occasionally visited as a child. She had played herself, she remembered, a game called River Horses. For River Horses you took your hoop out. Tuppence, it may be said, had been six years old at the time. Her hoop represented the horses. White horses with manes and flowing tails. In Tuppence's imagination, with that you had gone across a green, rather thick patch of grass and you had then gone round a bed planted with pampas grass waving feathery heads into the air, up the same kind of a path, and leaning there among some beech trees in the same sort of summer-house niche was a figure and a basket. Tuppence, when riding her winning horses here, had taken a gift always, a gift you put in the basket on top of the boy's head; at the same time you said it was an offering and you made a wish. The wish, Tuppence remembered, was nearly always to come true.
'But that,' said Tuppence, sitting down suddenly on the top step of the flight she had been climbing, 'that, of course, was because I cheated really. I mean, I wished for something that I knew was almost sure to happen, and then I could feel that my wish had come true and it really was a magic. It was a proper offering to a real god from the past. Though it wasn't a god really, it was just a podgy-looking little boy. Ah well - what fun it is, all the things one used to invent and believe in and play at.'
She sighed, went down the path again and found her way to the mysteriously named KK.
KK looked in just the same mess as ever. Mathilde was still looking forlorn and forsaken, but two more things attracted Tuppence's attention. They were in porcelain - porcelain stools with the figures of white swans curled round them. One stool was dark blue and the other stool was pale blue.
'Of course,' said Tuppence, 'I've seen things like that before when I was young. Yes, they used to be on verandas. One of my other aunts had them, I think. We used to call them Oxford and Cambridge. Very much the same. I think it was ducks - no, it was swans they had round them. And then there was the same sort of queer thing in the seat, a sort of hole that was like a letter S. The sort of thing you could put things into. Yes, I think I'll get Isaac to take these stools out of here and give them a good wash, and then we'll have them on the loggia, or lodger as he will insist on calling it, though the veranda comes more natural to me. We'll put them on that and enjoy them when the good weather comes.'
She turned and started to run towards the door. Her foot caught in Mathilde's obtrusive rocker -
'Oh dear!' said Tuppence, 'now what have I done?'
What she had done was to catch her foot in the dark blue porcelain stool and it had rolled down on to the floor and smashed in two pieces.
'Oh dear,' said Tuppence, 'now I've really killed Oxford, I suppose. We shall have to make do with Cambridge. I don't think you could stick Oxford together again. The pieces are too difficult.'
She sighed and wondered what Tommy was doing.
Tommy was sitting exchanging memories with some old friends.
'World's in a funny way nowadays,' said Colonel Atkinson. 'I hear you and your what's-her-name, Prudence - no, you had a nickname for her, Tuppence, that's right - yes, I hear you've gone to live in the country. Somewhere down near Hollowquay. I wonder what took you there. Anything particular?'
'Well, we found this house fairly cheap,' said Tommy.
'Ah. Well, that's lucky always, isn't it? What's the name? You must give me your address.'
'Well, we think we may call it Cedar Lodge because there's a very nice cedar there. Its original name was The Laurels, but that's rather a Victorian hangover, isn't it?'
'The Laurels. The Laurels, Hollowquay. My word, what are you up to, eh? What are you up to?'
Tommy looked at the elderly face with the sprouting white moustache.
'On to something, are you?' said Colonel Atkinson. 'Are you employed in the service of your country again?'
'Oh, I'm too old for that,' said Tommy. 'I'm retired from all that sort of stuff.'
'Ah, I wonder now. Perhaps that's just the thing you say. Perhaps you've been told to say that. After all, you know, there's a good deal was never found out about all that business.'
'What business?' said Tommy.
'Well, I expect you've read about it or heard about it. The Cardington Scandal. You know, came after that other thing - the what-you-call-'em letters - and the Emlyn Johnson submarine business.'
'Oh,' said Tommy, 'I seem to remember something vaguely.'
'Well, it wasn't actually the submarine business, but that's what called attention to the whole thing. And there were those letters, you see. Gave the whole show away politically. Yes. Letters. If they'd been able to get hold of them it would have made a big difference. It would have drawn attention to several people who at the time were the most highly trusted people in the government. Astonishing how these things happen, isn't it? You know! The traitors in one's midst, always highly trusted, always splendid fellows, always the last people to be suspected - and all the time - well, a lot of all that never came to light.' He winked one eye. 'Perhaps you've been sent down there to have a look round, eh, my boy?'
'A look round at what?' said Tommy.
'Well, this house of yours, The Laurels, did you say? There used to be some silly jokes about The Laurels sometimes. Mind you, they'd had a good look round, the security people and the rest of them. They thought that somewhere in that house was valuable evidence of some kind. There was an idea it had been sent overseas - Italy was mentioned - just before people got alerted. But other people thought it might be still hidden there in that part of the world somewhere. You know, it's the sort of place that has cellars and flagstones and various things. Come now, Tommy, my boy, I feel you're on the hunt again.'
'I assure you I don't do anything of that kind nowadays.'
'Well, that's what one thought before about you when you were at that other place. Beginning of the last war. You know, where you ran down that German chap. That and the woman with the nursery rhyme books. Yes. Sharp bit of work, all that. And now, perhaps, they've set you on another trail!'
'Nonsense,' said Tommy. 'You mustn't get all these ideas in your head. I'm an old gaffer now.'
'You're a cunning old dog. I bet you're better than some of these young ones. Yes. You sit there looking innocent, and really I expect, well, one mustn't ask you questions. Mustn't ask you to betray State secrets, must I? Anyway, be careful of your missus. You know she's always one to stick herself forward too much. She had a narrow escape last time in the N or M days.'
'Ah well,' said Tommy, 'I think Tuppence is just interested in the general antiquity of this place, you know. Who lived there and where. And pictures of the old people who used to live in the house, and all the rest of it. That and planning the garden. That's all we're really interested in nowadays. Gardens. Gardens and bulb catalogues and all the rest of it.'
'Well, maybe I'll believe that if a year passes and nothing exciting has happened. But I know you, Beresford, and I know our Mrs Beresford, too. The two of you together, you're a wonderful couple and I bet you'll come up with something.
I tell you, if those papers ever come to light, it'll have a very, very great effect on the political front and there are several people who won't be pleased. No indeed. And those people who won't be pleased are looked on as pillars of rectitude at the moment! But by some they are thought to be dangerous. Remember that. They're dangerous, and the ones that aren't dangerous are in contact with those who are dangerous. So you be careful and make your missus be careful too.'
'Really,' said Tommy, 'your ideas, you make me feel quite excited.'
'Well, go on feeling excited but look after Mrs Tuppence. I'm very fond of Tuppence. She's a nice girl, always was and still is.'
'Hardly a girl,' said Tommy.
'Now don't say that of your wife. Don't get in that habit. One in a thousand, she is. But I'm sorry for someone who has her in the picture sleuthing him down. She's probably out on the hunt today.'
'I don't think she is. More likely gone to tea with an elderly lady.'
'Ah well. Elderly ladies can sometimes give you useful information. Elderly ladies and children of five years old. All the unlikely people come out sometimes with a truth nobody had ever dreamed of. I could tell you things -'
'I'm sure you could, Colonel.'
'Ah well, one mustn't give away secrets.'
Colonel Atkinson shook his head.
On his way home Tommy stared out of the railway carriage window and watched the rapidly retreating countryside. 'I wonder,' he said to himself, 'I really wonder. That old boy, he's usually in the know. Knows things. But what can there be that could matter now. It's all in the past - I mean there's nothing, can't be anything left from that war. Not nowadays.' Then he wondered. New ideas had taken over - Common Market ideas. Somewhere, as it were behind his mind rather than in it, because there were grandsons and nephews, new generations - younger members of families that had always meant something, that had pull, had got positions of influence, of power because they were born who they were and if by any chance they were not loyal, they could be approached, could believe in new creeds or in old creeds revived, whichever way you liked to think of it. England was in a funny state, a different state from what it had been. Or was it really always in the same state? Always underneath the smooth surface there was some black mud. There wasn't clear water down to the pebbles, down to the shells, lying on the bottom of the sea. There was something moving, something sluggish somewhere, something that had to be found, suppressed. But surely not - surely not in a place like Hollowquay. Hollowquay was a has-been if there ever was. Developed first as a fishing village and then further developed as an English Riviera - and now a mere summer resort, crowded in August. Most people now preferred package trips abroad.
'Well,' said Tuppence, as she left the dinner table that night and went into the other room to drink coffee, 'was it fun or not fun? How were all the old boys?'
'Oh, very much the old boys,' said Tommy. 'How was your old lady?'
'Oh the piano tuner came,' said Tuppence, 'and it rained in the afternoon so I didn't see her. Rather a pity, the old lady might have said some things that were interesting.'
'My old boy did,' said Tommy. 'I was quite surprised. What do you think of this place really, Tuppence?'
'Do you mean the house?'
'No, I don't mean the house. I think I mean Hollowquay.'
'Well, I think it's a nice place.'
'What do you mean by nice?'
'Well, it's a good word really. It's a word one usually despises, but I don't know why one should. I suppose a place that's nice is a place where things don't happen and you don't want them to happen. You're glad they don't.'
'Ah. That's because of our age, I suppose.'
'No, I don't think it's because of that. It's because it's nice to know there are places where things don't happen. Though I must say something nearly happened today.'
'What do you mean by nearly happened? Have you been doing anything silly, Tuppence?'
'No, of course I haven't.'
'Then what do you mean?'
'I mean that pane of glass at the top of the greenhouse, you know, it was trembling the other day a bit, had the twitches. Well it practically came down on my head. Might have cut me to bits.'
'It doesn't seem to have cut you to bits,' said Tommy looking at her. '
'No. I was lucky. But still, it made me jump rather.'
'Oh, we'll have to get our old boy who comes and does things, what's-his-name? Isaac, isn't it? Have to get him to look at some of the other panes - I mean, we don't want you being done in, Tuppence.'
'Well, I suppose when you buy an old house there's always something wrong with it.'
'Do you think there's something wrong with this house Tuppence?'
'What on earth do you mean by wrong with this house?'
'Well, because I heard something rather queer about it today.'
'What - queer about this house?'
'Yes.'
'Really, Tommy, that seems impossible,' said Tuppence.
'Why does it seem impossible? Because it looks so nice and innocent? Well painted and done up?'
'No. Well painted and done up and looking innocent, that's all due to us. It looked rather shabby and decayed when we bought it.'
'Well, of course, that's why it was cheap.'
'You look peculiar, Tommy,' said Tuppence. 'What is it?'
'Well, it was old Moustachio-Monty, you know.'
'Oh, dear old boy, yes. Did he send his love to me?'
'Yes, he certainly did. He told me to make you take care of yourself, and me to take care of you.'
'He always says that. Though why I should take care of myself here I don't know.'
'Well, it seems it's the sort of place you might have to take care of yourself.'
'Now what on earth do you mean by that, Tommy?'
'Tuppence, what would you think if I said that he suggested or hinted, whatever way you like, that we were here not as old retired has-beens but as people on active service? That we were once more, as in the N or M days, on duty here. Sent here by the forces of security and order to discover something. To find out what was wrong with this place.'
'Well, I don't know if you're dreaming, Tommy, or if it was old Moustachio-Monty who was, if it was he who suggested it.'
'Well, he did. He seemed to think that we were definitely here on some kind of mission, to find something.'
'To find something? What sort of thing?'
'Something that might be hidden in this house.'
'Something that might be hidden in this house! Tommy, are you mad, or was he mad?'
'Well, I rather thought he might be mad, but I'm not so sure.'
'What could there be to find in this house?'
'Something that I suppose was once hidden here.'
'Buried treasure, are you talking about? Russian crown jewels hidden in the basement, that sort of thing?'
'No. Not treasure. Something that would be dangerous to someone.'
'Well, that's very odd,' said Tuppence.
'Why, have you found something?'
'No, of course, I haven't found anything. But it seems there was a scandal about this place donkey's years ago. I don't mean anyone actually remembers, but it's the sort of thing that your grandmother told you, or the servants gossiped about. Actually, Beatrice has a friend who seemed to know something about it. And Mary Jordan was mixed up in it. It was all very hush-hush.'
'Are you imagining things, Tuppence? Have you gone back to the glorious days of our youth, to the time when someone gave a girl on the Lusitania something secret, the days when we had adventure, when we tracked down the enigmatic Mr Brown?'
'Goodness, that was a long time ago, Tommy. The Young Adventurers we called ourselves. Doesn't seem real now, does it?'
'No, it doesn't. Not a bit. But it was real, yes, it was real all right. Such a lot of things are real though you can't really bring yourself to believe it. Must be at least sixty or seventy years ago. More than that, even.'
'What did Mo
nty actually say?'
'Letters or papers of some kind,' said Tommy. 'Something that would have created or did create some great political upheaval of some kind. Someone in a position of power and who oughtn't to have been in a position of power, and there were letters, or papers, or something that would definitely cook his goose if they ever came to light. All sorts of intrigues and all happening years ago.'
'In the time of Mary Jordan? It sounds very unlikely,' said Tuppence. 'Tommy, you must have gone to sleep in the train coming back, and dreamt all this.'
'Well, perhaps I did,' said Tommy. 'It certainly doesn't seem likely.'
'Well, I suppose we might as well have a look around,' said Tuppence, 'as we are living here.'
Her eyes passed round the room.
'I shouldn't think there would be anything hidden here, do you, Tommy?'
'It doesn't seem the sort of house where anything would have been likely to be hidden. Lots of other people have lived in the house since those days.'
'Yes. Family after family, as far as I can make out. Well, I suppose it might be hidden up in an attic or down in the cellar. Or perhaps buried under the summerhouse floor. Anywhere.'
'Anyway, it'll be quite fun,' said Tuppence. 'Perhaps, you know, when we haven't got anything else to do and our backs are aching because of planting tulip bulbs, we might have a little sort of look round. You know, just to think. Starting from the point: "If I wanted to hide something, where would I choose to put it, and where would it be likely to remain undiscovered?"'
'I don't think anything could remain undiscovered here,' said Tommy. 'Not with gardeners and people, you know, tearing up the place, and different families living here, and house agents and everything else.'
'Well, you never know. It might be in a teapot somewhere.'
Tuppence rose to her feet, went towards the mantelpiece, stood up on a stool and took down a Chinese teapot. She took off the lid and peered inside.
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