The Science of Leonardo: Inside the Mind of the Great Genius of the Renaissance

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by Fritjof Capra


  Heydenreich, Ludwig H. Leonardo da Vinci. 2 vols. Macmillan, New York, 1954.

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  ———. “Leonardo da Vinci’s Physiology of the Senses.” In C. D. O’Malley, ed., Leonardo’s Legacy: An International Symposium. University of California Press, Berkeley and Los Angeles, 1969.

  ———. Leonardo da Vinci’s Elements of the Science of Man. Academic Press, New York, 1983.

  Kemp, Martin. Leonardo da Vinci: The Marvellous Works of Nature and Man. Harvard University Press, Cambridge, Mass., 1981.

  ———. “Leonardo Then and Now.” In Kemp and Jane Roberts, eds., Leonardo da Vinci: Artist, Scientist, Inventor. Catalogue of Exhibition at Hayward Gallery, Yale University Press, 1989.

  ———. “Analogy and Observation in the Codex Hammer.” In Claire Farago, ed., Leonardo’s Science and Technology. Garland Publishing, New York, 1999a.

  ———. “Leonardo and the Visual Pyramid.” In Claire Farago, ed., Leonardo’s Science and Technology. Garland Publishing, New York, 1999b.

  ———. Leonardo. Oxford University Press, 2004.

  ———, and Jane Roberts, eds. Leonardo da Vinci: Artist, Scientist, Inventor. Catalogue of Exhibition at Hayward Gallery. Yale University Press, 1989.

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  Laurenza, Domenico. “Leonardo nella Roma di Leone X.” XLIII Lettura Vinciana. Biblioteca Leonardiana, Vinci, 2003.

  ———. “Leonardo: La scienza trasfigurata in arte.” Le Scienze. Rome, maggio 2004a.

  ———. Leonardo on Flight. Giunti, Florence, 2004b.

  ———, Mario Taddei, and Edoardo Zanon. Le Macchine di Leonardo. Giunti, Florence, 2005.

  Leonardo da Vinci. Reynal, New York, 1956.

  Livio, Mario. The Golden Ratio. Broadway Books, New York, 2002.

  Macagno, Enzo. “Lagrangian and Eulerian Descriptions in the Flow Studies of Leonardo da Vinci.” Raccolta Vinciana, Fasc. XXIV, 1992a.

  Macagno, Matilde. “Geometry in Motion in the Manuscripts of Leonardo da Vinci.” Raccolta Vinciana, Fasc. XXIV, 1992b.

  ———. “Transformation Geometry in the Manuscripts of Leonardo da Vinci.” Raccolta Vinciana, Fasc. XXVI, 1995.

  Magni-Dufflocq, Enrico. “Da Vinci’s Music.” In Leonardo da Vinci. Reynal, New York, 1956.

  Marinoni, Augusto. Introduction to Leonardo da Vinci, Il codice atlantico della Biblioteca ambrosiana di Milano. Vol. 1. Giunti, Florence, 1975.

  Massey, Lyle, ed. The Treatise on Perspective: Published and Unpublished. National Gallery of Art, Washington. Distributed by Yale University Press, 2003.

  Murray, Penelope, ed. Genius: The History of an Idea. Basil Blackwell, New York, 1989.

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  O’Malley, C. D., ed. Leonardo’s Legacy: An International Symposium. University of California Press, Berkeley and Los Angeles, 1969.

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  Pedretti, Carlo. Leonardo, Architect. Rizzoli, New York, 1985.

  ———. Leonardo: The Machines. Giunti, Florence, 1999.

  ———, and Marco Cianchi. Leonardo: I codici. Giunti, Florence, 1995.

  Pizzorusso, Ann. “Leonardo’s Geology: The Authenticity of the Virgin of the Rocks.” Leonardo, Vol. 29, No. 3. MIT Press, 1996.

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  Richards, Robert. The Romantic Conception of Life. University of Chicago Press, 2002.

  Richter, Irma, ed. The Notebooks of Leonardo da Vinci. Oxford University Press, New York, 1952.

  Roberts, Jane. “The Life of Leonardo.” In Martin Kemp and Roberts, Leonardo da Vinci: Artist, Scientist, Inventor. Catalogue of Exhibition at Hayward Gallery, Yale University Press, 1989.

  Sarton, George. The Appreciation of Ancient and Medieval Science during the Renaissance. University of Pennsylvania Press, Philadelphia, 1955.

  ———. “The Quest for Truth: A Brief Account of Scientific Progress during the Renaissance.” In Robert M. Palter, ed., Toward Modern Science, Vol. 2. Noonday Press, New York, 1961.

  Sparke, Penny. Design and Culture in the Twentieth Century. Allen & Unwin, London, 1986.

  Steinitz, Kate. “Le dessin de Léonard de Vinci pour la représentation de la Danaé de Baldassare Taccone.” In Jean Jacquot, ed., Le Lieu théâtrial à la Renaissance. Paris, 1968.

  Steptoe, Andrew, ed. Genius and the Mind. Oxford University Press, 1998.

  Vasari, Giorgio. Lives of the Artists. Published originally in 1550; translation by George Bull, 1965; reprinted as Lives of the Artists: Volume I. Penguin, 1987.

  White, Michael. Leonardo: The First Scientist. St. Martin’s/Griffin, New York, 2000.

  Windelband, Wilhelm. A History of Philosophy. Published originally in 1901 by Macmillan; reprinted by The Paper Tiger, Cresskill, N.J., 2001.

  Zöllner, Frank, and Johannes Nathan. Leonardo da Vinci: The Complete Paintings and Drawings. Taschen, 2003.

  ALSO BY FRITJOF CAPRA

  The Tao of Physics

  The Turning Point

  Uncommon Wisdom

  The Web of Life

  The Hidden Connections

  PUBLISHED BY DOUBLEDAY

  Copyright © 2007 by Fritjof Capra

  All Rights Reserved

  Published in the United States by Doubleday, an imprint of The Doubleday Broadway Publishing Group, a division of Random House, Inc., New York.

  www.doubleday.com

  DOUBLEDAY and the portrayal of an anchor with a dolphin are registered trademarks of Random House, Inc.

  Diagrams in appendix by Jeffrey L. Ward.

  Library of Congress Cataloging-in-Publication Data

  Capra, Fritjof.

  The science of Leonardo: inside the mind of the great genius of the Renaissance / Fritjof Capra.

  p. cm.

  Includes bibliographical references.

  1. Leonardo, da Vinci, 1452–1519. 2. Leonardo, da Vinci, 1452–1519—Notebooks, sketchbooks, etc. 3. Scientists—Italy—History—To 1500—Biography. 4. Scientists—Italy—History—16th century—Biography. 5. Science, Renaissance. I. Title.

  Q143.L5C37 2007

  509.2—dc22

  [B]

  2007002461

  eISBN: 978-0-385-52411-7

  v3.0

 

 

 
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