The Debt Collector

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The Debt Collector Page 27

by Lynn S. Hightower


  “But I saw him on the roof. You accept that?”

  “I’m from the South, Sonora. We see our family all the time, even after they’ve passed.”

  “But I’m not from the South.”

  “It must have been quite a shock.”

  She laughed, then leaned against him. “I dreamed about him, and then I saw him. I don’t think there’s any question but I am going nuts.”

  Gillane wrapped his arms around her. “I’m an emergency-room doctor, Sonora. I’ve watched a lot of people die. We’re all out there looking for signs, looking for … grace. Something sacred in the middle of everyday horror.”

  “Every time I close my eyes I see Jack falling. Every time I doze off I hear Joy Stinnet saying her catechism.”

  “Tonight’s going to be different.” Gillane fished something out of his shirt pocket. A white shirt, Egyptian cotton, just like the one Van Owen had been wearing. “Swallow this,” he said.

  She did. A large caplet. “How long before it takes effect?”

  “Normally about twenty minutes, but you’ve been drinking, you don’t have long.”

  She sighed and leaned against him. Smelled mint on his breath, rubbed her cheek on his freshly shaven one.

  She closed her eyes. She didn’t want to look at his whole face, just the jaw. The line of it, the feel of the skin, the firm chin. He did not scare her. He pulled her closer, held her with a lovely gentleness, so that she could hold him back without fear, without tense muscles warding off real and imagined pain.

  “Do you mind if we go up to the bedroom? I’m a little long for your couch.”

  “I don’t know. I don’t want to …” Her tongue was getting thick and she had to concentrate. “I don’t want to weird out the children.”

  “It’s okay. I’ll be up before they are, and I’ll introduce myself over bacon.”

  She nodded, too tired to point out what the odds were of finding bacon in her refrigerator. “And you’re definitely not gay?”

  “I am definitely not gay.”

  70

  Sonora sat on top of three hay bales in Franklin Ward’s barn, legs dangling, listening to Poppin and Abigail munch their hay. She could hear another horse calling from a farm nearby. It was something, for her, to sit on a stack of hay bales in the cool of the barn, a red and white plastic SuperAmerica cup full of coffee by her leg.

  She liked barn noises, country noises, so different from what she was used to. Birds. The crunch of the horses’ teeth as they worked their feed. Someone hammering in the distance. Cars passing now and then, sometimes pulling a horse trailer.

  She had gotten up early with Gillane and polished her barn boots while he made breakfast. A man making coffee in the morning was a wonderful thing. Comfortable barn boots were a wonderful thing.

  She had hugged the children good-bye and Gillane had left her with a kiss, and she managed to get out of the house with the air of a woman who has pulled herself together. But she had been raw to the world and had come to the barn like an open wound, a sponge to sensation. She felt every breath of air, every bend and bump in the road went through her like an electric jolt, she could not meet the eyes of her neighbors, could not bear to be looked at.

  But now all she could hear was the shift and rustle of the horses. She grabbed a handful of the alfalfa and inhaled. Felt the weight go off her shoulders, a little anyway, the brain static fade to background irritation. She leaned back and rested her head against the raw and rotting wood of the barn wall, feeling like a rabbit home safe in the burrow.

  She was there for quite a while before she heard the barn door creaking on the rusty hinge, and she looked up and saw Franklin Ward walking in, the sun at his back, erect as always, neatly dressed in his corduroy pants, green the color of the daily flannel shirt.

  “I saw your car in the driveway awhile ago. Thought you might need a little time.”

  “You heard?”

  “Just what they had on the radio. They didn’t say much. Just that a highly decorated ex-policeman named Jack Van Owen died from a fall from his ten-story office building. There was speculation about Joy’s case. I almost called you up, then I thought you’d be out to tell me when you could, looked in the driveway, and there you were.”

  He got out the old tack box and handed her a brush. “Let’s get some work done while we’re talking.”

  He went into Abigail’s stall, and she headed for Poppin, whom she knew would hold relatively still as long as he had hay to eat.

  “I’m trying to put some weight on that horse of yours,” Franklin said.

  “Best of luck.”

  Sonora took a metal shedding blade and scraped dried mud off Poppin’s backside. The horse had clearly been enjoying the rain. He turned his head and gave her a look that she took for affection. Dried mud landed on her sleeve, her boots, and the shavings on the floor of the stall.

  They groomed the horses while she talked, handing each other brushes over the short partition. Ward didn’t say much, other than to pass her the hoof-pick to get to Abigail’s feet or to repeat a phrase now and then when his hearing let him down.

  She did not dress it up or leave anything out, kept her voice matter-of-fact and low-key. She found herself apologizing.

  “I can’t tell you for sure how bad a guy Jack was. I don’t even know if he was bad. I can’t tell you for sure if I should have pursued him. I think he saved baby Chloe. I think he put an end to things, when they could have been worse. But I hold him accountable. He was in a nasty line of business, and if he didn’t set things up, he put the elements together.”

  “If it hadn’t been for him, it never would have happened,” Ward said. “But I look at it differently. She was my niece and I loved her.”

  “At least it’s over. The investigation, anyway. These things are never over, are they?”

  Something in her voice caught his attention. He leaned on Abigail’s back and looked at her over the partition. “Don’t try and run away, Detective.”

  “What do you mean, run away?”

  “It’s in our culture, isn’t it? We’re a young country, the United States of America, and that’s a good thing, or it can be. We got that good old American can-do philosophy, that don’t-take-no-for-an-answer. It just doesn’t prepare us for when the answer is no.

  “I spent some time in Europe after the war. My war. For a while there I just didn’t feel I could face going home. Felt different and didn’t want to pretend. I was homesick as hell, but I couldn’t go back.

  “We used to make fun of the Europeans, the way they’d shrug and say, that’s life. We used to think it was an excuse to be lazy and not try. I stayed in Europe till I got the point. And the point is, sometimes the answer is no. Somebody dies, that’s a no. Your child goes away from you, you lose your job, someone kills somebody you love. That’s no, Detective.

  “People run from no. They drink too much, do drugs, get so busy at work they can’t see straight. They get depressed and sleep, or eat everything in sight. They cry and they scream and kick and say yes yes yes. But no matter how hard you run, no is right there, right behind you.

  “Take it on the chin, Detective. Running from no puts you in a bad place. Go on and feel bad. It’s part of life.”

  “And that is supposed to make it all better?”

  “In time, Detective. In time.”

  Like any other intelligent person, Ward knew a good line to end on. He didn’t say anything else, except to ask her to hand him a saddle, and he put the tack on Abigail and handed her the reins.

  “I should go to work,” Sonora said.

  “If you wanted to go to work you should have said before I got the horse tacked up. Too late now. Okay by you if I let Poppin out in the paddock?”

  Sonora took the reins. “He should be okay. How come your horse acts so nice, and my horse acts so bad?”

  “I told you already. George Smock. You’ll have to send Poppin to Kentucky if you want him to behave.”

 
“I’ll just settle for lead and feed right now.”

  She led Abigail to the side of the fence, and the horse stood patiently while Sonora climbed to the second wood slat and threw a leg over the mare’s back. Abigail, a truly miraculous animal, stood quietly till Sonora urged her forward, then moved ahead steadily.

  Sonora felt her shoulders go loose and did not notice that Ward waited till he saw the smile spread across her face before he left the paddock and closed the gate.

  “Sonora?”

  “Yeah?”

  “Mrs. Cavanaugh said if you want to bring your children over Sunday afternoon, she’ll make us a mighty fine roast.”

  “Actually … that sounds good. Want me to bring anything?”

  “Just yourselves. And Mrs. Cavanaugh said if you have a young man to bring, please do.”

  “I guess I will.”

  “We’ll set an extra place,” he said, and headed back to the house.

  Sonora, feeling brave, clucked Abigail into a trot, with Poppin following like an excited puppy.

  71

  Sonora stood behind her desk, four hours late, smelling like horse and planning to leave early. She knew better than to sit down. She tapped her finger on the corner of the desk, feeling the high-pitched tension of the bullpen behind her. She had said hello to no one, after sitting alone in the car for thirty-five minutes, psyching herself up to be tough. It was there in the back of her mind, the doubt, making her wonder if she should have let things be.

  Behind her the phones were ringing. Sam’s desk was still piled with papers just as he had left it, beneath a rising level of dust. She missed him like a physical pain. A few more weeks and he’d be back. She could hang on till then, if she had to. If they let her.

  There was something new on his desk, a small brown package. She picked it up curiously. Addressed to her and tossed on the wrong desk.

  Probably a bomb.

  Except the return address was from Pill Hill. Who would be mailing her something from a hospital?

  She ripped the brown wrapping off, found a plastic-wrapped bundle of thick white cotton socks—a packet of six—and a note from Sam.

  SOMETHING TO LIFT YOUR SPIRITS, GIRL. I BEEN HEARING THINGS. JUST YOU REMEMBER, I’M BEHIND YOU, SO HANG ON. WILL BE UP AND AROUND AND AT YOUR BACK IN NO TIME. LOVE, SAM

  Only Sam would know the socks had to be pure white, with some elastic in the top so they could stay up—thick, heavy slouch socks. Only Sam would know that to a woman perpetually behind in laundry, a woman whose children daily declared open season on her sock drawer, new socks were one of the small but significant pleasures of her life.

  She could have laughed, she could have cried, she settled for neither. She settled for going to Crick’s door and getting it over with.

  He was sitting sideways behind his desk, staring out the window that was half covered by steel filing cabinets, a tiny bit of sunlight, and a whole lot of dirt. The fax machine beeped, and paper rolled over the top of the basket into a pile of other papers that no one had bothered to pick up off the floor. Crick held an empty coffee cup and he did not look up, but he knew damn well she was there.

  “Do I still have a job?” Sonora asked finally. Somebody had to take the plunge.

  Crick turned his chair slowly. If she had expected him to age overnight, or go gray-headed, she was disappointed. He looked like he always did. Confident to a fault and slightly dangerous.

  “Close the door.”

  She obeyed. “Do I still have a job?”

  “Sit down.”

  “Not till you answer my question.”

  She saw the tiniest half smile, and she knew that he was irritated and that he admired her nerve. She missed the friendship that they had had. Chalk another casualty up to Jack Van Owen.

  “Whether or not you still have a job depends on two things. One, that Forensics does not find anything to show that you helped Jack Van Owen off the roof of that building. Prelims from the ME show no evidence of a gunshot wound and your weapon had not been fired. So long as the pending investigation doesn’t hit a snag, you’re okay there. You’ll have to talk to the IAD guys tomorrow. And you have to talk to me today. And that’s part two. That’s what I decide after we’ve had our conversation. Want to sit down now, Detective?”

  “Yes, sir, I think that I do.”

  He leaned way back in his chair and took full advantage of the dramatic pause, and if he wanted to intimidate her it was working. She might be in the wrong here. She could not get that out of her head.

  “You should have left it alone, Sonora. You let me down.”

  The rage sparked, closer to the surface than might have been safe. “You let me down, sir.”

  “I took you off the case.”

  “For no good reason that I understand. Or maybe I understand it all too well.”

  “I do not now and never will believe that Jack Van Owen had anything to do with that butcher job.”

  “That man wasn’t the Jack Van Owen you knew. That man was what was left after a severe head injury.”

  “Received in the line of duty.”

  “It was a tragedy, sir. Just like that bloodbath at the Stinnets’. What does Mickey say about the gloves?”

  “Too early for results.”

  “What does he think, sir?”

  “He allows the possibility that you could be right.”

  “So there was a third man.”

  “Who tried to stop it.”

  “Who caused it.”

  “What was it you wanted, Sonora? Just to bring the legend down? Do you feel good about this? Everybody’s dead now. We’ll never know what really happened. You didn’t manage to bring him in alive, did you, so we’ll never know to what degree he is or isn’t guilty.”

  “Who the hell do you think killed Aruba and Kinkle? More to the point, who do you think shot Sam?”

  “We’re looking into that. If Eddie Stinnet didn’t actually do it, maybe he knew the guy who did.”

  “I’ll just bet.”

  “Out of line, Detective.”

  “It’s my case.”

  “Not even in your wildest dreams. Why were you two up there on that rooftop? What were you doing in the building, and alone?”

  “Who am I going to call for backup?”

  “I don’t like that answer and I don’t believe it.”

  “I wanted to give him a chance to turn himself in. To cooperate with the investigation.”

  He rubbed his chin. “If I had any doubt about Jack being in the clear, morally, that Jack was involved in murdering that family, I would have brought him in myself.”

  “No, sir, because when the time came, you didn’t. He talked to you. You knew him. And you knew he was involved from day one.”

  “On that we must agree to disagree. You have a hard shell, Sonora.”

  “It was you who trained me that way.”

  Sonora sat in the middle-school gymnasium, back aching, on the polished pine bleachers. Tim sat beside her, waving at girls who were two years younger than he was, impressing them with his upper-class air and Brad Pitt haircut. She had expected him to be bored, but there were enough older brothers and pretty sisters to keep him happy.

  He nudged her with an elbow. “Mom, do you mind if I go sit with—”

  “No, go on ahead.”

  After her talk with Crick she had spent the rest of the day on the phone, researching, not caring who overheard, though it was very damn clear they were listening. No death certificate had been issued for Angelo Van Owen in Arlington, Texas, no death certificate for anybody of that name five years before or after. No record of an interment of Angelo Van Owen in any cemetery in Arlington, Texas.

  Sonora realized she was chewing her bottom lip. She stopped. A bent man in khakis rolled a white piano to the left side of the gym, and children filed onto the three-tiered level of risers. A program that consisted of a piece of red construction paper folded in the middle listed the musical numbers that would be performe
d by the sixth-, seventh-, and eighth-grade chorus, with individual names listed on the back. Like all the other mothers, Sonora looked for Heather’s name, saw that it was spelled correctly, and put her hands in her lap to wait.

  The kids were at the most awkward time of their lives, and it showed in strange haircuts, tense faces, and a certain wariness. Some of them still had that untouched baby air, some were overly made up and knowing. More than a few had the look of embarrassment kids that age get just to be alive, much less to stand up in front of their peers and their parents and sing.

  The chorus teacher and the pianist were both female, both dressed in severe and formal black, which pleased Sonora. She looked at the faces of her co-parents. Everyone looked tired. She recognized the interesting seating arrangements that occur at school events attended by divorced spouses and their significant others, strung together in the middle by shared children.

  The chorus teacher introduced the performers, the pianist, and the man who fiddled with the microphone and speakers. She then faced the children, held up her hands, and the concert began.

  The voices were young and sweet, timid at first but more enthusiastic with the director’s kind and practiced encouragement. Heather looked way too grown up in a black skirt, white shirt, and red vest. She stood carefully on the middle riser in the two-inch heels, and Sonora prayed her daughter would not slip and fall, like she herself had at a concert years and years ago. She clutched the single rose she would give her daughter after the performance, a family tradition. She had been to the florist that afternoon, with two missions.

  It came to Sonora that she had been much too close to the dark things. That she had come very near to something she did not even want to name.

  People were smiling, the room grew warm beneath fluorescent lights. The first song stopped, everyone applauded, and Heather, looking through the audience for Mom, gave Sonora a knowing smile before her attention was gathered by the director and the next song began.

  72

  Sonora stood alone in the cemetery. It was here, in a grave site next to Jack Van Owen’s wife, that she found her last trace of Angelo Van Owen. Though there was no record, no death certificate, her request for exhumation had been denied.

 

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