“March 11th—It is very queer. She is still alive and moving. Tuesday night I heard her piggling with a window, so went up and gave her a rawhiding. She acts more sullen than frightened, and her eyes look swollen. But she could never drop to the ground from that height and there’s nowhere she could climb down. I have had dreams at night, for her slow, dragging pacing on the floor above gets on my nerves. Sometimes I think she works at the lock on the door.
“March 15th—Still alive, despite all the strengthening of the dose. There’s something queer about it. She crawls now, and doesn’t pace very often. But the sound of her crawling is horrible. She rattles the windows, too, and fumbles with the door. I shall have to finish her off with the rawhide if this keeps up. I’m getting very sleepy. Wonder if Rose has got on her guard somehow. But she must be drinking the stuff. This sleepiness is abnormal—I think the strain is telling on me. I’m sleepy…”
(Here the cramped handwriting trails out in a vague scrawl, giving place to a note in a firmer, evidently feminine handwriting, indicative of great emotional tension.)
“March 16th—4 a.m.—This is added by Rose C. Morris, about to die. Please notify my father, Osborne E. Chandler, Route 2, Mountain Top, N.Y. I have just read what the beast has written. I felt sure he had killed Arthur Wheeler, but did not know how till I read this terrible notebook. Now I know what I escaped. I noticed the water tasted queer, so took none of it after the first sip. I threw it all out of the window. That one sip has half paralysed me, but I can still get about. The thirst was terrible, but I ate as little as possible of the salty food and was able to get a little water by setting some old pans and dishes that were up here under places where the roof leaked.
“There were two great rains. I thought he was trying to poison me, though I didn’t know what the poison was like. What he has written about himself and me is a lie. We were never happy together and I think I married him only under one of those spells that he was able to lay on people. I guess he hypnotised both my father and me, for he was always hated and feared and suspected of dark dealings with the devil. My father once called him The Devil’s Kin, and he was right.
“No one will ever know what I went through as his wife. It was not simply common cruelty—though God knows he was cruel enough, and beat me often with a leather whip. It was more—more than anyone in this age can ever understand. He was a monstrous creature, and practiced all sorts of hellish ceremonies handed down by his mother’s people. He tried to make me help in the rites—and I don’t dare even hint what they were. I would not, so he beat me. It would be blasphemy to tell what he tried to make me do. I can say he was a murderer even then, for I know what he sacrificed one night on Thunder Hill. He was surely the Devil’s Kin. I tried four times to run away, but he always caught and beat me. Also, he had a sort of hold over my mind, and even over my father’s mind.
“About Arthur Wheeler I have nothing to be ashamed of. We did come to love each other, but only in an honourable way. He gave me the first kind treatment I had ever had since leaving my father’s, and meant to help me get out of the clutches of that fiend. He had several talks with my father, and was going to help me get out west. After my divorce we would have been married.
“Ever since that brute locked me in the attic I have planned to get out and finish him. I always kept the poison overnight in case I could escape and find him asleep and give it to him somehow. At first he waked easily when I worked on the lock of the door and tested the conditions at the windows, but later he began to get more tired and sleep sounder. I could always tell by his snoring when he was asleep.
“Tonight he was so fast asleep I forced the lock without waking him. It was hard work getting downstairs with my partial paralysis, but I did. I found him here with the lamp burning—asleep at the table, where he had been writing in this book. In the corner was the long rawhide whip he had so often beaten me with. I used it to tie him to the chair so he could not move a muscle. I lashed his neck so that I could pour anything down his throat without his resisting.
“He waked up just as I was finishing and I guess he saw right off that he was done for. He shouted frightful things and tried to chant mystical formulas, but I choked him off with a dish towel from the sink. Then I saw this book he had been writing in, and stopped to read it. The shock was terrible, and I almost fainted four or five times. My mind was not ready for such things. After that I talked to that fiend for two or three hours steady. I told him everything I had wanted to tell him through all the years I had been his slave, and a lot of other things that had to do with what I had read in this awful book.
“He looked almost purple when I was through, and I think he was half delirious. Then I got a funnel from the cupboard and jammed it into his mouth after taking out the gag. He knew what I was going to do, but was helpless. I had brought down the pail of poisoned water, and without a qualm, I poured a good half of it into the funnel.
“It must have been a very strong dose, for almost at once I saw that brute begin to stiffen and turn a dull stony grey. In ten minutes I knew he was solid stone. I could not bear to touch him, but the tin funnel clinked horribly when I pulled it out of his mouth. I wish I could have given that Kin of the Devil a more painful, lingering death, but surely this was the most appropriate he could have had.
“There is not much more to say. I am half-paralysed, and with Arthur murdered I have nothing to live for. I shall make things complete by drinking the rest of the poison after placing this book where it will be found. In a quarter of an hour I shall be a stone statue. My only wish is to be buried beside the statue that was Arthur—when it is found in that cave where the fiend left it. Poor trusting Rex ought to lie at our feet. I do not care what becomes of the stone devil tied in the chair…”
The Thing in the Moonlight
By H. P. Lovecraft & J. Chapman Miske
Written (letter): 24th November 1927
First Published: Bizarre,
Vol. 4, No. 1 (January 1941), Pages 5, 20
“The Thing in the Moonlight” is based on a letter that Lovecraft wrote to Donald Wandrei on 24th November 1927. The story surrounding Lovecraft’s description of his dream was written by J. Chapman Miske and published in the January 1941 issue of Bizarre.
Letter to Donald Wandrei
My dreams occasionally approach’d the phantastical in character, tho’ falling somewhat short of coherence. One scene is especially stamp’d upon my recollection–that of a dank, fœtid, reed-choak’d marsh under a grey autumn sky, with a rugged cliff of lichen-crusted stone rising to the north. Impell’d by some obscure quest, I ascended a rift or cleft in this beetling precipice, noting as I did so the black mouths of many fearsome burrows extending from both walls into the depths of the stony plateau.
At several points the passage was roof’d over by the choaking of the upper parts of the narrow fissure; these places being exceedingly dark, and forbidding the perception of such burrows as may have existed there. In one such dark space I felt conscious of a singular accession of fright, as if some subtile and bodiless emanation from the abyss were ingulphing my spirit; but the blackness was too great for me to perceive the source of my alarm.
At length I emerg’d upon a table-land of moss-grown rock and scanty soil, lit up by a faint moonlight which had replac’d the expiring orb of day. Casting my eyes about, I beheld no living object; but was sensible of a very peculiar stirring far below me, amongst the whispering rushes of the pestilential swamp I had lately quitted.
After walking for some distance, I encounter’d the rusty tracks of a street-railway, and the worm-eaten poles which still held the limp and sagging trolley wire. Following this line, I soon came upon a yellow, vestibuled car numbered 1852–of a plain, double-trucked type common from 1900 to 1910. It was untenanted, but evidently ready to start; the trolley being on the wire and the air-brake pump now and then throbbing beneath the floor. I boarded it and looked vainly about for the light switch–noting as I did so the absence of con
troller handle which implied the brief absence of the motorman. Then I sat down in one of the cross seats toward the middle, awaiting the arrival of the crew and the starting of the vehicle. Presently I heard a swishing in the sparce grass toward the left, and saw the dark forms of two men looming up in the moonlight. They had the regulation caps of a railway company, and I could not doubt but that they were the conductor and motorman. Then one of them sniffed with singular sharpness, and raised his face to howl to the moon. The other dropped on all fours to run toward the car.
I leaped up at once and raced madly out of that car and away across endless leagues of plateau till exhaustion waked me–doing this not because the conductor had dropped on all fours, but because the face of the motorman was a mere white cone tapering to one blood-red tentacle…
“The Thing in the Moonlight”
Morgan is not a literary man; in fact he cannot speak English with any degree of coherency. That is what makes me wonder about the words he wrote, though others have laughed.
He was alone the evening it happened. Suddenly an unconquerable urge to write came over him, and taking pen in hand he wrote the following:
My name is Howard Phillips. I live at 66 College Street, in Providence, Rhode Island. On November 24th, 1927—for I know not even what the year may be now—, I fell asleep and dreamed, since when I have been unable to awaken.
My dream began in a dank, reed-choked marsh that lay under a gray autumn sky, with a rugged cliff of lichen-crusted stone rising to the north. Impelled by some obscure quest, I ascended a rift or cleft in this beetling precipice, noting as I did so the black mouths of many fearsome burrows extending from both walls into the depths of the stony plateau.
At several points the passage was roofed over by the choking of the upper parts of the narrow fissure; these places being exceeding dark, and forbidding the perception of such burrows as may have existed there. In one such dark space I felt conscious of a singular accession of fright, as if some subtle and bodiless emanation from the abyss were engulfing my spirit; but the blackness was too great for me to perceive the source of my alarm.
At length I emerged upon a tableland of moss-grown rock and scanty soil, lit by a faint moonlight which had replaced the expiring orb of day. Casting my eyes about, I beheld no living object; but was sensible of a very peculiar stirring far below me, amongst the whispering rushes of the pestilential swamp I had lately quitted.
After walking for some distance, I encountered the rusty tracks of a street railway, and the worm-eaten poles which still held the limp and sagging trolley wire. Following this line, I soon came upon a yellow, vestibuled car numbered 1852—of a plain, double-trucked type common from 1900 to 1910. It was untenanted, but evidently read to start; the trolley being on the wire and the air-brake now and then throbbing beneath the floor. I boarded it and looked vainly about for the light switch—noting as I did so the absence of the controller handle, which thus implied the brief absence of the motorman. Then I sat down in one of the cross seats of the vehicle. Presently I heard a swishing in the sparse grass toward the left, and saw the dark forms of two men looming up in the moonlight. They had the regulation caps of a railway company, and I could not doubt but that they were conductor and motorman. Then one of them sniffed with singular sharpness, and raised his face to howl to the moon. The other dropped on all fours to run toward the car.
I leaped up at once and raced madly out of that car and across endless leagues of plateau till exhaustion forced me to stop—doing this not because the conductor had dropped on all fours, but because the face of the motorman was a mere white cone tapering to one blood-red-tentacle…
I was aware that I only dreamed, but the very awareness was not pleasant.
Since that fearful night, I have prayed only for awakening—it has not come!
Instead I have found myself an inhabitant of this terrible dream-world! That first night gave way to dawn, and I wandered aimlessly over the lonely swamp-lands. When night came, I still wandered, hoping for awakening. But suddenly I parted the weeds and saw before me the ancient railway car – and to one side a cone-faced thing lifted its head and in the streaming moonlight howled strangely!
It has been the same each day. Night takes me always to that place of horror. I have tried not moving, with the coming of nightfall, but I must walk in my slumber, for always I awaken with the thing of dread howling before me in the pale moonlight, and I turn and flee madly.
God! when will I awaken?
That is what Morgan wrote. I would go to 66 College Street in Providence, but I fear for what I might find there.
Till A’ the Seas
By H. P. Lovecraft & Robert H. Barlow
Written: January 1935
First Published: The Californian,
Vol. 3, No. 1 (Summer 1935), Pages 3-7
Chapter I
Upon an eroded cliff-top rested the man, gazing far across the valley. Lying thus, he could see a great distance, but in all the sere expanse there was no visible motion. Nothing stirred the dusty plain, the disintegrated sand of long-dry river-beds, where once coursed the gushing streams of Earth’s youth. There was little greenery in this ultimate world, this final stage of mankind’s prolonged presence upon the planet. For unnumbered aeons the drought and sandstorms had ravaged all the lands. The trees and bushes had given way to small, twisted shrubs that persisted long through their sturdiness; but these, in turn, perished before the onslaught of coarse grasses and stringy, tough vegetation of strange evolution.
The ever-present heat, as Earth drew nearer to the sun, withered and killed with pitiless rays. It had not come at once; long aeons had gone before any could feel the change. And all through those first ages man’s adaptable form had followed the slow mutation and modelled itself to fit the more and more torrid air. Then the day had come when men could bear their hot cities but ill, and a gradual recession began, slow yet deliberate. Those towns and settlements closest to the equator had been first, of course, but later there were others. Man, softened and exhausted, could cope no longer with the ruthlessly mounting heat. It seared him as he was, and evolution was too slow to mould new resistances in him.
Yet not at first were the great cities of the equator left to the spider and the scorpion. In the early years there were many who stayed on, devising curious shields and armours against the heat and the deadly dryness. These fearless souls, screening certain buildings against the encroaching sun, made miniature worlds of refuge wherein no protective armour was needed. They contrived marvellously ingenious things, so that for a while men persisted in the rusting towers, hoping thereby to cling to old lands till the searing should be over. For many would not believe what the astronomers said, and looked for a coming of the mild olden world again. But one day the men of Dath, from the new city of Niyara, made signals to Yuanario, their immemorially ancient capital, and gained no answer from the few who remained therein. And when explorers reached that millennial city of bridge-linked towers they found only silence. There was not even the horror of corruption, for the scavenger lizards had been swift.
Only then did the people fully realize that these cities were lost to them; know that they must forever abandon them to nature. The other colonists in the hot lands fled from their brave posts, and total silence reigned within the high basalt walls of a thousand empty towns. Of the dense throngs and multitudinous activities of the past, nothing finally remained. There now loomed against the rainless deserts only the blistered towers of vacant houses, factories, and structures of every sort, reflecting the sun’s dazzling radiance and parching in the more and more intolerable heat.
Many lands, however, had still escaped the scorching blight, so that the refugees were soon absorbed in the life of a newer world. During strangely prosperous centuries the hoary deserted cities of the equator grew half-forgotten and entwined with fantastic fables. Few thought of those spectral, rotting towers… those huddles of shabby walls and cactus-choked streets, darkly silent and abandoned…<
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Wars came, sinful and prolonged, but the times of peace were greater. Yet always the swollen sun increased its radiance as Earth drew closer to its fiery parent. It was as if the planet meant to return to that source whence it was snatched, aeons ago, through the accidents of cosmic growth.
After a time the blight crept outward from the central belt. Southern Yarat burned as a tenantless desert—and then the north. In Perath and Baling, those ancient cities where brooding centuries dwelt, there moved only the scaly shapes of the serpent and the salamander, and at last Loton echoed only to the fitful falling of tottering spires and crumbling domes.
Steady, universal, and inexorable was the great eviction of man from the realms he had always known. No land within the widening stricken belt was spared; no people left unrouted. It was an epic, a titan tragedy whose plot was unrevealed to the actors—this wholesale desertion of the cities of men. It took not years or even centuries, but millennia of ruthless change. And still it kept on—sullen, inevitable, savagely devastating.
Agriculture was at a standstill, the world fast became too arid for crops. This was remedied by artificial substitutes, soon universally used. And as the old places that had known the great things of mortals were left, the loot salvaged by the fugitives grew smaller and smaller. Things of the greatest value and importance were left in dead museums—lost amid the centuries—and in the end the heritage of the immemorial past was abandoned. A degeneracy both physical and cultural set in with the insidious heat. For man had so long dwelt in comfort and security that this exodus from past scenes was difficult. Nor were these events received phlegmatically; their very slowness was terrifying. Degradation and debauchery were soon common; government was disorganized, and the civilizations aimlessly slid back toward barbarism.
Yog Sothothery - The Definitive H.P. Lovecraft Anthology Page 220