Lisseut looked at the old performer with a mingling of affection and sadness. She had not seem him for a long time. He did look older now, frail. His round, kind face, scarred by a childhood pox, seemed to have been part of her world forever. A great deal would change when Ramir was gone, she realized, watching as he came shuffling forward. He didn't walk very well, she saw.
"Well, really—" Remy began, under his breath. "Shut up." Aurelian spoke with uncharacteristic sharpness. The lanky troubadour's face had an odd expression as he looked at Ramir.
Alain rose from his seat and hurried to bring Ramir the performer's stool and footrest. With a gentle smile the old joglar thanked him. Troubadours didn't tend to assist joglars, but Ramir was different. Declining Alain's offered hand, the old man cautiously lowered himself onto the low stool. He stretched out his left leg with an audible sigh of relief. One of the Gotzlanders laughed. Ramir had some trouble with the thong on his lute case and Lisseut saw an Arimondan at the table on the other side of them cover his mouth to politely hide a smile.
Ramir finally slipped his instrument out of the case and began tuning it. The lute looked to be as old as he was, but the sound, even in the tuning, was achingly pure. Lisseut would have given almost anything for such an instrument. She looked around The Senhal. The silence was a nervous one now, broken by whispers and murmuring. It was so crowded in the tavern it was hard to move. On the upper levels people had pushed to the railings to look down. Over on the eastern wall, on that higher level, Lisseut saw a gleam of long, dark hair by candlelight. She was a little surprised, but not greatly so. Ariane de Carenzu, her hair down, as ever, in defiance of tradition, sat beside a slender, handsome man, her husband. Lisseut knew Duke Thierry now. Before coming to Lussan she and Alain had spent a fortnight in Carenzu, at the particular request of the queen of the Court of Love. They each had a purse full of silver to show for it, and Lisseut had been given a crimson vest of fine wool trimmed with expensive squirrel fur against the coming cold. She had told Remy earlier in the evening that if he damaged her new vest in any way he would replace it or die. He had ordered a bottle of Cauvas gold wine by way of reply. They had been joking then, laughing about Midsummer, celebrating.
She looked back at Ramir. He was still tuning the lute, loosening his fingers as he did. Lisseut's uncle had taught her about that, one of the first lessons he had given her: whatever else you do, never rush the beginning. Start when you are ready to start, they will not leave as long as they see you preparing.
"We have a challenge here," Ramir said, almost conversationally, one ear tilted down towards the lute, fingers busy on the strings. His voice was pitched so they all had to lean forward to hear. The silence abruptly became complete. Another old joglar's trick, Lisseut knew. She saw, out of the corner of her eye, that Remy was now smiling as well.
"A curious challenge, really." For the first time Ramir looked briefly at the table of Gotzlanders. "How is one to fairly choose among the music of different countries, different heritages? Surely there is fine music made in Aulensburg and in Arimonda at the court of King Vericenna, as has just been urged upon us so… soberly… by our friend over there." There was a titter of amusement. Gradually, almost imperceptibly, Ramir's voice had begun to chime and weave with the apparently random chords he was playing upon the lute. Aurelian's face as he listened, Lisseut saw, was entranced, rigorously attentive.
"We are asked, in the light of this truth, why Arbonne should be pre-eminent." Ramir paused, looked around the room, not hurrying. "We are also asked, in nearly as many words, what there will be to mourn if Arbonne is lost."
He left a silence after that, save for the gentle, almost casual notes drawn from the instrument as if unconsciously.
Lisseut swallowed abruptly, with difficulty. Ramir said, "I am only a singer, and such questions are difficult to answer. Let me offer a song instead, with apologies if it should be found inadequate and fail to please." The ancient phrasing, that, no one used it any more. "I will sing a song of the first of the troubadours."
"Ah," said Remy under his breath. "Ah, well." Ramir's fingers were busier now, the music beginning to take shape, the notes gathering as if from scattered places in the world at the joglar's bidding. "Anselme of Cauvas was of modest birth," Ramir said, and this too was of the old fashion, the vidan, the tale of the composer. No one in the newer generation did this any longer when beginning a song. "Anselme was clever and gifted, though, and was brought into the chapel of the god at Cauvas, and then Duke Raimbaut de Vaux took him into his household, and finally he came to the attention of the count himself, Folquet, and the count honoured Anselme for his wisdom and discretion and employed him in many affairs of state in all of the six countries for many years. And Anselme had several great loves among the noble ladies of his day, but always he was chaste and honourable, and never did he speak the name of any of these women, but in his passion and desire he began composing songs for them, and this was the beginning of the troubadours of Arbonne."
The music beneath the spoken words was beautiful, delicate as lace or the gems of a master jeweller, precise, many-faceted. Ramir said, "I could sing a song of love of Anselme of Cauvas tonight, I could sing his love songs all night long until the dawn came to draw us out the doors, but we have been given a different kind of challenge here, and so I will sing a different kind of song. With the permission and by the grace of all those gathered here, I will sing a song Anselme wrote once when he was far from home."
The music changed and was alone then, creating room for beauty by candle and lantern light in a thronged tavern, with the first cold breezes of autumn beginning to blow outside. Lisseut knew the tune immediately. Everyone at their table knew this tune. She waited, feeling close to tears, wanting to close her eyes but wanting also to watch Ramir, every movement he made, and a moment later she heard the jongleur sing:
When the wind that comes from Arbonne
Sweeps north across the mountains,
Then my heart is full again, even in far Gorhaut,
Because I know that spring has come to Tavernel and Lussan,
To the olive groves above Vezét
And the vineyards of Miraval,
And nightingales are singing in the south.
Ramir's rich voice paused again, as he let the simple, sweet notes of the music take them away with it. There was an old, plain roughness to the song, words and music both. It was worlds removed from Jourdain's intricate melodies or the subtle interplay of thought and image and changing form in Remy's best work or Alain's new songs. This, though, was the authentic voice of something at its very beginning. Lisseut knew her own origins were here, those of all the joglars and troubadours, and, yes, of that table of Gotzland trovaritz, and all the Arimondan singers and Portezzan, and of those men in Gorhaut and Valensa who might actually venture to shape music of a different sort from the interminably thunderous battle hymns of those northern lands.
As if in answer to the flow of her thoughts, Ramir's voice was lifted again, not so vibrant perhaps as it once had been, but purified by years and the wisdom of those years into an instrument rare and fine as his lute:
Here in Gorhaut, so distant from my home,
Among men who care nothing for music,
And ladies who utter little of courtesy to poets
And even less of love, the memory of songbirds
In the branches of trees, of gardens watered
By the sweetness of the Arbonne itself,
Flowing from the mountains to the sea—
Such a vision—a blessing of Rian! — guides
Me to my rest at night with the promise of return.
The singing ended. Ramir continued the music for only a little longer, after the old fashion again, and then his fingers on the lute, too, were still. It was silent in the tavern. Lisseut looked slowly around at her friends. They had all heard this song before, they had all sung it themselves, but not like this. Not ever like this. She saw that of all those sitting there i
t was Remy who had tears in his eyes. Her own heart was full, there was an ache in it.
His head lowered, Ramir was carefully slipping his lute back into its case. It took him a long moment to deal with the thong again. No one yet had made a sound. He finished putting away his instrument. With a grimace, he awkwardly shifted his bad leg and rose from the low stool. He bowed gravely towards the table of Gotzlanders. Of course, Lisseut realized: they were the ones who had, after a fashion, called for his song. He turned to leave, but then, as if a new thought had just come to him, he looked back at the Gotzlanders.
"I am sorry," he said. "Will you permit me to correct something I said before?" His voice was soft again, they had to lean forward to hear. And Lisseut heard him say then, would ever after remember hearing Ramir of Talair say, with his gentle, muted sadness, "I told you I would not sing one of Anselme's songs of love. That is not true, on reflection. I did sing a love song after all."
It was Ariane de Carenzu, a moment later, from her place on the upper level of the inn, who was first on her feet to begin the applause. Everyone at the troubadours' table stood as the noise in The Senhal began to grow and grow. And then Lisseut saw the Gotzlanders rise, as one man, and begin pounding their fists and pewter mugs upon the dark oak wood of their table, shouting a fierce approval. She began to cry. Through the blurring rainfall of her sorrow and her pride she saw Ramir, clutching his lute in its case with both hands to his chest, walk slowly away. He didn't go back to his corner after all. He left the lights and the thunderous noise of the tavern and walked out into the autumn night under the stars.
There were some among the taverns and inns within and around Lussan that did their own highly successful business in the month of the fair by not remaining open during this lucrative season. The proprietor of The Silver Tree, a well-regarded country inn among fig and olive groves about three miles outside the city walls, had been surprised and more than pleased to join this small but select group. He accepted a considerable sum from Duke Bertran de Talair to house a number of the duke's corans and household during the fair. En Bertran himself would obviously spend most of his time in Lussan in his city palace there, or, indeed, in Barbentain itself with the countess, but he clearly found it useful to have a less conspicuous residence at his disposal, perhaps one where approaches to and from could be more closely monitored. The innkeeper speculated, but kept his thoughts to himself.
Sitting in the smaller, more comfortably furnished of the two ground-level rooms of that inn, with a fire blazing and the night wind blowing outside, Blaise fingered his wine glass and looked over again at Valery. He raised his eyebrows pointedly. Bertran's cousin merely shrugged. The duke himself was sitting at a table scribbling on a parchment, at times consulting other crumpled documents at hand. If Blaise hadn't known better he would have assumed that Bertran was dealing with affairs of importance. In fact, the duke was writing a song and had told them as much when he'd asked for silence some time ago.
They were waiting for someone. Corans were posted outside to warn them of an impending arrival. Bertran, needless to say, hadn't bothered to tell them who it was he was expecting. A surprise, he'd said blandly. Blaise didn't like surprises. He didn't like waiting. There were times when he wasn't sure if he liked Bertran de Talair.
The Talair wine, at least, was superb, and Blaise was comfortably warm in a deep-cushioned chair by the fire. There was food on a second, long table, and tapestries offered warmth and colour on the stone walls. He should, he told himself, be grateful for these blessings of continued life and give thanks to Corannos. He might so easily have died on the road four days ago. The talk since their arrival in Lussan was all about the banning of the Andoria from the fair. Blaise didn't normally spend much time listening to gossip and he didn't linger in places where he might hear it, but this was rather close to his own interests, and they had been given the details by Valery as soon as they'd entered the city.
They'd spent the first night in the Talair palace in town. Or rather, Blaise and Valery had. Bertran had had a nocturnal tryst he was characteristically unwilling to forego or postpone. There had been a curious incident when Roban, the chancellor of Arbonne—a hollow-cheeked, peremptory man Blaise had not met before—came looking for the duke in the hour before dawn. Valery, roused from sleep, had reluctantly named a house where Bertran might be found. The chancellor had grimaced in dismay. Valery had offered to go with the small party, but Roban, wrapped in fur against the cold, had declined. He'd looked over at Blaise with an expression of poorly concealed misgiving before riding off. Valery, seeing that look and catching Blaise's eye, had shrugged then, too. They'd yawned together and had gone back to their beds for what little remained of the night.
When they descended the stairs again Bertran had not yet returned. He came back later in the morning in a silent mood and had remained that way all day, venturing out alone twice for brief periods. He didn't enlighten them as to why. He went out again that night, smiling and scented, to a different house in the city. Blaise didn't bother asking Valery who lived there; he didn't want to know.
Towards the end of the next afternoon, the three of them had taken their horses and ridden out of Lussan and then along a winding country lane to The Silver Tree, where the larger part of the duke's men were staying. Bertran had again been silent during that ride. "We're meeting someone," was all he'd said when they set out. "After dark." Valery had only shrugged when Blaise looked at him. Blaise had decided that he was growing tired of Valery's shrugs, too.
He was gazing into the fire, trying with only marginal success to do some reflecting upon the larger, grimmer issues that awaited them, when Serlo appeared suddenly in the doorway leading to the larger room, making him start. "Someone has come, my lord. He is alone, cloaked and hooded, with his face concealed. He will not reveal himself."
Bertran shuffled his papers together before standing up. "That's all right. Show him in as he is and then guard the door for us. We should not be disturbed, Serlo, unless I call for you."
The young coran nodded and went out. Valery rose to his feet and Blaise did the same. There was a look of anticipation and of something else now—a kind of youthful, infectious delight—in the blue eyes of the duke. Blaise, against his will, began to feel a quickening excitement.
Serlo returned moments later escorting a man who was indeed wrapped in a long black mantle with a cloth wrapped about his face, concealing all but his eyes. The man wore a sword, but had, as Serlo noted, come alone. He waited until the young coran had withdrawn and closed the door behind himself. Then, with a neat sequence of movements, he let fall his cloak and hood and removed the scarf.
Blaise looked sharply over at Bertran, saw the genuine astonishment in the duke's expression and the swift beginning of anger, and then he began, helplessly, to laugh.
"Well, good evening to you all, at any rate," said Rudel Correze brightly as no one spoke. "I hope I'm not late, or early, or anything."
Bertran's colour had risen; the scar showed white on his face. "You had best tell me, very quickly, who you are and what you think you are doing," he said icily. Valery had now moved forward, a hand to his sword hilt, his glance moving uncertainly towards Blaise and then to the man in the doorway again.
Still laughing at the sheer audacity of it all, Blaise said, "Actually, you did say on the road to Lussan that you wanted to meet this man. Shall I perform the introductions?"
Bertran looked from Blaise back to the new arrival. "Ah," he said, his tone changing. He lifted one eyebrow. "The Correze son? With the poisoned arrows?"
Rudel bowed deeply. His hair was bright in the blazing light of the fire and the candles. He grimaced wryly when he straightened. "I do apologize for that. It was a long shot at night. I am glad to see you well, my lord." He turned to Valery. "And you. I trust you are recovered?"
"Entirely recovered, thank you," said Valery politely, letting go of his sword. "I am a walking tribute to the arts of the priestesses of Rian." There was a flicke
r of amusement in his eyes, Blaise saw.
His old friend turned to him last of all. "You must have greatly enjoyed that last conversation of ours," Rudel Correze said quietly. "Knowing what you knew, and chose to keep from me."
"Not really," Blaise said. "Not at the time, at any rate. I thought Valery was dead, and you caught me unawares with almost everything you told me. I had a difficult time, actually. I wouldn't have told you about your mistake, though, even if I had been inclined to. If you had learned the duke was alive you might have felt obliged to try again, and I would have had to have you taken then, with problems for everyone in Arbonne."
"Not to mention for myself," Rudel said lightly. He was listening carefully though.
"You would have deserved it," Blaise said. "I'll concede that afterwards I did enjoy the thought of you showing up in Gotzland to claim the money."
Rudel made a sour face. "I'm sure you did. You ensured I would arrive triumphantly in Aulensburg, report a successful mission, confirm the deposit of my ridiculous fee—and then deal with the discovery, a fortnight later, that the esteemed duke of Talair—" he smiled briefly at Bertran " — was engaged in ongoing diplomatic exchanges with King Jorg at Aulensburg and not, evidently, from beyond the grave."
"So you gave the money back?" Blaise feigned ignorance. He was now enjoying this.
"I gave back what was left of it, under some impolite pressure from Gorhaut's ambassador to the court in Aulensburg. Not a pleasant man, I can tell you. I had to approach my father's branch bank for certain sums that were not… readily available to me privately."
"After only a fortnight?" Blaise raised his eyebrows in feigned surprise. "What did you buy? All the gems of the east? How much could you have spent in two weeks?"
A Song for Arbonne Page 29