The station we had to stop at was ten miles from Mr. Darrell's house, and a barouche-and-pair was waiting for us in the sunny road outside. We drove along a road that crossed the moor, until we came to a little village of scattered houses, with a fine old church—at one end of which an ancient sacristy seemed mouldering slowly to decay. We drove past the gates of two or three rather important houses, lying half-hidden in their gardens, and then turned sharply off into a road that went up a hill, nearly at the top of which we came to a pair of noble old carved iron gates, surmounted with a coat-of-arms, and supported on each side by massive stone pillars, about which the ivy twined lovingly.
An old man came out of a pretty rustic-looking lodge and opened theses gates, and we drove through an avenue of some extent, which led straight to the front of the house, the aspect of which delighted me. It was very old and massively built, and had quite a baronial look, I thought. There was a wide stone terrace with ponderous moss-grown stone balustrades round three sides of it, and at each angle a broad flight of steps leading down to a second terrace, with sloping green banks that melted into the turf of the lawn. The house stood on the summit of a hill, and from one side commanded a noble view of the sea.
A lady came out of the curious old stone porch as the carriage drove up, and stood at the top of the terrace steps waiting for us. I guessed immediately that this must be Mrs. Darrell.
Milly hung back a little shyly, as her father led her up the steps with her hand through his arm. She was very pale, and I could see that she was trembling. Mrs. Darrell came forward to her quickly, and kissed her.
'My darling Emily,' she cried, 'I am so delighted to see you at last.—O William, you did not deceive me when you promised me a beautiful daughter.'
Milly blushed, and smiled at this compliment, but still clung to her father, with shy downcast eyes.
I had time to look at Mrs. Darrell while this introduction was being made. She was not by any means a beautiful woman, but she was what I suppose would have been called eminently interesting. She was tall and slim, very graceful-looking, with a beautiful throat and a well- shaped head. Her features, with the exception of her eyes, were in no way remarkable; but those were sufficiently striking to give character to a face that might otherwise have been insipid. They were large luminous gray eyes, with black lashes, and rather strongly-marked brows of a much darker brown than her hair. That was of a nondescript shade, neither auburn nor chestnut, and with little light or colour in its soft silky masses; but it seemed to harmonise very well with her pale complexion. Lavater has warned us to distrust any one whose hair and eyebrows are of a different colour. I remembered this as I looked at Mrs. Darrell.
She was dressed in white; and I fancied the transparent muslin, with no other ornament than a lilac ribbon at the waist, was peculiarly becoming to her slender figure and delicate face. Her husband seemed to think so too, for he looked at her with a fond admiring glance as he offered her his arm to return to the house.
'I mustn't forget to introduce Miss Crofton to you, Augusta,' he said; 'a school friend of Milly's, who has kindly accepted my invitation to spend the holidays with her.'
Mrs. Darrell gave me her hand; but I fancied that she did so rather coldly, and I had an uneasy sense that I was not very welcome to the new mistress of Thornleigh.
'You will find your old rooms all ready for you, Milly,' she said; 'I suppose we had better put Miss Crofton in the blue room—next yours?'
'If you please, Mrs. Darrell.'
'What, Milly, won't you call me mamma?'
Milly was silent for a few moments, with a pained expression in her face.
'Pray, forgive me,' she said in a low voice; 'I cannot call any one by that name.'
Augusta Darrell kissed her again silently.
'It shall be as you wish, dear,' she said, after a pause.
A rosy-cheeked, pleasant-looking girl, who had been accustomed to wait on Milly in the old time, came forward to meet us, and ran before us to our rooms, expressing her delight at her young lady's return all the way she went.
The rooms were very pretty, and were situated in that portion of the house which looked towards the sea. There was a sitting-room, brightly furnished with some light kind of wood, and with chintz hangings all over rose-buds and butterflies. This had been Milly's schoolroom, and there was a good many books in two pretty-looking bookcases on each side of the fireplace. Besides these, there were some curious old cabinets full of shells and china. It was altogether the prettiest, most homelike room one could imagine.
Opening out of this, there was a large airy bedroom, with three windows commanding that glorious view of moorland and sea; and beyond that, a dainty little dressing-room. The next door in the corridor opened into the room that had been allotted to me; a large comfortable-looking room, in which there was an old-fashioned mahogany four-post bed with blue-damask curtains.
I went to Milly's dressing-room when my own simple toilet was finished, and stood by the open window talking to her while she arranged her hair. She dismissed her little maid directly I went into the room, and I felt she had something to say to me.
'Well, Mary,' she began at once, 'what do you think of her?'
'Of Mrs. Darrell?'
'Of course.'
'What opinion can I possibly form about her, after seeing her for three minutes, Milly? I think she is very elegant-looking. That is the only idea I have about her yet.'
'Do you think she looks true, Mary? Do you think she has married papa because she loves him?'
'My dear child, how can I tell that? She is a great many years younger than your papa, but I do not see that the difference between them need be any real hindrance to her loving him. He is a man whom any woman might care for, I should think; to say nothing of her natural gratitude towards the man who has rescued her from a position of dependence.'
'Gratitude is all nonsense,' Miss Darrell answered impatiently. 'I want to know that my father is loved as he deserves to be loved. I shall never tolerate that woman unless I can feel sure of that.'
'I believe you are prejudiced against her already, Milly,' I said reproachfully.
'I daresay I am, Mary. I daresay I feel unjustly about her; but I don't like her face.'
'What is there in her face that you don't like?'
'O, I can't tell you that—an undefinable something. I have a sort of conviction that she and I can never love each other.'
'It is rather hard upon Mrs. Darrell to begin with such a feeling as that, Milly.'
'I can't help it. Of course I shall try to do my duty to her, for papa's sake, and I shall do my best to conquer all these unchristian feelings. But we cannot command our hearts, you know, Mary, and I don't think I shall ever love my stepmother.'
She took me down to the drawing-room after this. It was half-past six, and we were to dine at seven. The drawing-room was a long room, with five windows opening on to the terrace, an old-fashioned- looking room with panelled walls and a fine arched ceiling. The wainscot was painted white, with gilt mouldings, and the cornice and architraves of the doors were elaborately carved. The furniture was white-and-gold like the walls, and in that spurious classical style which prevailed during the first French Empire. The window-curtains and coverings of sofas and chairs were of dark-green velvet.
A gentleman was standing in one of the open windows looking out at the garden. He turned as Milly and I went in, and I recognised Mr. Stormont. He came forward to shake hands with his cousin, and smiled his peculiar slow smile at her expression of surprise.
'You didn't know I was here, Milly?'
'No, indeed; I had no idea of seeing you.'
'I wonder your father did not tell you of my visit. I came over this morning for a fortnight's holiday. I've been working a little harder than usual lately, and my uncle is good enough to say I have earned a rest.'
'I wonder you don't go abroad for a change.'
'I don't care about a change. I had much rather come to Thornleigh.'
He looked at her very earnestly as he said this. I had been sure of it that afternoon when we all three sat in the summer-house at Albury Lodge, but I could see that Milly herself had no idea of the truth.
'Well, Milly, what do you think of your new mamma?' he asked presently.
'I had rather not tell you yet.'
'Humph! that hardly sounds favourable to the lady. She seems to me a very charming person; but she is not my stepmother, and, of course, that makes a difference. Your father is intensely devoted.'
Mr. Darrell came into the room a few minutes after this, and his wife followed him almost immediately. Milly placed herself next her father, and contrived to absorb his attention, not quite to the satisfaction of the elder lady, I fancied. Those bright gray eyes flashed upon my darling with a brief look of anger, which changed in the next moment to quiet watchfulness.
Mrs. Darrell stood by one of the tables, idly turning over some books and papers, and finding me seated near her, began to talk to me presently in a very gracious manner, asking me how I liked Thornleigh, and a few other questions of a stereotyped kind; but even while she talked those watchful eyes were always turned towards the window where the father and daughter stood side by side. Mr. Stormont came over to her while she was talking to me, and joined in the conversation; in the midst of which a grave gray-haired old butler came to announce dinner.
Mr. Stormont offered his arm to the lady of the house, while Mr. Darrell gave one arm to me and the other to his daughter; and we went down a long passage, at the end of which was the dining-room, a noble old room, with dark oak panelling and a great many pictures by the old masters, which were, no doubt, as valuable as they were dingy. We dined at an oval table, prettily decorated with flowers and with some very curious old silver.
There was a good deal of talk at dinner, in which I could take very little part. Mr. and Mrs. Darrell talked to Julian Stormont of their travels; and I must confess the lady talked well, with no affectation of enthusiasm, and with an evident knowledge and appreciation of the things she was speaking about. I envied her those wanderings in sunny foreign lands, even though they had been made in the company of an invalid dowager, and I wondered whether she would be happy in a settled existence at Thornleigh.
After dinner Milly took me out upon the terrace, and from thence we went to explore the gardens. We had not been out long before Julian Stormont came to join us. We had been talking pleasantly enough till he appeared, but his coming seemed to make us both silent, and he himself had a thoughtful air. I watched his pale face as he walked beside us in the twilight, and was again struck by the careworn look about the brow and the resolute expression of the mouth.
He was very fond of Milly. Of that fact there could be no possible doubt; and I think he had already begun to suffer keenly from the knowledge that his love was unreturned. That he hoped against hope at this time—that he counted fully on his power to win her in the future, I know. He was too wise to precipitate matters by any untimely avowal of his feelings. He waited with a quiet resolute patience which was a part of his nature.
Of course we talked a little, but it was in a straggling, desultory kind of way; and I think it was a relief to all of us when we finished the round of the gardens and went in through one of the drawing-room windows. The room was lighted with lamps and candles placed about upon the tables, and Mrs. Darrell was sitting near her husband, employed upon some airy scrap of fancy-work, while he read his Times.
He asked for some music soon after we went in, and she rose to obey him with a very charming air of submission. She played magnificently, with a power and style that were quite new to me, for I had heard no professional performers. She sang an Italian scena afterwards, in a rich mezzo-soprano, and with a kind of suppressed passion that impressed me deeply. I scarcely wondered, after hearing her play and sing, that Mr. Darrell had been fascinated by her. These gifts of hers were in themselves sufficient to subjugate a man who really cared for music.
Milly was charmed into forgetfulness of her prejudices. She went over to the piano and kissed her stepmother.
'Papa told me how clever you were,' she said; 'but he did not tell me you were a genius.'
Mrs. Darrell received the compliment very modestly, and then tried to persuade Milly to sing or play; but the girl declined resolutely. Nothing could induce her to touch the piano after that brilliant performance.
The next day and several days passed very quietly, and in a kind of monotonous comfort. The rector of the parish dined with us one day, and on another a neighbouring squire with his wife and three daughters. Milly and I spent a good deal of our time in the gardens and on the sea-shore, with Julian Stormont for our companion, while Mr. and Mrs. Darrell rode or drove together. My darling could see that she was not expected to join them in these rides and drives, and I think this confirmed her idea that her father was in a manner lost to her.
'I must try to be satisfied with this new state of things, Mary,' she said, with a sigh of resignation. 'If my father is happy, I ought to be contented. But O, my dear, if you could have seen us together a year ago, you would know how much I have lost.'
I had been at Thornleigh a little more than a week, when Mr. Darrell one morning proposed a drive to a place called Cumber Priory, which was one of the show-houses of the neighbourhood. It was a very old place, he said, and had been one of the earliest monastic settlements in that part of the country. Milly and her father and her cousin had been there a great many times, and the visit was proposed for the gratification of Mrs. Darrell and myself.
She assented graciously, as she always did to every proposition of her husband's, and we started soon after breakfast in the barouche, with Julian Stormont on horseback. The drive was delightful; for, after leaving the hilly district about Thornleigh, our road lay through a wood, where the trees were of many hundred years' growth. I recognised groups of oak and beech that I had seen among the sketches in Milly's portfolio.
On the other side of the wood we came to some dilapidated-looking gates, with massive stone escutcheons on the great square pillars. There was a lodge, but it was evidently unoccupied, and Mr. Darrell's footman got down from the box to open the gates. Within we made the circuit of a neglected lawn, divided from a park by a sunk fence, across which some cattle stared at us in a lazy manner as we drove past them. The house was a long low building with heavily mullioned windows, and was flanked by gothic towers. Most of the windows had closed shutters, and the place had altogether a deserted look.
'The Priory has not been occupied for several years,' Mr. Darrell said, as if in answer to my thoughts as I looked up at the closed windows. 'The family have been too poor to live in it in anything like their old state. There is only one member of the old family remaining now, and he leads a wandering kind of life abroad, I believe.'
'What has made them so poor?' asked Mrs. Darrell.
'Extravagant habits, I suppose,' answered her husband, with an expressive shrug of the shoulders. 'The Egertons have always been a wild race.'
'Egerton!' Mrs. Darrell repeated; 'I thought the name of these people was Cumber.'
'No; Cumber is only the name of the place. It has been in the
Egerton family for centuries.'
'Indeed!'
I was seated exactly opposite her, and I was surprised by the strange startled look in her face as she repeated the name of Egerton. That look passed away in the next moment, and left her with her usual air of languid indifference; a placid kind of listlessness which harmonised very well with her pale complexion and delicate features. She was not a woman from whom one expected much animation.
The low iron-studded door of the Priory was opened by a decent- looking old woman of that species which seems created expressly for the showing of old houses. She divined our errand at once, and as soon as we were in the hall, began her catalogue of pictures and curiosities in the usual mechanical way, while we looked about us, always fixing our eyes on the wrong object, and more bewildered than
enlightened by her description of the chief features of the place.
We went from room to room, the dame throwing open the shutters of the deep-set gothic windows, and letting in a flood of sunshine upon the faded tapestries and tarnished picture-frames. It was a noble old place, and the look of decay upon everything was more in accord with its grandeur than any modern splendour could have been.
We had been through all the rooms on the ground floor, most of which opened into one another, and were returning towards the hall, when Mr. Darrell missed his wife, and sent me back to look for her in one direction, while he went in another. I hurried through three or four empty rooms, until I came to a small one at the end of the house, and here I found her. I had not noticed this room much, for it was furnished in a more modern style than the rest of the house, and the old housekeeper had made very light of it, hurrying us back to look at some armour over the chimneypiece in the next room. It was her master's study, she had said, and was not generally shown to strangers.
It was a small dark-looking room, lined with dingily-bound books upon heavy carved-oak shelves, and with no other furniture than a massive writing-table and three or four arm-chairs. Over the mantelpiece, which was modern and low, there was a portrait of a young man with a dark handsome face, and it was at this that Augusta Darrell was looking. I could see her face in profile as she stood upon the hearth with her clenched hand upon the mantelpiece, and I had never before seen such an expression in any human countenance.
What was it? Despair, remorse, regret? I know not; but it was a look of keenest anguish, of unutterable sorrow. The face was deadly pale, the great gray eyes looking upwards at the portrait, the lips locked together rigidly.
She did not hear my footstep; it was only when I spoke to her that she turned towards me with a stony face, and asked what I wanted.
Milly Darrell and Other Tales Page 3