She was much calmer now that she thought it was hopeless. The machine seemed like it took forever to get going. She planned while it slowly chewed through its wake up routine. She had seen Martin log in while watching him, so she had his password burned in her memory. After logging in she fired up his copy of Photoshop, which he only used to resize webpage banners and apply text to buttons. She held the image she had composed in her mind. Working at the limit of the machine’s ability, the picture appeared in seconds. Still, the machine worked much slower than she did. Could she work on other machines as well? She had watched others log in and knew their passwords, but she couldn’t use them without going to them, using up precious power just to be outside the Millie Field.
But there was the Internet. Resources there would be accessible without going anywhere. She fired up browser windows and went to websites she knew or found easily, sites that allowed users to create something. Interlacing her efforts, she rendered images on Martin’s computer and with servers all over the world. She created memes, superheroes, word searches, logos, portraits of Martin and other people she knew using a police virtual composite sketch site, Celtic Interlace patterns using an online drawing tool, and more. A thread formed to each of the machines used. Through the strings she sensed the strength of each growing Millie Field, something she had not realized was possible before. She worked on the sites that generated the greatest gain for the least expenditure. Maximize that cost-benefit ratio! She took care that her web work didn’t slow the computer too much as her efforts there were yielding the most.
The creation charge on Martin’s computer equipment became stronger than the statue. The beast was not watching her, so Millie drained the figurine of its mojo, moved to the PC, and continued to produce works of art that had been rolling around in her brain for years. Eventually the combined Millie Fields on the machine and input devices reached a high enough level. At least it was strong enough to protect her if the creature was no more powerful than when she last saw it. Not satisfied with that, she continued her efforts until her power was spent. She felt bold. She didn’t feel the monster’s eyes, so she followed a thread to the closest server she had a charge on, emptied it and was back in milliseconds, powered up for more work. Suck it, old-timer. Betcha don’t know how to do that! Now she had an endless supply of energy. Next she would build up the other fields so that she wasn’t screwed if somebody replaced Martin’s keyboard and mouse. But first, time to check on Martin.
28
The opposite of love is not hate, it's indifference.
The opposite of art is not ugliness, it's indifference.
The opposite of faith is not heresy, it's indifference.
And the opposite of life is not death, it's indifference.
—Elie Wiesel
Martin’s eyes crept open. Acoustic tile ceiling. For a moment he thought he was still on the floor in his office. Glancing around, there was more beige, but it was hospital beige rather than corporate beige. On the nightstand was the one thing in the room that wasn’t in muted camel or eggshell, a large bouquet of sunny flowers from a florist that took orders over the Internet. One of those trident shaped plastic things was stuck in the front of the pot. Clutched in its three fingers was the most exquisite piece of digital art he had ever seen: an artistic rendering of a beaming Millicent Able and himself sharing a piece of cake while the sun shone above and flamingoes danced around wearing party hats. It was signed, “With love forever, Millie.”
The End
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Continue reading for excerpts from Mars 01 and Rescue OR, Royer Goldhawk's Remarkable Journal.
From
Rescue OR, Royer Goldhawk's Remarkable Journal
By Amy Leigh Strickland
(Part of a completed series.)
“The crowd's too thick to pass here,” Benjy said. I marveled at the thousands of people marching, wondering how many were risking their jobs to be there. Benjy pointed back towards the theater. “Let’s go wait for America with Mercy,” he suggested. I was pleased for any excuse to spend more time near Miss Winmer and nodded my head.
Benjy and I entered the alley next to the theater. Up ahead, Mercy waited at the back door, fighting to keep her extravagant hat from blowing off in the breeze that swept through the alley. Benjy called out and she turned to wave. A great shadow fell over the alley and I became acutely aware of a rumble overhead.
I placed my hand on the rim of my hat to keep it from falling off as I looked up at the sky. Overhead, a great dirigible loomed. The rigid airship was being steered directly over the alley and had slowed to linger above us. “Brooker & Bedloe Steam Industries” was painted on the side in a text style that resembled a circus poster. I marveled at the great airship, wondering if it was part of the parade. Surely a great company like Brooker & Bedloe did not want to encourage their workers to organize, but there was no other reason for the great ship to fly so low over the city.
As I watched, something dropped from the back of the gondola. It landed in the alley before I could identify it and exploded in a cloud of grey smoke. I fell back, my body automatically throwing me away from the source of danger.
There was a zipping noise, metal quickly grinding against steel cable. A cluster of figures appeared in the smoke, and I could see bodies moving through the cloud in the direction of Mercy Winmer. Her scream was cut off by a fit of choking coughs. One of the figures in the smoke turned and looked at me and I could see that his face was covered by a long, black mask with great glass eyes. I had seen drawings of similar apparatuses in the journals my father subscribed to; it was a gas mask.
I sprang to my feet as fast as I could and ran back into the cloud, untucking my ascot from the front of my vest and holding it over my nose to filter some of the smoke. A ladder had dropped down from the dirigible and one of the men was pulling Mercy Winmer, now unconscious, towards it. I grabbed for her, but a third figure stepped out of the thick smoke and struck me with something hard. The object hit me just above my eyebrow and the sharp blow stunned me.
The ladder began to rise up evenly, as if pulled by a mechanical crank. It was out of reach by the time I recovered from the blow, so I grabbed the ladder from the theater's fire-escape and began to climb frantically. I could hear Benjy behind me, calling my name, but his voice had receded to the background. Quickly, I scaled the fire-escape and made my way to the top of the roof. I rose above the cloud of slowly dissipating smoke. From the roof of the theater, I was almost level with the gondola. The door was open and someone was reaching out to help the kidnappers haul Miss Winmer inside.
The man in charge-- I assume this because he was dressed in a finely embroidered tailcoat that indicated that he likely had too much money to answer to anyone-- took Mercy Winmer by the arm. He was a handsome older man with thick, pepper-gray hair and a small, neatly-kept mustache. His features were long and his black eyes were sharp. He looked like a wolf in rich clothing. He wore a white silk opera scarf and a red fez. A machine-rolled cigarette hung out of the corner of his mouth, its smoke mixing with the fog rising up from the alley below. He looked at me, his cold eyes locking with my own, and I was stricken by a sense of familiarity. I had met this man before. He smiled and turned back to his business, as if I was a mere observer and clearly no threat to his plot.
I ran. I ran straight up to the edge of the roof and jumped, reaching for the ladder. They would have to knock me off or kill me to stop me. My jump fell short and I grasped desperately, trying to grab something to hold on to. The richly attired man had a leather tube hanging from a strap around his shoulder, and I managed to grab it. I swung from the strap and held on tight. He desperately grabbed the ladder so that I would not pull him down with me. I hung there for a moment, an almost immeasurable instant, before the leather strap stretched and snapped.
Still gripping the tube, I plummeted towards the ground. My fall was broken by the awning over the theater door. It, too, broke and in seconds I was on the ground. I strained to breathe. My side burned. A striped piece of canvas covered my face. It was a moment before I could think to move, to free myself from the broken awning. When I uncovered my own face, Benjy was standing over me in a thin fog and the airship was rising up into the sky. They had gotten away.
Available now in paperback and ereader formats.
From
Mars 01
By Kyle M. Strickland
That was the fifth time Klip ran the diagnostic. There was nothing wrong with the system. The data wasn't making sense to him. There was only a 12.7134 percent chance that the invaders, if that is indeed what they were, (he was assuming that was what they were because that data seemed pretty conclusive) were human. There was a large percentage chance they were extraterrestrial, but the computer was coming back with data that was inconclusive.
“Computer, what is the final percentile 13.30933, classified as, if not human or extraterrestrial?”
“Computer, assume that something can only be extraterrestrial or terrestrial in origin. Recalculate and tell me what the percentage is the chance that they are human.”
“Praise to lord Ganesha,” Klip said, the muscles in his back finally relaxing.
Available now in paperback and ereader formats.
Synergeist: The Haunted Cubicle Page 16