“The problem was, I used my body to get other things I wanted. And I didn’t stop doing that, even for her. That’s my tragedy. That I used my body when it was all I had, and then I kept using it even when I had other options. I kept using it even when I knew it would hurt the woman I loved. And what’s more, I made her complicit in it. I put her in a position to continually have to approve of my choices at her own expense. Celia may have left me in a huff, but it was a death by a thousand cuts. I hurt her with these tiny scratches, day after day. And then I got surprised when it left a wound too big to heal.
“I slept with Mick because I wanted to protect our careers, mine and hers. And that was more important to me than the sanctity of our relationship. And I slept with Harry because I wanted a baby, and I thought people would get suspicious if we adopted. Because I was afraid to draw attention to the sexlessness of our marriage. And I chose that over the sanctity of our relationship. And when Max Girard had a good idea about a creative choice in a movie, I wanted to do it. And I was willing to do it at the expense of the sanctity of our relationship.”
“You’re hard on yourself, I think,” I say. “Celia wasn’t perfect. She could be cruel.”
Evelyn shrugs slightly. “She always made sure the bad was outweighed by so much good. I . . . well, I didn’t do that for her. I made it fifty-fifty. Which is about the cruelest thing you can do to someone you love, give them just enough good to make them stick through a hell of a lot of bad. Of course, I realized all this when she left me. And I tried to fix it. But it was too late. As she said, she simply couldn’t do it anymore. Because it took me too long to figure out what I cared about. Not because of my sexuality. I feel confident you’re going to get that right.”
“I promise,” I say. “I will.”
“I know you will. And while we’re on the subject of how I’d like to be portrayed, there’s something else you need to get exactly right. I won’t be able to clear things up after I’m gone. I want to know now, I want to be absolutely sure, that you’ll represent what I’m telling you accurately.”
“OK,” I say. “What is it?”
Evelyn’s mood turns a bit darker. “I’m not a good person, Monique. Make sure, in the book, that that’s clear. That I’m not claiming to be good. That I did a lot of things that hurt a lot of people, and I would do them over again if I had to.”
“I don’t know,” I say. “You don’t seem so bad, Evelyn.”
“You, of all people, are going to change your mind about that,” she says. “Very soon.”
And all I can think is, What the fuck did she do?
JOHN DIED OF A HEART attack in 1980. He was just shy of fifty. It didn’t make any sense. The most athletic and fit of us, the one who didn’t smoke, the one who exercised every day, he shouldn’t have been the one whose heart stopped. But things don’t make sense. And when he left us, he left a giant-sized hole in our lives.
Connor was five. It was hard to explain to her where Uncle John went. It was even harder to explain to her why her father was so heartbroken. For weeks, Harry could barely get out of bed. When he did, it was to drink bourbon. He was rarely sober, always somber, and often unkind.
Celia was photographed in tears, her eyes bloodshot, walking into her trailer on location in Arizona. I wanted to hold her. I wanted us all to see one another through it. But I knew that wasn’t in the cards.
But I could help Harry. So Connor and I stayed with him at his apartment every day. She slept in her room there. I slept on the sofa in his bedroom. I made sure he ate. I made sure he bathed. I made sure he played make-believe with his daughter.
One morning, I woke up to find Harry and Connor both in the kitchen. Connor was pouring herself a bowl of cereal while Harry stood in his pajama bottoms, looking out the window.
He had an empty glass in his hand. When he turned away from the view and back toward Connor, I said, “Good morning.”
And Connor said, “Daddy, why do your eyes look wet?”
I wasn’t sure if he’d been crying or if he was already a few drinks into the day that early in the morning.
At the funeral, I wore a black vintage Halston. Harry wore a black suit with a black shirt, black tie, black belt, and black socks. Grief never left his face.
His profound, guttural pain didn’t follow the story we had sold the press, that Harry and John were friends, that Harry and I were in love. Nor did the fact that John left the house to Harry. But despite my instincts, I did not encourage Harry to hide his feelings or decline the house. I had very little energy left to try to hide who we were. I had learned all too well that pain was sometimes stronger than the need to keep up appearances.
Celia was there, in a long-sleeved black minidress. She did not say hello to me. She barely looked at me. I stared at her, aching to walk over and grab her hand. But I didn’t take a single step in her direction.
I was not going to use this loss of Harry’s to ease my own. I wasn’t going to make her talk to me. Not like that.
Harry held back tears as John’s casket was lowered into the ground. Celia walked away. Connor watched me watch her and said, “Mom, who is that lady? I think I know her.”
“You do, honey,” I said. “You did.”
And then Connor, my adorable baby girl, said, “She’s the one who dies in your movie.”
And I realized she didn’t remember Celia at all. She recognized her from Little Women.
“She’s the nice one. The one who wants everyone to be happy,” Connor said.
That’s when I knew the family I had made had truly disintegrated.
Now This
July 3, 1980
CELIA ST. JAMES AND JOAN MARKER, BEST OF FRIENDS
Celia St. James and Hollywood newcomer Joan Marker have become the talk of the town lately! Marker, best known for her star-making turn in last year’s Promise Me, is quickly becoming the It Girl of the season. And who better to show her the ropes than America’s Sweetheart? Seen shopping together in Santa Monica and grabbing lunches in Beverly Hills, the two can’t seem to get enough of each other.
We certainly hope this means the duo are planning a movie together, because that would be a tour de force of performances!
I KNEW THE ONLY WAY to get Harry to start living his life again was to surround him with Connor and work. The Connor part was easy. She loved her father. She wanted his attention every second of the day. She was growing up to look even more like him, with his ice-blue eyes and his broad, tall frame. And when he was with her, he would stop drinking. He cared about being a good father, and he knew he had a responsibility to be sober for her.
But when he went back to his own home every night, a fact still secret from the outside world, I knew he was drinking himself to sleep. On the days he was not with us, I knew he wasn’t getting out of bed.
So work was my only option. I had to find something he would love. It had to be a script he would feel passionate about and one with a great role for me. Not just because I wanted a great role but also because Harry wouldn’t do anything for himself. But he would do anything if he believed I needed him to.
So I read scripts. Hundreds of scripts over the months. And then Max Girard sent me one that he was having trouble getting made. It was called All for Us.
It was about a single mother of three who moves to New York City to try to support her children and pursue her dreams. It was about trying to make ends meet in the cold, hard city, but it was also about hope and daring to believe you deserve more. Both of which I knew would appeal to Harry. And the role of Renee, the mother, was honest, righteous, and powerful.
I ran it over to Harry and begged him to read it. When he tried to avoid it, I said, “I think it will finally get me my Oscar.” That’s what made him pick it up.
I loved shooting All for Us. And it wasn’t because I finally got that goddamn statue for it or because I became even closer with Max Girard on the set. I loved shooting All for Us because while it didn’t get Harry to put down the bottle, it did get hi
m out of bed.
* * *
FOUR MONTHS AFTER the movie came out, Harry and I went to the Oscars together. Max Girard had attended with a model named Bridget Manners, but he had joked, for weeks before the event, that all he wanted was to attend with me, to have me on his arm. He had even taken to joking that given all the men I’d married, he was crushed that I’d never married him. I had to admit that Max was quickly becoming someone I truly felt close to. So while he did technically have a date, it felt, as we all sat in the first row together, that I was there with the two men who meant the most to me.
Connor was back at the hotel, watching on TV with Luisa. Earlier that day, she had given Harry and me each a picture she had drawn. Mine was a gold star. Harry’s was a lightning bolt. She said they were for luck. I tucked mine into my clutch. Harry put his in his tuxedo pocket.
When they called out the nominees for Best Actress, I realized that I hadn’t really ever believed I could win. With the Oscar would come certain things I’d always wanted: credibility, gravitas. And if I truly looked inward, I realized I didn’t think I had credibility or gravitas.
Harry squeezed my hand as Brick Thomas opened the envelope.
And then, despite everything I had told myself, he said my name.
I stared straight ahead, my chest heaving, unable to process what I’d heard. And then Harry looked at me and said, “You did it.”
I stood up and hugged him. I walked to the podium, I took the Oscar that Brick was handing me, and I put my hand to my chest to try to slow down my heartbeat.
When the clapping subsided, I leaned in to the microphone and gave a speech that was both premeditated and extemporaneous. I tried to remember what I’d prepared to say all the other times I thought I might win.
“Thank you,” I said, looking out into a sea of familiar, gorgeous faces. “Thank you not just for this award, which I will cherish forever, but also for letting me work in this business. It hasn’t always been easy, and God knows I’ve made a bumpy road of it, but I feel so incredibly lucky to live this life. So thank you not just to every producer I’ve worked with since the mid-fifties—oh, God, I’m really dating myself here—but specifically to my favorite producer, Harry Cameron. I love you. I love our child. Hi, Connor. Go to sleep now, honey. It’s getting late. And to all the other actors and actresses I’ve worked with, to all the directors who have helped me grow as a performer, especially Max Girard, I thank you. By the way, I believe this counts as a hat trick, Max. And there’s one other person out there, whom I think of every day.”
Ten years before, I would have been far too scared to say anything more. I probably would have been too scared even to say that. But I had to tell her. Even though I hadn’t spoken to her in years. I had to show her that I still loved her. That I always would.
“I know she’s watching right now. And I just hope she knows how important she is to me. Thank you all. Thank you.”
Shaking, I walked backstage and got hold of myself. I talked to reporters. I accepted congratulations. And I got back to my seat just in time for Max to win Best Director and Harry to win Best Picture. Afterward, the three of us posed for photo after photo, grinning from ear to ear.
We had climbed to the very top of the mountain, and that night we stuck our flags into the summit.
SOMETIME AROUND ONE IN THE morning, after Harry had already gone back to the hotel to check on Connor, Max and I were outside in the courtyard of a mansion owned by the head of Paramount. There was a circular fountain, spraying water into the night sky. Max and I sat, marveling at what we had accomplished together. His limo pulled up.
“Can I give you a ride back to your hotel?” he asked.
“Where’s your date?”
Max shrugged. “I fear she was only interested in the ticket to the show.”
I laughed. “Poor Max.”
“Not poor Max,” he said, shaking his head. “I spent my evening with the most beautiful woman in the world.”
I shook my head. “You are too much.”
“You look hungry. Come get in the car. We will get hamburgers.”
“Hamburgers?”
“I’m sure even Evelyn Hugo eats a hamburger from time to time.”
Max opened the limo door and waited for me to get in. “Your chariot,” he said.
I wanted to go home and see Connor. I wanted to watch the way her mouth hung open as she slept. But the idea of getting a hamburger with Max Girard actually didn’t sound so bad.
Minutes later, the limo driver was trying to navigate the drive-through of a Jack in the Box, and Max and I decided it was easier to get out of the car and go in.
The two of us stood in line, me in my navy-blue silk gown, him in his tux, behind two teenage boys ordering french fries. And then, when we got to the front of the line, the cashier screamed as if she’d seen a mouse.
“Oh, my God!” she said. “You’re Evelyn Hugo.”
I laughed. “I have no idea what you’re talking about,” I said. After twenty-five years, that line still worked every time.
“You’re her. Evelyn Hugo.”
“Nonsense.”
“This is the greatest day of my life,” she said, and then she called to the back. “Norm, you have to come see this. Evelyn Hugo is here. In a gown.”
Max laughed as more and more people started to stare. I was beginning to feel like a caged animal. It’s not something you really ever get used to, being stared at in small spaces. A few of the people in the kitchen came forward to look at me.
“Any chance we could get two burgers?” Max said. “Extra cheese on mine, please.”
Everyone ignored him.
“Can I have your autograph?” the woman behind the counter asked.
“Sure,” I said kindly.
I was hoping it would be over soon, that we could get the food and go. I started signing paper menus and paper hats. I signed a couple of receipts.
“We really should be going,” I said. “It’s late.” But no one stopped. They all just kept pushing things at me.
“You won an Oscar,” an older woman said. “Just a few hours ago. I saw it. I saw it myself.”
“I did, yes,” I said. I pointed at Max with the pen in my hand. “So did he.”
Max waved.
I signed a few more things, shook a few more hands. “OK, I really must be going,” I said.
But the mob of people crowded me more.
“OK,” Max said. “Let the lady breathe.” I looked in the direction of his voice and saw him coming toward me, breaking up the crowd. He handed me the burgers, picked me up, threw me over his shoulder, and walked us right out of the restaurant and into the limo.
“Wow,” I said when he put me down.
He got in next to me. He grabbed the bag. “Evelyn,” he said.
“What?”
“I love you.”
“What do you mean, you love me?”
He leaned over, smooshed the burgers, and kissed me.
It felt as if someone had turned on the electricity in a long-abandoned building. I had not been kissed like that since Celia left me. I had not been kissed with desire, the kind of desire that spurs desire, since the love of my life walked out the door.
And here was Max, two deformed burgers in between us, his warm lips on mine.
“That is what I mean,” he said when he pulled away from me. “Do with that what you will.”
* * *
THE NEXT MORNING, I woke up as an Oscar winner with a precious six-year-old eating room service in my bed.
There was a knock at the door. I grabbed my robe. I opened the door. In front of me were two-dozen red roses with a note that said, “I have loved you since I met you. I have tried to stop. It will not work. Leave him, ma belle. Marry me. Please. XO, M.”
WE SHOULD STOP THERE,” EVELYN says.
She’s right. It is getting late, and I suspect I have a number of missed calls and e-mails to return, including what I know will be a voice mail from Da
vid.
“OK,” I say, closing my notebook and pressing stop on the recording.
Evelyn gathers some of the papers and stale coffee mugs that have accumulated over the day.
I check my phone. Two missed calls from David. One from Frankie. One from my mother.
I say good-bye to Evelyn and make my way onto the street.
The air is warmer than I anticipated, so I take off my coat. I pull my phone out of my pocket. I listen to my mother’s voice mail first. Because I’m not sure I’m ready to know what David has to say. I don’t know what I want him to say, and thus, I don’t know what will disappoint me when he doesn’t say it.
“Hi, honey,” my mom says. “I’m just calling to remind you that I’ll be there soon! My flight gets in Friday evening. And I know you’re going to insist on meeting me at the airport because of that time I got lost on the subway, but don’t worry about it. Really. I can figure out how to get to my daughter’s apartment from JFK. Or LaGuardia. Oh, God, you don’t think I accidentally booked the flight to Newark, do you? No, I didn’t. I wouldn’t have. Anyway, I’m so excited to see you, my little dumpling baby. I love you.”
I’m already laughing before the message is over. My mother has gotten lost in New York a number of times, not just once. And it’s always because she refuses to take a cab. She insists that she can navigate public transportation, even though she was born and raised in Los Angeles and therefore has no real sense of how any two modes of transportation intersect.
Also, I have always hated it when she called me her dumpling baby. Mostly because we both know it’s a reference to how fat I was as a child; I looked like an overstuffed dumpling.
By the time her message is over and I’m done texting her back (So excited to see you! Will meet you at the airport. Just tell me which one), I’m at the subway station.
I could easily make the argument to myself that I should listen to David’s voice mail when I get to Brooklyn. And I almost do. I very nearly do. But instead, I stand outside the stairwell and hit play.
The Seven Husbands of Evelyn Hugo Page 25