‘Alone? Alone, did you say?’
The maid’s eyes widened in surprise.
‘Yes, sir. Didn’t you see her off?’
Mr Satterthwaite clutched at Oranoff.
‘Quickly,’ he muttered. ‘I’m—I’m afraid.’
They hurried down the lane together, the Russian talking in quick disjointed sentences.
‘She is a wonderful creature. Ah! how she danced tonight. And that friend of yours. Who is he? Ah! but he is wonderful—unique. In the old days, when she danced the Columbine of Rimsky Korsakoff, she never found the perfect Harlequin. Mordoff, Kassnine—none of them were quite perfect. She had her own little fancy. She told me of it once. Always she danced with a dream Harlequin—a man who was not really there. It was Harlequin himself, she said, who came to dance with her. It was that fancy of hers that made her Columbine so wonderful.’
Mr Satterthwaite nodded. There was only one thought in his head.
‘Hurry,’ he said. ‘We must be in time. Oh! we must be in time.’
They came round the last corner—came to the deep pit and to something lying in it that had not been there before, the body of a woman lying in a wonderful pose, arms flung wide and head thrown back. A dead face and body that were triumphant and beautiful in the moonlight.
Words came back to Mr Satterthwaite dimly—Mr Quin’s words: ‘wonderful things on a rubbish heap’ … He understood them now.
Oranoff was murmuring broken phrases. The tears were streaming down his face.
‘I loved her. Always I loved her.’ He used almost the same words that had occurred to Mr Satterthwaite earlier in the day. ‘We were of the same world, she and I. We had the same thoughts, the same dreams. I would have loved her always …’
‘How do you know?’
The Russian stared at him—at the fretful peevishness of the tone.
‘How do you know?’ went on Mr Satterthwaite. ‘It is what all lovers think—what all lovers say … There is only one lover—’
He turned and almost ran into Mr Quin. In an agitated manner, Mr Satterthwaite caught him by the arm and drew him aside.
‘It was you,’ he said. ‘It was you who were with her just now?’
Mr Quin waited a minute and then said gently:
‘You can put it that way, if you like.’
‘And the maid didn’t see you?’
‘The maid didn’t see me.’
‘But I did. Why was that?’
‘Perhaps, as a result of the price you have paid, you see things that other people—do not.’
Mr Satterthwaite looked at him uncomprehendingly for a minute or two. Then he began suddenly to quiver all over like an aspen leaf.
‘What is this place?’ he whispered. ‘What is this place?’
‘I told you earlier today. It is My lane.’
‘A Lovers’ Lane,’ murmured Mr Satterthwaite. ‘And people pass along it.’
‘Most people, sooner or later.’
‘And at the end of it—what do they find?’
Mr Quin smiled. His voice was very gentle. He pointed at the ruined cottage above them.
‘The house of their dreams—or a rubbish heap—who shall say?’
Mr Satterthwaite looked up at him suddenly. A wild rebellion surged over him. He felt cheated, defrauded.
‘But I—’ His voice shook. ‘I have never passed down your lane …’
‘And do you regret?’
Mr Satterthwaite quailed. Mr Quin seemed to have loomed to enormous proportions … Mr Satterthwaite had a vista of something at once menacing and terrifying … Joy, Sorrow, Despair.
And his comfortable little soul shrank back appalled.
‘Do you regret?’ Mr Quin repeated his question. There was something terrible about him.
‘No,’ Mr Satterthwaite stammered. ‘N-no.’
And then suddenly he rallied.
‘But I see things,’ he cried. ‘I may have been only a looker-on at Life—but I see things that other people do not. You said so yourself, Mr Quin …’
But Mr Quin had vanished.
The Adventure of the Italian Nobleman
Poirot and I had many friends and acquaintances of an informal nature. Amongst these was to be numbered Dr Hawker, a near neighbour of ours, and a member of the medical profession. It was the genial doctor’s habit to drop in sometimes of an evening and have a chat with Poirot, of whose genius he was an ardent admirer. The doctor himself, frank and unsuspicious to the last degree, admired the talents so far removed from his own.
On one particular evening in early June, he arrived about half past eight and settled down to a comfortable discussion on the cheery topic of the prevalence of arsenical poisoning in crimes. It must have been about a quarter of an hour later when the door of our sitting room flew open, and a distracted female precipitated herself into the room.
‘Oh, doctor, you’re wanted! Such a terrible voice. It gave me a turn, it did indeed.’
I recognized in our new visitor Dr Hawker’s housekeeper, Miss Rider. The doctor was a bachelor, and lived in a gloomy old house a few streets away. The usually placid Miss Rider was now in a state bordering on incoherence.
‘What terrible voice? Who is it, and what’s the trouble?’
‘It was the telephone, doctor. I answered it—and a voice spoke. “Help,” it said. “Doctor—help. They’ve killed me!” Then it sort of tailed away. “Who’s speaking?” I said. “Who’s speaking?” Then I got a reply, just a whisper, it seemed, “Foscatine”—something like that—“Regent’s Court.”’
The doctor uttered an exclamation.
‘Count Foscatini. He has a flat in Regent’s Court. I must go at once. What can have happened?’
‘A patient of yours?’ asked Poirot.
‘I attended him for some slight ailment a few weeks ago. An Italian, but he speaks English perfectly. Well, I must wish you good night, Monsieur Poirot, unless—’ He hesitated.
‘I perceive the thought in your mind,’ said Poirot, smiling. ‘I shall be delighted to accompany you. Hastings, run down and get hold of a taxi.’
Taxis always make themselves sought for when one is particularly pressed for time, but I captured one at last, and we were soon bowling along in the direction of Regent’s Park. Regent’s Court was a new block of flats, situated just off St John’s Wood Road. They had only recently been built, and contained the latest service devices.
There was no one in the hall. The doctor pressed the lift-bell impatiently, and when the lift arrived questioned the uniformed attendant sharply.
‘Flat 11. Count Foscatini. There’s been an accident there, I understand.’
The man stared at him.
‘First I’ve heard of it. Mr Graves—that’s Count Foscatini’s man—went out about half an hour ago, and he said nothing.’
‘Is the Count alone in the flat?’
‘No, sir, he’s got two gentlemen dining with him.’
‘What are they like?’ I asked eagerly.
We were in the lift now, ascending rapidly to the second floor, on which Flat 11 was situated.
‘I didn’t see them myself, sir, but I understand that they were foreign gentlemen.’
He pulled back the iron door, and we stepped out on the landing. No. 11 was opposite to us. The doctor rang the bell. There was no reply, and we could hear no sound from within. The doctor rang again and again; we could hear the bell trilling within, but no sign of life rewarded us.
‘This is getting serious,’ muttered the doctor. He turned to the lift attendant.
‘Is there any pass-key to this door?’
‘There is one in the porter’s office downstairs.’
‘Get it, then, and, look here, I think you’d better send for the police.’
Poirot approved with a nod of the head.
The man returned shortly; with him came the manager.
‘Will you tell me, gentlemen, what is the meaning of all this?’
‘Certainly. I rece
ived a telephone message from Count Foscatini stating that he had been attacked and was dying. You can understand that we must lose no time—if we are not already too late.’
The manager produced the key without more ado, and we all entered the flat.
We passed first into the small square lounge hall. A door on the right of it was half open. The manager indicated it with a nod.
‘The dining room.’
Dr Hawker led the way. We followed close on his heels. As we entered the room I gave a gasp. The round table in the centre bore the remains of a meal; three chairs were pushed back, as though their occupants had just risen. In the corner, to the right of the fireplace, was a big writing-table, and sitting at it was a man—or what had been a man. His right hand still grasped the base of the telephone, but he had fallen forward, struck down by a terrific blow on the head from behind. The weapon was not far to seek. A marble statue stood where it had been hurriedly put down, the base of it stained with blood.
The doctor’s examination did not take a minute. ‘Stone dead. Must have been almost instantaneous. I wonder he even managed to telephone. It will be better not to move him until the police arrive.’
On the manager’s suggestion we searched the flat, but the result was a foregone conclusion. It was not likely that the murderers would be concealed there when all they had to do was to walk out.
We came back to the dining room. Poirot had not accompanied us in our tour. I found him studying the centre table with close attention. I joined him. It was a well-polished round mahogany table. A bowl of roses decorated the centre, and white lace mats reposed on the gleaming surface. There was a dish of fruit, but the three dessert plates were untouched. There were three coffee-cups with remains of coffee in them—two black, one with milk. All three men had taken port, and the decanter, half-full, stood before the centre plate. One of the men had smoked a cigar, the other two cigarettes. A tortoiseshell-and-silver box, holding cigars and cigarettes, stood open upon the table.
I enumerated all these facts to myself, but I was forced to admit that they did not shed any brilliant light on the situation. I wondered what Poirot saw in them to make him so intent. I asked him.
‘Mon ami,’ he replied, ‘you miss the point. I am looking for something that I do not see.’
‘What is that?’
‘A mistake—even a little mistake—on the part of the murderer.’
He stepped swiftly to the small adjoining kitchen, looked in, and shook his head.
‘Monsieur,’ he said to the manager, ‘explain to me, I pray, your system of serving meals here.’
The manager stepped to a small hatch in the wall.
‘This is the service lift,’ he explained. ‘It runs to the kitchens at the top of the building. You order through this telephone, and the dishes are sent down in the lift, one course at a time. The dirty plates and dishes are sent up in the same manner. No domestic worries, you understand, and at the same time you avoid the wearying publicity of always dining in a restaurant.’
Poirot nodded.
‘Then the plates and dishes that were used tonight are on high in the kitchen. You permit that I mount there?’
‘Oh, certainly, if you like! Roberts, the lift man, will take you up and introduce you; but I’m afraid you won’t find anything that’s of any use. They’re handling hundreds of plates and dishes, and they’ll be all lumped together.’
Poirot remained firm, however, and together we visited the kitchens and questioned the man who had taken the order from Flat 11.
‘The order was given from the à la carte menu—for three,’ he explained. ‘Soup julienne, filet de sole normande, tournedos of beef, and a rice soufflé. What time? Just about eight o’clock, I should say. No, I’m afraid the plates and dishes have been all washed up by now. Unfortunate. You were thinking of fingerprints, I suppose?’
‘Not exactly,’ said Poirot, with an enigmatical smile. ‘I am more interested in Count Foscatini’s appetite. Did he partake of every dish?’
‘Yes; but of course I can’t say how much of each he ate. The plates were all soiled, and the dishes empty—that is to say, with the exception of the rice soufflé. There was a fair amount of that left.’
‘Ah!’ said Poirot, and seemed satisfied with the fact.
As we descended to the flat again he remarked in a low tone:
‘We have decidedly to do with a man of method.’
‘Do you mean the murderer, or Count Foscatini?’
‘The latter was undoubtedly an orderly gentleman. After imploring help and announcing his approaching demise, he carefully hung up the telephone receiver.’
I stared at Poirot. His words now and his recent inquiries gave me the glimmering of an idea.
‘You suspect poison?’ I breathed. ‘The blow on the head was a blind.’
Poirot merely smiled.
We re-entered the flat to find the local inspector of police had arrived with two constables. He was inclined to resent our appearance, but Poirot calmed him with the mention of our Scotland Yard friend, Inspector Japp, and we were accorded a grudging permission to remain. It was a lucky thing we were, for we had not been back five minutes before an agitated middle-aged man came rushing into the room with every appearance of grief and agitation.
This was Graves, valet-butler to the late Count Foscatini. The story he had to tell was a sensational one.
On the previous morning, two gentlemen had called to see his master. They were Italians, and the elder of the two, a man of about forty, gave his name as Signor Ascanio. The younger was a well-dressed lad of about twenty-four.
Count Foscatini was evidently prepared for their visit and immediately sent Graves out upon some trivial errand. Here the man paused and hesitated in his story. In the end, however, he admitted that, curious as to the purport of the interview, he had not obeyed immediately, but had lingered about endeavouring to hear something of what was going on.
The conversation was carried on in so low a tone that he was not as successful as he had hoped; but he gathered enough to make it clear that some kind of monetary proposition was being discussed, and that the basis of it was a threat. The discussion was anything but amicable. In the end, Count Foscatini raised his voice slightly, and the listener heard these words clearly:
‘I have no time to argue further now, gentlemen. If you will dine with me tomorrow night at eight o’clock, we will resume the discussion.’
Afraid of being discovered listening, Graves had then hurried out to do his master’s errand. This evening the two men had arrived punctually at eight. During dinner they had talked of indifferent matters—politics, the weather, and the theatrical world. When Graves had placed the port upon the table and brought in the coffee his master told him that he might have the evening off.
‘Was that a usual proceeding of his when he had guests?’ asked the inspector.
‘No, sir; it wasn’t. That’s what made me think it must be some business of a very unusual kind that he was going to discuss with these gentlemen.’
That finished Graves’s story. He had gone out about 8.30, and meeting a friend, had accompanied him to the Metropolitan Music Hall in Edgware Road.
Nobody had seen the two men leave, but the time of the murder was fixed clearly enough at 8.47. A small clock on the writing-table had been swept off by Foscatini’s arm, and had stopped at that hour, which agreed with Miss Rider’s telephone summons.
The police surgeon had made his examination of the body, and it was now lying on the couch. I saw the face for the first time—the olive complexion, the long nose, the luxuriant black moustache, and the full red lips drawn back from the dazzlingly white teeth. Not altogether a pleasant face.
‘Well,’ said the inspector, refastening his notebook. ‘The case seems clear enough. The only difficulty will be to lay our hands on this Signor Ascanio. I suppose his address is not in the dead man’s pocket-book by any chance?’
As Poirot had said, the late Foscatini was
an orderly man. Neatly written in small, precise handwriting was the inscription, ‘Signor Paolo Ascanio, Grosvenor Hotel.’
The inspector busied himself with the telephone, then turned to us with a grin.
‘Just in time. Our fine gentleman was off to catch the boat train to the Continent. Well, gentlemen, that’s about all we can do here. It’s a bad business, but straightforward enough. One of these Italian vendetta things, as likely as not.’
Thus airily dismissed, we found our way downstairs. Dr Hawker was full of excitement.
‘Like the beginning of a novel, eh? Real exciting stuff. Wouldn’t believe it if you read about it.’
Poirot did not speak. He was very thoughtful. All the evening he had hardly opened his lips.
‘What says the master detective, eh?’ asked Hawker, clapping him on the back. ‘Nothing to work your grey cells over this time.’
‘You think not?’
‘What could there be?’
‘Well, for example, there is the window.’
‘The window? But it was fastened. Nobody could have got out or in that way. I noticed it specially.’
‘And why were you able to notice it?’
The doctor looked puzzled. Poirot hastened to explain.
‘It is to the curtains that I refer. They were not drawn. A little odd, that. And then there was the coffee. It was very black coffee.’
‘Well, what of it?’
‘Very black,’ repeated Poirot. ‘In conjunction with that let us remember that very little of the rice soufflé was eaten, and we get—what?’
‘Moonshine,’ laughed the doctor. ‘You’re pulling my leg.’
‘Never do I pull the leg. Hastings here knows that I am perfectly serious.’
‘I don’t know what you are getting at, all the same,’ I confessed. ‘You don’t suspect the manservant, do you? He might have been in with the gang, and put some dope in the coffee. I suppose they’ll test his alibi?’
‘Without doubt, my friend; but it is the alibi of Signor Ascanio that interests me.’
‘You think he has an alibi?’
‘That is just what worries me. I have no doubt that we shall soon be enlightened on that point.’
Midsummer Mysteries Page 7