TITANS OF HISTORY
SIMON SEBAG MONTEFIORE
With John Bew, Martyn Frampton,
Dan Jones and Claudia Renton
New York • London
© 2012 by Simon Sebag Montefiore
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by reviewers, who may quote brief passages in a review. Scanning, uploading, and electronic distribution of this book or the facilitation of the same without the permission of the publisher is prohibited.
Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated.
Any member of educational institutions wishing to photocopy part or all of the work for classroom use or anthology should send inquiries to Permissions c/o Quercus Publishing Inc., 31 West 57th Street, 6th Floor, New York, NY 10019, or to [email protected].
ISBN 978-1-62365-222-7
Distributed in the United States and Canada by Random House Publisher Services
c/o Random House, 1745 Broadway
New York, NY 10019
www.quercus.com
Simon Sebag Montefiore was born in 1965 and read history at Gonville & Caius College, Cambridge University. Catherine the Great & Potemkin was shortlisted for the Samuel Johnson, Duff Cooper and Marsh Biography Prizes. Stalin: The Court of the Red Tsar won the History Book of the Year Prize at the British Book Awards. Young Stalin won the Costa Biography Award (UK), the LA Times Book Prize for Biography (US), Le Grand Prix de la Biographie Politique (France) and the Kreisky Prize for Political Literature (Austria). Montefiore’s books are published in 40 languages. His latest book is Jerusalem: The Biography. He is also the author of the novel Sashenka. A Fellow of the Royal Society of Literature and Visiting Professor at Buckingham University, he lives in London with his wife, the novelist Santa Montefiore, and their two children. He is the presenter of the BBC TV series, Jerusalem: the Making of a Holy City. For more information or to contact the author, see www.simonsebagmontefiore.com or follow him on Twitter @simonmontefiore
John Bew is Harris Fellow in Modern British History and Director of Studies at Peterhouse, Cambridge. His biography of Lord Castlereagh, Enlightenment, War and Tyranny, was published in 2011.
Martyn Frampton is Lecturer in Modern/Contemporary History at Queen Mary, University of London. His publications include The Long March (2009) and Legion of the Rearguard (2010)
Dan Jones is a journalist and historian. He is the author of Summer of Blood (2009) and The Plantagenets (2012).
Claudia Renton is a writer and actress who has appeared on stage with the RSC and at the Royal National Theatre, and on television for the BBC and ITV.
TO MY DARLING CHILDREN LILY AND SASHA
Contents
INTRODUCTION
RAMESES THE GREAT
DAVID & SOLOMON
NEBUCHADNEZZAR II
CYRUS THE GREAT
THE BUDDHA
CONFUCIUS
SUN TZU
LEONIDAS
HERODOTUS
ALCIBIADES
PLATO
ARISTOTLE
ALEXANDER THE GREAT
QIN SHI HUANGDI
HANNIBAL
JUDAH THE MACCABEE AND HIS BROTHERS
CICERO
CAESAR
HEROD THE GREAT
CLEOPATRA
AUGUSTUS & LIVIA
JESUS
CALIGULA
NERO
MARCUS AURELIUS
COMMODUS
CONSTANTINE THE GREAT
ATTILA THE HUN
MUHAMMAD
MUAWIYA & ABD AL-MALIK
ZHAO WU
CHARLEMAGNE
HAROUN AL-RASHID
MAROZIA AND THE PAPAL PORNOCRACY
BASIL THE BULGAR SLAYER
HASSAN AL-SABBAH AND THE ASSASSINS
GODFREY OF BOUILLON & THE CRUSADER KINGS OF JERUSALEM
ELEANOR OF AQUITAINE
SALADIN
RICHARD THE LIONHEART & JOHN SOFTSWORD
GENGHIS KHAN
FREDERICK II OF HOHENSTAUFEN
ISABELLA & ROGER MORTIMER
EDWARD III & THE BLACK PRINCE
TAMERLANE
RICHARD II
HENRY V
GILLES DE RAIS
JOAN OF ARC
TORQUEMADA
VLAD THE IMPALER
RICHARD III
SAVONAROLA
ISABELLA & FERDINAND
COLUMBUS
SELIM THE GRIM
PIZARRO
BARBAROSSA & SILVER ARM
THE BORGIAS: POPE ALEXANDER VI AND HIS CHILDREN CESARE AND LUCREZIA
MAGELLAN
BABUR
CORTÉS
HENRY VIII
SULEIMAN THE MAGNIFICENT
IVAN THE TERRIBLE
ELIZABETH I
AKBAR THE GREAT
TOKUGAWA IEYASU
GALILEO
SHAKESPEARE
ABBAS THE GREAT
WALLENSTEIN
CROMWELL
AURANGZEB
PEPYS
LOUIS XIV
NEWTON
MARLBOROUGH
PETER THE GREAT
NADER SHAH
VOLTAIRE
SAMUEL JOHNSON
FREDERICK THE GREAT
CASANOVA
CAPTAIN COOK
CATHERINE THE GREAT
POTEMKIN
WASHINGTON
JEFFERSON
TOUSSAINT LOUVERTURE
TALLEYRAND
MOZART
ROBESPIERRE
NELSON
WELLINGTON
NAPOLEON I
BEETHOVEN
JANE AUSTEN
SHAKA
BYRON
BALZAC
PUSHKIN
ALEXANDRE DUMAS PÈRE & FILS
DISRAELI
GARIBALDI
NAPOLEON III
LINCOLN
JACK THE RIPPER
DARWIN
DICKENS
BISMARCK
FLORENCE NIGHTINGALE
PASTEUR
FRANCISCO LÓPEZ & ELIZA LYNCH
TOLSTOY
CIXI
LEOPOLD II
TCHAIKOVSKY
CLEMENCEAU
SARAH BERNHARDT
MAUPASSANT
OSCAR WILDE
WILHELM II
LLOYD GEORGE
TOULOUSE-LAUTREC
RASPUTIN
GANDHI
TRUJILLO
LENIN
UNGERN VON STERNBERG
PROUST
SHACKLETON, SCOTT & AMUNSDEN
CHURCHILL
IBN SAUD
VILLA & ZAPATA
STALIN
EINSTEIN
ENVER, TALAT & JEMAL: THE THREE PASHAS
ATATÜRK
PICASSO
ROOSEVELT
MUSSOLINI
TOJO
BEN-GURION
HITLER
NEHRU
BULGAKOV
FRANCO
MAO ZEDONG
ISAAC BABEL
YEZHOV
ZHUKOV
CAPONE
BERIA
HEMINGWAY
HIMMLER & HEYDRICH
KHOMEINI
ORWELL
DENG XIAOPING
DUVALIER
SCHINDLER
HOXHA OF ALBANIA
KIM IL SUNG & KIM JONG IL
ODETTE SANSOM<
br />
JFK
NASSER, SADAT, MUBARAK
THE CEAUŞESCUS OF ROMANIA
MANDELA
THE SHAH OF IRAN
JOHN PAUL II
SAKHAROV
NGUEMA
POL POT
IDI AMIN
THATCHER
ANNE FRANK
GORBACHEV & YELTSIN
ELVIS
SADDAM HUSSEIN
KADAFFI
MUHAMMAD ALI
AUNG SAN SUU KYI
ESCOBAR
OSAMA BIN LADEN
LIST OF ILLUSTRATIONS
ACKNOWLEDGMENTS
Thank you to David North, Mark Smith, Patrick Carpenter and my editor, Josh Ireland, at Quercus; to my fellow contributors Dan Jones, Claudia Renton, John Bew and Martyn Frampton, all gifted historians; my agent Georgina Capel, Anthony Cheetham, Slav Todorov, Richard Milbank, Mark Hawkins-Dady; Professor F. M. Eloischari; Robert Hardman, Jonathan Foreman. And, above all, my darling children Lily and Sasha and my wife Santa.
INTRODUCTION
When I was a child, I read a short article—like one of those contained in this book—about the sinister world of Josef Stalin. It fascinated me enough to make me read more on the subject. Many years later, I found myself working in the Russian archives to research my first book on Stalin. My aim is that these short biographies will encourage and inspire readers to find out more about these extraordinary individuals—the men and women who created the world we live in today.
But history is not just the drama of the terrible and thrilling events of times gone by: we must understand our past to understand our present and future. “Who controls the past controls the future,” wrote George Orwell, author of 1984, and, “Who controls the present controls the past.” Karl Marx joked about Napoleon and his nephew Napoleon III that “all historical facts and and personages appear twice—the first time as a tragedy, the second time as farce.” Marx was wrong about this—as he was about much else: history does not repeat itself but it contains many warnings and lessons. Great men and women have rightly studied history to help them steer the present. For example three of the 20th century’s most homicidal monsters, Hitler, Stalin and Mao—all of whom appear in this book—were history buffs who spent much of both their misspent youths and their years in power reading about their own historical heroes.
At the time that Hitler came to order the slaughter of European Jewry in the Holocaust, he was encouraged by the Ottoman massacres of the Armenians during the First World War: “Who now remembers the Armenians?” he mused. The Armenian massacres feature in this book. When Stalin ordered the Great Terror, he looked back to the atrocities of his hero, Ivan the Terrible: “Who now remembers the nobles killed by Ivan the Terrible?” he asked his henchmen. Ivan the Terrible too is in this book. And Mao Zedong, as he unleashed waves of mass killings on China, was inspired by the First Emperor, another character who can be found in this book’s pages.
This is a collection of biographies of individuals who have each somehow changed the course of world events. This list can never be either complete or quite satisfactory: I have chosen the names; thus the list is totally subjective. There may be names you think are missing and others whose very inclusion you question: that is the fun and frustration of lists. You will find familiar names here—Elvis Presley, Jack Kennedy, Jesus Christ, Bismarck and Winston Churchill for example—but also many you may not know. Our modern world is dominated by the Near and Far East so that in this book you will not just find “traditional” leaders such as Henry VIII or George Washington but also the creators of the rising powers of today: Ayatollah Khomeini, Supreme Leader of Islamic Iran, Deng, who forged modern China, King Ibn Saud, founder of Saudi Arabia.
When I started this project, I tried to divide these characters into good and bad, but I realized that this was futile because many of the greatest—Napoleon, Cromwell, Genghis Khan, Peter the Great, to name just a few—combined the heroic with the monstrous. In this book, I leave it to you to make such judgments. We can go further still: the political and artistic genius of even the most admirable of these characters requires ambition, insensitivity, egocentricity, ruthlessness, even madness, as much it demands decency and heroism. “Reasonable people,” said George Bernard Shaw, “adapt themselves to the world. Unreasonable people adapt the world to themselves. Therefore change is only possible through unreasonable people.” Greatness needs courage (above all) and willpower, charisma, intelligence and creativity but it also demands characteristics that we often associate with the least admirable people: reckless risk-taking, brutal determination, sexual thrill-seeking, brazen showmanship, obsession close to fixation and something approaching insanity. In other words, the qualities required for greatness and wickedness, for heroism and monstrosity, for brilliant, decent philanthropy and brutal dystopian murderousness are not too far distant from each other. The Norwegians alone have a word for this: stormannsgalskap—the madness of great men.
In the last half-century, many history teachers seemed to enjoy making history as boring as possible, reducing it to the dreariness of mortality rates, tons of coal consumed per household and other economic statistics, but the study of any period in detail shows that the influence of character on events is paramount, whether we are looking at the autocrats of the ancient world or the modern democratic politicians of our own day. In the 21st century, no one who looks at world history after 9/11 would now claim that the character of US President George W Bush was not decisive in its contribution to the momentous decisions that were taken during this period. Plutarch, the inventor of biographical history, puts this best in his introduction to his portraits of Alexander and Caesar: “It is not histories I am writing, but lives; and in the most glorious deeds, there is not always an indication of virtue, of vice; indeed a small thing like a phrase or a jest often makes a greater revelation of a character than battles where thousands die.”
SIMON SEBAG MONTEFIORE
RAMESES THE GREAT
c. 1302–1213 BC
His majesty slaughtered them all; they fell before his horse, and his majesty was alone, none with him.
Inscription on the temple walls of Luxor
Rameses II was the most magnificent of the Egyptian pharaohs, whose long reign—over sixty years—saw both military successes and some of the most impressive building projects of the ancient world. He subdued the Hittites and the Libyans, and led Egypt into a period of creative prosperity but he was probably the villain of the Exodus.
Some of the greatest wonders of the ancient world owe their existence to Rameses: he typifies the old-fashioned hero-king, admired for his conquests and monumental works, often won and built at a terrible human cost. His reign marks the high point of the Egypt of the pharaohs, in terms of both imperial power and artistic output.
During the reign of Rameses’ father, Seti I, Egypt had been involved in struggles for control over Palestine and Syria with the Hittites of Anatolia (in modern Turkey). Despite some initial success, when Rameses inherited the throne in 1279 BC Hittite power extended as far south as Kadesh in Syria.
Having been a ranking military officer, in title at least, since the age of ten, Rameses was keen to begin his reign with a victory. However, his first engagement with the Hittites, at the Battle of Kadesh in 1274, was a strategic failure. Despite winning the battle, Rameses could not consolidate his position and capture the actual city of Kadesh. In the eighth or ninth year of his reign he captured towns in Galilee and Amor, and shortly afterward he broke through the Hittite defenses, taking the Syrian towns of Katna and Tunip. No Egyptian ruler had been in Tunip for at least 120 years.
Despite these successes, Rameses found his advances against the Hittite empire unsustainable, so in 1258 the two sides met at Kadesh and agreed the first recorded peace treaty in history. With typical ostentation, the treaty was inscribed not on lowly papyrus but on silver, in both Egyptian and Hittite. It went further than merely agreeing to end hostilities; it also est
ablished an alliance by which both sides agreed to help the other in the event of an attack from a third party. Refugees from the long years of conflict were given protection and the right to return to their homelands.
The treaty ushered in a period of prosperity that lasted until the later years of Rameses’ reign. During that time the pharaoh indulged his ruling passion: building gargantuan monuments, many of which can still be seen in various parts of Egypt. The Ramesseum was a vast temple complex built near Kurna, which incorporated a school for scribes. It was decorated with pillars recording victories, such as the Battle of Kadesh, and featured statues of Rameses that stood 56ft (17m) tall and weighed more than 1000 tons. On an even bigger scale were the monuments built at the temple of Abu Simbel. Four colossal statues of Rameses, each more than 65ft (20m) high, dominate the vast façade of the temple, which also includes friezes and depictions of other Egyptian gods and pharaohs, and statues of Rameses’ favorites and family. Among these was his favorite wife Nefertari, who had her own, smaller temple built to the northeast. Her tomb in the Valley of the Queens features some of the most magnificent art of the entire ancient Egyptian period.
These works are only a few of the vast architectural projects of Rameses’ reign. He completed the buildings of his father, finishing the hall at Karnak and the temple at Abydos, and in the east built the frontier city of Per-Atum. He inscribed his name and records of all his deeds on many of the monuments built by his predecessors. There is little of the surviving architecture of ancient Egypt that does not bear his mark.
It is possible that Rameses was the pharaoh of the biblical book of Exodus, the ruler who cruelly enslaved the Israelites until God sent the ten plagues that persuaded the pharaoh to release the Chosen People: this miraculous escape is celebrated in the Jewish festival of Passover. They were led to freedom by an Israelite boy discovered abandoned in Nile bulrushes and raised as an Egyptian prince with the name Moses. As they wandered through Sinai, God granted Moses the Ten Commandments. If the Israelites obeyed them, God promised them the land of Canaan. When Moses asked the nature of this God, the answer came: “I am that I am.” But Moses died before he reached Canaan. It is highly likely that Rameses’s monuments were built by slave labor. Many Semites did settle in Egypt and Moses’ name is Egyptian, which suggests that he at least originated there. There is no reason to doubt that Moses, the first charismatic leader of the monotheistic religions, did receive a divine revelation after such an escape from slavery. Overall, the tradition of a Semitic people escaping captivity is plausible but defies dating.
Titans of History Page 1