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Movies and the Mind Page 28

by William Indick


  Pinocchio (1940). Directed by Hamilton Luske and Ben Sharpsteen. Writing Credits: Aurelius Battaglia (story), Carlo Collodi (novel). Starring: Mel Blanc (voice), Don Brodie (voice).

  Pocahontas (1995). Directed by Mike Gabriel and Eric Goldberg. Writing Credits: Carl Binder, Susannah Grant (screenplay), Philip LaZebnik. Starring: Irene Bedard, Judy Kuhn, Mel Gibson, Linda Hunt, John Kassir.

  Poltergeist (1982). Directed by Tobe Hooper and Steven Spielberg. Writing Credits: Steven Spielberg (story), Steven Spielberg (screenplay), Michael Grais (screenplay), Mark Victor (screenplay). Starring: JoBeth Williams, Craig T. Nelson, Beatrice Straight.

  Pretty Woman (1990). Directed by Garry Marshall. Writing Credits: J. F. Lawton (written by). Starring: Richard Gere, Julia Roberts, Ralph Bellamy, Jason Alexander, Laura San Giacomo, Hector Elizondo.

  The Princess Diaries (2001). Directed by Garry Marshall. Writing Credits: Meg Cabot (novel), Gina Wendkos (screenplay). Starring: Julie Andrews, Anne Hathaway, Hector Elizondo, Heather Matarazzo, Mandy Moore, Caroline Goodall.

  Psycho (1960). Directed by Alfred Hitchcock. Writing Credits: Robert Bloch (novel), Joseph Stefano (screenplay). Starring: Anthony Perkins, Vera Miles, John Gavin, Martin Balsam.

  Ransom (1996). Directed by Ron Howard. Writing Credits: Cyril Hume (story), Richard Maibaum (story), Richard Price (screenplay), Alexander Ignon (screenplay). Starring: Mel Gibson, Rene Russo, Brawley Nolte, Gary Sinise, Delroy Lindo, Lili Taylor, Liev Schreiber, Donnie Wahlberg.

  Red River (1948). Directed by Howard Hawks and Arthur Rosson. Writing Credits: Borden Chase (screenplay), Borden Chase (story “The Chisholm Trail”), Charles Schnee (screenplay). Starring: John Wayne, Montgomery Clift, Joanne Dru, Walter Brennan.

  Rio Grande (1950). Directed by John Ford. Writing Credits: James Warner Bellah (story), James Kevin McGuinness. Starring: John Wayne, Maureen O’Hara, Ben Johnson.

  The Robe (1953). Directed by Henry Koster. Writing Credits: Lloyd C. Douglas (novel), Gina Kaus (adaptation). Starring: Richard Burton, Jean Simmons, Victor Mature.

  Rocky (1976). Directed by John G. Avildsen. Writing Credits: Sylvester Stallone. Starring: Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers. Academy Awards: John G. Avildsen (Best Director).

  The Royal Tennenbaums (2001). Directed by Wes Anderson. Writing Credits: Wes Anderson (written by), Owen Wilson (written by). Starring: Gene Hackman, Anjelica Huston, Gwyneth Paltrow, Ben Stiller, Luke Wilson, Owen Wilson, Danny Glover, Bill Murray, Alec Baldwin, Seymour Cassel.

  Rushmore (1998). Directed by Wes Anderson. Writing Credits: Wes Anderson (written by), Owen Wilson (written by). Starring: Jason Schwartzman, Bill Murray, Olivia Williams, Seymour Cassel, Brian Cox.

  Saving Private Ryan (1998). Directed by Steven Spielberg. Writing Credits: Robert Rodat (written by). Starring: Tom Hanks, Edward Burns, Tom Sizemore, Matt Damon, Jeremy Davies, Adam Goldberg, Barry Pepper, Giovanni Ribisi, Vin Diesel, Ted Danson, Max Martini, Dylan Bruno. Academy Awards: Steven Spielberg (Best Director).

  Scarface (1983). Directed by Brian De Palma. Writing Credits: Oliver Stone. Starring: Al Pacino, Steven Bauer, Michelle Pfeiffer, Mary Elizabeth Mastrantonio, Robert Loggia, Miriam Colon, F. Murray Abraham.

  Schindler’s List (1993). Directed by Steven Spielberg. Writing Credits: Thomas Keneally (book), Steven Zaillian (screenplay). Starring: Liam Neeson, Ben Kingsley, Ralph Fiennes, Caroline Goodall, Jonathan Sagall, Embeth Davidtz. Academy Awards: Steven Spielberg (Best Director), Steven Zaillian (Best Writing, Screenplay Based on Material from Another Medium).

  The Searchers (1956). Directed by John Ford. Writing Credits: Alan Le May (novel), Frank S. Nugent (screenplay). Starring: John Wayne, Jeffrey Hunter, Vera Miles.

  Shane (1953). Directed by George Stevens. Writing Credits: Jack Schaefer (story), A. B. Guthrie. Starring: Alan Ladd, Jean Arthur, Van Heflin, Jack Palance, Ben Johnson. Academy Awards: Loyal Griggs (Best Cinematography, Color).

  She Wore a Yellow Ribbon (1949). Directed by John Ford. Writing Credits: James Warner Bellah (stories “War Party” and “The Big Hunt”), Frank S. Nugent (as Frank Nugent), Laurence Stallings. Starring: John Wayne, Joanne Dru, John Agar, Ben Johnson.

  The Silence of the Lambs (1991). Directed by Jonathan Demme. Writing Credits: Thomas Harris (novel), Ted Tally (screenplay). Starring: Jodie Foster, Anthony Hopkins, Scott Glenn, Anthony Heald, Ted Levine. Academy Awards: Anthony Hopkins (Best Actor in a Leading Role), Jodie Foster (Best Actress in a Leading Role), Jonathan Demme (Best Director).

  Silverado (1985). Directed by Lawrence Kasdan. Writing Credits: Lawrence Kasdan, Mark Kasdan. Starring: Kevin Kline, Scott Glenn, Kevin Costner, Danny Glover.

  Simple Twist of Fate, A (1994). Directed by Gillies MacKinnon. Writing Credits: George Eliot (novel), Steve Martin (written by). Starring: Steve Martin, Gabriel Byrne, Laura Linney, Catherine O’Hara.

  Sleeping Beauty (1959). Writing Credits: Milt Banta, Winston Hibler. Starring: Mary Costa (voice), Bill Shirley (voice), Eleanor Audley (voice).

  The Snake Pit (1948). Directed by Anatole Litvak. Writing Credits: Millen Brand, Frank Partos. Starring: Olivia de Havilland, Mark Stevens, Leo Genn. Academy Awards: Best Sound, Recording.

  Snow White and the Seven Dwarfs (1937). Writing Credits: Ted Sears (story) and Richard Creedon (story). Starring: Roy Atwell (voice), Stuart Buchanan (voice), Adriana Caselotti (voice). Academy Awards: (Honorary Award) Walt Disney.

  The Sons of Katie Elder (1965). Directed by Henry Hathaway. Writing Credits: Talbot Jennings (story), William H. Right (screenplay). Starring: John Wayne, Dean Martin, George Kennedy, James Gregory.

  Spartacus (1960). Directed by Stanley Kubrick. Writing Credits: Howard Fast (novel), Dalton Trumbo. Starring: Kirk Douglas, Laurence Olivier, Jean Simmons, Charles Laughton, Peter Ustinov, John Gavin. Academy Awards: Peter Ustinov (Best Actor in a Supporting Role).

  Spellbound (1945). Directed by Alfred Hitchcock. Writing Credits: Angus MacPhail (adaptation), Ben Hecht (screenplay). Starring: Ingrid Bergman, Gregory Peck, Michael Chekhov. Academy Awards: Miklós Rózsa (Best Music, Scoring of a Dramatic or Comedy Picture).

  Stagecoach (1939). Directed by John Ford. Writing Credits: Ernest Haycox (story), Dudley Nichols. Starring: Claire Trevor, John Wayne, Andy Devine. Academy Awards: Thomas Mitchell (Best Actor in a Supporting Role).

  Star Wars (1977). Directed by George Lucas. Writing Credits: George Lucas. Starring: Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness.

  Star Wars: Episode I—The Phantom Menace (1999). Directed by George Lucas. Writing Credits: George Lucas. Starring: Liam Neeson, Ewan McGregor, Natalie Portman, Jake Lloyd.

  Star Wars: Episode II—Attack of the Clones (2002). Directed by George Lucas. Writing Credits: George Lucas (story), (screenplay). Starring: Ewan McGregor, Natalie Portman, Hayden Christensen, Christopher Lee, Samuel L. Jackson.

  Star Wars: Episode III (2005). Directed by George Lucas. Writing Credits: George Lucas. Starring: Ewan McGregor, Natalie Portman, Hayden Christensen, Christopher Lee, Samuel L. Jackson, Frank Oz, Ian McDiarmid, Jimmy Smits.

  Star Wars: Episode V—The Empire Strikes Back (1980). Directed by Irvin Kershner. Writing Credits: George Lucas (story), Leigh Brackett, Lawrence Kasdan. Starring: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams.

  Star Wars: Episode VI—Return of the Jedi (1983). Directed by Richard Marquand. Writing Credits: George Lucas (story), Lawrence Kasdan. Starring: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams.

  The Sunshine Boys (1975). Directed by Herbert Ross. Writing Credits: Neil Simon (also play). Starring: Walter Matthau, George Burns, Richard Benjamin. Academy Awards: George Burns (Best Actor in a Supporting Role).

  The Sweet Smell of Success (1957). Directed by Alexander Mackendrick. Writing Credits: Ernest Lehman (novel), Clifford Odets. Starring: Burt Lancaster, Tony Curtis, Susan Harrison.

  The Talented Mr. Ripley (1999). Directed by Anthony Minghella. Writing Credits: Patricia Highsmith (
novel), Anthony Minghella (screenplay). Starring: Matt Damon, Gwyneth Paltrow, Jude Law, Cate Blanchett, Philip Seymour Hoffman, Jack Davenport.

  The Ten Commandments (1956). Directed by Cecil B. DeMille. Writing Credits: J. H. Ingraham (novel Pillar of Fire as Rev. J. H. Ingraham), A. E. Southon (novel On Eagle’s Wing as Rev. A. E. Southon), Dorothy Clarke Wilson (novel Prince of Egypt), Æneas MacKenzie, Jesse Lasky Jr. (as Jesse L. Lasky Jr.), Jack Gariss, Fredric M. Frank. Starring: Charlton Heston, Yul Brynner, Anne Baxter, Edward G. Robinson, Yvonne De Carlo.

  The Terminator (1984). Directed by James Cameron. Writing Credits: James Cameron, Gale Anne Hurd. Starring: Arnold Schwarzenegger, Michael Biehn, Linda Hamilton, Paul Winfield, Lance Henriksen.

  Terminator 2 (1991). Directed by James Cameron. Writing Credits: James Cameron (written by), William Wisher Jr. (written by). Starring: Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick.

  Terminator 3 (2003). Directed by Jonathan Mostow. Writing Credits: James Cameron (characters), Gale Anne Hurd (characters). Starring: Arnold Schwarzenegger, Nick Stahl, Claire Danes.

  Three Godfathers (1936). Directed by Richard Boleslawski. Writing Credits: Peter B. Kyne (novel The Three Godfathers), Edward E. Paramore Jr., Manuel Seff. Starring: Chester Morris, Lewis Stone, Walter Brennan.

  The Tin Star (1957). Directed by Anthony Mann. Writing Credits: Joel Kane (story), Dudley Nichols, Barney Slater (story). Starring: Henry Fonda, Anthony Perkins, Betsy Palmer.

  To Kill a Mockingbird (1962). Directed by Robert Mulligan. Writing Credits: Harper Lee (novel), Horton Foote. Starring: Mary Badham, Gregory Peck, Phillip Alford, Robert Duvall. Academy Awards: Gregory Peck (Best Actor in a Leading Role), Alexander Golitzen, Henry Bumstead and Oliver Emert (Best Art Direction-Set Decoration, Black-and-White), Horton Foote (Best Writing, Screenplay Based on Material from Another Medium).

  Treasure Island (1950). Directed by Byron Haskin. Writing Credits: Robert Louis Stevenson (novel), Lawrence Edward Watkin. Starring: Bobby Driscoll, Robert Newton, Basil Sydney, Walter Fitzgerald.

  The Treasure of the Sierra Madre (1948). Directed by John Huston. Writing Credits: B. Traven (novel), John Huston. Starring: Humphrey Bogart, Walter Huston, Tim Holt, Bruce Bennett. Academy Awards: Walter Huston (Best Actor in a Supporting Role), John Huston (Best Director), John Huston (Best Writing, Screenplay).

  The Unknown (1927). Directed by Tod Browning. Writing Credits: Tod Browning (story), Waldemar Young (scenario). Starring: Lon Chaney, Norman Kerry, Joan Crawford.

  Vanilla Sky (2001). Directed by Cameron Crowe. Writing Credits: Alejandro Amenábar (film Abre Los Ojos), Mateo Gil (film Abre Los Ojos) (as Mateo Gil Rodríguez), Cameron Crowe (screenplay). Starring: Tom Cruise, Penélope Cruz, Cameron Diaz, Kurt Russell, Jason Lee.

  Victory (1981). Directed by John Huston. Writing Credits: Evan Jones, Jeff Maguire (story), Djordje Milicevic (story), Yabo Yablonsky (screenplay), Yabo Yablonsky (story). Starring: Michael Caine, Sylvester Stallone, Max von Sydow.

  Village of the Damned (1960). Directed by Wolf Rilla. Writing Credits: Stirling Silliphant, Wolf Rilla, Ronald Kinnoch (as George Barclay). Starring: George Sanders, Barbara Shelley, Michael Gwynn.

  The Westerner (1940). Directed by William Wyler. Writing Credits: Niven Busch, Stuart N. Lake (story). Starring: Gary Cooper, Walter Brennan, Doris Davenport. Academy Awards: Walter Brennan (Best Actor in a Supporting Role).

  What a Girl Wants (2003). Directed by Dennie Gordon. Writing Credits: William Douglas-Home (play The Reluctant Debutante), William Douglas-Home (1958 screenplay), Jenny Bicks (screenplay), Elizabeth Chandler (screenplay). Starring: Amanda Bynes, Colin Firth, Kelly Preston.

  What About Bob? (1991). Directed by Frank Oz. Writing Credits: Alvin Sargent (story), Laura Ziskin (story), Tom Schulman (screenplay). Starring: Bill Murray, Richard Dreyfuss, Julie Hagerty.

  What Lies Beneath (2002). Directed by Robert Zemeckis. Writing Credits: Sarah Kernochan (story), Clark Gregg (story), Clark Gregg (screenplay). Starring: Harrison Ford, Michelle Pfeiffer, Diana Scarwid, Joe Morton, James Remar, Miranda Otto, Amber Valletta, Katharine Towne.

  Whatever Happened to Baby Jane? (1962). Directed by Robert Aldrich. Writing Credits: Henry Farrell (novel), Lukas Heller. Starring: Bette Davis, Joan Crawford, Victor Buono.

  Who Shot Liberty Valance (1962). Directed by John Ford. Writing Credits: James Warner Bellah, Willis Goldbeck, Dorothy M. Johnson (story). Starring: John Wayne, James Stewart, Vera Miles, Lee Marvin, Edmond O’Brien.

  The Wizard of Oz (1939). Directed by Victor Fleming, Richard Thorpe. Writing Credits: L. Frank Baum (novel), Noel Langley. Starring: Judy Garland, Frank Morgan, Billie Burke. Academy Awards: Herbert Stothart (Best Music, Original Score); Harold Arlen (music), E. Y. Harburg (lyrics) Best Music, Song for the song “Over the Rainbow”.

  The Wolf Man (1941). Directed by George Waggner. Writing Credits: Curt Siodmak. Starring: Claude Rains, Warren William, Ralph Bellamy.

  Working Girl (1988). Directed by Mike Nichols. Writing Credits: Kevin Wade (written by). Starring: Harrison Ford, Sigourney Weaver, Melanie Griffith, Alec Baldwin, Joan Cusack.

  Wyatt Earp (1994). Directed by Lawrence Kasdan. Writing Credits: Dan Gordon (written by), Lawrence Kasdan (written by). Starring: Kevin Costner, Dennis Quaid, Gene Hackman.

  Yentl (1983). Directed by Barbra Streisand. Writing Credits: Jack Rosenthal, Isaac Bashevis Singer (story “Yentl, the Yeshiva Boy”), Barbra Streisand. Starring: Barbra Streisand, Mandy Patinkin, Amy Irving.

  Zelig (1983). Directed by Woody Allen. Writing Credits: Woody Allen. Starring: Woody Allen, Mia Farrow, John Buckwalter.

  Bibliography

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  _____. 1931. What Life Could Mean to You. Boston: Little, Brown.

  _____. 1939. Social Interest. New York: Putnam.

  _____. 1954. Understanding Human Nature. New York: Fawcett.

  Bettelheim, Bruno. 1982. Freud and Man’s Soul. New York: Knopf.

  Bowlby, John. 1969. Attachment and Loss. New York: Basic Books.

  Bulfinch, Thomas. 1947. Bulfinch’s Mythology. New York: T. Y. Crowell.

  Campbell, Joseph. 1949. The Hero with a Thousand Faces. Princeton, N.J.: Princeton University Press.

  _____, ed. 1970. Myths, Dreams and Religion. New York: E. P. Dutton.

  _____. 1974. The Mythic Image. Princeton, NJ: Princeton University Press.

  _____. 1982. The Hero’s Journey: Joseph Campbell on his Life and Work. Phil Cousineau, (Ed.). New York: Harper & Row.

  _____. 1986. The Inner Reaches of Outer Space: Metaphor as Myth and as Religion. Toronto: St. James Press.

  _____. 1988. An Open Life. New York: Larson Publications.

  _____. 1988. The Power of Myth. New York: Doubleday.

  _____. 1990. Transformation of Myth Through Time. New York: Harper & Row.

  Erikson, Erik. 1963. Childhood and Society. New York: Norton.

  _____. 1968. Identity, Youth and Crisis. New York: Norton.

  _____. 1974. Dimensions of a New Identity. New York: Norton.

  _____. 1982, 1997. The Life Cycle Completed: A Review. New York: Norton.

  Freud, Anna. 1946. The Ego and the Mechanisms of Defense. New York: International Universities Press.

  _____. 1965. The Writing of Anna Freud. New York: International Universities Press.

  Freud, Sigmund. 1900. The Interpretation of Dreams. (In The Complete Psychological Works: Standard Edition, Volumes 4 & 5).

  _____. 1901. The Psychopathology of Everyday Life. (In The Complete Psychological Works: Standard Edition, Volume 6).

  _____. 1905. Three Essays on Sexuality. (In The Complete Psychological Works: Standard Edition, Volume 7).

  _____. 1910. Five Lectures on Psychoanalysis. (In The Complete Psychological Works: Standard Edition, Volume 11).

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  _____. 1923. The Ego and the Id. (In The Complete Psychological Works: Standard Edition, Volume 19).

  _____. 1938. The Basic Writings of Sigmund Freud. A. Brill, Trans. & Ed. New York: Random House.

  _____. 1940. An Outline of Psychoanalysis. (In The Complete Psychological Works: Standard Edition, Volume 23).

  _____. 1956. The Complete Psychological Works: Standard Edition (24 volumes). J. Strachey, Ed. London: Hogarth Press.

  Herzberg, Max J. 1984. Myths and their Meaning. Boston: Allyn and Bacon, Inc.

  Izod, John. 2001. Myth, Mind and the Screen: Understanding the Heroes of Our Time. Cambridge, England: Cambridge University Press.

  Jung, Carl G. 1936. Archetypes and the Collective Unconscious. (In Collected Works, Vol. 9).

  _____. 1936. Synchronicity: An Acausal Connecting Principle. (In Collected Works, Vol. 8).

  _____. 1939. The Integration of the Personality. (In Collected Works, Vol. 11).

  _____. 1951. Two Essays on Analytical Psychology. (In Collected Works, Vol. 7).

  _____. 1953. Collected Works. H. Read, M. Fordham & G. Adler, eds. Princeton, N.J.: Princeton University Press.

  _____. 1960. Psychological Aspects of the Mother Archetype. (In Collected Works, Vol. 9).

  _____. 1961. Memories, Dreams and Reflections. New York: Random House.

  _____. 1964. Man and His Symbols. New York: Doubleday.

  May, Rollo. 1953. Man’s Search for Himself. New York: Norton.

  _____. 1969. Love and Will. New York: Norton.

  _____. 1971. The Portable Jung. Joseph Campbell, ed. New York: Viking Penguin, Inc.

  _____. 1975. The Courage to Create. New York: Norton.

  _____. 1977. The Meaning of Anxiety. New York: Norton.

  _____. 1983. The Discovery of Being. New York: Norton.

  _____. 1991. The Cry for Myth. New York: Norton.

  Rank, Otto. 1914/1959. The Myth of the Birth of the Hero. New York: Random

 

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