There has been a nightmare bred in England of indigestion and spleen among landlords and loom-lords, namely, the dogma that men breed too fast for the powers of the soil; that men multiply in a geometrical ratio, whilst corn multiplies only in an arithmetical; and hence that, the more prosperous we are, the faster we approach these frightful limits nay, the plight of every new generation is worse than of the foregoing, because the first comers take up the best lands; the next, the second best; and each succeeding wave of population is driven to poorer, so that the land is ever yielding less returns to enlarging hosts of eaters. Henry Carey of Philadelphia replied: “Not so, Mr. Malthus, but just the opposite of so is the fact.”
The first planter, the savage, without helpers, without tools, looking chiefly to safety from his enemy—man or beast—takes poor land. The better lands are loaded with timber, which he cannot clear; they need drainage, which he cannot attempt. He cannot plough, or fell trees, or drain the rich swamp. He is a poor creature; he scratches with a sharp stick, lives in a cave or a hutch, has no road but the trail of the moose or bear; he lives on their flesh when he can kill one, on roots and fruits when he cannot. He falls, and is lame; he coughs, he has a stitch in his side, he has a fever and chills; when he is hungry, he cannot always kill and eat a bear—chances of war—sometimes the bear eats him. ‘T is long before he digs or plants at all, and then only a patch. Later he learns that his planting is better than hunting; that the earth works faster for him than he can work for himself—works for him when he is asleep, when it rains, when heat overcomes him. The sunstroke which knocks him down brings his corn up. As his family thrive, and other planters come up around him, he begins to fell trees and clear good land; and when, by and by, there is more skill, and tools and roads, the new generations are strong enough to open the lowlands, where the wash of mountains has accumulated the best soil, which yield a hundred-fold the former crops. The last lands are the best lands. It needs science and great numbers to cultivate the best lands, and in the best manner. Thus true political economy is not mean, but liberal, and on the pattern of the sun and sky. Population increases in the ratio of morality; credit exists in the ratio of morality.
Meantime we cannot enumerate the incidents and agents of the farm without reverting to their influence on the farmer. He carries out this cumulative preparation of means to their last effect. This crust of soil which ages have refined he refines again for the feeding of a civil and instructed people. The great elements with which he deals cannot leave him unaffected, or unconscious of his ministry; but their influence somewhat resembles that which the same Nature has on the child—of subduing and silencing him. We see the farmer with pleasure and respect when we think what powers and utilities are so meekly worn. He knows every secret of labor; he changes the face of the landscape. Put him on a new planet and he would know where to begin; yet there is no arrogance in his bearing, but a perfect gentleness. The farmer stands well on the world. Plain in manners as in dress, he would not shine in palaces; he is absolutely unknown and inadmissible therein; living or dying, he never shall be heard of in them; yet the drawing-room heroes put down beside him would shrivel in his presence; he solid and unexpressive, they expressed to gold-leaf. But he stands well on the world—as Adam did, as an Indian does, as Homer’s heroes, Agamemnon or Achilles, do. He is a person whom a poet of any clime—Milton, Firdusi, or Cervantes—would appreciate as being really a piece of the old Nature, comparable to sun and moon, rainbow and flood; because he is, as all natural persons are, representative of Nature as much as these.
That uncorrupted behavior which we admire in animals and in young children belongs to him, to the hunter, the sailor—the man who lives in the presence of Nature. Cities force growth and make men talkative and entertaining, but they make them artificial. What possesses interest for us is the naturel of each, his constitutional excellence. This is forever a surprise, engaging and lovely; we cannot be satiated with knowing it, and about it; and it is this which the conversation with Nature cherishes and guards.
POEMS
[The poetical strain is everywhere apparent in Emerson’s philosophy. He was also a writer of verses all his life. Many of them appeared in The Dial, of which he, Margaret Fuller and Henry Thoreau served at various times as editor. He wrote many poems to serve as mottos for his lectures. The two principal volumes of poetry published during his lifetime were May-Day in 1867 and Selected Poems in 1876. The following poems have been selected from his complete works.]
GOOD-BYE
GOOD-BYE, proud world! I’m going home:
Thou art not my friend, and I’m not thine.
Long through thy weary crowds I roam;
A river-ark on the ocean brine,
Long I’ve been tossed like the driven foam;
But now, proud world! I’m going home.
Good-bye to Flattery’s fawning face;
To Grandeur with his wise grimace;
To upstart Wealth’s averted eye;
To supple Office, low and high;
To crowded halls, to court and street;
To frozen hearts and hasting feet;
To those who go, and those who come;
Good-bye, proud world! I’m going home.
I am going to my own hearth-stone,
Bosomed in yon green hills alone—
A secret nook in a pleasant land,
Whose groves the frolic fairies planned;
Where arches green, the livelong day,
Echo the blackbird’s roundelay,
And vulgar feet have never trod
A spot that is sacred to thought and God.
O, when I am safe in my sylvan home,
I tread on the pride of Greece and Rome;
And when I am stretched beneath the pines,
Where the evening star so holy shines,
I laugh at the lore and the pride of man,
At the sophist schools and the learned clan;
For what are they all, in their high conceit,
When man in the bush with God may meet?
THE PROBLEM
I LIKE a church; I like a cowl;
I love a prophet of the soul;
And on my heart monastic aisles
Fall like sweet strains, or pensive smiles;
Yet not for all his faith can see
Would I that cowlèd churchman be.
Why should the vest on him allure,
Which I could not on me endure?
Not from a vain or shallow thought
His awful Jove young Phidias brought;
Never from lips of cunning fell
The thrilling Delphic oracle;
Out from the heart of nature rolled
The burdens of the Bible old;
The litanies of nations came,
Like the volcano’s tongue of flame,
Up from the burning core below—
The canticles of love and woe:
The hand that rounded Peter’s dome
And groined the aisles of Christian Rome
Wrought in a sad sincerity;
Himself from God he could not free;
He builded better than he knew;—
The conscious stone to beauty grew.
Know’st thou what wove yon woodbird’s nest
Of leaves, and feathers from her breast?
Or how the fish outbuilt her shell,
Painting with morn each annual cell?
Or how the sacred pine-tree adds
To her old leaves new myriads?
Such and so grew these holy piles,
Whilst love and terror laid the tiles.
Earth proudly wears the Parthenon,
As the best gem upon her zone,
And Morning opes with haste her lids
To gaze upon the Pyramids;
O’er England’s abbeys bends the sky,
As on its friends, with kindred eye;
For out of Thought’s interior sphere
These wonders rose to upper
air;
And Nature gladly gave them place,
Adopted them into her race,
And granted them an equal date
With Andes and with Ararat.
These temples grew as grows the grass;
Art might obey, but not surpass.
The passive Master lent his hand
To the vast soul that o’er him planned;
And the same power that reared the shrine
Bestrode the tribes that knelt within.
Ever the fiery Pentecost
Girds with one flame the countless host,
Trances the heart through chanting choirs,
And through the priest the mind inspires.
The word unto the prophet spoken
Was writ on tables yet unbroken;
The word by seers or sibyls told,
In groves of oak, or fanes of gold,
Still floats upon the morning wind,
Still whispers to the willing mind.
One accent of the Holy Ghost
The heedless world hath never lost.
I know what say the fathers wise—
The Book itself before me lies,
Old Chrysostom, best Augustine,
And he who blent both in his line,
The younger Golden Lips or mines,
Taylor, the Shakspeare of divines.
His words are music in my ear,
I see his cowlèd portrait dear;
And yet, for all his faith could see,
I would not the good bishop be.
URIEL
IT fell in the ancient periods
Which the brooding soul surveys,
Or ever the wild Time coined itself
Into calendar months and days.
This was the lapse of Uriel,
Which in Paradise befell.
Once, among the Pleiads walking,
Seyd overheard the yougods talking;
And the treason, too long pent,
To his ears was evident.
The young deities discussed
Laws of form, and metre just,
Orb, quintessence, and sunbeams,
What subsisteth, and what seems.
One, with low tones that decide,
And doubt and reverend use defied,
With a look that solved the sphere,
And stirred the devils everywhere,
Gave his sentiment divine
Against the being of a line.
‘Line in nature is not found;
Unit and universe are round;
In vain produced, all rays return;
Evil will bless, and ice will burn.’
As Uriel spoke with piercing eye,
A shudder ran around the sky;
The stern old war-gods shook their heads,
The seraphs frowned from myrtle-beds;
Seemed to the holy festival
The rash word boded ill to all;
The balance-beam of Fate was bent;
The bounds of good and ill were rent;
Strong Hades could not keep his own,
But all slid to confusion.
A sad self-knowledge, withering, fell
On the beauty of Uriel;
In heaven once eminent, the god
Withdrew, that hour, into his cloud;
Whether doomed to long gyration,
In the sea of generation,
Or by knowledge grown too bright
To hit the nerve of feebler sight.
Straightway, a forgetting wind
Stole over the celestial kind,
And their lips the secret kept,
If in ashes the fire-seed slept.
But now and then, truth-speaking things
Shamed the angels’ veiling wings;
And, shrilling from the solar course,
Or from fruit of chemic force,
Procession of a soul in matter,
Or the speeding change of water,
Or out of the good of evil born,
Came Uriel’s voice of cherub scorn,
And a blush tinged the upper sky,
And the gods shook, they knew not why.
THE RHODORA:
ON BEING ASKED, WHENCE IS THE FLOWER?
IN May, when sea-winds pierced our solitudes,
I found the fresh Rhodora in the woods,
Spreading its leafless blooms in a damp nook,
To please the desert and the sluggish brook.
The purple petals, fallen in the pool,
Made the black water with their beauty gay;
Here might the red-bird come his plumes to cool,
And court the flower that cheapens his array.
Rhodora! if the sages ask thee why
This charm is wasted on the earth and sky,
Tell them, dear, that if eyes were made for seeing,
Then Beauty is its own excuse for being:
Why thou wert there, O rival of the rose!
I never thought to ask, I never knew:
But, in my simple ignorance, suppose
The self-same Power that brought me there brought you.
THE HUMBLE-BEE
BURLY, dozing humble-bee,
Where thou art is clime for me.
Let them sail for Porto Rique,
Far-off heats through seas to seek;
I will follow thee alone,
Thou animated torrid-zone!
Zigzag steerer, desert cheerer,
Let me chase thy waving lines;
Keep me nearer, me thy hearer,
Singing over shrubs and vines.
Insect lover of the sun,
Joy of thy dominion!
Sailor of the atmosphere;
Swimmer through the waves of air;
Voyager of light and noon;
Epicurean of June;
Wait, I prithee, till I come
Within earshot of thy hum—
All without is martyrdom.
When the south wind, in May days,
With a net of shining haze
Silvers the horizon wall,
And with softness touching all,
Tints the human countenance
With a color of romance,
And infusing subtle heats,
Turns the sod to violets,
Thou, in sunny solitudes,
Rover of the underwoods,
The green silence dost displace
With thy mellow, breezy bass.
Hot midsummer’s petted crone,
Sweet to me thy drowsy tone
Tells of countless sunny hours,
Long days, and solid banks of flowers;
Of gulfs of sweetness without bound
In Indian wildernesses found;
Of Syrian peace, immortal leisure,
Firmest cheer, and bird-like pleasure.
Aught unsavory or unclean
Hath my insect never seen;
But violets and bilberry bells,
Maple-sap and daffodels,
Grass with green flag half-mast high,
Succory to match the sky,
Columbine with horn of honey,
Scented fern, and agrimony,
Clover, catchfly, adder’s-tongue
And brier-roses, dwelt among;
All beside was unknown waste,
All was picture as he passed.
Wiser far than human seer,
Yellow-breeched philosopher!
Seeing only what is fair,
Sipping only what is sweet,
Thou dost mock at fate and care,
Leave the chaff, and take the wheat.
When the fierce northwestern blast
Cools sea and land so far and fast,
Thou already slumberest deep;
Woe and want thou canst outsleep;
Want and woe, which torture us,
Thy sleep makes ridiculous.
THE SNOW-STORM
ANNOUNCED by all the trumpets of the sky,
Arrives the snow, and, dr
iving o’er the fields,
Seems nowhere to alight: the whited air
Hides hills and woods, the river, and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.
Come see the north wind’s masonry.
Out of an unseen quarry evermore
Furnished with tile, the fierce artificer
Curves his white bastions with projected roof
Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work
So fanciful, so savage, nought cares he
For number or proportion. Mockingly,
On coop or kennel he hangs Parian wreaths;
A swan-like form invests the hidden thorn;
Fills up the farmer’s lane from wall to wall,
Maugre the farmer’s sighs; and at the gate
A tapering turret overtops the work.
And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind’s night-work,
The frolic architecture of the snow.
ODE
INSCRIBED TO W. H. CHANNING
The Essential Writings of Ralph Waldo Emerson Page 72