by Thomas Mann
“Your remarks, Mynheer Peeperkorn,” he said (what a way to put it—remarks; did one make “remarks” about doomsday?), “lead my thoughts back again to what we previously agreed upon about the nature of vice: that it is an insult to the simple, and as you said, holy, or, as I might put it, classic gifts of life—those gifts of life that have stature, so to speak—an insult to them to show a preference for acquired refinements, in which one ‘indulges,’ as one of us two expressed it, whereas one ‘embraces’ or ‘devotes oneself to’ the great gifts. But therein lies, or so it seems to me, the excuse—forgive me, I am by nature inclined to excuse (though excuses have no real stature, as I am only too aware)—the excuse, then, for vice, to the extent, that is, that vice is based upon ‘inadequacy,’ as we have called it. You said things of such great stature in regard to the terrors of inadequacy, that I find myself quite confounded. But what I mean is, vice is surely not insensitive to such terrors, but on the contrary, gives them their full and just due, to the extent that what drives a man to vice is the failure of feeling in the face of the classic gifts of life; which therefore does not imply, or does not necessarily imply, an insult to life, since it might equally as well be interpreted as an embracing of life. Indeed, inasmuch as these refinements are meant to intoxicate or excite us—are stimulants, as they say—they support and enhance the intensity of feelings, which means, then, that their purpose and goal are life itself, a love of feeling, are inadequacy’s way of striving for feeling . . . what I mean is . . .”
What was he talking about? What sort of excess of democratic impudence had led him to speak of “one of us two,” when it was a matter of a personality and himself? Had he found the courage for such impertinence in past events that cast certain current rights of possession in a very odd light? Or was he simply feeling his oats? Was that why he had got himself tangled up in this brazen analysis of “vice”? Well, it was up to him to get himself out now—for he had clearly conjured up dreadful forces.
All during his guest’s speech, Mynheer Peeperkorn had remained flung back in his chair with his head sunk to his chest, so that there was some doubt if Hans Castorp’s words had impinged on his consciousness. But now as the young man grew more confused, the older man gradually began to rear up out of his chair, taller and taller, to full size—his majestic head swelling and turning red, the arabesques on his brow rising and spreading, his little eyes growing ever larger in pale threat. What was going to happen? A temper tantrum seemed to be brewing that would make his previous outburst look like minor annoyance. Mynheer’s lower lip was braced in mighty fury against his upper lip, so that both corners of his mouth were pulled down and his chin was thrust forward, and slowly his right arm lifted above the table to the level of his head, then higher still, the fist clenched, poised to deliver an annihilating blow to this democratic chatterbox, who—both filled with terror and yet savoring the eerie sight of eloquent regal wrath unfolding before him—had difficulty hiding his fear and a panicky desire to flee. He hastily decided to try to head things off.
“Naturally, I have expressed myself poorly. The whole thing is a matter of stature, nothing more. Whatever has stature cannot be called vice. Vice never has stature. Over-refined tastes have no stature. But since time immemorial, the human striving for feeling has in fact had one means ready at hand, one drug, one intoxicant, that belongs to the classic gifts of life and bears the stamp of the simple and holy, and thus is no vice—one means of stature, if I may put it that way. Wine—the gods’ gift to man, as the humanistic peoples of antiquity claimed, the philanthropic invention of a god who is in fact associated with civilization, if I may be permitted the allusion. For we learn that it is thanks to the art of planting and pressing the grape that man emerged from his savage state and achieved culture. And even today nations where the grape grows are considered, or consider themselves, more cultured than wineless Cimmerians—a most remarkable fact. For it asserts that culture is not a matter of reason and well-articulated sobriety, but rather is bound up with enthusiasm, with intoxication, and the sense of regalement. Is that not, if I may be so bold as to inquire, your opinion in this matter as well?”
What a rascal our Hans Castorp is. Or, as Herr Settembrini would have expressed it with belletristic delicacy, what a “wag”—reckless, even brazen, when dealing with personalities, but just as clever at extricating himself when he must. In the most ticklish situation he had managed—with good grace and quite impromptu—a vindication of drink; he had, moreover, just in passing, brought the conversation around to “civilization,” of which, to be sure, little was evident in Mynheer Peeperkorn’s primitive, menacing pose; and finally, by asking his question, had relaxed that grandiose pose—it would have been quite inappropriate to respond with a raised, clenched fist. The Dutchman backed off from his antediluvian gesture of fury; he slowly lowered his arm to the table, his face lost its swollen redness; his expression seemed to say “cheers!” with only a conditional, after-the-fact threat still lingering there. The thunderstorm cleared, and Frau Chauchat intervened as well, calling her traveling companion’s attention to the general decline in conviviality.
“Dear friend, you are neglecting your guests,” she said in French. “You are devoting yourself too exclusively to this gentleman, with whom you doubtless have important matters to discuss. But meanwhile the game has almost come to a halt, and I fear people are growing bored. Shall we end our party?”
Peeperkorn turned immediately to the rest of the table. It was true: demoralization, lethargy, and stupor were rampant. Guests were horsing around like unsupervised schoolchildren. Several of them were close to dozing off. Peeperkorn immediately grabbed the slack reins. “Ladies and gentlemen!” he cried, raising a forefinger—and the long tapering nail was like a brandished sword or a waving banner, and his words were like those of a captain halting an incipient rout with the cry of “Let him who is no coward follow me!” And the engagement of his personality promptly had a bracing, focusing effect. They roused themselves, replaced slack faces with bright ones, nodded and smiled back into their mighty host’s pale eyes beneath the idol-like tracery of his brow. Binding them all under his spell and calling them back to his service, he lowered the tip of his forefinger to the tip of his thumb and let the other long nails stand erect at one side. He spread his captain’s hand, cautioning and restraining them, and from his painfully ragged lips came words whose discursive ambiguity had compelling power over their minds thanks to the personality behind them.
“Ladies and gentlemen—fine. The flesh, ladies and gentlemen, is as we know—settled. No, permit me to say it—‘weak.’ So it is written. ‘Weak,’ which means it tends to see the demands—but I appeal to your—in short and for good and all, ladies and gentlemen, I ap-peal to you. You will say—sleep. Fine, ladies and gentlemen, agreed, excellent. I love and honor sleep. I venerate its deep, sweet, refreshing bliss. Sleep must be counted among the—how did you put it, young man?—among the classic gifts of life, among its first, its primal, I beg you, ladies and gentlemen, its highest gifts. And yet please observe and recall: Gethsemane! ‘And he took with him Peter and the two sons of Zebedee. Then he saith unto them, tarry ye here, and watch with me.’ Do you recall? ‘And he cometh unto the disciples, and findeth them asleep, and saith unto Peter, What, could ye not watch with me one hour?’ Fervent, ladies and gentlemen. Incisive. Stirring. ‘And he came and found them asleep again: for their eyes were heavy. And saith unto them, Sleep on now, and take your rest. Behold the hour is at hand.’ Ladies and gentlemen—excruciating, heart-wrenching.”
And indeed they were all profoundly moved and embarrassed. He had crossed his hands over his breast and scant beard, his head tilted to one side. His pale eyes had faltered as those words spoken from the throes of lonely death crossed his ragged lips. Frau Stöhr sobbed. Frau Magnus heaved a great sigh. Prosecutor Paravant felt it incumbent upon him, as the party’s representative as it were, to speak in their behalf, to offer in a low voice a few words to t
heir honored host. There must be some mistake here. They were fresh and alert, gay and merry, engaged with all their hearts and souls. It was such a lovely, festive, absolutely extraordinary evening—they all understood and felt it, and for now no one would even think of making use of the gift of life called sleep. Mynheer Peeperkorn could depend on his guests, on every single one of them.
“Agreed! Excellent!” Peeperkorn cried and sat up straight. His hands now loosened, parted, were spread and raised, palms outward, as if in heathen prayer. His grand physiognomy, only just now animated with Gothic agony, blossomed with luxurious good cheer; even a sybaritic dimple made a brief appearance on one cheek. “Behold the hour is at hand—” And he told them to deal him a card, set a horn-rimmed pince-nez on his nose, its high bridge jutting up into his brow, and ordered champagne: three bottles of Mumm and Co., Cordon rouge, très sec; plus petits fours—luscious cone-shaped little delicacies, tenderest pastries glazed with colored sugar and marbled with chocolate or pistachio creams, each presented on a paper doily with a lacy trim. Frau Stöhr licked her fingers with gusto. Herr Albin released the first cork from its wire prison, a task of indolent routine, aimed the bottle at the ceiling, let the mushroom-shaped cork slip from its decorated neck with the pop of a toy gun, and then, as dictated by elegant tradition, wrapped the bottle in a napkin before pouring. Noble foam had moistened the linen on the little serving table. They all chinked shallow goblets and drank the first glass down, electrifying their stomachs with its ice-cold, fragrant tickle. Eyes glistened. The card game was over, although no one had troubled to gather up the cards and money from the table. The party gave itself over to its own blissful idleness; they exchanged disconnected small talk, scraps of elevated emotions, which in their primal state as ideas had promised ultimate beauty, but on the way to being spoken turned into fragmentary, slack-lipped gibberish, some of it indiscreet, some of it incomprehensible, all of it likely to have aroused angry embarrassment in any sober person who might have happened upon them, but accepted without complaint by the participants, who were all cradled in the same irresponsible mood. Frau Magnus’s ears had turned red and she admitted that she felt as if life were coursing through her—which did not seem to please Herr Magnus. Hermine Kleefeld leaned her back against Herr Albin’s shoulder and held out her goblet for more champagne. Directing his bacchanalia with long-lanced, cultured gestures, Peeperkorn saw to it that supplies kept corning. He ordered coffee after the champagne, double mochas, which were once again served with “bread,” or sweet liqueurs—apricot brandy, chartreuse, crème de vanille, and maraschino—for the ladies. Later there was pickled herring and beer, and finally tea, including a Chinese chamomile, for anyone who had drunk enough champagne or liqueurs and did not wish to return to more serious wine, as had Mynheer, who, well after midnight, rang for a simple, sparkling Swiss red for himself, Frau Chauchat, and Hans Castorp—and poured down glass after glass in honest thirst.
At one o’clock the festivities were still under way, held together partly by the leaden palsy of drink, partly by the unusual pleasure of making a night of it, partly by the effect of Peeperkorn’s personality, and partly by the deterrent example offered by Saint Peter and friends, whose weakness of the flesh no one wanted to emulate. Generally speaking, the females seemed less endangered in this regard. The men’ sat with legs stretched out before them, puffing up their red or pallid cheeks and merely quaffing mechanically from time to time, apparently no longer inspired by the task at hand; the women, however, were more industrious. Propping her bared elbows on the table, Hermine Kleefeld held both cheeks in her hands and laughed, displaying the enamel of her front teeth to a giggling Dr. Ting-Fu; meanwhile, Frau Stöhr sat with one shoulder rolled forward, her chin tucked up against it, and flirted with the prosecutor, attempting to enslave him. Frau Magnus was so far gone that she was sitting on Herr Albin’s lap, tugging at both his earlobes—to which Herr Magnus reacted with what appeared to be relief. Someone had asked Anton Karlovitch Ferge to entertain them with his tale of pleural shock, but he could not manage his recalcitrant tongue and frankly admitted his incapacity—which was unanimously greeted as cause for another drink. Wehsal wept bitterly for a while, out of the depths of a misery into which he could give them no insight, since his tongue, too, was no longer in service; but coffee and cognac got him back on his mental feet again. His whimpering tones and his wrinkled trembling chin with tears dripping down it aroused Peeperkorn’s eminent interest, and he stood there now with a raised forefinger and a raised brow of arabesques, calling everyone’s attention to Wehsal’s condition.
“That is—,” he said. “That is indeed—no, permit me to say: holy! Dry his chin, my child—here, take my napkin. Or no, better still, refrain. He himself chooses not to do it. Ladies and gentlemen—holy! Holy in every sense of the word, both Christian and heathen. A primal phenomenon. A phenomenon of first—of highest—no, no, that is—”
This “that is—that is indeed—” supplied the keynote for the directive, explanatory comments with which he steered the party along—always accompanied by precise cultured gestures that were close to burlesque by now. He would typically raise the circle he made with bent forefinger and thumb to just above his ear, while coyly tilting and turning his head away—and the emotions this evoked were much like those one might feel watching an elderly priest of some alien cult hitch up his robes and dance with strange grace before the sacrificial altar. Then he would sprawl back again in all his grandeur, lay one arm across the back of a neighboring chair, and bewilder them all by demanding they plunge with him into his vivid, keen imaginings of morning—of a frosty, dark winter morning, when the yellowish glow of a nightstand lamp is mirrored in the window-pane and shines out into bare branches, stiff in the icy fog of a morning harsh with the cries of crows. With a few suggestive phrases, he could turn a prosaic everyday scene into stark reality, so that they all shivered when he now spoke of the ice-cold water in the sponge that you pressed to the back of your neck on such a morning—and called it holy. It was a mere digression, an instructive example to sensitize them to the basics of life, an impromptu fantasy, which he then dropped to turn his official and emphatic emotional engagement back to the immediate demands of the late hour’s festive abandon. He was manifestly, indiscriminately in love with each and every female in sight—without respect of person. His advances to the dwarf were such that the crippled woman grinned until her aged, oversize face was a wreath of wrinkles; he paid Frau Stöhr compliments that made the vulgar woman roll her shoulder forward even farther and turned her affectations into almost crazed antics; he asked Fräulein Kleefeld to kiss him on his great, ragged lips and charmed even disconsolate Frau Magnus—and all without any detriment to the tender devotion he showed his traveling companion, whose hand he gallantly and frequently pressed to his lips. “Wine,” he said, “women—that is—that is indeed—permit me to say—doomsday—Gethsemane—”
Around two o’clock the rumor sprang up that “the boss”—Director Behrens, that is—was moving toward the social rooms at a forced march. And in that same moment, panic raged among the unnerved guests. Chairs and ice-buckets were upended. People fled via the library. In a fit of royal fury at the sudden disruption of his feast of life, Peeperkorn first banged his fist on the table and then called out after the scattering company—something about “spineless slaves”—but nevertheless reconciled himself somewhat to the idea presented by Hans Castorp and Frau Chauchat that his banquet had lasted for almost six hours now and would have to come to an end at some point in any case, even lent his ear to a reminder about sleep’s holy refreshment, and at last consented to let them escort him to bed.
“Assist me, my child. Assist me on the other side, young man,” he said to Frau Chauchat and Hans Castorp. And so the two of them helped him heave his ponderous body out of the chair and now offered their arms; linked together with them, he walked, or staggered, down the path toward bed, with legs spread wide and mighty head tilted toward one raised
shoulder, lurching now toward one of his escorts and now toward the other. In allowing them to support and pilot him, he was in fact treating himself to a kind of regal luxury. Presumably, had it been necessary, he could have walked on his own—he disdained such an effort, however, which could have served only one small, inferior purpose: to hide his drunkenness out of embarrassment. And he was evidently not in the least embarrassed by it; on the contrary, he luxuriated grandly in it and took royal delight in jostling his escorts to the right or left as he tottered along.
On the way, he commented: “Children—nonsense—one is absolutely not—if at this moment—you would see for yourselves—ridiculous—”
“Ridiculous,” Hans Castorp confirmed. “No doubt about it. One gives the classic gifts of life their due by boldly staggering in their honor. But in all seriousness . . . I, too, have had my share, but despite any so-called drunkenness, I am perfectly aware what a special honor it is for me to bring a manifest personality to his bed. Indeed the effects of intoxication are so minor that in terms of stature, where there can truly be no comparison—”