Once safely in his study, Vallières dropped the newspapers on his cluttered desk, piled high with papers, notes and photographs. He laid his coat carefully across the back of a chair, and crossed the floor to an armoire with a full-length mirror set in its door.
With practiced motions, Vallières removed his snow-white beard and mustaches, and pulled off his wig of snow-white hair. Dropping them into a bowl on a side table, he stood straighter, an intense scowl on his young, lean face. He smoothed back his short black hair, and regarded himself momentarily in the mirror. Having put aside the mask of the ever-loyal, always patient Vallières, he stood revealed for who he truly was: Judex!
Of course, Judex himself was something of a mask. Not the name with which he was born, he chose it by necessity, to help him fulfill the oath he made to his mother, so many years before. An oath to avenge the death of his father, the Count de Tremeuse, who took his own life after losing the family fortune to bad investments. Investments made on the advice of an eager young banker, Favraux.
That his father died just as news arrived that a gold claim he had in Africa had come through, making him the owner of a fabulously rich gold mine, was an irony almost too cruel to bear.
Instead, fate had decreed that Judex would own a gold mine, along with his brother, who was currently in Africa overseeing its operations. His brother would return before the year was out, to help put into motion the next and final stage of their revenge against the banker. For the moment, though, Judex would continue to play the faithful servant, learning everything he could about Favraux and his dealings before making his terminal move.
And at the moment, Favraux’s dealings included the young American couple, the Waynes.
Judex sat at his desk, and looked over the piles of newspaper clippings, bank records, notes, photographs, medical documents, receipts and vouchers. Ephemera and trivia, bits of information discarded in the wake of the young doctor and his wife. A portrait of a life painted in tiny bits of data, like the points in a Seurat painting.
Judex had been investigating Dr. Wayne and his wife as a matter of course, these past weeks. If the Waynes were good people, Judex would by subtle means attempt to steer them away from investing their money with Favraux. He could not stand idly by and watch another family ruined as his was. If the Waynes themselves were dishonest, unethical people, though, then they deserved whatever fate befell them.
Before that morning, Judex had found no reason to suspect their sincerity, nor to believe they were anyone but who they said they were. He had initially suspected that the couple might not be the Waynes at all, but might instead be Raphael Norton and Ethel Florid, Americans who had embezzled $200,000 from American millionaire George Baldwin and fled to Europe. Through careful investigation, though, he had been able to confirm that was not the case. They were, indeed, Dr. and Mrs. Wayne, and their fortune was their own.
Why, then, did Judex feel so strongly that something was amiss? Mrs. Wayne’s recounting of the theft of the Girasol this morning, though emotional, was not convincing. It had too much the air of a rehearsed speech, of a dramatic address delivered on queue. She was lying, but about what?
The answer, Judex found, was right in front of him.
Amongst the piles of research materials on the Waynes was a recent clipping from the front page of Le Mondial, just starting to yellow with age. The headline boasted of the poisoning of a dancer named Marfa Koutiloff while onstage performing in a ballet entitled The Vampires. The story had caught Judex’s eye, as in a photo of stunned theatergoers accompanying the article Dr. and Mrs. Wayne could be seen, eyes wide with shock and horror.
Judex drew a jeweler’s loop from the desk drawer and peered at the photo through its magnifying lens. Around the neck of Mrs. Wayne, he could make out the Gotham Girasol, suspended from a silver chain.
Judex laid beside that photo another, clipped from the society pages of La Chronique de Paris just a few days before. It was of Mrs. and Dr. Wayne, taken the evening of Baron de Mortesalgues’ ball on Avenue Maillot. In the photo, the young couple were smiling happily, unaware that in a few hours’ time they would be rendered helpless and unconscious by assailants unknown. Judex studied the photo through the jeweler’s loop, as though seeing it for the first time. Dr. Wayne in evening wear, his wife in an elegant gown with a plunging neckline. Judex looked closer, to be certain.
He sat back, his brow creased. There could be no doubt. In the photo, Mrs. Wayne was clearly not wearing the Gotham Girasol. The gem had not been stolen that night at Avenue Maillot, because she had not been wearing it. That could account for why she didn’t report the gem’s theft the following morning, when the rest of the victims were reciting their losses and woes to the authorities. Why, then, concoct a flimsy tale about the gem’s loss at the ball, nearly a week later?
Why was Mrs. Wayne lying?
Perhaps the Waynes were not all they appeared to be, after all.
Judex was convinced that the Vampires were involved in some fashion. There were simply too many points of congruence to dismiss them as coincidence–the Waynes in attendance at the ballet when Koutiloff is poisoned, and again at Avenue Maillot for the most daring robbery of the decade. What other connections might there be?
Judex was committed. He would investigate the Vampires in parallel with his ongoing researches into the Waynes, and determine whether the couple deserved his assistance, or whether they deserved to be damned along with the banker Favraux.
Judex was not the only one investigating the Vampires. The police were involved, naturally, their every available resource assigned the task of searching for the gang. Impatient at the progress of the investigation to date, though, the authorities had called in the assistance of private detectives like “Celeritas” Ribaudet and the famous Rouletabille, and citizens such as Cigale Mystère–a civilian adventurer who assisted the Parisian authorities from time to time, cruising the streets in his electric car, loaded down with futuristic gadgets and devices–and the Nyctalope–who prowled the nights for sign of the Vampires, his keen eyes seeing what others could. But so far no one had been able to track the Vampires to their lair, nor divine the mystery of who led the mysterious organization. There were whispers of a Great Vampire who directed his subordinates’ movements from behind closed doors, and perhaps even higher echelons of power above even that, but they remained only whispers, nothing more.
But the police and the other mystery men could busy themselves tracking down the criminals. Judex was interested in matters only as they pertained to Favraux. What deviltry the Vampires did in the larger world was of no concern to him. Until his father had been avenged, there could be no justice.
It seemed to Judex prudent to begin his investigations into the Vampires at the site of their most recent crime. Their earlier exploits–the decapitation of Inspector Dural, the poisoning of Marfa Koutiloff, the mass robbery and possible kidnapping at the home of the Baron de Mortesalgues–he knew well enough from the detailed coverage provided each in the daily news. If there were hidden connections to the Waynes to be found, there might be secrets about this most recent case yet to be disclosed.
It took only a few hours investigation and a few francs placed in the right palms to turn up a number of interesting facts about the case. The victim, who had fallen to his death from a fifth story window, was one Jean Morlet, an associate a Monsieur Oreno who resided at that same address. However, Judex could find no record of this Oreno before the previous week. In addition, he was able to discover that Oreno had rented out the entire fifth floor of the building the day after the events at Avenue Maillot. Most surprising, Judex learned that the night before had not been the first attempted robbery at that address, but the second in less than a week. The police had apprehended the burglar attempting to break into Oreno’s suite of room. The burglar, an American, was currently in jail awaiting trial.
The next day, once “Vallières” had completed his duties for the banker Favraux, Judex made for the jail, sur
e that he was feeling around the edges of some larger puzzle. It took only a few francs to learn the prisoner’s name, and a few francs more to convince the policeman on duty that Judex should be allowed a brief counsel with him in private.
“I’ve already told the other inspector everything I’m going to say,” the prisoner said, after Judex had been ushered into his cell. The policeman locked the door.
“Just call when you are ready to go, Monsieur,” the policeman said, retreating down the hall.
Judex waited until the jailer was well out of earshot, and turned his attention to the American. He was young, just entering his twenties, with high, narrow cheekbones, a prominent hawk-nose and piercing eyes.
“I am not with the police, Allard,” Judex said, drawing his cape tight around him, gazing at the American from beneath the brim of his hat. “I have questions of my own.”
The American seemed to squirm beneath Judex’s steady gaze.
“All right, then,” he finally said, his eyes shifting to the ground. “What is it you want to know? It’s not as if I’ve got anywhere else to be at the moment.”
“You were arrested for attempting to burgle the residence of a Monsieur Oreno, which I will come to in a moment. But first, I’m curious to know why you are in Paris, Mr. Allard. Why come to a land in the grips of war, when you could easily live in safety at home?”
Judex could not help but think of Raphael Norton and his embezzled fortune. But if this were he, what had become of his female accomplice, Miss Florid?
“Look,” Allard said, raising his chin defiantly, “I’m not about to sit out the war like those cowards back at home in the States, too fat and lazy to come to the defense of their European cousins. If all men don’t act to stamp out evil at its root, it’ll spread like a weed all across the globe. And then where will we be?”
Judex’s mouth drew into a tight line, and he said, “I’m sure I don’t know.”
“Well, I couldn’t sit idly by while others fought for the cause of justice,” Allard went on. “I’m a… how do you say it in French?” He paused, and then said the English term, “barnstormer.”
Judex nodded slowly, and translated into the French, “An aviator.”
“Yes,” Allard answered, “I’m an aviator. Anyway, I have relatives in Russia, and one of them, a Major Kentov, has agreed to arrange for me to be given a position in the Czar’s air corps. Kentov was supposed to send word for me here in Paris, and then I’d go on and meet him in Russia. But I’ve been here a few weeks now, and I’m not sure if word is ever going to come. I’m starting to worry that Kentov might have died out on the Eastern Front, and then I might never get a chance to do my part against the Kaiser.”
“If you already suspect that this Kentov will never contact you here, why remain in Paris? Why not just continue on to Moscow, come what may?”
Allard’s gaze shifted, and a blush raised on his cheek.
“I have been… distracted,” he finally said, a faraway sound to his voice.
Judex pulled his cape tighter, but nodded slightly.
“Very well,” he said. “Now we come to the matter of Monsieur Oreno. Who is he to you?”
“He’s a cheating bastard, and a liar!” Allard scowled, teeth clenched, his eyes flashing. “Oreno stole something of considerable value from me, and I was just trying to get it back.”
“How did you know him?”
“I’ve been going to a cabaret called the Veuve Joyeuse a great deal these past few weeks,” Allard said, a wistful tone creeping into his voice, “and I met Oreno there one night. We talked a bit about the art of mesmerism, which he claimed to have some special knowledge of. I don’t have any proof of this, but I think that he might have clouded my mind in some way. How else could he have known about the…” He paused, and bit down on the next word he’d been about to say. “About the item, that is,” he finished, lamely.
“What was it that he stole from you?”
Allard’s expression was guarded, his lips drawn tight.
“Something very dear to me,” was all he would say.
A few nights later, after fruitless investigations, Judex returned to his apartments late in the evening. He looked forward to the day when his brother returned to Paris. His mission was a solitary one, but it would be nice to pass the time with someone, on occasion. Someone with whom he could lower his guard, drop the masks and just be himself. Whoever that truly was.
Judex’s rooms were darkened, but he knew in an instant that something was amiss. A subtle scent on the air, a tingling sensation on the back of his neck. Once the door was shut and locked behind him, he knew. He was not alone.
“Do not turn on the light,” came a soft, sultry voice from the darkness. “Or, if you must, turn on only the table lamp. It is so much nicer that way, don’t you think?”
Judex’s fingers ached for the brace of pistols he kept in the armoire, a dozen steps across the room. He would never go out unarmed again. In a flash, he calculated the path and distance to the armoire, the seconds needed to reach it and open the door, grab and aim the pistol–if the intruder were armed, he’d never reach it in time.
“If you’re thinking of these,” the voice from the darkness said, followed by the distinctive sound of a pistol’s hammer being pulled back, “I liberated them from the cupboard when I came in. I do hope you don’t mind.”
Judex stood in place, but reached down to the table at his knees and switched on the lamp.
Seated in his chair, with her feet up on the desk, was a woman wearing a skin-tight black jumpsuit. She was covered head to toe, with only her face left revealed. Her smoldering, fierce gaze caught Judex’s, and she smiled.
“A pleasure to make your acquaintance, Judex,” the woman said, gesturing him towards the couch with the barrel of the pistol, the other held casually in her lap.
“Who are you?” Judex stood his ground, arms crossed.
“Who I am is not of particular importance at this juncture, but whom I represent most definitely is.”
“The Vampires,” Judex hissed through his teeth.
“Got it in one.” The woman smiled. “I have come to tell you something. This murder that you’ve begun investigating, the man who fell to his death from that building–the Vampires had nothing to do with it. Our leader has only recently become aware of your existence, and has ordered that you be left alone for the moment because he is not yet sure whether you can be of use to us in future. If you interfere in our affairs, though, and go from being a potential asset to being a nuisance, we will be forced to eliminate you.”
“And to forestall this you deny one of your crimes? How do you benefit?”
The woman bristled, a cloud passing momentarily across her smooth features.
“We deny none of our actions!” The woman gestured with the pistol, and Judex tensed involuntarily, anticipating a shot. “Did we cut the head from that oaf Dural? Yes! Did we poison that bitch Koutiloff? Yes! But did we throw this Morlet to his death last night? Most definitely not.”
“Why should I believe you?” Judex’s eyes narrowed.
“Because if we were truly guilty of the killing, we wouldn’t be warning you away. We’d just kill you for interfering in our business. But I prefer to kill those who deserve to die.” Her mouth drew into a line, and she added in a hushed whisper, “Like that bastard Moreno.”
“And what about the Avenue Maillot heist? Do you deny that one, as well?”
The woman jumped to her feet, tossing one of the pistols to the ground with a thud, and pointing the other square at Judex’s chest.
“You mention Avenue Maillot to me?” She snarled, white teeth bared behind curled lips. “Would it surprise you to learn that even the Vampires can be victims, at least in this case? That the plunder from that night was stolen from us before we’d even reached the safety of our home?” The woman began to walk to the open window, her expression grave. “If ever I lay hands on that bastard Moreno…” she began, her voice trailing
off into silence.
When she reached the window, her attention briefly turned away from him, Judex prepared to rush forward, intending to tackle her to the ground. As though she could sense his intentions, though, the woman spun around, and pointed the barrel of the pistol directly at Judex’s face.
“Please don’t try that,” the woman said, sounding again all sweetness and light. “I don’t want to have to hurt you unnecessarily, and it would be a shame to mar such a striking profile.”
With that, the woman tossed the pistol to the ground, and stepped over the sill to the ledge beyond. When Judex rushed to the window to look out, she had already disappeared into the night.
Judex could not sleep that night. The information the woman provided, however unintentionally, was the last puzzle piece that he needed. He had only to confirm his suspicions, and all would be clear.
Returning to the night air, his cape wrapped around him and his hat pulled down low over his brown, Judex made his way to the scene of the crime. With ease, he did what Allard and the black-suited burglar had both failed to do, breaking into the home of Monsieur Oreno without once being seen. Oreno was not in, no doubt meeting with his associates at the Veuve Joyeuse cabaret at that hour. Crime does not keep workman’s hours, after all.
In a locked bedroom in Oreno’s suite, Judex found what he was looking for, and more besides, packed into several valises and a few small chests. It was the work of just a few minutes to transfer the contents of the cases and chests to his automobile, parked on the street outside. One item in particular he slipped into his pocket.
Driving to the Public Assistance Bureau to make a donation, Judex cursed himself for his earlier blindness. Monsieur Oreno. “M. Oreno.” He should have seen it long before.
Mrs. Wayne was packing up her belongings in their rooms at the Park Hotel. Her husband had concluded his business with Favraux that afternoon, and they would now be returning home to America.
Tales of the Shadowmen 1: The Modern Babylon Page 26