The House of Cards Complete Trilogy

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The House of Cards Complete Trilogy Page 33

by Michael Dobbs


  “What should I do, Francis?”

  “Will you allow me to take charge of this for you, for a little while? With luck by tomorrow I shall be in a position to ask all sorts of questions, put a few ferrets down the rabbit holes. Let’s see what comes up.”

  “Would you?”

  “For you I’d do just about anything, Mattie, surely you must know that.”

  Her head fell forward onto his chest in gratitude and release. “You are a very special man, Francis. Better than all the rest.”

  “You might say that, Mattie.”

  “There are many people who are saying that.”

  “But you know I couldn’t possibly comment.”

  He smiled, their faces only inches apart.

  “You must trust me completely on this, Mattie. Will you? Not a word to anyone else.”

  “Of course.”

  “And one weekend, very soon, during the Christmas break, perhaps you can come to my country house. I’ll make some excuse about needing to clear some papers from it. My wife will be listening to Wagner in some corner of the continent. You and I can be alone again. Sort this out.”

  “Are you sure?”

  “The New Forest can be beautiful at that time of the year.”

  “You live in the New Forest?”

  “Near Lyndhurst.”

  “Just off the M27?”

  “That’s right.”

  “But that’s where Roger O’Neill died.”

  “Is it?”

  “Probably no more than half a dozen miles.”

  He was looking at her strangely now. She stepped away from him, feeling weak, dizzy, leaned against the balustrade for support. And the pieces of the jigsaw moved about in her mind and suddenly fitted precisely together.

  “Your name wasn’t on the list,” she whispered.

  “What list?”

  “Of Cabinet members. Because the Chief Whip isn’t a full member of the Cabinet. But because you’re responsible for discipline in the party they’d be bound to consult you about canceling the hospital program. And the TA cuts. So that you can—what is it you say?—put a bit of stick about.”

  “This is very silly of you, Mattie.”

  “And every Government department has a junior whip attached to it to make sure there’s proper coordination. Fingers on the pulse, ears to the ground, all that sort of thing. Your men, Francis, who report back to you. And because you are the Chief Whip you know all about their little foibles, who is off his head with cocaine, who is sleeping with who, where to put the tape recorder…”

  His face had gone pale, the glow in his cheeks drained, like an alabaster mask, except for the eyes.

  “Opportunity. And motive,” she whispered, aghast. “From nowhere to Prime Minister in just a couple of months. How on earth did I miss it?” She shook her head in self-mockery. “I missed it because I think I love you, Francis.”

  “Which doesn’t make you particularly objective. As you said, Mattie, you don’t have a single shred of proof.”

  “But I will get it, Francis.”

  “Is there any joy in the pursuit of such truth, Mattie?”

  A solitary snowflake fell from the sky. As he watched it he remembered something an old embittered colleague had told him when he had first entered the House, that a life in politics was as pointless as nailing your ambition to a snowflake. A thing of beauty. Then it was gone.

  “How did you kill Roger?” she asked.

  A fire had taken hold of her, a flame of understanding that glowed fierce. He knew there was no point in prevarication.

  “I didn’t kill him. He killed himself. I did no more than hand him the pistol. A little rat poison mixed with his cocaine. He was an addict, driven to self-destruction. Such a weak man.”

  “No one deserves to die, Francis.”

  “You told me yourself the other night, I remember your words clearly. I remember everything about the other night, Mattie. You said you wanted to understand power. The compromises it requires, the deceits it entails.”

  “But not this.”

  “If you understand power, you will know that sometimes sacrifice is necessary. If you understand me, you will know that I have the potential to make an exceptional leader, one who could be great.” There was a rising passion in his voice. “And if you understand love, Mattie, you of all people will give me that chance. Otherwise…”

  “What, Francis?”

  He stood very still, his lips grown thin, the cheeks gaunt. “Did you know my father killed himself?” he asked, his voice so soft it all but carried away in the winter air.

  “No, I didn’t.”

  “Is that what you want of me?”

  “No!”

  “Expect of me?”

  “Never!”

  “Then why do you pursue me?” He was gripping her arms tightly, his face contorted. “There are choices we have to make in life, Mattie, desperately difficult choices, ones we may hate ourselves for but which become inevitable. You and I, Mattie, we must choose. Both of us.”

  “Francis, I love you, really I do, but—”

  And with that tiny, sharp-edged conjunction, he broke. The chaos within him suddenly froze, his eyes stared at her, melting in sorrow like the flake of snow that had fallen from the crystal Westminster sky. He let forth a desperate sob of despair, an animal in unbearable pain. Then he lifted her and threw her over the balustrade.

  She cried as she fell, more in surprise than alarm. The cries stopped as she hit the cobbles below and lay still.

  * * *

  She was a strange girl. I think she was infatuated with me. That sometimes happens, sadly, to people in public positions. She turned up on my doorstep once, late at night, completely out of the blue.

  Disturbed? Well, you might say that but it’s not for me to comment, although I do know she had recently left her job at the Chronicle and had been unable to find new employment. I can’t tell you whether she resigned or was fired. She lived on her own, apparently. A sad case.

  When she approached me on the roof she seemed distressed and rather disheveled. A number of people including a newspaper colleague and one of our policemen in the Palace can attest to that. She asked me for a job. I told her that wouldn’t be possible, but she persisted, pestered, grew hysterical. I tried to calm her but she only grew worse. We were standing by the balustrade and she threatened to throw herself off. I moved to grab her but she seemed to slip on the ice, the conditions were quite treacherous, and before I knew it or could stop her she had disappeared. Was it deliberate on her part? I hope not. Such a tragic waste of a young life.

  It’s not the best way to start a premiership, of course it’s not. I wondered for a while if I should step aside rather than carry this burden forward. Instead I intend to take a close interest in the issue of mental illness among the young. We must do more. I will never forget the sadness of that moment on the rooftop. It may sound strange but I believe that young lady’s suffering will give me strength, something to live up to. You understand that, don’t you?

  I start my time in Downing Street with a renewed determination to bring our people together, to put an end to the constant drip of cynicism that has eroded so much of our national life and to devote myself to our country’s cause. I shall make sure that Miss Storin’s death will not have been in vain.

  And now, if you will excuse me, I have work to do.

  The End

  Afterword

  It was a most glorious, splendiferous, monumental cock-up that took place twenty-five years ago. It completely changed my life. It was this book, House of Cards.

  I was on the tiny island of Gozo and in a sore mood. I started complaining about everything—the sun, the sea, and in particular the latest bestseller. Soon my partner was fed up. “Stop being so bloody pompous,” she said. “If you th
ink you can do any better, for God’s sake, go and do it. I haven’t come on holiday to listen to you moaning about that wretched book!”

  Spurred on by her encouragement, I took myself down to the pool. I’d never thought of writing a book, but now I was armed with a pad, a pen, and a bottle of wine, everything I needed to become a writer—except, of course, for those irksome details known as Character and Plot. What could I possibly write about? My mind wandered back a few weeks, to the reason I was sulking and feeling so sore.

  Conservative Party headquarters, 1987. A week before Election Day. I was Margaret Thatcher’s chief of staff. She was about to win a record third election but Maggie had been persuaded by a combination of rogue opinion polls and uncharacteristic nervousness that she might lose. She hadn’t slept properly for days, had a raging toothache, and insisted that someone else should suffer. That someone was me. On a day that became known as “Wobble Thursday,” she stormed, she blew up a tempest, she was brutally unfair. Her metaphorical handbag swung at me time and again. I was about to become another footnote in history.

  When we left the room, that wise old owl and Deputy Prime Minister, Willie Whitelaw, rolled his eyes and declared: “That is a woman who will never fight another election.” He’d spotted the seeds of self-destruction that all too soon would become apparent to the entire world.

  As I sat beside my swimming pool, Willie’s words were still ringing in my ear. I reached for my pen and my bottle of wine. Three bottles later I thought I had found my character—his initials would be FU—and a plot. About getting rid of a Prime Minister. So Francis Urquhart and House of Cards was born.

  I had no thought of getting it published—for me it was no more than a little private therapy—but through glorious and entirely unplanned good fortune soon it was a bestseller and the BBC was transforming it into an award-winning drama series with the magnificent Ian Richardson. I retired hurt from active politics and became a full-time writer. Now, twenty-five years after the book was published, FU is changing my life again. Step forward Kevin Spacey with his sensational new TV series. My house of cards has been rebuilt.

  To mark this new lease of life for FU, I’ve taken the opportunity of reworking the novel—no great changes, no one who read the original will think it a different book, but the narrative is a little tighter, the characters more colorful, and the dialogue perhaps crisper. I’ve revisited it in order to repay some of the pleasure that House of Cards has given me during all these years. What has remained constant is the novel’s unashamed wickedness. Bathe in it. Enjoy.

  So was it worth that drubbing by Maggie Thatcher? Well, what’s that phrase? You might say that, but I couldn’t possibly comment.

  Michael Dobbs

  Lord Dobbs of Wylye

  www.michaeldobbs.com

  @dobbs_michael

  Copyright © 1992, 2014 by Michael Dobbs

  Cover and internal design © 2014 by Sourcebooks, Inc.

  Cover design by The Book Designers

  Cover images © Michael H/Getty Images, www.boelke-art.de/Getty Images, Ufuk ZIVANA/Shutterstock

  Sourcebooks and the colophon are registered trademarks of Sourcebooks, Inc.

  All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems—except in the case of brief quotations embodied in critical articles or reviews—without permission in writing from its publisher, Sourcebooks, Inc.

  The characters and events portrayed in this book are fictitious or are used fictitiously. Any similarity to real persons, living or dead, is purely coincidental and not intended by the author.

  Published by Sourcebooks Landmark, an imprint of Sourcebooks, Inc.

  P.O. Box 4410, Naperville, Illinois 60567-4410

  (630) 961-3900

  Fax: (630) 961-2168

  www.sourcebooks.com

  Originally published in 1992 in Great Britain by HarperCollins Publishers.

  Library of Congress Cataloging-in-Publication data is on file with the publisher.

  To Play the King

  Front Cover

  Copyright

  Introduction

  Prologue

  PART ONE

  One

  Two

  Three

  Four

  Five

  Six

  Seven

  Eight

  Nine

  Ten

  Eleven

  Twelve

  Thirteen

  Fourteen

  Fifteen

  Sixteen

  Seventeen

  Eighteen

  PART TWO

  Nineteen

  Twenty

  Twenty-One

  Twenty-Two

  Twenty-Three

  Twenty-Four

  Twenty-Five

  Twenty-Six

  Twenty-Seven

  Twenty-Eight

  Twenty-Nine

  Thirty

  Thirty-One

  Thirty-Two

  Thirty-Three

  Thirty-Four

  Thirty-Five

  Thirty-Six

  PART THREE

  Thirty-Seven

  Thirty-Eight

  Thirty-Nine

  Forty

  Forty-One

  Forty-Two

  Forty-Three

  Forty-Four

  Forty-Five

  Forty-Six

  Epilogue

  Introduction

  When I wrote To Play the King in 1990 as a sequel to House of Cards, it was partly because I believed that the Royal yacht was heading for turbulent waters. And so it proved to be. I wrote about fractured marriages, financial scandal, political controversy, and public humiliations, and for the next few years the Royal Family seemed to follow the script with breathless tenacity. At times it seemed as though various individuals were openly auditioning for parts in the story. If my book was intended to be by way of a warning, as I suppose it was, it failed completely. The House of Windsor was to endure some of its worst moments. The yacht nearly sank and some members of the crew were thrown overboard.

  My fictional king isn’t simply a version of Prince Charles—there have been many heirs to the throne who have gotten themselves into difficulties and I took a little inspiration from more than one—but it was inevitable that some comparisons would be made. At the time I began writing it was clear that his marriage was falling apart, despite all the official denials, so I decided that my kingly character would have no wife. I hope none of what I wrote amounted to disrespect because that is not what I intended.

  In any event, despite those dire years, both he and the institution have displayed their tenacity and powers of recovery, and today they stand higher in public esteem than they have for decades. The royal yacht sails on.

  And so does FU. Nearly thirty years after I created him he has developed a life of his own, in books, on global television, as a character who has been quoted both in Parliament and the press. Do you suspect he might even have been muttered about in the corners of various palaces? Well, you might say that but I am not going to comment…

  M. D. 2013

  Prologue

  Away with kings. They take up too much room.

  It was the day they would put him to death.

  They led him through the park, penned in by two companies of infantrymen. The crowd was thick and he had spent much of the night wondering how they would react when they saw him. With tears? Jeers? Try to snatch him to safety or spit on him in contempt? It depended who had paid them best. But there was no outburst; they stood in silence, dejected, cowed, still not believing what was about to take place in their name. A young woman cried out and fell in a dead faint as he passed, but n
obody tried to impede his progress across the frost-hard ground. The guards were hurrying him on.

  Within minutes they were in Whitehall, where he was lodged in a small room. It was just after ten o’clock on a January morning, and he expected at any moment to hear the knock on the door that would summon him. But something had delayed them; they didn’t come until nearly two. Four hours of waiting, of demons gnawing at his courage, of feeling himself fall to pieces inside. During the night he had achieved a serenity and sense of inner peace, almost a state of grace, but with the heavy passage of unexpected minutes, growing into hours, the calm was replaced by a sickening sense of panic that began somewhere in his brain and stretched right through his body to pour into his bladder and his bowels. His thoughts became scrambled and the considered words, crafted with such care to illuminate the justice of his cause and impeach their twisted logic, were suddenly gone. He dug his fingernails deep into his palms; somehow he would find the words, when the time came.

  The door opened. The captain stood in the dark entrance and gave a curt, somber nod of his helmeted head. No need for words. They took him and within seconds he was in the Banqueting Hall, a place he cherished with its Rubens ceiling and magnificent oaken doors, but he had difficulty in making out the details through the unnatural gloom. The tall windows had been partially bricked up and boarded during the war to provide better defensive positions. Only at one of the farther windows was there light where the masonry and barricades had been torn down and a harsh gray glow surrounded the hole, like the entrance to another world. The corridor formed by the line of soldiers led directly to it.

  My God, but it was cold. He’d had nothing to eat since yesterday, he’d refused the meal they had offered, and he was grateful for the second shirt he had asked for, to prevent him shivering. It wouldn’t do to be seen to shiver. They would think it was fear.

  He climbed up two rough wooden steps and bowed his head as he crossed the threshold of the window, onto a platform they had erected immediately outside. There were half a dozen other men on the freshly built wooden stage while every point around was crammed by teeming thousands, on foot, on carriages, on roofs, leaning from windows and other vantage points. Surely now there would be some response? But as he stepped out into the harsh light and their view, their restlessness froze in the icy wind and the huddled figures stood silent and sullen, ever incredulous. It still could not be.

 

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