by Mike Ashley
It was now, though, that the real doyen of the impossible crime story emerged onto the scene – John Dickson Carr. Carr had started writing when he was at Haverford College, Pennsylvania, placing stories in the college magazine, The Haverfordian. His third story, “The Shadow of the Goat” (November-December 1926) was his first locked-room murder and also introduced his detective Henri Bencolin. It’s an ingenious crime involving both a disappearance from a locked room and a murder in a house both locked and guarded. Carr was perfecting his craft from an early age – he was only twenty when these appeared. A later Bencolin serial, “Grand Guignol” (The Haverfordian, March–April 1929) was expanded into Carr’s first novel, It Walks By Night (1930).
Over the next forty years Carr was to write over fifty novels featuring impossible crimes, plus numerous short stories. It is impossible to list them all here, but I must single out a few. Probably the classic of them all is The Hollow Man (1935), also published under the title The Three Coffins. When, in 1980, Edward Hoch conducted a poll amongst a panel of seventeen experts on mystery fiction, this novel came out head-and-shoulders above the rest. It involves two impossible murders – a death in a locked and guarded room and a death in a snow-covered street with no footprints. The book features Carr’s best known detective, Dr Gideon Fell, and is notorious for the fact that Carr stops the action at a crucial point to allow Fell to deliver a lecture about the locked-room crime and the various ways in which it can be achieved. The book – and the lecture – remain models of their kind.
There were three other Carr novels in the experts’ top ten. The Crooked Hinge (1938), another Gideon Fell novel, came in fourth. This provides a slightly less satisfying but nevertheless intriguing solution to a murder in the sand with none but the victim’s footprints. The Judas Window (1938), published under his Carter Dickson alias, and mentioned by David Renwick in his Foreword, was voted fifth. I personally rate this as Carr’s best constructed novel – ingenious, surprisingly plausible, and riveting. It features Carr’s detective Henry Merrivale, as does The Ten Teacups (1937), also known as The Peacock Feather Murders, and tenth on the experts’ list. In fact the Henry Merrivale mysteries include some of the most unusual impossible murders such as those in The Plague Court Murders (1934), The Unicorn Murders (1935) and The Red Widow Murders (1935).
Carr also used the impossible crime idea in many short stories. Some of the best are found in the collection The Department of Queer Complaints (1940) featuring a new detective, Colonel March. It is one of the those stories, “The Silver Curtain”, that I have reprinted here. Perhaps one of the best examples of misdirection in misleading the reader arises in the novella The Third Bullet (1937) in which three bullets are fired in a locked room, each from a different gun, and yet the only other person in the room did not have the murder weapon.
You would think that with the amount of books Carr produced, and with his profundity of ideas, no one else would attempt an impossible crime story in his shadow. But the reverse happened. Rather than cornering the market, Carr stimulated it. The 1930s was a golden era for the miracle crime. Ellery Queen, which was both the name of the detective and of the authors (the pseudonym adopted by cousins Frederic Dannay and Manfred Lee) produced two remarkable locked-room mysteries: The Chinese Orange Mystery (1934) and The Door Between (1937). The magician Clayton Rawson, creator of the character The Great Merlini, specialized in impossible crimes and produced some of the best, starting with Death From a Top Hat (1938) in which a whole bunch of magicians are involved. His other novels are The Footprints on the Ceiling (1939), The Headless Lady (1940) – which involves an escape from an electrically controlled, double-locked room, and No Coffin for the Corpse (1942). Rawson, Dannay and Carr often used to challenge each other to come up with the most impossible situations for an impossible crime. On one occasion Carr challenged Rawson to explain how a man could enter a telephone booth and disappear. That story, “From Off the Face of the Earth”, is the one I’ve selected for this anthology.
Another of the Ellery Queen circle, Anthony Boucher, did not write anywhere near enough locked-room mysteries as he would have liked, though both Nine Times Nine (1940), as H.H. Holmes, and The Case of the Solid Key (1941) are competent and ingenious. For ingenuity, though, and barefaced bravado, it was difficult to beat the pseudonymous Hake Talbot. In the early 1940s he produced two novels on a par with the skilled plotting of Carr and the audaciousness of Rawson. Both The Hangman’s Handyman (1942) and especially Rim of the Pit (1944) confuse the reader with all manner of apparent supernatural paraphernalia before the real solutions to the impossible murders are revealed. If I tell you that in one book a man is cursed and his body immediately decomposes, whilst in another an apparent, wind-walker (Wendigo) menaces a snowbound house, you’ll have some idea of the thrill of these novels. Professor Douglas Greene, a noted expert in the history of crime fiction, has called Rim of the Pit “one of the most extraordinary tales of mystery ever written.”
Ethel Lina White produced a minor masterpiece in The Wheel Spins (1936), in which a woman disappears from a moving train. The book is probably better remembered as the film The Lady Vanishes, made in 1938.
Unfairly forgotten today, though thankfully his works are gradually being rediscovered, is Clyde B. Clason who wrote a series of novels featuring the historian and amateur sleuth, Professor Theocritus Westborough. Seven of these novels feature impossible crimes of which the best is The Man From Tibet (1938) in which a man, locked inside a room full of Tibetan exhibits, apparently dies from a heart attack.
The British composer Bruce Montgomery also wrote mysteries as Edmund Crispin. He was the creator of the amateur sleuth Gervase Fen, who is an Oxford don and a literary critic. The first of his investigations, The Case of the Gilded Fly (1944), involved a murder in a room under constant observation. Perhaps his most audacious is The Moving Toyshop (1946), in which an entire shop disappears.
Author and lawyer Michael Gilbert who, amongst other things, was involved in drawing up the will of Raymond Chandler, began his writing career with an impossible murder, Close Quarters (1947), the first of his Inspector Hazelrigg novels. Soon after the brothers Peter and Antony Shaffer, writing as Peter Antony, produced a delightful locked-room mystery with The Woman in the Wardrobe (1951). By and large, though, the locked-room mystery seemed to fall from favour in the fifties, and it only began to re-emerge in the sixties and seventies.
Much of the modern delight in the art can be ascribed to two writers – Bill Pronzini and Edward D. Hoch. Pronzini is a highly versatile writer producing novels and stories in several fields (science fiction, mystery fiction, westerns, horror) but he is probably best known for his books featuring the Nameless Detective. Several of these involve locked-room murders, starting with Hoodwink (1981), which won the Shamus Award of the Private Eye Writers of America. In fact it includes two locked-room murders, of which the victim killed by an axe in a locked shed has the most ingenious solution. Scattershot (1982) goes one better and has three impossible crimes – a stabbing in a locked car, a shooting in a cottage under observation and the theft of a ring from a guarded room!
Although Edward Hoch has written novels, he is the master of the short story, having written over 800 since his first in 1955; and a large number of these are impossible crimes. In fact he has written one long series devoted to nothing but impossible crimes. These are the stories narrated by his New England doctor, Sam Hawthorne, who reminisces back to his early days in the twenties and thirties, where an impossible crime seemed to happen three or four times a year! The series is still running in Ellery Queen’s Mystery Magazine (EQMM). The early stories have been collected as Diagnosis: Impossible (1996) and I have reprinted a more recent one in this book.
However Hoch does not confine his impossible murders to just one series. He has several series on the go at once and a miracle crime is as likely to crop up in several of them. This happened from the start with his first series character Simon Ark. In “The Man From Nowh
ere” (Famous Detective Stories, June 1956) a man is found stabbed to death in the snow with no footprints around him. In the Inspector Rand story “The Spy Who Walked Through Walls” (EQMM, November 1966), top-secret blueprints disappear from a guarded office. There’s the Nick Velvet story, “The Theft of the Bermuda Penny” (EQMM, June 1975), where a man vanishes from a speeding car, even though his seat belt is still fastened! There’s the Captain Leopold story, “Captain Leopold and the Impossible Murder” (EQMM, December 1976), where the man driving alone in the car in front in a traffic jam turns out to be strangled. The title of the Ben Snow story “The Vanished Steamboat” (EQMM, May 1984) tells it all. And then there’s the non-series story “The Impossible ‘Impossible Crime’” (EQMM, April 1968), where a man is shot in a snowbound hut, with no one else around for hundreds of miles except for one other who was asleep at the time. Hoch’s versatility seems boundless and I have no doubt he will create plenty more impossible crimes in the years to come.
In addition to Pronzini and Hoch there are plenty of writers prepared to turn a hand to the impossible crime. Michael Innes dabbled with it, with a murder in the library in Appleby and Honeybath (1983). Kate Wilhelm defied computer security for her suffocation in a lift and drowning in a Jacuzzi in Smart House (1989). Michael Dibdin pits Inspector Zen’s wits in Vendetta (1990) where a murder takes place in a high security fortress with video cameras everywhere. Whilst that doyen of the historical mystery, Paul Doherty, has shown the influence of John Dickson Carr in a number of his novels. There’s a murder in a locked church in Satan in St Mary’s (1986); a murder in full view of a crowd with no visible agency in The Angel of Death (1989); a murder in a locked room in the Tower of London in The White Rose Murders (1991) written as Michael Clynes; and the magnificent disappearance of an entire ship’s watch in By Murder’s Bright Light (1994), written as Paul Harding.
And we must not forget David Renwick’s “Jonathan Creek” who solves some of the most bizarre and idiosyncratic crimes on television.
There is no doubt that the future of the impossible crime story is in safe hands as I hope the stories in this anthology have shown. If this anthology has intrigued you I strongly urge you to seek out Locked Room Murders and Other Impossible Crimes by Robert Adey (Minneapolis’ Crossover Press, 1991), which is a remarkably detailed survey and bibliography of the field. You may also want to track down other anthologies, alas all out of print, but which give a flavouring of impossible crimes: The Locked Room Reader edited by Hans Stefan Santesson (New York: Random House, 1968); Tantalizing Locked Room Murders edited by Isaac Asimov, Charles G. Waugh and Martin Harry Greenberg (New York: Walker, 1982); All But Impossible! edited by Edward D. Hoch (New Haven: Ticknor & Fields, 1981); Locked Room Puzzles edited by Martin H. Greenberg and Bill Pronzini (Chicago, Academy Chicago, 1986); Death Locked In edited by Douglas Greene and Robert Adey (IPL, 1987) and The Art of the Impossible edited by Jack Adrian and Robert Adey (London: Xanadu, 1990). I have tried to avoid duplicating too many stories from these books, although as they are all out of print, there are some gems that beg to be reprinted again. I hope your quest is not impossible.
COPYRIGHT AND ACKNOWLEDGMENTS
My thanks to Ken Cowley, Richard Lupoff, Bill Pronzini, Edward Hoch and Peter Tremayne for their help and support through this project. My thanks also to David Renwick for his Foreword. And a special thanks to Robert Adey for his invaluable book Locked Room Murders and Other Impossible Crimes (Minneapolis: Crossover Press, 1991), which was an ever trusty guide through the minefield of the impossible crime.
All of the stories are copyright in the name of the individual authors or their estates, as listed below. Every effort has been made to trace the holders of copyright. In the event of any inadvertent transgression of copyright the editor would like to hear from the author or their representatives, via the publisher.
“The Burglar Who Smelled Smoke” © 1997 by Lynne Wood Block & Lawrence Block. First published in Mary Higgins Clark Mystery Magazine, Fall/Summer 1997. Reprinted by permission of the authors.
“Mr. Strang Accepts a Challenge” © 1976 by William Brittain. First published in Ellery Queen’s Mystery Magazine, November 1976. Reprinted by permission of the author.
“The Silver Curtain” © 1939 by John Dickson Carr. First published in The Strand Magazine, August 1939 and reprinted in The Department of Queer Complaints by Carter Dickson (London: William Heinemann, 1940). Reprinted by permission of David Higham Ltd., as agent for the author’s estate.
“No Way Out” © 1963 by Dennis Lynds. First published in Mike Shayne Mystery Magazine, February 1964. Reprinted by permission of the author.
“Waiting for Godstow” © 2000 by Martin Edwards. Original to this anthology. Printed by permission of the author.
“The Odour of Sanctity” © 2000 by Kate Ellis. Original to this anthology. Printed by permission of the author and the author’s agent, A.M. Heath & Co. Ltd.
“The Mystery of the Taxi-Cab” © 1922 by Howel Evans. First published in The Novel Magazine and reprinted in The Murder Club (London: Jarrolds, 1924). Unable to trace the author’s estate.
“A Traveller’s Tale” © 2000 by Gail Frazer. Original to this anthology. Printed by permission of the author.
“The Next Big Thing” © 2000 by Peter T. Garratt. Original to this anthology. Printed by permission of the author.
“Ice Elation” © 2000 by Susanna Gregory. Original to this anthology. Printed by permission of the author and the author’s agent, A.M. Heath & Co. Ltd.
“Death Rides the Elevator” ©2000 by Lois H.Gresh&Robert Weinberg. Original to this anthology. Printed by permission of the authors.
“The Problem of the Crowded Cemetery” © 1995 by Edward D. Hoch. First published in Ellery Queen’s Mystery Magazine, May 1995. Reprinted by permission of the author.
“The Legs That Walked” © 2000 by H.R.F. Keating. Original to this anthology. Printed by permission of the author and the author’s agent, Peters Fraser and Dunlop.
“The Stolen Saint Simon” © 2000 by Michael Kurland. Original to this anthology. Printed by permission of the author.
“The Amorous Corpse” © 2000 by Peter Lovesey. Original to this anthology. Printed by permission of the author and the author’s agent, Vanessa Holt, Ltd.
“The Second Drug” © 2000 by Richard A. Lupoff. Original to this anthology. Printed by permission of the author.
“Blind Eyes” © 2000 by Edward Marston. Original to this anthology. Printed by permission of the author.
“Murder Strips Off” © 2000 by Amy Myers. Original to this anthology. Printed by permission of the author and the author’s agent, Dorian Literary Agency.
“The Doomdorf Mystery” © 1914 by Melville Davisson Post. First published in Saturday Evening Post, 18 July 1914. Copyright expired in 1981.
“The Pulp Connection” © 1978 by Bill Pronzini. First published in Ellery Queen’s Mystery Magazine, February 1979 under the title “The Private Eye Who Collected Pulps”. Reprinted by permission of the author.
“Off the Face of the Earth” © 1949 by Clayton Rawson. First published in Ellery Queen’s Mystery Magazine, September 1949 and reprinted in The Great Merlini (Boston: Gregg Press, 1979). Reprinted by permission of Curtis Brown Ltd., on behalf of the author’s estate.
“Foreword” © 2000 by David Renwick. Original to this anthology. Printed by permission of the author.
“Heartstopper” © 2000 by Frank M. Robinson. Original to this anthology. Printed by permission of the author.
“Stag Night” © 2000 by Marilyn Todd. Original to this anthology. Printed by permission of the author.
“Murder in the Air” © 2000 by Peter Tremayne. Original to this anthology. Printed by permission of the author and the author’s agent, A.M. Heath & Co. Ltd.
“The Adventure of the Jacobean House” © 1907 by C.N. & A.M. Williamson. First published in The Strand Magazine, September 1907 and reprinted in The Scarlet Runner (London: Methuen, 1908). Copyright expir
ed 1984.
Table of Contents
F OREWORD , David Renwick
I NTRODUCTION : H EY , P RESTO ! Mike Ashley
W AITING FOR G ODSTOW , Martin Edwards
T HE O DOUR OF S ANCTITY , Kate Ellis
A T RAVELLER’S T ALE , Margaret Frazer
T HE S ILVER C URTAIN , John Dickson Carr
T HE S TOLEN S AINT S IMON , Michael Kurland
T HE P ROBLEM OF THE C ROWDED C EMETERY , Edward D. Hoch
D EATH R IDES THE E LEVATOR , Lois H. Gresh & Robert Weinberg
T HE B URGLAR W HO S MELLED S MOKE , Lynne Wood Block & Lawrence Block
N O W AY O UT , Michael Collins
O FF THE F ACE OF THE E ARTH , Clayton Rawson
M URDER S TRIPS O FF , Amy Myers
O UT OF H IS H EAD , Thomas Bailey Aldrich
T HE D OOMDORF M YSTERY , Melville Davisson Post
T HE A DVENTURE OF THE J ACOBEAN H OUSE , C.N. & A.M. Williamson
T HE M OTOR B OAT , Jacques Futrelle
M URDER IN THE A IR , Peter Tremayne
T HE P ULP C ONNECTION , Bill Pronzini
S TAG N IGHT , Marilyn Todd
M R S TRANG A CCEPTS A C HALLENGE , William Brittain
T HE L EGS T HAT W ALKED , H.R.F. Keating
T HE N EXT B IG T HING , Peter T. Garratt
T HE S ECOND D RUG , Richard A. Lupoff
I CE E LATION , Susanna Gregory
T HE M YSTERY OF THE T AXI -C AB , Howel Evans
H EARTSTOPPER , Frank M. Robinson
B LIND E YES , Edward Marston
T HE A MOROUS C ORPSE , Peter Lovesey
A FTERWORD : I MPOSSIBLE C RIMES , Mike Ashley
Copyright and Acknowledgments