V
Stephanie got through her next meeting, with a designer of small patent-leather purses; then ignored a warning instinct and stopped by the office. Her boss, La Doll, was on the phone, as always, but she muted the call and yelled from her office, “What’s wrong?”
“Nothing,” Stephanie said, startled. She was still in the hall.
“All good with Purse-Man?” La Doll kept effortless track of her employees’ schedules, even freelancers like Stephanie.
“Just fine.”
La Doll finished her call, shot some espresso from the Krups machine on her desk into her bottomless thimble-sized cup, and called, “Come, Steph.”
Stephanie entered her boss’s soaring corner office. La Doll was one of those people who seem, even to those who know them well, digitally enhanced: the bright blond bob cut; the predatory lipstick; the roving, algorithmic eyes. “Next time,” she said, tweezing Stephanie briefly with her gaze, “cancel the meeting.”
“I’m sorry?”
“I could feel your gloom from the hall,” La Doll said. “It’s like having the flu. Don’t expose the clients.”
Stephanie laughed. She had known her boss forever—long enough to know that she was absolutely serious. “God, you’re a bitch,” she said.
La Doll chuckled, already dialing again. “It’s a burden,” she said.
Stephanie drove back to Crandale (Jules had taken the train) to pick up Chris at soccer practice. At seven, her son was still willing to throw his arms around Stephanie after a day apart. She hugged him, breathing the wheaty smell of his hair. “Is Uncle Jules home?” Chris asked. “Was he building anything?”
“Actually, Uncle Jules worked today,” she said, feeling a prick of pride as she spoke the words. “He was working in the city.”
The day’s vicissitudes had resolved into a single droning wish to talk to Bennie. Stephanie had spoken with Sasha, his assistant, whom she’d long distrusted as the gatekeeper of Bennie’s misbehavior but grown fond of in the years since his reform. Bennie had called on his way home, stuck in traffic, but by then Stephanie wanted to explain it in person. She pictured laughing with Bennie about Bosco and feeling her strange unhappiness lift. One thing she knew: she was finished with lying about the tennis.
Bennie still wasn’t home when she and Chris got back. Jules appeared with a basketball and challenged Chris to a game of horse, and they repaired to the driveway, the garage door shuddering from their blows. The sun was beginning to set.
Bennie finally returned and went straight upstairs to shower. Stephanie put some frozen chicken thighs in warm water to thaw, then followed him up. Steam drifted from the open bathroom door into their bedroom, twirling in the last rays of sun. Stephanie felt like showering, too—they had a double shower with handmade fixtures whose exorbitant price they’d argued over. But Bennie had been adamant.
She kicked off her shoes and unbuttoned her blouse, tossing it on the bed with Bennie’s clothes. The contents of his pockets were scattered on the small antique table where he always left them. Stephanie glanced at what was there, an old habit left over from the days when she’d lived in suspicion. Coins, gum wrappers, a parking garage ticket. As she moved away, something stuck to the bottom of her bare foot. She plucked it off—a bobby pin—and headed for the wastebasket. Before dropping it in, she glanced at the pin: generic light gold, identical to bobby pins you’d find in the corners of nearly any Crandale woman’s house. Except her own.
Stephanie paused, holding the pin. There were a thousand reasons it could be here—a party they’d had, friends who might have come up to use the bathroom, the cleaning woman—but Stephanie knew whose it was as if she had already known, as if she weren’t discovering the fact but remembering it. She sank onto the bed in her skirt and bra, hot and shivery, blinking from shock. Of course. It took no imagination at all to see how everything had converged: pain; revenge; power; desire. He’d slept with Kathy. Of course.
Stephanie pulled her shirt back on and buttoned it carefully, still holding the bobby pin. She went into the bathroom, searching out Bennie’s lean brown shape through the steam and running water. He hadn’t seen her. And then she stopped, halted by a sense of dreadful familiarity, of knowing everything they would say: the jagged trek from denial to self-lacerating apology for Bennie; from rage to bruised acceptance for herself. She had thought they would never make that trek again. Had truly believed it.
She left the bathroom and tossed the pin in the trash. She slipped noiselessly down the front stairs in her bare feet. Jules and Chris were in the kitchen, glugging water from the Brita. Her only thought was of getting away, as if she were carrying a live grenade from inside the house, so that when it exploded, it would destroy just herself.
The sky was electric blue above the trees, but the yard felt dark. Stephanie went to the edge of the lawn and sat, her forehead on her knees. The grass and soil were still warm from the day. She wanted to cry but she couldn’t. The feeling was too deep.
She lay down, curled on her side in the grass, as if she were shielding the damaged part of herself, or trying to contain the pain that issued from it. Every turn of her thoughts increased her sense of horror, her belief that she couldn’t recover, had no more resources to draw on. Why was this worse than the other times? But it was.
She heard Bennie’s voice from the kitchen: “Steph?”
She got up and staggered into a flowerbed. She and Bennie had planted it together: gladioli, hosta, black-eyed Susans. She heard stems crunching under her feet, but she didn’t look down. She went all the way to the fence and knelt in the dirt.
“Mom?” Chris’s voice, from upstairs. Stephanie covered her ears.
Then came another voice, so close to Stephanie that she heard it even through her hands. It spoke in a whisper: “Hello there.”
It took her a moment to separate this new, nearby voice from the ones inside the house. She felt no fear, only a kind of numb curiosity. “Who’s that?”
“It’s me.”
Stephanie realized her eyes were shut. She opened them now and looked through the slats of fence. Amid the shadows she made out Noreen’s white face peeking through from the other side. She’d taken off her sunglasses; Stephanie vaguely noted a pair of skittish eyes. “Hi Noreen,” she said.
“I like to sit in this spot,” Noreen said.
“I know.”
Stephanie wanted to move away, but she couldn’t seem to move. She closed her eyes again. Noreen didn’t speak, and as the minutes passed she seemed to fade into the rummaging breeze and chatter of insects, as if the night itself were alive. Stephanie hunched in the dirt for a long time, or what felt like a long time—maybe it was only a minute. She knelt until the calling started up again—Jules too, his panicked voice careening through the dark. At last she tottered to her feet. In unfolding herself, she felt the painful thing settle inside her. Her knees shook from its new, awkward weight.
“Good night, Noreen,” she said as she began picking her way back through the flowers and bushes toward the house.
“Good night,” she faintly heard.
Selling the General
Dolly’s first big idea was the hat. She picked teal blue, fuzzy, with flaps that came down over the general’s large dried-apricot ears. The ears were unsightly, Dolly thought, and best covered up.
When she saw the general’s picture in the Times a few days later, she almost choked on her poached egg: he looked like a baby, a big sick baby with a giant mustache and a double chin. The headline couldn’t have been worse:
GENERAL B.’s ODD HEADGEAR SPURS CANCER RUMORS
LOCAL UNREST GROWS
Dolly bolted to her feet in her dingy kitchen and turned in a frantic circle, spilling tea on her bathrobe. She looked wildly at the general’s picture. And then she realized: the ties. They hadn’t cut off the ties under the hat as she’d instructed, and a big fuzzy bow under the general’s double chin was disastrous. Dolly ran barefoot into her office/bedroom an
d began plowing through fax pages, trying to unearth the most recent sequence of numbers she was supposed to call to reach Arc, the general’s human relations captain. The general moved a lot to avoid assassination, but Arc was meticulous about faxing Dolly their updated contact information. These faxes usually came at around 3:00 a.m., waking Dolly and sometimes her daughter, Lulu. Dolly never mentioned the disruption; the general and his team were under the impression that she was the top publicist in New York, a woman whose fax machine would be in a corner office with a panoramic view of New York City (as indeed it had been for many years), not ten inches away from the foldout sofa where she slept. Dolly could only attribute their misapprehension to some dated article that had drifted their way from Vanity Fair or InStyle or People, where Dolly had been written about and profiled under her then moniker: La Doll.
The first call from the general’s camp had come just in time; Dolly had hocked her last piece of jewelry. She was copyediting textbooks until 2:00 a.m., sleeping until five, and then providing polite phone chitchat to aspiring English speakers in Tokyo until it was time to wake Lulu and fix her breakfast. And all of that wasn’t nearly enough to keep Lulu in Miss Rutgers’s School for Girls. Often Dolly’s three allotted hours of sleep were spent in spasms of worry at the thought of the next monstrous tuition bill.
And then Arc had called. The general wanted an exclusive retainer. He wanted rehabilitation, American sympathy, an end to the CIA’s assassination attempts. If Qaddafi could do it, why not he? Dolly wondered seriously if overwork and lack of sleep were making her hallucinate, but she named a price. Arc began taking down her banking information. “The general presumed your fee would be higher,” he said, and if Dolly had been able to speak at that moment she would have said, That’s my weekly retainer, hombre, not my monthly, or Hey, I haven’t given you the formula that lets you calculate the actual price, or That’s just for the two-week trial period when I decide whether I want to work with you. But Dolly couldn’t speak. She was weeping.
When the first installment appeared in her bank account, Dolly’s relief was so immense that it almost obliterated the tiny anxious muttering voice inside her: Your client is a genocidal dictator. Dolly had worked with shitheads before, God knew; if she didn’t take this job someone else would snap it up; being a publicist is about not judging your clients—these excuses were lined up in formation, ready for deployment should that small dissident voice pluck up its courage to speak with any volume. But lately, Dolly couldn’t even hear it.
Now, as she scuttled over her frayed Persian rug looking for the general’s most recent numbers, the phone rang. It was 6:00 a.m. Dolly lunged, praying Lulu’s sleep wouldn’t be disturbed.
“Hello?” But she knew who it was.
“We are not happy,” said Arc.
“Me either,” Dolly said. “You didn’t cut off the—”
“The general is not happy.”
“Arc, listen to me. You need to cut off the—”
“The general is not happy, Miss Peale.”
“Listen to me, Arc.”
“He is not happy.”
“That’s because—look, take a scissors—”
“He is not happy, Miss Peale.”
Dolly went quiet. There were times, listening to Arc’s silken monotone, when she’d been sure she’d heard a curl of irony around the words he’d been ordered to say, like he was speaking to her in code. Now there was a prolonged pause. Dolly spoke very softly. “Arc, take a scissors and cut the ties off the hat. There shouldn’t be a goddamned bow under the general’s chin.”
“He will no longer wear this hat.”
“He has to wear the hat.”
“He will not wear it. He refuses.”
“Cut off the ties, Arc.”
“Rumors have reached us, Miss Peale.”
Her stomach lurched. “Rumors?”
“That you are not ‘on top’ as you once were. And now the hat is unsuccessful.”
Dolly felt the negative forces pulling in around her. Standing there with the traffic of Eighth Avenue grinding past beneath her window, fingering her frizzy hair that she’d stopped coloring and allowed to grow in long and gray, she felt a jab of some deep urgency.
“I have enemies, Arc,” she said. “Just like the general.”
He was silent.
“If you listen to my enemies, I can’t do my job. Now take out that fancy pen I can see in your pocket every time you get your picture in the paper and write this down: Cut the strings off the hat. Lose the bow. Push the hat farther back on the general’s head so some of his hair fluffs out in front. Do that, Arc, and let’s see what happens.”
Lulu had come into the room and was rubbing her eyes in her pink pajamas. Dolly looked at her watch, saw that her daughter had lost a half hour of sleep, and experienced a small inner collapse at the thought of Lulu feeling tired at school. She put her arms around her daughter’s shoulders. Lulu received this embrace with the regal bearing that was her trademark.
Dolly had forgotten Arc, but now he spoke from the phone at her neck: “I will do this, Miss Peale.”
· · ·
It was several weeks before the general’s picture appeared again. Now the hat was pushed back and the ties were gone. The headline read:
EXTENT OF B’S WAR CRIMES MAY BE EXAGGERATED,
NEW EVIDENCE SHOWS
It was the hat. He looked sweet in the hat. How could a man in a fuzzy blue hat have used human bones to pave his roads?
La Doll had met with ruin on New Year’s Eve two years ago, at a wildly anticipated party that was projected, by the cultural history-minded pundits she’d considered worth inviting, to rival Truman Capote’s Black and White Ball. The Party, it was called, or the List. As in: Is he on the list? A party to celebrate—what? In retrospect, Dolly wasn’t sure; the fact that Americans had never been richer, despite the turmoil roiling the world? The Party had nominal hosts, all famous, but the real hostess, as everyone knew, was La Doll, who had more connections and access and juju than all of these people combined. And La Doll had made a very human mistake—or so she tried to soothe herself at night when memories of her demise plowed through her like a hot poker, causing her to writhe in her sofa bed and swill brandy from the bottle—she’d thought that because she could do something very, very well (namely, get the best people into one room at one time), she could do other things well, too. Like design. And La Doll had had a vision: broad, translucent trays of oil and water suspended beneath small brightly colored spotlights whose heat would make the opposing liquids twist and bubble and swirl. She’d imagined people craning their necks to look up, spellbound by the shifting liquid shapes. And they did look up. They marveled at the lit trays; La Doll saw them do it from a small booth she’d had constructed high up and to one side so she could view the panorama of her achievement. From there, she was the first to notice, as midnight approached, that something was awry with the translucent trays that held the water and oil: they were sagging a little—were they? They were slumping like sacks from their chains and melting, in other words. And then they began to collapse, flop and drape and fall away, sending scalding oil onto the heads of every glamorous person in the country and some other countries, too. They were burned, scarred, maimed in the sense that tear-shaped droplets of scar tissue on the fore head of a movie star or small bald patches on the head of an art dealer or a model or generally fabulous person constitute maiming. But something shut down in La Doll as she stood there, away from the burning oil: she didn’t call 911. She gaped in frozen disbelief as her guests shrieked and staggered and covered their heads, tore hot, soaked garments from their flesh and crawled over the floor like people in medieval altar paintings whose earthly luxuries have consigned them to hell.
The accusations later—that she’d done it on purpose, was a sadist who’d stood there delighting as people suffered—were actually more terrible, for La Doll, than watching the oil pour mercilessly onto the heads of her five hundred guests. Th
en she’d been protected by a cocoon of shock. But what followed she had to witness in a lucid state: They hated her. They were dying to get rid of her. It was as if she weren’t human, but a rat or a bug. And they succeeded. Even before she’d served her six months for criminal negligence, before the class-action suit that resulted in her entire net worth (never nearly as large as it had seemed) being distributed in small parcels to her victims, La Doll was gone. Wiped out. She emerged from jail thirty pounds heavier and fifty years older, with wild gray hair. No one recognized her, and the world where she’d thrived had shortly proceeded to vaporize—now even the rich believed they were poor. After a few gleeful headlines and photos of her new, ruined state, they forgot about her.
Dolly was left alone to ponder her miscalculations—and not just the obvious ones involving the melting temperature of plastic and the proper distribution of weight-bearing chains. Her deeper error had preceded all that: she’d overlooked a seismic shift—had conceived of an event crystallizing an era that had already passed. For a publicist, there could be no greater failure. She deserved her oblivion. Now and then, Dolly found herself wondering what sort of event or convergence would define the new world in which she found herself, as Capote’s party had, or Woodstock, or Malcolm Forbes’s seventieth birthday, or the party for Talk magazine. She had no idea. She had lost her power to judge; it would be up to Lulu and her generation to decide.
When the headlines relating to General B. had definitively softened, when several witnesses against him were shown to have received money from the opposition, Arc called again. “The general pays you each month a sum,” he said. “That is not for one idea only.”
“It was a good idea, Arc. You have to admit.”
“The general is impatient, Miss Peale,” he said, and Dolly imagined him smiling. “The hat is no longer new.”
That night, the general came to Dolly in a dream. The hat was gone, and he was meeting a pretty blonde outside a revolving door. The blonde took his arm, and they spun back inside, pressed together. Then Dolly was aware of herself in the dream, sitting in a chair watching the general and his lover, thinking what a good job they were doing playing their roles. She jolted awake as if someone had shaken her. The dream nearly escaped, but Dolly caught it, pressed it to her chest. She understood: the general should be linked to a movie star.
A Visit From the Goon Squad Page 13