Black Moon

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Black Moon Page 51

by Seabury Quinn


  I was about to remark on the patent antiquity of the place when de Grandin’s sharp command forestalled me: “It was in the bedroom you had your so strange experiences, my friends. Let us go there to see if Monsieur Peteros can pick up any influences.”

  Young Jaquay led the way, and we trooped up the narrow stairway single file, but halfway up I paused and grasped the balustrade. I had gone suddenly dizzy and felt chilled to the bone, yet it was not an ordinary chill. Rather, it seemed a sudden coldness started at my fingertips and shivered up into my shoulders, then, as with a cramp induced by a galvanic battery, every nerve in my body began to tingle and contract.

  Just behind me, Peteros grasped my elbow, steadying me. “Swallow,” he commanded in a sharp whisper. “Swallow hard and take a deep breath.” As I obeyed the tingling feeling of paralysis left me and I heard him chuckle softly. “I see you felt it, too,” he murmured. “Probably you felt it worse than I did; you weren’t prepared for it.” I nodded, feeling rather foolish.

  Apparently the Jaquays had refurnished the bedroom, for it had none of the gloomy eighteenth century air of the rest of the house. The bedstead was a canopied four-poster, either Adam or a good reproduction, a tall chest of mahogany stood against one wall, between the narrow, high-set windows was a draped dressing table in the long mirror of which were reflected silver toilet articles and crystal bottles. Curtains of fluted organdie, dainty and crisp, hung at the windows. The floor was covered with an Abusson carpet.

  “Bien.” De Grandin took command as we entered the chamber. “Will you sit there, Madame?” he indicated a chintz-covered chair for Georgine. “And you, Monsieur Jaquay, I would suggest you sit beside her. You may be under nervous strain. To have a loving hand to hold may prove of helpfulness. Mais oui, do not I know? I shall say yes. You, Friend Trowbridge, will sit here, if you please, and Monsieur Peteros will occupy this chair—” he indicated a large armchair with high, tufted back. “Me, I prefer to stand. Is all in readiness?”

  “I think we’d better close the curtains,” Peteros replied. “I seem to get the emanations better in the dusk.”

  “Bien. Mais certainement.” The little Frenchman drew the brocade over-draperies of the windows, leaving us in semi-darkness.

  Mr. Peteros leant back and took a silver pencil from his waistcoat pocket. Holding it upright before his face, he fixed his eyes upon its tip. A minute passed, two minutes; three. From the hall below came the ponderous, pompous ticking of the great clock, small noises from the highway—the rumble of great cargo trucks, the yelp of motor horns came to us through the closed and curtained windows. Peteros continued staring fixedly at the pencil point, and in the semi-darkness his face was indistinct as a blurred photograph. Then the upright pencil wavered from the perpendicular. Slowly, like a reversed pendulum, or the arm of a metronome, it swung in a short arc from right to left and back again. His eyes followed it, converging on each other until it seemed he made a silly grimace. The silver rod paused in its course, wavered like a tree caught in a sudden wind, and dropped with a soft thud to the carpet. The medium’s head fell back against the cushions of his chair, his eyelids drooped and in a moment came the sound of measured breathing, only slightly stertorous, scarcely more noticeable than the ticking of the clock downstairs. I knit my brows and shook my head in annoyance. I could have simulated a more convincing trance. If he thought we could be imposed upon by such a palpable bit of trickery. . . .

  “O-o-o-oh!” Georgine Jaquay exclaimed softly. She had raised one hand to her throat and the painted nails of her outspread fingers were like a collar of garnets on the white flesh.

  I felt a sudden tenseness. Issuing from Peteros’ lips was a thin column of smoke, as if he had inhaled deeply from a cigar. Yet it was not ordinary smoke. It had an oddly luminous quality, as if its particles were microscopic opals that glowed with their own inward fire, and instead of coming in a series of short puffs, as cigar smoke would have come from his mouth, it flowed in steady, even stream, like steam escaping from a simmering kettle. “Regardez, s’il vous plaît, Friend Trowbridge,” de Grandin whispered half belligerently. “I tell you it is psychoplasm—soul stuff!”

  The cloud of luminescent vapor drifted slowly toward the ceiling, then as if wafted by an unfelt zephyr coiled and circled toward the wall pierced by the curtained windows, and slowly, more like dripping water than a cloud of steam or smoke, began to trickle down the wall until it covered it completely.

  It is difficult to describe what happened next. Slowly in the opalescent vapor that obscured the wall there seemed to generate small sparks of bluish light, mere tiny points of phosphorescence, and gradually, but with a gathering speed, they multiplied until they floated like a swarm of dancing midges circling round each other till they joined to form small nebulae of brightness large as gleaming cigarette ends. The nebulae became more numerous, touched each other, coalesced as readily as rain drops brought together, till they formed a barrier of eerie, intense bluish light.

  There was eeriness, uncanniness about it, but it was not terrifying. Instead of fear I felt a sort of gentle melancholy. Vague, long-forgotten memories wafted through my mind . . . a girl’s soft laugh, the touch of a warm hand, the echo of the muted whisper of a once-loved voice, the subtle fragrance of old hopes and aspirations.

  Half dazzled, wholly mystified by the phenomenon, I watched the luminous curtain.

  A sort of cloudiness appeared in its bright depths, at first no more than a dim, unformed network of small dots and dashes, but gradually they built up a pattern. As when an image appears on the copper of a halftone plate in its acid bath, a picture took form on the surface of the glowing curtain. As if through the proscenium of a theatre—or on a motion picture screen—we looked into another room.

  I recognized it instantly, so did Georgine Jaquay, for I heard her gasp, “Why, it’s the hall of this house!”

  “Taisez-vous!” de Grandin snapped. “Laissez-moi tranquille, s’il vous plaît, Madame! Be silent!”

  It was the hall we had come through less than ten minutes before, yet somehow it was not the same. A great fire blazed on the wrought-metal andirons and in a pair of brass candlesticks tallow dips were burning. The lights and shadows shifted constantly, but such illumination as there was seemed to do little more than stain the darkness. The door through which we had come opened and a middle-aged Negro dressed in a suit of coarse tow came into the apartment, bending almost double under the weight of a brass-bound trunk of sole leather. He paused uncertainly a moment, seemed to turn as if to hear some command shouted at him from outside, then shambled toward the stairway.

  The door, which had swung partly shut, was kicked back violently, and across the sill a man stepped with a woman in his arms. He was a big man, tall and heavy-set, with enormous shoulders and great depth of chest, dressed in the fashion of a hundred years and more ago. His suit of heavy woolen stuff was snuff-colored, made with a long coat and breeches reaching to his knees, and his brown stockings were of knitted wool but little better than those of the Negro. I guessed his age as somewhere near fifty, for there were streaks of gray in the long hair that he wore plaited in a queue and in the short dark reddish beard and mustache that masked his lower face. He had a big nose, dark hawk-eyes, broad low forehead and high-jutting cheek-bones. His skin was darkly tanned, and though he had few wrinkles they were deep ones. He was, I thought, a well-to-do farmer, perhaps a merchant sea captain. Certainly he was no gentleman, and just as certainly he was a hard customer, tricky and, unscrupulous in bargaining and fierce and ruthless in a fight.

  Of the woman we could see little, for a long hooded cloak of dark blue linsey-woolsey covered her from head to heels. What was at once apparent, however, was that she did not snuggle in his arms. She neither held his shoulders nor put her arms about his neck, merely lay quiescent in his grasp as if she rested after an exhausting ordeal, or realized the futility of struggling.

  But when he set her on her feet we saw that she was very delica
tely made, not tall but seeming taller than her actual height because of extreme slenderness. She was pretty, almost beautiful, with a soft cream-and-carnation skin, bronze hair that positively flamed in the firelight, and eyes of luminous greenish violet with the wondering expression of a hurt child.

  The man said something to her and with a start I realized we witnessed a pantomime, a scene of vibrant life and action soundless as an old-time moving picture, but legible in meaning as sky-writing on a windless day. We saw her shake her small head in negation, then as he echoed his peremptory demand, hold out her hands in a gesture of entreaty. Her face was bloodless and her eyes suffused with tears, but if she had been a bird and he a cat her appeal could not have been more futile. Abruptly he seized her left hand and raised it to a level with her eyes, and on its third finger we saw the great, heavy plain gold band that marked her as a matron. For a moment he stood thus, then flung the little hand from him as if it were a bit of dross and grasped the trembling girl in his arms, crushed her to him and bruised her shrinking lips with kisses that betrayed no trace of love but were afire with blazing passion.

  When he released her she shrank back, cheeks aflame with outraged blood and eyes almost filmy with nausea, but as he repeated his command she crept rather than walked to the stairway and mounted it slowly, holding fast to the wrought-brass handrail for support.

  The man turned toward the kitchen, bellowing an order and into the hall stole another girl about the age of her whom he had just mauled so lustfully. She was a mulatress, scarce larger than a child, with delicately formed features, short wavy brown hair clustering round her ears and neck in tiny ringlets, and large dark eyes as gentle—and as frightened—as a gazelle’s. Despite the almost shapeless gown of woolen stuff that hung on her we saw her figure was exquisite, with high breasts, narrow hips and lean, small waist. She bore a straw-wrapped stone demijohn stopped with a broken corncob, and at his order, took a pewter tankard from the mantel and poured some of the colorless contents of her jar into it. “More!” We could not hear the word, but it required no skill in lip-reading to know what he ordered, and with a shrug that was no more than a flutter of her shapely shoulders she splashed an added half-pint of liquor into the beaker.

  It was obvious; she was afraid of him, for she stayed as far away as she could, and her large eyes watched him furtively. When she had filled the mug she stood back quickly, pretending to be busy with recorking the bottle, but obviously eager to stay out of reach.

  Her stratagem was futile, for when he downed the draft he wiped his mouth upon his cuff and held out his hand. “Kiss it!” we saw, rather than heard him order. She took his rough paw in her delicate gold hands and bent her sleek head over it, but he would not let her kiss its back. “Not that way!” he bade roughly, and obediently she turned it over and pressed her lips to its palm.

  Why he demanded this peculiar form of homage I had no idea, but evidently de Grandin understood its implication, for I heard him mutter, “Sale bête—dirty beast!”

  The bearded man threw back his head and laughed a laugh that must have filled the house with its bellow, then half playfully but wholly viciously he struck the girl across the face with a back-handed blow that sent her reeling to a fall beside the tiled hearth of the fireplace. The demijohn slipped from her hand, and in a moment a dark stain of moisture spread across the stones.

  We saw him beckon her imperiously, saw her rise trembling to her feet and slink toward him, her wide eyes fearful, her lips trembling. Nearer she crept, shaking her head from side to side, begging mutely for mercy, and when she was within arm’s length he seized her as a pouncing beast might grasp its prey. As a terrier might shake a rat he shook her, swaying her slim shoulders till her head bobbed giddily and her short curls waved like wind-whipped bunting round her ears. Protesting helplessly she opened her mouth and the force with which he shook her drove her teeth together on her tongue so that a little stream of blood came from the corners of her mouth. Then, not content with this punishment, he struck her with his fist, knocking her to the floor, then raising her again that he might strike her down once more. Three times he hit her with his knotted fist, and every blow drew blood. When he was done he left her in a little crumpled heap beside the hearthstone, her slim gold hands held to her face and bright blood dripping from her nose, her lips and her bruised cheeks.

  “Cochon, pourceau, sale chameau!” de Grandin whispered venomously. “Pardieu, he was a species of a stinking swine, that one!”

  The big man wiped his mouth upon his sleeve once more and, swaying slightly from the effect of the potent apple-jack, made for the stairway up which the girl he had borne into the house had crept.

  The picture before us began to fade, not growing dimmer but apparently dissolving like a cloud of steam before a current of air, and in a moment little dots and lines of color danced and moved across the luminous screen, forming figures like the prisms of a kaleidoscope, then gradually merging to depict another scene.

  Not very different from its present aspect, save that its lawn was not so well kept, the front yard of the house spread before us. It was early evening, and from the marshes—long since filled in and built over—rose a soft, light mist, silvery, unearthly, utterly still. The trees that rimmed the highway were almost denuded of their foliage and stood out in sharp silhouette, pointing to the pale sky from which most of the stars had been wiped by a half-moon’s light. An earlier wind had blown the fallen leaves across the bricked walk with its low box borders, and the man and woman walking away from us kicked them from their path, rustling them against their feet as children love to do in autumn. At the lower end of the footway they paused and as the girl turned her face up to her escort we recognized the young woman we had seen borne into the house. The moonlight brought them into clear-cut definition. The man was young, about the girl’s age, and bore a strong resemblance to her, obviously a family likeness. His clothes and linen were threadbare but scrupulously clean, and his lean drawn face showed the effect of high ambition and slender resources. What they said we had no way of knowing, but we saw her arms creep up around his neck, not passionately, but tenderly, like the tendrils of a vine, as she raised her lips for his kiss. A moment they stood thus in silent embrace, then she unclasped her arms from his neck and he turned away, walking down the moonlit high road with no backward glance and with squared shoulders, like a man who has made final, immutable decision.

  Once more the scene was obscured, then took on new form, and we saw the white girl and the mulatress working feverishly packing a small nail-studded trunk. They folded linen underwear and sprinkled it with crumbled dry lavender, pressed a woolen dress down on the antique lingerie, added several pairs of cotton stockings and a pair of square-toed little buckled shoes. The box was packed and strapped, the girl ran to the door, but paused upon the threshold, the joy wiped from her face as sunlight disappears before a sudden cloud.

  In the entrance stood the bearded man, and over one shoulder, as a butcher might have held a new-slaughtered calf, he bore the body of the young man we had seen before. Blood trickling from a scalp-wound told us how the boy had been bludgeoned, and on the barrel of the antique horse-pistol in the big man’s right hand there was a smear of blood to which a few brown hairs adhered.

  There was something utterly appalling in the big man’s quietness. Methodically as if he followed a rehearsed plan he dropped the unconscious man on the bed, retraced his steps to the door and returned with three short lengths of iron chain which he proceeded to fasten round the necks of the two women and the swooning man.

  Amazingly the women made no effort to resist but stood as dumbly and quiescently as well-trained horses waiting to be harnessed as he latched the fetters on their throats. Perhaps the memory of past beatings told them that submissiveness was wiser, perhaps they realized the hopelessness of entreaty or effort. It was very quickly accomplished, and in a moment the big man had shouldered the unconscious youth again, tucked the little trunk beneath his fre
e arm, and nodded toward the door. Without a word of protest or entreaty the women went before him, holding the free ends of their neck chains in their hands as if to still their clinking.

  We looked into a little room, perhaps some twelve feet square, stone-floored, stone-walled, stone-ceilinged. It was darker than a moonless midnight, but somehow we could distinguish objects. About the walls were small partitioned spaces rising four deep, tier on tier, like oversized pigeonholes, and, each was closed with a stone slab in which a heavy ringbolt had been set. Something like a swarm of small red ants seemed crawling up the backs of my knees and my spine. One did not need to be an antiquarian to recognize the crypts of an old family tomb.

  Something stirred in the darkness, and as I strained my eyes toward it I saw the huddled form of a woman. I knew it for a woman by the long red hair that hung upon its head, but otherwise, although it had been stripped of clothing, it was almost unclassifiable. Emaciation was so far advanced that she was little more than a mummy. Knee- and elbow-joints stood out against the staring skin like apples on broomsticks, the hip-bones showed like ploughshares each side the pelvis, the ribs were like the bars of a grating, and every tooth was outlined through the shrunken lips.

  The creature bent its skull-face to the stone pavement and licked a little moisture from the trickle of a tiny spring-fed rivulet that crossed the flags, then tried to rouse itself to a sitting posture, tried vainly again, and sank back limply. Slowly, painfully, as if it fought paralysis, it edged across the cold damp stones of the floor, stretched out a bony, tendon-scored hand toward another thing that crouched against the farther wall.

  This was—or had been—a man, but now it was no better than a skeleton held in articulation by the skin stretched drum-tight over it. It seemed to rouse to semi-consciousness by the other’s movement, and tried desperately to reach the withered hand stretched toward it. In vain. The chains that tethered the whimpering woman-lich and her companion were barely long enough to stretch from their ring-bolts to the floor, leaving the captives just length of leash enough to lie on the floor, but not permitting them sufficient movement to reach each other, even when their arms were stretched to fullest extent.

 

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