Educated

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by Tara Westover


  After I’d been meeting with Professor Steinberg for a month, I wrote an essay comparing Edmund Burke with Publius, the persona under which James Madison, Alexander Hamilton and John Jay had written The Federalist Papers. I barely slept for two weeks: every moment my eyes were open, I was either reading or thinking about those texts.

  From my father I had learned that books were to be either adored or exiled. Books that were of God—books written by the Mormon prophets or the Founding Fathers—were not to be studied so much as cherished, like a thing perfect in itself. I had been taught to read the words of men like Madison as a cast into which I ought to pour the plaster of my own mind, to be reshaped according to the contours of their faultless model. I read them to learn what to think, not how to think for myself. Books that were not of God were banished; they were a danger, powerful and irresistible in their cunning.

  To write my essay I had to read books differently, without giving myself over to either fear or adoration. Because Burke had defended the British monarchy, Dad would have said he was an agent of tyranny. He wouldn’t have wanted the book in the house. There was a thrill in trusting myself to read the words. I felt a similar thrill in reading Madison, Hamilton and Jay, especially on those occasions when I discarded their conclusions in favor of Burke’s, or when it seemed to me that their ideas were not really different in substance, only in form. There were wonderful suppositions embedded in this method of reading: that books are not tricks, and that I was not feeble.

  I finished the essay and sent it to Professor Steinberg. Two days later, when I arrived for our next meeting, he was subdued. He peered at me from across the table. I waited for him to say the essay was a disaster, the product of an ignorant mind, that it had overreached, drawn too many conclusions from too little material.

  “I have been teaching in Cambridge for thirty years,” he said. “And this is one of the best essays I’ve read.”

  I was prepared for insults but not for this.

  Professor Steinberg must have said more about the essay but I heard nothing. My mind was consumed with a wrenching need to get out of that room. In that moment I was no longer in a clock tower in Cambridge. I was seventeen, in a red jeep, and a boy I loved had just touched my hand. I bolted.

  I could tolerate any form of cruelty better than kindness. Praise was a poison to me; I choked on it. I wanted the professor to shout at me, wanted it so deeply I felt dizzy from the deprivation. The ugliness of me had to be given expression. If it was not expressed in his voice, I would need to express it in mine.

  I don’t remember leaving the clock tower, or how I passed the afternoon. That evening there was a black-tie dinner. The hall was lit by candlelight, which was beautiful, but it cheered me for another reason: I wasn’t wearing formal clothing, just a black shirt and black pants, and I thought people might not notice in the dim lighting. My friend Laura arrived late. She explained that her parents had visited and taken her to France. She had only just returned. She was wearing a dress of rich purple with crisp pleats in the skirt. The hemline bounced several inches above her knee, and for a moment I thought the dress was whorish, until she said her father had bought it for her in Paris. A gift from one’s father could not be whorish. A gift from one’s father seemed to me the definitive signal that a woman was not a whore. I struggled with this dissonance—a whorish dress, gifted to a loved daughter—until the meal had been finished and the plates cleared away.

  At my next supervision, Professor Steinberg said that when I applied for graduate school, he would make sure I was accepted to whatever institution I chose. “Have you visited Harvard?” he said. “Or perhaps you prefer Cambridge?”

  I imagined myself in Cambridge, a graduate student wearing a long black robe that swished as I strode through ancient corridors. Then I was hunching in a bathroom, my arm behind my back, my head in the toilet. I tried to focus on the student but I couldn’t. I couldn’t picture the girl in the whirling black gown without seeing that other girl. Scholar or whore, both couldn’t be true. One was a lie.

  “I can’t go,” I said. “I can’t pay the fees.”

  “Let me worry about the fees,” Professor Steinberg said.

  * * *

  —

  IN LATE AUGUST, on our last night in Cambridge, there was a final dinner in the great hall. The tables were set with more knives, forks and goblets than I’d ever seen; the paintings on the wall seemed ghostly in the candlelight. I felt exposed by the elegance and yet somehow made invisible by it. I stared at the other students as they passed, taking in every silk dress, every heavily lined eye. I obsessed over the beauty of them.

  At dinner I listened to the cheerful chatter of my friends while longing for the isolation of my room. Professor Steinberg was seated at the high table. Each time I glanced at him, I felt that old instinct at work in me, tensing my muscles, preparing me to take flight.

  I left the hall the moment dessert was served. It was a relief to escape all that refinement and beauty—to be allowed to be unlovely and not a point of contrast. Dr. Kerry saw me leave and followed.

  It was dark. The lawn was black, the sky blacker. Pillars of chalky light reached up from the ground and illuminated the chapel, which glowed, moonlike, against the night sky.

  “You’ve made an impression on Professor Steinberg,” Dr. Kerry said, falling into step beside me. “I only hope he has made some impression on you.”

  I didn’t understand.

  “Come this way,” he said, turning toward the chapel. “I have something to say to you.”

  I walked behind him, noticing the silence of my own footfalls, aware that my Keds didn’t click elegantly on stone the way the heels worn by other girls did.

  Dr. Kerry said he’d been watching me. “You act like someone who is impersonating someone else. And it’s as if you think your life depends on it.”

  I didn’t know what to say, so I said nothing.

  “It has never occurred to you,” he said, “that you might have as much right to be here as anyone.” He waited for an explanation.

  “I would enjoy serving the dinner,” I said, “more than eating it.”

  Dr. Kerry smiled. “You should trust Professor Steinberg. If he says you’re a scholar—‘pure gold,’ I heard him say—then you are.”

  “This is a magical place,” I said. “Everything shines here.”

  “You must stop yourself from thinking like that,” Dr. Kerry said, his voice raised. “You are not fool’s gold, shining only under a particular light. Whomever you become, whatever you make yourself into, that is who you always were. It was always in you. Not in Cambridge. In you. You are gold. And returning to BYU, or even to that mountain you came from, will not change who you are. It may change how others see you, it may even change how you see yourself—even gold appears dull in some lighting—but that is the illusion. And it always was.”

  I wanted to believe him, to take his words and remake myself, but I’d never had that kind of faith. No matter how deeply I interred the memories, how tightly I shut my eyes against them, when I thought of my self, the images that came to mind were of that girl, in the bathroom, in the parking lot.

  I couldn’t tell Dr. Kerry about that girl. I couldn’t tell him that the reason I couldn’t return to Cambridge was that being here threw into great relief every violent and degrading moment of my life. At BYU I could almost forget, allow what had been to blend into what was. But the contrast here was too great, the world before my eyes too fantastical. The memories were more real—more believable—than the stone spires.

  To myself I pretended there were other reasons I couldn’t belong at Cambridge, reasons having to do with class and status: that it was because I was poor, had grown up poor. Because I could stand in the wind on the chapel roof and not tilt. That was the person who didn’t belong in Cambridge: the roofer, not the whore. I can go to school, I had written in my journal that very afternoon. And I can buy new clothes. But I am still Tara Westover. I have done jobs
no Cambridge student would do. Dress us any way you like, we are not the same. Clothes could not fix what was wrong with me. Something had rotted on the inside, and the stench was too powerful, the core too rancid, to be covered up by mere dressings.

  Whether Dr. Kerry suspected any part of this, I’m not sure. But he understood that I had fixated on clothes as the symbol of why I didn’t, and couldn’t, belong. It was the last thing he said to me before he walked away, leaving me rooted, astonished, beside that grand chapel.

  “The most powerful determinant of who you are is inside you,” he said. “Professor Steinberg says this is Pygmalion. Think of the story, Tara.” He paused, his eyes fierce, his voice piercing. “She was just a cockney in a nice dress. Until she believed in herself. Then it didn’t matter what dress she wore.”

  The program ended and I returned to BYU. Campus looked the way it always had, and it would have been easy to forget Cambridge and settle back into the life I’d had there. But Professor Steinberg was determined that I not forget. He sent me an application for something called the Gates Cambridge Scholarship, which, he explained, was a little like the Rhodes Scholarship, but for Cambridge instead of Oxford. It would provide full funding for me to study at Cambridge, including tuition, room and board. As far as I was concerned it was comically out of reach for someone like me, but he insisted that it was not, so I applied.

  Not long after, I noticed another difference, another small shift. I was spending an evening with my friend Mark, who studied ancient languages. Like me, and almost everyone at BYU, Mark was Mormon.

  “Do you think people should study church history?” he asked.

  “I do,” I said.

  “What if it makes them unhappy?”

  I thought I knew what he meant, but I waited for him to explain.

  “Many women struggle with their faith after they learn about polygamy,” he said. “My mother did. I don’t think she’s ever understood it.”

  “I’ve never understood it, either,” I said.

  There was a tense silence. He was waiting for me to say my line: that I was praying for faith. And I had prayed for it, many, many times.

  Perhaps both of us were thinking of our history, or perhaps only I was. I thought of Joseph Smith, who’d had as many as forty wives. Brigham Young had had fifty-five wives and fifty-six children. The church had ended the temporal practice of polygamy in 1890, but it had never recanted the doctrine. As a child I’d been taught—by my father but also in Sunday school—that in the fullness of time God would restore polygamy, and in the afterlife, I would be a plural wife. The number of my sister wives would depend on my husband’s righteousness: the more nobly he lived, the more wives he would be given.

  I had never made my peace with it. As a girl I had often imagined myself in heaven, dressed in a white gown, standing in a pearly mist across from my husband. But when the camera zoomed out there were ten women standing behind us, wearing the same white dress. In my fantasy I was the first wife but I knew there was no guarantee of that; I might be hidden anywhere in the long chain of wives. For as long as I could remember, this image had been at the core of my idea of paradise: my husband, and his wives. There was a sting in this arithmetic: in knowing that in the divine calculus of heaven, one man could balance the equation for countless women.

  I remembered my great-great-grandmother. I had first heard her name when I was twelve, which is the year that, in Mormonism, you cease to be a child and become a woman. Twelve was the age when lessons in Sunday school began to include words like purity and chastity. It was also the age that I was asked, as part of a church assignment, to learn about one of my ancestors. I asked Mother which ancestor I should choose, and without thinking she said, “Anna Mathea.” I said the name aloud. It floated off my tongue like the beginning of a fairy tale. Mother said I should honor Anna Mathea because she had given me a gift: her voice.

  “It was her voice that brought our family to the church,” Mother said. “She heard Mormon missionaries preaching in the streets of Norway. She prayed, and God blessed her with faith, with the knowledge that Joseph Smith was His prophet. She told her father, but he’d heard stories about the Mormons and wouldn’t allow her to be baptized. So she sang for him. She sang him a Mormon hymn called ‘O My Father.’ When she finished singing, her father had tears in his eyes. He said that any religion with music so beautiful must be the work of God. They were baptized together.”

  After Anna Mathea converted her parents, the family felt called by God to come to America and meet the prophet Joseph. They saved for the journey, but after two years they could bring only half the family. Anna Mathea was left behind.

  The journey was long and harsh, and by the time they made it to Idaho, to a Mormon settlement called Worm Creek, Anna’s mother was sick, dying. It was her last wish to see her daughter again, so her father wrote to Anna, begging her to take what money she had and come to America. Anna had fallen in love and was to be married, but she left her fiancé in Norway and crossed the ocean. Her mother died before she reached the American shore.

  The family was now destitute; there was no money to send Anna to her fiancé, to the marriage she had given up. Anna was a financial burden on her father, so a bishop persuaded her to marry a rich farmer as his second wife. His first wife was barren, and she flew into a jealous rage when Anna became pregnant. Anna worried the first wife might hurt her baby, so she returned to her father, where she gave birth to twins, though only one would survive the harsh winter on the frontier.

  Mark was still waiting. Then he gave up and mumbled the words I was supposed to say, that he didn’t understand fully, but that he knew polygamy was a principle from God.

  I agreed. I said the words, then braced myself for a wave of humiliation—for that image to invade my thoughts, of me, one of many wives standing behind a solitary, faceless man—but it didn’t come. I searched my mind and discovered a new conviction there: I would never be a plural wife. A voice declared this with unyielding finality; the declaration made me tremble. What if God commanded it? I asked. You wouldn’t do it, the voice answered. And I knew it was true.

  I thought again of Anna Mathea, wondering what kind of world it was in which she, following a prophet, could leave her lover, cross an ocean, enter a loveless marriage as a second mistress, then bury her first child, only to have her granddaughter, in two generations, cross the same ocean an unbeliever. I was Anna Mathea’s heir: she had given me her voice. Had she not given me her faith, also?

  * * *

  —

  I WAS PUT ON A SHORT LIST for the Gates scholarship. There would be an interview in February in Annapolis. I had no idea how to prepare. Robin drove me to Park City, where there was an Ann Taylor discount outlet, and helped me buy a navy pantsuit and matching loafers. I didn’t own a handbag so Robin lent me hers.

  Two weeks before the interview my parents came to BYU. They had never visited me before, but they were passing through on their way to Arizona and stopped for dinner. I took them to the Indian restaurant across the street from my apartment.

  The waitress stared a moment too long at my father’s face, then her eyes bulged when they dropped to his hands. Dad ordered half the menu. I told him three mains would be enough, but he winked and said money was not a problem. It seemed the news of my father’s miraculous healing was spreading, earning them more and more customers. Mother’s products were being sold by nearly every midwife and natural healer in the Mountain West.

  We waited for the food, and Dad asked about my classes. I said I was studying French. “That’s a socialist language,” he said, then he lectured for twenty minutes on twentieth-century history. He said Jewish bankers in Europe had signed secret agreements to start World War II, and that they had colluded with Jews in America to pay for it. They had engineered the Holocaust, he said, because they would benefit financially from worldwide disorder. They had sent their own people to the gas chambers for money.

  These ideas were familiar to me,
but it took me a moment to remember where I’d heard them: in a lecture Dr. Kerry had given on The Protocols of the Elders of Zion. The Protocols, published in 1903, purported to be a record of a secret meeting of powerful Jews planning world domination. The document was discredited as a fabrication but still it spread, fueling anti-Semitism in the decades before World War II. Adolf Hitler had written about the Protocols in Mein Kampf, claiming they were authentic, that they revealed the true nature of the Jewish people.

  Dad was talking loudly, at a volume that would have suited a mountainside but was thunderous in the small restaurant. People at nearby tables had halted their own conversations and were sitting in silence, listening to ours. I regretted having chosen a restaurant so near my apartment.

  Dad moved on from World War II to the United Nations, the European Union, and the imminent destruction of the world. He spoke as if the three were synonyms. The curry arrived and I focused my attention on it. Mother had grown tired of the lecture, and asked Dad to talk about something else.

  “But the world is about to end!” he said. He was shouting now.

  “Of course it is,” Mother said. “But let’s not discuss it over dinner.”

  I put down my fork and stared at them. Of all the strange statements from the past half hour, for some reason this was the one that shocked me. The mere fact of them had never shocked me before. Everything they did had always made sense to me, adhering to a logic I understood. Perhaps it was the backdrop: Buck’s Peak was theirs and it camouflaged them, so that when I saw them there, surrounded by the loud, sharp relics of my childhood, the setting seemed to absorb them. At least it absorbed the noise. But here, so near the university, they seemed so unreal as to be almost mythic.

 

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