"Sneed," Garden ordered, "fix the set-up as usual."
I glanced at the electric clock on the mantel: it was exactly ten minutes after one.
CHAPTER III
THE RIVERMONT RACES
(Saturday, April 14; 1:10 p.m.)
"Fixing the set-up" was a comparatively simple procedure, but a more or less mysterious operation for any one unfamiliar with the purpose it was to serve. From a small closet in the hall Sneed first wheeled out a sturdy wooden stand about two feet square. On this he placed a telephone connected to a loud speaker which resembled a midget radio set. As I learned later, it was a specially constructed amplifier to enable every one in the room to hear distinctly whatever came over the telephone.
On one side of the amplifier was attached a black metal switch box with a two-way key. In its upright position this key would cut off the voice at the other end of the line without interfering with the connection; and throwing the key forward would bring the voice on again.
"I used to have ear-phones for the gang," Garden told us, as Sneed rolled the stand back against the wall beside the archway and plugged the extension wires into jacks set in the baseboard.
The butler then brought in a well-built folding card-table and opened it beside the stand. On this table he placed another telephone of the conventional French, or hand, type. This telephone, which was gray, was plugged into an additional jack in the baseboard. The gray telephone was not connected with the one equipped with the amplifier, but was on an independent line.
When the two instruments and the amplifier had been stationed and tested, Sneed brought in four more card-tables and placed them about the drawing-room. At each table he opened up two folding chairs. Then, from a small drawer in the stand, he took out a long manila envelope which had evidently come through the mail, and, slitting the top, drew forth a number of large printed sheets approximately nine by sixteen inches. There were fifteen of these sheets--called "cards" in racing parlance--and after sorting them he spread out three on each of the card-tables. Two neatly sharpened pencils, a well-stocked cigarette box, matches and ash trays completed the equipment on each table. On the table holding the gray telephone was one additional item--a small, much-thumbed ledger.
The final, but by no means least important, duty of Sneed in "fixing the set-up" was to open the doors of a broad, low cabinet in one corner of the room, revealing a miniature bar inside.
A word about the "cards": These concentrated racing sheets were practically duplicates of the programs one gets at a race track, with the exception that, instead of having each race on a separate page, all the races at one track were printed, one after the other, across a single sheet. There were only three tracks open that month, and the cards on each table were the equivalent of the three corresponding programs. Each of the printed columns covered one race, giving the post position of the horses, the name of each entry and the weights carried.* (*On the "cards" for New York State, however, the numbers do not correspond to the post positions, as here these positions are drawn shortly before the races begin, except in stake races.) At the top of each column were the number and distance of the race, and at the bottom were ruled spaces for the pari-mutuel prices. At the left of each column was a space for the odds; and between the names of the horses there was sufficient room to write in the jockeys' names when that information was received.
(In order to make more readily comprehensible the technique of this particular racing service, I am reproducing herewith an exact copy of the Rivermont Park card for that day. Race number Four was that memorable Rivermont Handicap which was to prove the vital primary factor in the terrible tragedy that took place in Professor Garden's home that afternoon.)
When Sneed had arranged everything he started from the room, but hesitated significantly in the archway. Garden grinned broadly and, sitting down at the table with the gray telephone, opened the small ledger before him and picked up a pencil.
"All right, Sneed," he said, "on what horse do you want to lose your easily earned money today?" Sneed coughed discreetly.
"If you don't mind, sir, I'd like to risk five dollars on Roving Flirt to show."
Garden made a notation in the ledger.
"All right, Sneed; you're on Roving Flirt for a V at third."
With an apologetic "Thank you, sir," the butler disappeared into the dining-room. When he had gone Garden glanced at the clock and reached for the black telephone connected with the amplifier.
"The first race today," he said, "is at two-thirty, and I'd better hop to it and get the line-up. Lex will be coming on in a few minutes; and the boys and girls will want to be knowing everything and a little bit more when they arrive with their usual high hopes and misgivings."* (*Alexis Flint was the service announcer at the central news station.)
He lifted the receiver from the hook of the telephone and dialed a number. After a pause he spoke into the transmitter:
"Hello, Lex. B-2-9-8. Waiting for the dope." And, laying the receiver down on the stand, he threw the switch key forward.
A clear-cut, staccato voice came through the amplifier: "O.K., B-2-9-8." Then there was a click, followed by several minutes of silence. Finally the same voice began speaking: "Everybody get ready. The exact time now is one-thirty and a quarter.--Three tracks today. The order will be Rivermont, Texas, and Cold Springs. Just as you have them on the cards. Here we go. Rivermont: weather clear and track fast. Clear and fast. First post, 2:30. And now down the line. First race: 20, Barbour; 4, Gates; 5, Lyon; 3, Shea; scratch twice; 3, Denham; 20, Z. Smythe--that's S-m-y-t-h-e; 10, Gilly; 10, Deel; 15, Carr.--And the Second race: 4, Elkind; 20, Barbour; 4, Carr; 20, Hunter; 10, Shea; scratch number 6; 20, Gedney, and make the weight 116; scratch number 8; 3 to 5, Lyon; 4, Martinson.--And the Third race: The top one is 10, with Huron; scratch twice; 20, Denham; 20, J. Briggs--that's Johnny Briggs; 20, Hunter; 4, Gedney; even money, Deel; 20, Landseer. And now race number Four. The Rivermont Handicap. The top one is 8, with Shelton; 15, Denham; 10, Redman; 6, Baroco; 20, Gates; 20, Hunter; 6, Cressy; 5, Barbour; 12, J. Briggs--that's Johnny Briggs; 5, Elkind; 4, Martinson; scratch number 12; 20, Gilly; 21/2, Birken.--And the Fifth: 6, Littman; 12, Huron..."
The incisive voice continued with the odds and jockeys and scratches on the two remaining races at Rivermont Park. As the announcements came over, Garden attentively and rapidly filled in the data on his card. When the last entrant of the closing race at Rivermont Park had been reached there was a slight pause. Then the announcements continued:
"Now everybody go to Texas. At Texas, weather cloudy and track slow. Cloudy and slow. In the First: 4, Burden; 10, Lansing--"
Garden leaned over and threw the amplifier switch up, and there was silence in the room.
"Who cares about Texas?" he remarked negligently, rising from his chair and stretching. "No one around here plays those goats anyway. I'll pick up the Cold Springs dope later. If I don't, some one's sure to ask for it, just to be contrary." He turned to his cousin. "Why don't you take Vance and Mr. Van Dine upstairs and show them around the garden?...They might," he added with good-natured sarcasm, "be interested in your lonely retreat on the roof, where you listen in to your fate. Sneed has probably got it arranged for you."
Swift rose with alacrity.
"Damned glad of the chance," he returned surlily. "Your manner today rather annoys me, Floyd." And he led the way down the hall and up the stairs to the roof-garden, Vance and I following. Hammle, who had settled himself in an easy chair with a Scotch-and-soda, remained below with our host.
The stairway was narrow and semicircular, and led upward from the hallway near the front entrance. In glancing back up the hall, toward the drawing-room, I noticed that no section of that room was visible from the stair end of the hall. I made this mental note idly at the time, but I mention it here because the fact played a very definite part in the tragic events which were to follow.
At the head of this narrow stairway we turned left into a corridor, barely four feet
wide, at the end of which was a door leading into a large room--the only room on the roof. This spacious and beautifully appointed study, with high windows on all four sides, was used by Professor Garden, Swift informed us, as a library and private experimental laboratory. Near the door to this room, on the left wall of the corridor, was another door, of calamine, which, I learned later, led into a small storeroom built to hold the professor's valuable papers and data.
Half-way down the corridor, on the right, was another large calamine weather door which led out to the roof. This door had been propped open, for the sun was bright and the day mild. Swift preceded us into one of the loveliest skyscraper gardens I have ever seen. It covered a space about forty feet square and was directly over the drawing-room, the den and the reception hall. In the centre was a beautiful rock pool. Along the low brick balustrade were rows of thick privet and evergreens. In front of these were boxed flowerbeds, in which the crocuses, tulips and hyacinths were already blooming in a riot of color. That part of the garden nearest the study was overhung by a gay stationary awning, and various pieces of comfortable garden furniture were arranged in its shade.
We walked leisurely about the garden, smoking. Vance seemed deeply interested in two or three rare evergreens, and chatted casually about them. At length he turned, strolled back toward the awning, and sat down in a chair facing the river. Swift and I joined him. The conversation was desultory: Swift was a difficult man to talk to, and as the minutes went by he became more and more distrait. After a while he got up nervously and walked to the other end of the garden. Resting his elbows on the balustrade, he looked for several minutes down into Riverside Park; then, with a sudden jerky movement, almost as if he had been struck, he straightened up and came back to us. He glanced apprehensively at his wristwatch.
"We'd better be going down," he said. "They'll be coming out for the first race before long."
Vance gave him an appraising look and rose. "What about that sanctum sanctorum of yours which your cousin mentioned?" he asked lightly.
"Oh, that..." Swift forced an embarrassed smile. "It's that red chair over there against the wall, next to the small table...But I don't see why Floyd should spoof about it. The crowd downstairs always rags me when I lose, and it irritates me. I'd much rather be alone when I get the results."
"Quite understandable," nodded Vance with sympathy.
"You see," the man went on rather pathetically, "I frankly play the ponies for the money--the others downstairs can afford to take heavy losses, but I happen to need the cash just now. Of course, I know it's a hell of a way to try to make money. But you either make it in a hurry or lose it in a hurry. So what's the difference?"
Vance had stepped over to the little table on which stood a desk telephone which had, instead of the ordinary receiver, what is known as a head receiver--that is, a flat disk ear-phone attached to a curved metal band to go over the head.
"Your retreat is well equipped," commented Vance.
"Oh, yes. This is an extension of the news-service phone downstairs; and there's also a plug-in for a radio, and another for an electric plate. And floodlights." He pointed them out to us on the study wall. "All the comforts of a hotel," he added with a sneer.
He took the ear-phone from the hook and, adjusting the band over his head, listened for a moment.
"Nothing new yet at Rivermont," he mumbled.
He removed the earphone with nervous impatience and tossed it to the table. "Anyway we'd better get down." And he walked toward the door by which we had come out in the garden.
When we reached the drawing-room we found two newcomers--a man and a woman--seated at one of the tables, poring over the racing cards and making notations. Vance and I were casually introduced to them by Garden.
The man was Cecil Kroon, about thirty-five, immaculately attired and sleek, with smooth, regular features and a very narrow waxed mustache. He was quite blond, and his eyes were a cold steely blue. The woman, whose name was Madge Weatherby, was about the same age as Kroon, tall and slender, and with a marked tendency toward theatricalism in both her attire and her make-up. Her cheeks were heavily rouged and her lips crimson. Her eyelids were shaded with green, and her eyebrows had been plucked and replaced with fine penciled lines. In a spectacular way she was not unattractive.
Hammle had moved from his easy chair to one of the card-tables at the end of the room nearest the entrance, and was engaged in checking over the afternoon's entries.
Swift went to the same table and, nodding to Hammle, sat down opposite him. He removed his glasses, wiped them carefully, reached for one of the cards, and glanced over the races.
Garden looked up and motioned to us--he was holding the receiver of the black telephone to his ear.
"Choose a table, Vance, and see how accurate, or otherwise, your method of handicapping is. They'll be coming to the post for the first race in about ten minutes, and we'll be getting a new line shortly."
Vance strolled over to the table nearest Garden's, and seating himself, drew from his pocket a sheet of note-paper on which were written rows of names and figures and computations--the results of his labors, the night before, with the past-performance charts of the horses in that day's races. He adjusted his monocle, lighted a fresh cigarette, and appeared to busy himself with the Rivermont race card. But I could see that he was covertly studying the occupants of the room more intently than he was the racing data.
"It won't be long now," Garden announced, the receiver still at his ear. "Lex is repeating the Cold Springs and Texas lines for some subscribers who were late calling in."
Kroon went to the small bar and mixed two drinks which he took back to his table, setting one down before Miss Weatherby.
"I say, Floyd," he called out to Garden; "Zalia coming today?"
"Absolutely," Garden told him. "She was all stirred up when she phoned this morning. Full of sure things. Bulging with red-hot tips direct from trainers and jockeys and stable-boys and all the other phony sources of misinformation."
"Well, what about it?" came a vivacious feminine voice from down the hall; and the next moment a swaggering, pretty girl was standing in the archway, her hands on her muscular boyish hips. "I've concluded I can't pick any winners myself, so why not let the other guy pick 'em for me?...Hello, everybody," she threw in parenthetically..."But Floyd, old thing, I really have a humdinger in the First at Rivermont today. This tip didn't come from a stable-boy, either. It came from one of the stewards--a friend of dad's. And am I going to smear that hay-burner!"
"Right-o, Baby-face," grinned Garden. "Step into our parlor."
She started forward, and hesitated momentarily as she caught sight of Vance and me.
"Oh, by the way, Zalia,"--Garden put the receiver down and rose--"let me present Mr. Vance and Mr. Van Dine...Miss Graem."
The girl staggered back dramatically and lifted her hands to her head in mock panic.
"Oh, Heaven protect me!" she exclaimed. "Philo Vance, the detective! Is this a raid?"
Vance bowed graciously.
"Have no fear, Miss Graem," he smiled. "I'm merely a fellow criminal. And, as you see, I'm dragging Mr. Van Dine along the downward path with me."
The girl flashed me a whimsical glance.
"But that isn't fair to Mr. Van Dine. Where would you be without him, Mr. Vance?"
"I admit I'd be unknown and unsung," returned Vance. "But I'd be a happier man--an obscure, but free, spirit. And I'd never have unconsciously provided the inspiration for Ogden Nash's poetic masterpiece."*
(*Vance was referring to Nash's famous couplet: "Philo Vance Needs a kick in the pance.")
Zalia Graem smiled broadly, and then pouted.
"It was horrid of Nash to write that jingle," she said. "Personally, I think you're adorable." She went toward the unoccupied card-table. "But, after all, Mr. Vance," she threw back over her shoulder, "you are terribly stingy with your g's."
At this moment Garden, who was again listening through the receiver, anno
unced:
"The new line's coming. Take it down if you want it."
He pressed forward the key on the switch box, and in a moment the voice we had heard earlier was again coming through the amplifier.
"Coming out at Rivermont, and here's the new line: 20, 6, 4, 8 to 5, scratch twice, 3, 20, 15, 10, 15...Who was it wanted the run-down at Texas--?"
Garden cut out the amplifier.
"All right, boys and girls," he sang out, drawing the ledger to him. "What's on your mind? Be speedy. Only two minutes to post time. Any customers?...How about your hot tip, Zalia?"
"Oh, I'm playing it, all right," Miss Graem answered seriously. "And he's ten to one. I want fifty on Topspede to win--and...seventy-five on him to show."
Garden wrote rapidly in the ledger.
"So you don't quite trust your hot tip?" he gloated. "Covering, as it were...Who else?"
"I'm playing Sara Bellum," Hammle spoke up. "Twenty-five across the board."
"And I want Moondash--twenty on Moondash to show." This bet came from Miss Weatherby.
"Any others?" asked Garden. "It's now or never."
"Give me Miss Construe--fifty to win," said Kroon.
"How about you, Vance?" asked Garden.
"I had Fisticuffs and Black Revel down as about equal choices, so I'll take the one with the better odds--but not to win. Make it a hundred on Black Revel a place."
Garden turned to his cousin. "And you, Woody?" Swift shook his head. "Not this race."
"Saving it all for Equanimity, eh? Right-o. I'm staying off this race myself." Garden reached for the gray telephone and dialed a number..."Hello, Hannix.* (*Hannix was Floyd Garden's book-maker.) This is Garden...Feeling fine, thanks...Here's the book for the First at Rivermont: Topspede, half a hundred-0-seventy-five. Sara Bellum, twenty-five across the board. Moondash, twenty to show. Miss Construe, half a hundred to win. Black Revel a hundred a place...Right."
He hung up the receiver and cut in the amplifier. There was a momentary silence. Then:
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